Temat: rhetorical tropes - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Onomastique et parodie dans la saga bédéïque "Crepúsculon"
Autorzy:: Fournet-Pérot, Sonia
Powiązania:: https://bibliotekanauki.pl/articles/1195595.pdf
Data publikacji:: 2020-11-03
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: onomastics
parody
Spanish comics
linguistics
rhetorical tropes
onomastique
parodie
BD espagnole
linguistique
tropes rhétoriques
Opis:: Le mythe du vampire a inspiré de nombreuses créations littéraires et audio-visuelles qui ont, pour certaines, cherché à atteindre un public adolescent. C’est le cas de la saga cinématographique Twilight (adaptation des romans de Stephenie Meyer) que les quatre BD espagnoles du cycle Crepúsculon s’emploient à parodier. Nous aborderons Crepúsculon en adoptant une approche exclusivement linguistique, et, en particulier, dans le cadre de cet article, onomastique, par le biais des tropes rhétoriques.
The myth of the vampire inspired many literary and audio-visual creations. Some of them tried to seduce a young audience. This is the case of the Twilight saga films (adaptation of the Stephenie Meyer novels), that the four Spanish comics of the cycle Crepúsculon want to parody. We will study Crepúsculon adopting an exclusively linguistic approach and more precisely, in this article, an onomastic approach, through rhetorical tropes.
Źródło:: e-Scripta Romanica; 2020, 8; 63-73
2392-0718
Pojawia się w:: e-Scripta Romanica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Ut figura sit. Beda Czcigodny o tropach Pisma
Ut figura sit: the Venerable Bede on tropes of the Scripture
Autorzy:: Ryczek, Wojciech
Powiązania:: https://bibliotekanauki.pl/articles/612101.pdf
Data publikacji:: 2018
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:: Beda Czcigodny
tropy
figury retoryczne
egzegeza biblijna
the Venerable Bede
tropes
rhetorical figures
biblical exegesis
Opis:: The main purpose of the paper is to discuss thirteen tropes presented by the Venerable Bede, a Benedictine monk from the Kingdom of Northumbria, in the manual On figures and tropes (De schematibus et tropis, ca. 710), dedicated to his disciple, Cuthbert. Using the definitions and examples given by Donatus (Ars maior), Bede described thirteen tropes and their variants: metaphor, catachresis, metalepsis, metonymy, antonomasia, epithet, synecdoche (totum a parte, pars a toto), onomatopoeia, periphrasis, hyperbaton (histerologia, anastrophe, parenthesis, tmesis, synchysis), hyperbole, allegory (irony, antiphrasis, enigma, charientism, paremia, sarcasm, asteism), and homoeosis (icon, parable, paradigm). Each of these rhetorical devices was illustrated with examples drawn from the Scripture. Therefore, the categories form the grammatical tradition were transformed into the exegetical means, particularly useful during reading the Bible and discovering its hidden meanings. Deploying tropes for interpretative purposes, Bede proposed the model of exegesis concentrated on both what is signified and the mode of signification.
Źródło:: Vox Patrum; 2018, 69; 573-594
0860-9411
2719-3586
Pojawia się w:: Vox Patrum
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Mowa figuryczna. Stanisław Kostka Potocki o tropach i figurach retorycznych
Autorzy:: Ryczek, Wojciech
Powiązania:: https://bibliotekanauki.pl/articles/636495.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: the Enlightenment, rhetoric, elocutio, tropes, rhetorical figures, figurative language, metaphor, Staniław Kostka Potocki, style
Opis:: Figurative language. Stanisław Kostka Potocki on tropes and rhetorical figures In this paper, the author presents a critical edition of three chapters on rhetorical de-vices excerpted from the treatise O wymowie i stylu (On Eloquence and Style, Warsaw 1815) written by Stanisław Kostka Potocki (1755–1821), an enlightened man of letters. He begins with a brief introduction to a reading of Potocki’s text on some figurative uses of language. The author explains the circumstances in which Potocki wrote his rhetorical manual (the request of the Warsaw Society of Friends of Learning) and discusses its most important sources, both classic (Aristotle’s On Rhetoric, Cicero’s On the Ideal Orator, Quintilian’s Institutions of Oratory) and modern (César Chesneau Dumarsais’ Traité des Tropes, Paris 1730, Hugh Blair’s Lectures on Rhetoric and Belles Lettres, Dublin, Edinburgh 1783). With a few explanatory remarks on the three chapters presenting the nature of figurative language (in particular metaphor, personification, hyperbole and apostrophe) the author examines the connection between the rhetorical considerations on style and the Enlightenment philosophy of language. According to Stanisław Kostka Potocki, the tropes and rhetorical figures, being almost natural expressions of emotions, passions and imagination, should be regarded as the primordial origin of the human language. Thus the Enlightenment, the triumph of analytical (‘pure’) reason over imagination tinged with emotionality, is a period when authors intentionally limited the use of figurative language (although never totally rejected it) in order to reach the simplicity of the linguistic expression.
Źródło:: Terminus; 2014, 16, 2(31)
2084-3844
Pojawia się w:: Terminus
Dostawca treści:: Biblioteka Nauki

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