Temat: repertoire - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: The Liturgical Music in the Italian Church
Autorzy:: Losio, Ivan
Powiązania:: https://bibliotekanauki.pl/articles/30146652.pdf
Data publikacji:: 2023
Wydawca:: Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:: Functionality
word
forms
repertoire
rituality
training
composition
Opis:: The modern era of liturgical music in the Church in Italy has favored a situation in which a multiplicity of languages, styles and genres that probably characterize its uniqueness in the world scene coexist. We certainly cannot say that we live such a happy era from this point of view. After almost 60 years in which a false concept of liturgical creativity has been operating almost undisturbed, we are faced with an immense variety of situations within which – even in the presence of virtuous and significant experiences – a sort of generalized mediocrity is imposed which is almost all The cornerstones dictated by tradition and redefined by Vatican II. It is more than ever necessary to rediscover some fundamental concepts: the functionality of liturgical music; the music that wears the word; musical forms; thechoice of the repertoire; the need for training; The task of the liturgical music composer.
Źródło:: Pro Musica Sacra; 2023, 21; 17-29
2083-4039
Pojawia się w:: Pro Musica Sacra
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Unwrapping the micro-history of a house cistern from ancient Akrai/Acrae (southeastern Sicily)
Autorzy:: Chowaniec, Roksana
Chrzanovski, Laurent
Domżalski, Krzysztof
Gręzak, Anna
Matera, Marcin
Młynarczyk, Jolanta
Wagner, Marcin
Wicenciak, Urszula
Więcek, Tomasz
Powiązania:: https://bibliotekanauki.pl/articles/1632420.pdf
Data publikacji:: 2020-12-19
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Akrai/Acrae
Sicily
micro-history
cistern
archaeological repertoire
Opis:: The paper looks into the turbulent history of the ancient town of Akrai/Acrae in a mountainous part of southeastern Sicily, encapsulated in the assemblage of finds from a domestic cistern, which was remodeled and adapted in the course of its use. The cistern is considered as an architectural feature against the background of the ancient town, and the assemblage recovered from it is exmined thoroughly category by category, giving insight into the life of the ancient inhabitants of this island in the Mediterranean.
Źródło:: Polish Archaeology in the Mediterranean; 2020, 29(2); 603-651
1234-5415
Pojawia się w:: Polish Archaeology in the Mediterranean
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Beyond Strikes? Regime and Repertoire of Workers’ Protests in Poland 2004–2016
Autorzy:: Płucienniczak, Piotr
Rakowska, Katarzyna
Płatek, Daniel
Szklarczyk, Dariusz
Powiązania:: https://bibliotekanauki.pl/articles/22792648.pdf
Data publikacji:: 2022-06-21
Wydawca:: Polskie Towarzystwo Socjologiczne
Tematy:: labour repertoire
protest event analysis
strike
workers’ protest
Opis:: There is an ongoing debate on the changes in the activity of the labour movement in Europe: whether strikes are still the dominant form of action or were they supplanted by demonstrations and civil activism. The question is urgent in countries such as Poland where the number of registered strikes is very low. We verify the hypothesis that the labour movement in Poland shifts from the labour rights to civil rights model of contention in five dimensions: the scale of protest, mobilizing structures, repertoire, claims, and addressees. To avoid pitfalls of relying on official strike data, we use protest event analysis to gather data on workers’ protest from the national press. The conclusion is that the official data on strikes does not reveal the full scope of protest but work stoppages remain the dominant form of action. Results question the reliance on the official strike data to measure labour movement activity.
Źródło:: Polish Sociological Review; 2022, 218, 2; 169-186
1231-1413
2657-4276
Pojawia się w:: Polish Sociological Review
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Vaccine Discourse and Vaccine-Induced Sufferings: Discourse analysis of the promotion and hesitation of vaccination in Japan
Autorzy:: Sato, Akihiko
Powiązania:: https://bibliotekanauki.pl/articles/37250606.pdf
Data publikacji:: 2024-06-25
Wydawca:: Akademia Pedagogiki Specjalnej. Language and Society Research Committee
Tematy:: discourse analysis
repertoire
vaccine
vaccination
drug-induced sufferings
Opis:: The pandemic of the new coronavirus and the introduction of coronavirus vaccines prompted the production of vaccines and vaccine discourses around the world. The same situation has been observable in Japan. The purpose of this study is to discuss what I call “the social phenomenon of vaccines” in Japan. The present article will describe the characteristics of the vaccine discourse and consider the relationship between the vaccine discourse and vaccine-induced sufferings, which refer to the experience of social damages and difficulties caused by vaccines. Firstly, I will review the research method of the previous studies of vaccination. It has been shown that both pro-vaccine and anti-vaccine existed from the beginning of the history of vaccination, and in that sense, the existence of both pro-vaccine and anti-vaccine can be considered as a part of “the social phenomenon of vaccines” from the beginning. Inspired by the Strong Program, I will explain a method which would enable me to describe both pro and anti-vaccine without a priori assumptions. One such method can be found in the repertoire analysis by Gilbert and Mulkey (1984), who analyzed controversies in scientific research. Following their method, I will explore how the vaccine discourse was developed in Japan. The vaccine discourse in Japan is found in three different types of literature, which discuss vaccine promotion, vaccine harms, and vaccine safety. Secondly, I will identify three kinds of repertoires: “componentist repertoire”, “manipulationist repertoire” and “psychologism repertoire”. I will then discuss the features of “the social phenomenon of vaccines” by examining the relationship among these repertoires and how these repertoires work. Finally, I will discuss how vaccine discourse is related to the discourse of vaccine-induced sufferings. In conclusion, vaccination, by its very nature, cannot be separated from the impossibility of direct experience of vaccination. Therefore, the more vaccine develops, the more vaccine discourse flourishes.
Źródło:: Language, Discourse & Society; 2024, 12, 1 (23); 13-35
2239-4192
Pojawia się w:: Language, Discourse & Society
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Rok 1918 na teatralnej prowincji. Kielce
Year 1918 on the theatrical province. Kielce
Autorzy:: Drozdowska, Paulina
Powiązania:: https://bibliotekanauki.pl/articles/938394.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:: theatre
Kielce
1918
repertoire
the Polish Theatre
independence
extermination
Opis:: The article describes cultural life in Kielce at the threshold of independence. The local theatre played a prominent role at that time, since it was the only professional scene on which the Regency Council’s manifest was read. After this event the institution had its name changed into the Polish Theatre. The directors in those days were struggling with financial and logistical problems, lack of permanent crew, and even the outbreak of typhus. The history of the theater is described in the context of provincial, poor and clerical town, in which the intelligentsia accounted for a small percentage of the population. The audience wanted some entertainment both from the theatre and the expanding world of the cinema. Therefore, the creators were trying to meet those expectations through productions based on comedy and operetta. The local amateur theatre was the only group involved in politics, staging several patriotic plays. The conclusions of the article are based on the materials published in ”Gazeta Kielecka”, a local newspaper of that time, and collections available in the branch of National Archive in Kielce (unfortunately, no documents have been preserved in Żeromski Theater), as well as the research done by regional historians. Year 1918 turned out to be just a glimpse in the long process of changing the mentality of local community. It was just the first step to rebuild its national identity.
Źródło:: Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2018, 18; 86-103
2081-1853
Pojawia się w:: Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: César Franck: Pedagogical and Performance Problems in Pièce Héroïque
Autorzy:: di Fiore, David
Powiązania:: https://bibliotekanauki.pl/articles/1965584.pdf
Data publikacji:: 2021
Wydawca:: Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
Tematy:: César Franck
Pièce Héroïque
French Organ Repertoire
Interpretation
Romanticism
Opis:: My aim in writing about Pièce Héroïque of César Franck is to discuss the aspects of interpretation, and to cite various recordings, books, papers, my own experience of organ studies with Mme Odile Pierre in Paris and the numerous times that I have performed this composition in a variety of musical situations. Another point of discussion will be attaining a spirit of Romanticism rather than a literal reading of the score when dealing with non-French organs. You will need a copy of the Durand edition of 1883 for this discussion, and having measure numbers marked ahead of time will be helpful.
Źródło:: Folia Organologica. International yearbook of organ and organ music; 2021, 4; 32-51
2657-6082
2719-3284
Pojawia się w:: Folia Organologica. International yearbook of organ and organ music
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Cyfrowa dystrybucja w kinach lokalnych
Digital Distribution in Local Cinemas
Autorzy:: Grawon, Alicja Maria
Powiązania:: https://bibliotekanauki.pl/articles/26854350.pdf
Data publikacji:: 2013-04-30
Wydawca:: Wydawnictwo Adam Marszałek
Tematy:: distribution
digital cinema network
content
alternative
traditional cinemas
politics repertoire
Opis:: In the last 20 years the digital revolution has brought a number of changes in the methods of dissemination of cultural works, particularly in the distribution of audiovisual works. An integration of electronic devices and content brings new opportunities for the development of cultural activity. An important example illustrating the range of changes in the domain of cultural management is the Malopolska Digital Cinema Network. It was created in part with funds from MROP 2007–2013 and exemplifies the use of technological innovation as an indicator of cultural mobilization. This text is a case study of local digital cinema network and attempts to define the scope of the impact of the use of digital tools in cultural and viewing practices in the cities belonging to MSKC.
Źródło:: Kultura i Edukacja; 2013, 2(95); 247-269
1230-266X
Pojawia się w:: Kultura i Edukacja
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: From Mobilization to Demobilization: Dynamics of Contention in the Austerity-driven Slovenia
Autorzy:: Rak, Joanna
Powiązania:: https://bibliotekanauki.pl/articles/619776.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: demobilization
dynamics of contention
collective identity
protest movement
contentious repertoire
Opis:: The article aims to trace the dynamics of contention in austerity-driven Slovenia, explain why it ended, through the processes of demobilization, despite the protest movement’s initial successes, and verify the explanatory power of Charles Tilly and Sidney Tarrow’s theoretical framework of demobilization. The analysis applies the method of source analysis, conceptual qualitative content analysis, and the conceptual framework of contentious politics. In doing so, it addresses the research problems of the dynamics of contention in Slovenia and why the contention resulted in demobilization. The article argues that after mass mobilization an upward scale shift appeared. The shift moved the contention beyond its local origins in Maribor, touched on the interests and values of new subjects, and involved a shift of venue to sites where the demands might have been met by state institutions. The dynamics of contention was a cycle of active and passive contentious episodes. The movement identity shift and successful recognition of its claims influenced the performances and episode sequence. The processes of demobilization started when people stopped attending protests, organizing particular performances, and implementing innovations to modular performances instead. Demobilization occurred when most of the protesters became discouraged from protest through boredom and a desire to return to everyday routines.
Źródło:: Środkowoeuropejskie Studia Polityczne; 2018, 3; 49-64
1731-7517
Pojawia się w:: Środkowoeuropejskie Studia Polityczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Account books of the Musical Chapel of Lviv Uniate Bishop Leon Szeptycki (1760–1779)
Autorzy:: Kuzminskyi, Ivan
Powiązania:: https://bibliotekanauki.pl/articles/513864.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:: account books
musical chapel
musical repertoire
music in Lviv
Leon Szeptycki
Opis:: This article explores the newly discovered account books of the Lviv Uniate Musical Chapel of the Bishop Leon Szeptycki. The main stay of this musical chapel was the architectural complex of the Cathedral of St George in Lviv. Today, two account books are stored in the department of old books and manuscripts of the Andrey Sheptytsky National Museum in Lviv in the archives of the Lviv bishops; they cover the years 1760–1779. In the first two parts of the article, the author investigates the issues of the founding of the musical chapel and its place of activity. In the third part, there is a list of musicians who were members of this chapel over the years. In addition to the names and surnames, their positions, years of employment, musical instruments which they played and details of their biography are indicated. In the next part, there is a list of pupils of the chapel. It appears that the total number of pupils ranged from 2 to 14. Adult musicians and pupils played various instruments: harpsichord (“klawicymbaly”), clavichord (“klawikort”), organ, violin, alto, viola da gamba (“kwartviola”), cello (“basetla”), oboe, bassoon, trumpet and horn; there were singers as well. In the fifth part, the author specifies in what way the Lviv Uniate musical chapel was financed. In the next part, both the church and the secular musical repertoire of the musical chapel are described. In this section, also information from the Warsaw periodicals are used. In the seventh part, the collaboration of the Uniate music chapel with other chapels and monastic orders, Jesuits, Dominicans and Conventual Franciscans is explored. In the last part, the author examines the information about the human settlements that are found on the pages of the account books.
Źródło:: Kwartalnik Młodych Muzykologów UJ; 2018, 3(38) Eng; 5-24
2956-4107
2353-7094
Pojawia się w:: Kwartalnik Młodych Muzykologów UJ
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Account books of the Musical Chapel of Lviv Uniate Bishop Leon Szeptycki (1760–1779)
Autorzy:: Kuzminskyi, Ivan
Powiązania:: https://bibliotekanauki.pl/articles/514026.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:: account books
musical chapel
musical repertoire
music in Lviv
Leon Szeptycki
Opis:: This article explores the newly discovered account books of the Lviv Uniate Musical Chapel of the Bishop Leon Szeptycki. The main stay of this musical chapel was the architectural complex of the Cathedral of St George in Lviv. Today, two account books are stored in the department of old books and manuscripts of the Andrey Sheptytsky National Museum in Lviv in the archives of the Lviv bishops; they cover the years 1760–1779. In the first two parts of the article, the author investigates the issues of the founding of the musical chapel and its place of activity. In the third part, there is a list of musicians who were members of this chapel over the years. In addition to the names and surnames, their positions, years of employment, musical instruments which they played and details of their biography are indicated. In the next part, there is a list of pupils of the chapel. It appears that the total number of pupils ranged from 2 to 14. Adult musicians and pupils played various instruments: harpsichord (“klawicymbaly”), clavichord (“klawikort”), organ, violin, alto, viola da gamba (“kwartviola”), cello (“basetla”), oboe, bassoon, trumpet and horn; there were singers as well. In the fifth part, the author specifies in what way the Lviv Uniate musical chapel was financed. In the next part, both the church and the secular musical repertoire of the musical chapel are described. Inthis section, also information from the Warsaw periodicals are used. In the seventh part, the collaboration of the Uniate music chapel with other chapels and monastic orders, Jesuits, Dominicans and Conventual Franciscans is explored. In the last part, the author examines the information about the human settlements that are found on the pages of the account books.
Źródło:: Kwartalnik Młodych Muzykologów UJ; 2018, 3(38); 5-24
2956-4107
2353-7094
Pojawia się w:: Kwartalnik Młodych Muzykologów UJ
Dostawca treści:: Biblioteka Nauki

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