Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "renaissance studies" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-7 z 7
    Tytuł:
    Etnocentryzm: czy tylko jeden? Krytyczna analiza teorii „renesansów” Jacka Goody’ego
    Autorzy:
    Bielecki, Konrad
    Powiązania:
    https://bibliotekanauki.pl/articles/601985.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    studia nad renesansem
    strukturalizm
    historia globalna
    historia uniwersalna
    badania porównawcze
    Renaissance studies
    structuralism in historiography
    global history
    universal history
    comparative research
    Opis:
    Tekst jest krytyczną analizą teorii „renesansów” Jacka Goody’ego: bliżej przyglądam się temu, jak autor rozumiał epokę odrodzenia oraz powiązane z nią zjawiska. Dekonstrukcja jego twierdzeń, osadzona w szerszej krytyce strukturalistycznej historii globalnej, uwidacznia niedobory takiego podejścia i jego nieskuteczność w przełożeniu na bardziej szczegółowe studia przypadku.
    The text is a critical analysis of Jack Goody’s theory of renaissances, which takes a closer look at how the author understood the renaissance and related phenomena. The deconstruction of the author’s statements, set in a broader critique of structuralist global history, reveals the shortcomings of this approach and its ineffectiveness in more detailed case studies.
    Źródło:
    Kwartalnik Historyczny; 2019, 126, 3
    0023-5903
    Pojawia się w:
    Kwartalnik Historyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ценные предметы в памятниках белорусской литературы XVI–XVII веков
    Valuable objects in ancient Belarusian literature
    Autorzy:
    Kazanina, Viola
    Powiązania:
    https://bibliotekanauki.pl/articles/2118249.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    valuable objects
    art studies
    antiquarian practice
    ancient Belarusian literature
    Renaissance
    early Baroque
    Opis:
    The article describes and analyzes an artistic context of valuable objects in famous texts of ancient Belarusian literature (16th century – the first half of the 17th century) from the perspective of art studies and antiquarian practice. According to the author valuable objects in famous books of ancient Belarusian literature comprise gold and silver coins, pearl and precious stones, inlaid cult objects and weapons, exotic plants and animals, antiquarian books, coats of arms, musical instruments, imported fabrics and luxurious interiors. In the artistic context all above-mentioned objects are symbols of beauty ideals and diversity of the Renaissance and early Baroque in Europe.
    Źródło:
    Białorutenistyka Białostocka; 2019; 239-249
    2081-2515
    Pojawia się w:
    Białorutenistyka Białostocka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    What’s past is prologue: the Age of Caliban
    Autorzy:
    Kowalcze-Pawlik, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/638715.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Shakespeare, Caliban, Prospero, monstrosity, bestial man, reception history, postcolonial studies, cultural studies, Renaissance literature, English drama
    Opis:
    The article provides a brief comparative study of the reception history of Shakespeare’s Caliban in the early modern period and in the contemporary literary criticism. The analysis aims to delineate a fundamental difference in the reception of the character of Caliban throughout the ages which I attribute to a historical shift in the understanding of the notions of humanity and monstrosity. The first part of the article concentrates on the description of the historical and social circumstances of the Elizabethan discourse of monstrosity and draws a link between them and the literary and political context of the time, while engaging into a close reading of The Tempest that brings to the fore the origin and nature of the “servant-monster”. The second part of the paper focuses on the gradual change in the interpretations of Caliban who ceased to be seen as a monstrosity and with time acquired undeniably human characteristics. That shift has been observable since the 19th century and has found its culmination in the postcolonial strain of Caliban’s contemporary interpretations, in which Prospero’s slave becomes a native trying to find a language for himself in a colonial regime his body and mind are subjugated to. The postcolonial project of the unfinished monstrous humanity of Sycorax’s son is congruous with the postmodern condition that can be dubbed, to use Harold Bloom’s phrase, “the Age of Caliban”. It is exactly that liminal and paradoxical notion of monstrous humanity that resides at the core of the contemporary fascination with “Monsieur Monster”.
    Źródło:
    Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2011, 6, 1
    2084-3933
    Pojawia się w:
    Studia Litteraria Universitatis Iagellonicae Cracoviensis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    I tre soggiorni a Padova di Stanisław Niegoszewski (1565-post 1600)
    Stanisław Niegoszewski’s three sojourns in Padua (1565–post-1600)
    Autorzy:
    Malinowski, Gościwit
    Powiązania:
    https://bibliotekanauki.pl/articles/1929885.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Late Renaissance
    Polish prosopography
    Polish-Italian relations
    Polish literature
    Neo-Latin studies
    manierismo
    prosopografia polacca
    relazioni Italia-Polonia
    letteratura polacca
    studi
    neolatini
    Opis:
    Stanisław Niegoszewski (1565-post-1600) was a prime example of a Renaissance man: he was a student at the universities of Krakow and Padua; a poet-improviser; an alchemist; a courtier of King Sigismund Vasa III; a diplomat; a devout follower of the Counter-Reformation; and a businessman. He divided his life between Poland and Italy, and his biography is known to us so fragmentarily that some scholars reconstruct his life based on instinct, assumptions, personal preference, or unfounded hypotheses. Henryk Barycz, the eminent scholar and author of entries in the Polish Biographical Dictionary, had divided the deeds and works of one Stanisław Niegoszewski into two different persons: “Stanisław Niegoszewski (Niegoszowski), coat of arms of Jastrzębiec (circa 1560-5 - circa 1588-90),” a student at the universities of Krakow and Padua and a poet-improviser, and “Stanisław Niegoszewski (Niegoszowski), coat of arms of Jastrzębiec (circa 1565-70 - after 1607),” an alchemist, courtier of King Sigismund Vasa III, diplomat, devout follower of the CounterReformation, and poet as well. Although Władysław Magnuszewski proved wrong Barycz’s theory about the existence of two Niegoszewskis nearly a half-century ago, the outdated theory is repeated by new generations of scholars again and again. This paper attempts to prove that all three sojourns in Padua of a certain Niegoszewski—as a student in 1582-1583, as an alchemist in 1585, and as a royal diplomat in 1594—belong to the same person. Based on new sources found in Italian archives and libraries in 2013, the biography of a single Stanisław Niegoszewski could be reconstructed with much more detail than before.
    Stanisław Niegoszewski (1565-post 1600), studente dell’Università di Cracovia e di quella di Padova, poeta-improvvisatore, alchimista, cortigiano di re Sigismondo III Vasa, diplomatico, fervente sostenitore della Controriforma ed uomo d’affari, fu uno dei primi esempi di uomo del Rinascimento. Egli trascorse la sua vita fra la Polonia e l’Italia. La sua biografia ci è nota in modo tanto frammentario che alcuni studiosi ricostruiscono la sua vita basandosi sull’istinto, presupposizioni, preferenze personali ed ipotesi infondate. Henryk Barycz, eminente ricercatore ed autore di varie voci del Dizionario Biografico Polacco, ha scisso le vicende e l’opera di Stanisław Niegoszewski in due persone differenti: ”Stanisław Niegoszewski (Niegoszowski), dello stemma di Jastrzębiec (1560-5 ca. - 1588-90 ca.)”, studente delle università di Cracovia e di Padova nonché poeta improvvisatore, e ”Stanisław Niegoszewski (Niegoszowski), dello stemma di Jastrzębiec (1565-70 ca. - post 1607)”, alchimista, cortigiano di re Sigismondo III Vasa, diplomatico, fervente sostenitore della Controriforma nonché poeta. Sebbene Władysław Magnuszewski abbia confutato la teoria di Barycz sull’esistenza di due Niegoszewski circa mezzo secolo fa, essa viene ribadita da sempre nuove generazioni di studiosi. In questo articolo mi sforzo di dimostrare che tutti e tre i soggiorni di Niegoszewski a Padova, come studente negli anni 1582-1583, come alchimista nel 1585 e in qualità di diplomatico reale nel 1594, riguardano la stessa persona. Sulla base delle nuove fonti da me rinvenute negli archivi e nelle biblioteche italiane nel 2013, la biografia di Stanisław Niegoszewski, lo stesso, è stata ricostruita con molti più dettagli di prima.
    Źródło:
    Italica Wratislaviensia; 2021, 12.2; 47-68
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Animals in the legal culture of Prussian towns (the 13th–16th centuries): An overview
    Autorzy:
    Modrzyński, Paweł Mateusz
    Powiązania:
    https://bibliotekanauki.pl/articles/938104.pdf
    Data publikacji:
    2019-12-17
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Tematy:
    history of animals
    history of law
    chełmno law
    lübeck law
    middle ages
    renaissance
    animal studies
    cultural history
    history of animal
    husbandry
    history of towns
    primateriminal prosecution and capital punishment of animals
    Opis:
    Animals were a permanent element in the landscape of medieval towns. Many residents of the then urban centres lived of animal husbandry. In addition to farm animals (e.g. pigs), they kept domestic animals (e.g. dogs and cats) as well as wild animals. The latter often sought food in garbage and suburbs. Such animals were also kept for entertainment. Authorities of Prussian towns regulated many issues related to the functioning of towns, including those concerning animal husbandry. Animals could pose a threat to the health and life of residents. They were also considered to be pests that destroy crops, orchards, and household appliances. The legislation of the period was focused on determining guilt for crimes and offenses committed by animals. Either an animal, treated as an entity responsible for the harmful act, or its owner was blamed for the misconducts. The presence of animals, especially livestock, was considered to be the cause of considerable sanitary problems in towns, mainly due to animal waste. Town authorities regulated issues concerning cattle herding and grazing. The care over the herd was entrusted to urban shepherds whose service was regulated by town legislation. The problem of the perception of animals by the society of that time was also significant. Although seemingly unwanted, they were the only source of income for many residents. For some, animals were pests, and for others, a guarantee of fragile existence. It was also a time when people began to wonder what exactly an animal is, what role it should play in human life, and how to treat it.
    Źródło:
    Studia z Dziejów Średniowiecza; 2019, 23; 171-182
    2544-2562
    Pojawia się w:
    Studia z Dziejów Średniowiecza
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The end of Latin civilisation or the beginning of the sixth Renaissance?
    Autorzy:
    Ochman, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/704534.pdf
    Data publikacji:
    2017
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Renaissance
    classical studies
    Latin
    digital humanities
    Latinitas viva
    Opis:
    The article presents a series of five cultural renaissances which took place in the Western World from the 3rd century BC to the 15th–16th centuries AD. One feature which all these renaissances had in common was a type of technological turn which either triggered or helped to spread renewed interest in literature. The end of the 20th century and especially the beginning of the 21st century has been witness to a major technological revolution. Some signs of literary and philological renewal can also be observed, especially in the field of classical studies. All this has led some scholars to believe that we are currently heading for the sixth Renaissance.
    Źródło:
    Nauka; 2017, 4
    1231-8515
    Pojawia się w:
    Nauka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Reflections of the Hidden Duchess and the Moon King: The Tabula Scalata and the Engaged Beholder in Sixteenth-Century Italy
    Autorzy:
    Wijnands, Clim
    Powiązania:
    https://bibliotekanauki.pl/articles/1788553.pdf
    Data publikacji:
    2020-09-13
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    renaissance studies
    visual puzzles
    corporality
    court culture
    interaction
    liminality
    Opis:
    A tabula scalata consists of triangular slats painted on two sides and attached to a panel, creating a “double image”. Sometimes, a mirror was placed at straight angles of the upper frame, allowing the beholder to see both painted sides at the same time – but only when standing in the right position. This contribution analyses how these scarcely studied devices relied on the beholder’s active participation to convey intertwined layers of artistic, scientific, political, and poetic meanings. To do so, it discusses two sixteenth-century case studies. The first is a lost painting created in French royal court circles around 1550 and subsequently making its way to Rome as a diplomatic gift. The device combined a portrait of Henry II of France, a moon symbol, and a puzzle-ridden poem to convey interrelated political and poetic meanings. The second painting is Ludovico Buti’s Portrait of Charles III of Lorraine and Christina de’ Medici. It was commissioned by the Medici, and originally hung in a room filled with maps and geographical devices. This article considers three aspects central to the paintings’ reception: motion, sensory perception, and ideology. Operating in an intellectual culture fuelled by curiosity and designed to evoke wonder, these devices aimed to prolong the beholders’ attention by establishing thresholds within the artistic experience. As such, they straddled the vague boundaries between painting, scientific instrument, and poem to stimulate the beholders’ senses and involve them in an interactive game of meaning-making.
    Źródło:
    Ikonotheka; 2019, 29; 79-101
    0860-5769
    Pojawia się w:
    Ikonotheka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies