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Wyszukujesz frazę "réception" wg kryterium: Temat


Tytuł:
Indywidualne i społeczne konteksty recepcji mediów. Doświadczenia niemieckie
Personal and social contexts of media reception. German experiences
Autorzy:
Michalczyk, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/514405.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Śląski. Wydział Nauk Społecznych
Tematy:
media reception
personal reception
reception in a group
media vs. culture
Opis:
The fourth question in Lasswell’s model (to whom?) assumes a study and an analysis of media’s publicity and broader reception of the content. This reception should go personally or socially. The personal contexts include amongst others lifecycle and physical and mental limitations. The age plays an important role in media reception. The youth watches less television than the older people, who, on the contrary, are less likely to use electronic forms of communication. Another pattern here is that the older the man is, the longer he reads newspapers and magazines during the day. Important limitations in media reception are due to physical obstacles such as: poor sight and impaired hearing whereas the most significant mental obstacle is depression. The article presents also the problems of reception in a group, that is, when a person watches television or listens to the radio accompanied by other people. The presence of the others modifies all the process, there is a possibility of conversation and commenting the content. A spectacular example of reception in the group is watching football matches. Media can also be received in public space, open for everyone. Nowadays, public spaces are characterized by - as called by the scientists - a communication tyranny. Phone conversations are omnipresent and disturbs everybody. This is a kind of psychological pathology. Media reception depends on the culture, both personal and in a general sense. In Europe, there are differences between North and South that can be explained, among others, by religious factors (Protestantism vs. Catholicism). In the article- as practice shows – we mentioned main German studies, but also in a lesser extent - American and Polish ones. All of them relate to a more general problem of mediatisation and everyday life.
Źródło:
Political Preferences; 2017, 15; 5-22
2449-9064
Pojawia się w:
Political Preferences
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O przekładzie oraz współczesnej recepcji w Bułgarii powieści Chłopi Władysława Reymonta
Bulgarian Translation and Contemporary Reception of the Novel Peasants by Władysław Reymont
Autorzy:
Dimitrowa, Marineła
Powiązania:
https://bibliotekanauki.pl/articles/511285.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Peasants
translation
reception
Opis:
This article is dedicated to the novel Peasants by the Polish writer Władysław Reymont. The author of the article presents a brief overview of the history of translation and the modern reception of the novel in Bulgaria.
Źródło:
Postscriptum Polonistyczne; 2013, 2(12); 275-278
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Niewymagające konsumentki kultury. O charakterystycznym sposobie interpretacji seriali telewizyjnych w środowisku popegeerowskim
Autorzy:
Łuczaj, Kamil
Powiązania:
https://bibliotekanauki.pl/articles/636751.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
soap opera reception, qualitative audience research, gendered reception of Polish TV series, anthropology of TV reception
Opis:
Consumers of culture. On the specific modes of soap opera’s interpretations on former socialist agrocooperatives milieus This paper discusses the reception of two popular TV series among socially excluded Polish women living in rural areas. It is based on the fi ndings of research project that I conducted from November of 2011 to March of 2012. I have conducted four focus groups combined with a projection of random episodes of two TV series: “M jak miłość” (“M as love”), the most popular soap opera in Poland, and an American program “Modern Family”, which breaks some social stereotypes. The main objective of the project was to fi nd out how socially excluded women decode social and ideological messages included in the TV series. According to Stuart Hall’s ‘encoding/decoding model’, I was focused on their common interpretation patterns. The main question was: are they able to understand the meanings of simple cultural symbols (e.g. a mustache, white briefs) or recognize popular actors and brands placed in a movie to the same extent as urban people? One other general question, which arises here, is if this popular culture is so popular?
Źródło:
Przegląd Kulturoznawczy; 2012, 4(14)
1895-975X
2084-3860
Pojawia się w:
Przegląd Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polska recepcja wydawnicza i czytelnicza powieści Frances Hodgson Burnett Komunikat o stanie badań
Publishers’ and Readers’ Reception of Frances Hodgson Burnett’s Novels in Poland. Report on the State of Research
Autorzy:
Gwadera, Anna
Powiązania:
https://bibliotekanauki.pl/articles/474215.pdf
Data publikacji:
2016
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Frances Hodgson Burnett
Recepcja czytelnicza
Recepcja wydawnicza
Publishers’ reception
Readers’ reception
Opis:
W artykule przedstawiono zarys stanu badań recepcji wydawniczej i czytelniczej twórczości Frances Hodgson Burnett w Polsce. Zwrócono uwagę na mało znane utwory pisarki. Na przykładzie analizy wyników ankietowych badań własnych przeprowadzonych wśród gimnazjalistów i licealistów wzorcowego zespołu szkół ogólnokształcących w Gliwicach pokazano współczesne zainteresowanie tekstami F.H. Burnett. Całości dopełniła ogólna analiza literacka dzieł oraz wskazanie ich walorów biblioterapeutycznych.
The article outlines the state of research on the publishers’ and readers’ reception of Frances Hodgdon Burnett in Poland. Attention is drawn to her less known novels. Based on the results of the author of the article’s own survey conducted among middle school and secondary school students of a model General Education School Complex in Gliwice, it is shown that these texts remain of interest to a contemporary student. A literary analysis of these works complements the article and points to their biblio-therapeutic values.
Źródło:
Nowa Biblioteka. Usługi, Technologie Informacyjne i Media; 2016, 4(23); 113-122
1505-4195
2451-2575
Pojawia się w:
Nowa Biblioteka. Usługi, Technologie Informacyjne i Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
OD DZIEJÓW HISTORIOGRAFII DO DZIEJOWOŚCI TEKSTÓW HISTORIOGRAFICZNYCH
From history of historiography to historicity of historiographical texts
Autorzy:
Julkowska, Violetta
Powiązania:
https://bibliotekanauki.pl/articles/909824.pdf
Data publikacji:
2017-05-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history of historiography
reception
reception aesthetics
horizon of expectations
historical culture
Opis:
The article att empts to defi ne the history of historiography as a subdiscipline of history; it indicates the numerous competences of historians of historiography which are nessesary for undertaking an (auto)refl ection around the history of their discipline, for touching the theoretical and methodological aspects of historiography, and for the study of historicity of historiographical texts. Th e author asks about the current status of the history of historiography and new horizons of research. Regarding the fi eld of changes in the ways of comunication, she sees potential chances for increasing the interest of new recipients in the history of historiography. The author amplifi es the weft of reception, understood as a phenomenon that belongs to the comunication situation occuring between the author of transmission and his recipients. The author refers to the inspiration of the methodological conception of the school of reception aesthetics from Constance (W. Iser, R. Jauss) and the hermeneutics of H-G. Gadamer. Reception is a new concept for presenting the history of historiography as a fi eld of research on the historicity of historical works.
Źródło:
Historia@Teoria; 2017, 1, 3; 53-60
2450-8047
Pojawia się w:
Historia@Teoria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Norwid w Czechach. Dzieje recepcji twórczości
The Czech interpretation of C.K. Norwid’s poetry. The history of the reception
Autorzy:
Kardyni-Pelikánová, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/39782041.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Norwid
reception
ideological reception milieus
history of literature (Máchal, Wollman, Krejčí)
Opis:
The author describes the history of the reception of C.K. Norwid’s works in Bohemia, starting with the first references (J.V. Frič), through a discussion of the attitude of authors of “Slovanský peled” and “Moderni revue” to the poet, the milieu of Catholic writers, to finish with the translations by J. Pilař, ornamentally published in large circulation.
Źródło:
Slavia Occidentalis; 2021-2022, 78/1-79/1; 91-103
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Olga Tokarczuk w Rumunii
Olga Tokarczuk in Romania
Autorzy:
Geambașu, Constantin
Powiązania:
https://bibliotekanauki.pl/articles/511389.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Reception
translation studies
intertextuality
Opis:
The author discusses the reception of Olga Tokarczuk’s works in Romania on the basis of translations, critical essays and radio and press interviews. Olga Tokarczuk is the best-known contemporary writer from Central Europe in Romania, thanks to numerous translations (almost all of her novels have been translated into Romanian, except The Books of Jacob, due to be published next year). An important role in the dissemination of her works has been played by the Polirom publishing house in Iași, which published a special series devoted to Tokarczuk. The quality of the translations of the Polish novelist’s texts is also high. Particular credit for this goes to Cristina Godun, a specialist in Polish Studies, who has managed to render the peculiarities of Tokarczuk’s narrative and style in Romanian. The paper also briefly discusses the difficulties encountered during the translation of Tokarczuk’s texts.
Źródło:
Postscriptum Polonistyczne; 2020, 25, 1; 123-134
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stefan Żeromski. Tożsamości, poetyki, style odbioru
Stefan Żeromski. Identity, poetics and reception styles
Autorzy:
Sobieraj, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1041981.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Żeromski
reception
works
Opis:
This article is a review of the collective monograph Stefan Żeromski. Kim był? Kim jest? edited by Zdzisław Jerzy Adamczyk. The book contains thirty essays written by experts in their respective fields. Both Stefan Żeromski’s views and many aspects of his writings were here thoroughly examined. It is said that Żeromski, one of the most influential Polish writers at the end of the nineteenth and at the beginning of the twentieth century, strongly affected Polish culture. The contributors of the book undoubtedly proved the thesis.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 275-282
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tuwim: Years After
Autorzy:
Węgrzyniak, Anna
Powiązania:
https://bibliotekanauki.pl/articles/650007.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Julian Tuwim – contemporary reception
Opis:
The subject of the article is to present an outline of the reception of Julian Tuwim’s works in the last decade. “The Prince of Poets” of the interwar period, well known in the post-war era, is less and less known today. Post-war generations of poets made no particular references to Tuwim and his poetry, and even though many critical works are being published about him, Tuwim’s works do not engage critics who would be able to reconnect his writing with the contemporary world. Tuwim is disappearing from school literary curricula, contemporary readers remember only his children’s poems and one can doubt whether this situation can be changed by an extensive, multifaceted work by Piotr Matywiecki Twarz Tuwima (Tuwim’s face), the comprehensive and readable biography of the poet. It is an important book which tackles a number of vital questions concerning for instance the tragic alienation of the Polish Jew who lived between two cultures and wanted to be excluded from neither.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 36, 6
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Władimir Sorokin w Polsce. O polskim (nie)czytaniu rosyjskiego dramatu najnowszego
Autorzy:
Mięsowska, Lidia
Powiązania:
https://bibliotekanauki.pl/articles/605320.pdf
Data publikacji:
2012
Wydawca:
Polskie Towarzystwo Rusycystyczne
Tematy:
Vladimir Sorokin
Polish reception
Opis:
The main aim of this article is to present the reception of the latest Russian drama notonly among the popular readers, but also among professionals. Conducted researchers proveclearly that the interest towards Russian drama has been growing recently, despite the factthat Polish readers become familiar with it through the theatre.The exemplification of presented tendencies is the oeuvre of Vladimir Sorokin ―postmodernist and scandal, finally appreciated and awarded in Russia, popular in Poland formany years. He has also gained a recognition in the word of theatre, where his controversial,but reflective dramas are being referred more and more often.
Źródło:
Przegląd Rusycystyczny; 2012, 1/2
0137-298X
Pojawia się w:
Przegląd Rusycystyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tuwim po latach
Tuwim: Years After
Autorzy:
Węgrzyniak, Anna
Powiązania:
https://bibliotekanauki.pl/articles/967554.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Julian Tuwim – contemporary reception
Opis:
The subject of the article is to present an outline of the reception of Julian Tuwim’s works in the last decade. “The Prince of Poets” of the interwar period, well known in the post-war era, is less and less known today. Post-war generations of poets made no particular references to Tuwim and his poetry, and even though many critical works are being published about him, Tuwim’s works do not engage critics who would be able to reconnect his writing with the contemporary world. Tuwim is disappearing from school literary curricula, contemporary readers remember only his children’s poems and one can doubt whether this situation can be changed by an extensive, multifaceted work by Piotr Matywiecki Twarz Tuwima (Tuwim’s face), the comprehensive and readable biography of the poet. It is an important book which tackles a number of vital questions concerning for instance the tragic alienation of the Polish Jew who lived between two cultures and wanted to be excluded from neither.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2014, 26, 4
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Refugees in Italy: a pilot study of their reception and integration process
Autorzy:
Di Castro, Gaia
Powiązania:
https://bibliotekanauki.pl/articles/1035873.pdf
Data publikacji:
2012
Wydawca:
Academicus. International Scientific Journal publishing house
Tematy:
refugees
Italy
reception
integration
Opis:
This paper represents the preliminary analysis of a pilot research carried out by CIR and the Department of social Studies of the University of Rome “Sapienza” (together with Italian non-profit organisations) on the level of integration of beneficiaries of international protection (both refugees and beneficiaries of subsidiary protection) who had been living in Italy for at least 3 years. The pilot research described has been conducted under the Project “Le strade dell’integrazione” (The integration paths), co-financed by the European Union and the Italian Ministry of Interior under the European Refugee Fund 2010 – Action 2.1.A. Individual interviews and focus groups have been carried out in 7 different Italian territories, involving both beneficiaries of international protection and operators working with them. Questionnaires have been administered at national level. The preliminary analysis presented in this paper refers to some territories and to the partial material available. In the conclusion, results are discussed and recommendations for the final analysis are offered.
Źródło:
Academicus International Scientific Journal; 2012, 06; 101-112
2079-3715
2309-1088
Pojawia się w:
Academicus International Scientific Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Witold Gombrowicz w kalejdoskopie recepcji
Witold Gombrowicz in the Kaleidoscope of Reception
Autorzy:
Hamze, Dimitrina
Powiązania:
https://bibliotekanauki.pl/articles/511152.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
reception
Form
comic
dialogue
Opis:
Seen through the perspective of reception, the works of Witold Gombrowicz constitute a wide range of receptive proposals, selectively updated in the constant dynamic of the interactive discourse between the literary subject and the reader. The reader is invited in a covert partnership with his communication peer (the author–the producer) in their joint journey to the own polyphonic, unidentifiable, mutational ego. The relation to the self, as permanently disputed by otherness, finds its artistic application through the comic as the most powerful weapon against the Form, both in the field of the author and of the recipient.
Źródło:
Postscriptum Polonistyczne; 2013, 2(12); 199-219
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja twórczości Czesława Miłosza na Białorusi
Reception of Czesław Miłosz’s Works in Belarus
Autorzy:
Kazłouskaya, Maryna
Pushkina, Maria
Powiązania:
https://bibliotekanauki.pl/articles/511758.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
Belarus,
reception
Opis:
The article is dedicated mainly to the reception of Czesław Miłosz’s works in Belarus. Analyzed here is the history of Belarussian translations and some strategies of translation determining the selection of certain poems and essays. The article also aims to elucidate the specificity of readers response to Czesław Miłosz’s poetry and prose as well as to describe Belarussian literary research on the works of the Polish writer.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 285-290
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O krok do Nobla i krok po nim – recepcja twórczości Olgi Tokarczuk na Ukrainie
One step before and one step after the Nobel Prize – the reception of Olga Tokarczuk’s work in Ukraine
Autorzy:
Nachlik, Olesia
Powiązania:
https://bibliotekanauki.pl/articles/511361.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
reception
space-time
journey
personality
world
reception, space-time, journey, personality, world
Opis:
The paper distinguishes and analyses the interpretative dominants in the Ukrainian reception of Olga Tokarczuk’s work over the last twenty years or so. This reception comprises numerous interviews, public conversations, translations and their presentations, literary criticism and literary studies dissertations, revealing the specificity of the point of view Poland’s neighbouring culture has on works which are now part of the world literature canon.
Źródło:
Postscriptum Polonistyczne; 2020, 25, 1; 147-162
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja twórczości Czesława Miłosza na Litwie
Reception of Czesław Miłosz’s Works in Lithuania
Autorzy:
Dalecka, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/511019.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
reception,
Lithuania, translation
Opis:
Research on Czesław Miłosz’s works conducted in Lithuania, although not very intense, is mainly focused on the Lithuanian issues. One major trend prevails among Lithuanian re-searchers – an attempt to treat a substantial part of Miłosz’s works as autobiographical. Lithuanian translations of the works of Czesław Miłosz were explored in the article. The author poses the question whether works of the Nobel Laureate in any way shape and develop self-awareness of the inhabitants of Lithuania and if they help them to comprehend the diversity of the country as well as its complicated history, multiculturalism and multilingualism.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 277-284
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ferdydurke, czyli studium nad Formą – o kłopotach w recepcji Gombrowiczowskiego dzieła i o recepcie na prawidłowe jego odczytanie
Ferdydurke – a study of Form. On problems with the reception of Gombrowicz’s work reception and their solution
Autorzy:
Urbańska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/511021.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Gombrowicz
Ferdydurke
the Form
reception
Opis:
The article aims to present one of the most popular yet at the same time often misunderstood novels by Witold Gombrowicz – Ferdydurke. The article claims that the most important motif in Gombrowicz’s works is the problem with Form and in Ferdydurke the writer tackles this very subject. This novel – though not very long – is a complex and rich analysis of Form related to human life. The concept of Form is the key to an adequate understanding of Ferdydurke: it justifies unusual formal strategies and linguistic means used by the writer. It also explains a complicated plot and proves that what used to be regarded as chaos is in fact an intended strategy used in a logical and consequential way. The article is addressed above all to those, who being unfamiliar with Gombrowicz’s creativity, regard it as strange and incomprehensible. It proves that at least in the case of Ferdydurke this is not true and it is worth reading Gombrowicz’s works once again, as the world created by the writer is fascinating and multidimensional.
Źródło:
Postscriptum Polonistyczne; 2014, 2(14); 377-394
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reklama w świetle legendy. „Dźwignia” Rafała Wojaczka
Rafał Wojaczek: Advertisement in the Light of a Legend
Autorzy:
Pertek, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/1389801.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
advertisement
reception
marketing
notebook
legend
Opis:
The article entitled “Rafał Wojaczek: Advertisement in the Light of a Legend” is the first part of a draft which tries to describe a breakthrough moment, in which the biography of Rafał Wojaczek coincides with the beginning of his literary output. The author makes a central point of the formula: “advertisement is the engine of trade” (appearing in the notebook collecting his early poetical notes from the period of studies at Polish philology), which is placed in contrast to the statement by Julian Przyboś: “the art of a poem is the engine of poetry”. The author, examining the earlier editions of Wojaczek’s poems explains (using the sociological and philosophical apparatus) the mechanisms conditioning the phenomenon of the reception of his poetry. At the same time, he launches the notion of pre-reception, which—being a labile notion, situated in the borderland between reception and advertise-ment—indicates a dual position of an object, to which the pre-reception refers (presence and absence at the same time). This, in turn, announces the poetic strategy of Wojaczek, embracing the form and the subject matter of a poem (expressiveness against a precise structure of a poem), and foretells a subsequent part focusing on the question of the actual reception, taking into consideration the somatic character of his output as well as its autothematic involvement.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 333-353
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gottfried Benns Poems
Autorzy:
Ososinski, T.
Powiązania:
https://bibliotekanauki.pl/articles/702711.pdf
Data publikacji:
2005
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
BENN GOTTFRIED - RECEPTION OF ANTIQUITY
Opis:
Some poems by the German poet Gottfried Benn, mostly based on ancient Greek motifs, are printed here in Tomasz Ososinski's translation.
Źródło:
Meander; 2005, 60, 4; 496-502
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polskie spory o Conrada w latach 1897–1945
Autorzy:
Zabierowski, Stefan
Powiązania:
https://bibliotekanauki.pl/articles/650353.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Joseph Conrad, Polish culture, reception
Opis:
The goal of this article is to present the critical reception of the biography and works of Joseph Conrad in Poland in 1897–1945. Special emphasis is put on the political, social, cultural and aesthetic factors conditioning this process. The reception originated in the era of partitions, whereas Conrad’s relative popularity among the intellectual and artistic elite started only in the interwar period. A special role in promotion of Conrad was played by Stefan Żeromski and the poets associated with the “Skamander” group. In later years, Conrad became the object of fascination of many representatives of the generation of 1910, who were highly infl uenced by Józef Ujejski, author of the monograph O Konradzie Korzeniowskim [On Konrad Korzeniowski]. Conrad’s works played a special role during World War II – they provided moral support to many people struggling against the Nazi and Stalinist
Źródło:
Konteksty Kultury; 2014, 11, 3
2353-1991
Pojawia się w:
Konteksty Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Twórczość Zbigniewa Herberta na Węgrzech – szkic do historii recepcji
Zbigniew Herbert’s Output in Hungary – a Concise History of Reception
Autorzy:
Woiński, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/559894.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
Zbigniew Herbert
Hungary
reception
translation
Opis:
The paper attempts to outline the reception of Zbigniew Herbert’s oeuvre in Hungary by presenting both common and divergent places in the reading strategies of the Polish poet’s works adopted by Hungarian critics and writers. Since his literary output gained there significant popularity, one of the article’s goals is to retrace the story of his wide fame among reading public and to point out the role of his literary works in moulding political consciousness. It also contains a description of Herbert’s relations with some key figures of cultural life in the aforementioned country, including such outstanding authors like László Nagy and Sándor Kányádi. Some of Zbigniew Herbert’s poems directly refer to real people and events, therefore the knowledge of context turns out to be essential in the interpretation process.
Źródło:
Orbis Linguarum; 2019, 53; 279-287
1426-7241
Pojawia się w:
Orbis Linguarum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W świecie oscarowych produkcji
In the world of Oscar-productions
Autorzy:
Latoch-Zielińska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/521218.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
movie
school
reception
media education
Opis:
The aim of this article is to present the results of the research into the reception of Oscarwinning movies among teenagers (lower and upper secondary school students). Three movies, namely Slumdog Millionaire, The Curious Case of Benjamin Button and The Reader were the favourites of the young viewers. The students watched the films attentively and were able to present and justify their choices and opinions. The results of the survey created quite a coherent and homogenous picture of the movies. It seems that the students’ interest in the cinema and the capability of critical thinking derive from the media education provided by the school.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2010, 1; 77-89
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Biograf, czyli kto? Spór o Kapuścińskiego non-fiction
Biographer, meaning who? The dispute over Kapuściński non-fiction
Autorzy:
Galant, Arleta
Powiązania:
https://bibliotekanauki.pl/articles/1041001.pdf
Data publikacji:
2019-11-05
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
biography studies
book market
reception
Opis:
The article reconstructs selected problems of critical and publicistic discussion around Artur Domosławski’s book Kapuściński non-fiction concerning the status of the biographical narrative, the role and duties of the biographer and the limits of biographical disclosures. The themes discussed in this sketch made it possible to indicate current issues related to workshop deficiencies and duties of the contemporary biographer, including the exposition of issues related to modernity, subjectivity and ethics of biographical undertakings.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2019, 35; 277-293
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lukian w bizantyńskich podziemiach. Analiza i tłumaczenie centonu opartego na tekstach Lukiana
Lucian in the Byzantine Underworld. An analysis and a commentary of a Lucianic cento
Autorzy:
Marciniak, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/1046744.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Lucianic dialogues
Byzantine reception
cento
Opis:
The following paper discusses the literary context of the anonymous ‘dialogue of the dead’ modelled on the Lucianic writings and preserved in the codex Ambrosianus gr. 655. This text proposes to see the text under discussion as an example of schedos, a school exercise. The article offers also the Polish translation of the dialogue.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2015, 25, 2; 11-24
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Plutarch w Semeioseis gnomikai Teodora Metochitesa
Autorzy:
Jażdżewska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/944904.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Plutarch
Theodore Metochites
reception
Byzantium
Opis:
Plutarch in Semeioseis gnomikai of Theodor Metochites The paper focuses on the reception of Plutarch’s Moralia in Theodore Metochites’ Semeioseis gnomikai. It discusses chapter 71 of Metochites’ work, one of several chapters focused on ancient authors, which is dedicated to Plutarch. Metochites praises Plutarch as a wise man and a philosopher and in particular approves of his character. According to Metochites, Plutarch was not tainted by the usual flaws of intellectuals such as envy and arrogance, but was motivated by a pure love of wisdom and generously acknowledged the achievements of his predecessors. Metochites interprets Plutarch’s erudition, polymathia, as a sign of a noble, high-minded nature, and therefore as evidence of moral virtue.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2017, 7, 2; 271-282
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Vers un modèle pédagogique de compréhension des textes
On the pedagogical model of text comprehension
Autorzy:
Karpińska-Szaj, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1053096.pdf
Data publikacji:
2003-10-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Interactive reading model
Text reception
Opis:
The interactive reading model deals with the capacity for reading in terms of text reception in a native language. In the article, we try to place the interactive reading model in the foreign language learning/teaching situation, assuming that mental operations carried out by a foreign language reader learner can be described as strategies of understanding. By showing the specific nature of such strategies and distinguishing a superior strategy (the one that controls the use of the others), we attempt to build a didactic model of text reception in a foreign language.
Źródło:
Studia Romanica Posnaniensia; 2003, 30; 83-94
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jak twórczość mistrza polskiego reportażu stała się „peryferyjną”? O recepcji Jeszcze dzień życia R. Kapuścińskiego w kulturze macedońskiej
How Did the Work of the Master of Polish Reportage Became “Outlying”? About the Reception of Another Day of Life by R. Kapuściński in Macedonian Culture
Autorzy:
Tanuševska, Lidija
Powiązania:
https://bibliotekanauki.pl/articles/486806.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
reception
reportage
Kapuściński
realities
translation
Opis:
This article is about the reception of Kapuściński’s book Another Day of Life which was translated and published in Macedonia in 2017. This text explains the reasons of the delayed translation of Kapuściński’s book and the social environmentsurrounding its reception, as well as the reception of the reportage as a literary genre in Macedonia. Those are part of the reasons why this literary master has passed by almost unnoticed in this culture and his works are pushed aside from the main literary streams. The article also deals with translating problems concerning the alienation / otherness and the way foreign realities are transferred from Polish to Macedonian language.
Źródło:
Przekłady Literatur Słowiańskich; 2019, 9, 3; 123-133
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czesław Miłosz na Ukrainie
Czesław Miłosz in Ukraine
Autorzy:
Nachlik, Ołesia
Powiązania:
https://bibliotekanauki.pl/articles/511604.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
reception,
translation,
reader
Opis:
The article is dedicated to the reception of Czesław Miłosz’s works in Ukraine at the beginning of democratic transformations and today. The author concentrates attention mostly on two aspects: translations and critical and journalistic discourse. This enables her to indicate the specificity of the way the Polish thinker and writer’s works have been received by Ukrainian readers. Having analyzed the above mentioned issues in diachronic perspective, the author is able to present changes and main tendencies in Ukrainian reception of Czesław Miłosz’s works over time.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 291-313
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jaka pedagogika krytyczna jest (nie)możliwa w Polsce i dlaczego? (Esej metakrytyczny z Henrym A. Giroux w tle)
What Kind of Critical Pedagogy is (Un)Feasible in Poland and Why? (a Meta-critical Essay with Henry A. Giroux in the Backdrop)
Autorzy:
Witkowski, Lech
Powiązania:
https://bibliotekanauki.pl/articles/1808262.pdf
Data publikacji:
2020-06-29
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
critical pedagogy
reception
resistance
reproduction
Opis:
The text undertakes the problematics situated between modernity and tradition regarding the reception of H.A. Giroux’s works in Poland, in a view of furthering the study of pedagogy and educational praxis. First, the author outlines the beginnings of openness towards critical pedagogy. What is underscored here is the 1980s’ main inspiration drawn from the resistance paradigm. Then, the author proceeds to the current state of Giroux’s reception in Poland. He illustrates differences among particular examples and levels of the said reception of Giroux’s pedagogy and of the scholar’s theoretical background. The emphasized disputes pertain especially to transcending metaphysics and relativism as a challenge faced by hermeneutical criticism and critical hermeneutics. Additionally, the “critical” horizon of the main handbook of pedagogy used in Polish universities is discussed. The author point to the wasteful efforts at instigating the breakthrough in the reception of critical pedagogy and he exemplifies them by an instance of misbegotten analysis of the allegedly delayed critical pedagogy of work. As a particularly positive example the author presents a new effort at developing critical hermeneutics (and radical praxis) for pedagogy by Andrzej Wierciński. In the concluding part written “in lieuof conclusions,” four lists of critical problems’ dislocations are provided; the problems are both convergent and related to one another, thereby redefining current research objectives and pertain to practical applications in educational praxis.
Źródło:
Chowanna; 2020, 1(54); 1-40
0137-706X
2353-9682
Pojawia się w:
Chowanna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les tableaux de l’histoire dans les Mémoires d’outre- -tombe à travers l’hypotypose
The Images of History in the Memoirs from Beyond the Grave through Hypotyposis
Autorzy:
Kamińska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/683289.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
hypotypose
mémorialiste
persuasion rhétorique
réalisme
réception
plasticité
hypotyposis
memoirist
rhetorical persuasion
realism
reception
plasticity
Opis:
This paper considers the influence of memoirist on realizations of hypotyposis in the Memoirs from Beyond the Grave. Chateaubriand resorts to visual representations for persuasive purposes. The narrator tries to convince the reader of the rightness of his vision by destroying or emphasizing collective, historical myths. Because of this obvious intentionality the hypotyposis reaches an implicit, aporetic function. The reduction of visual, emotional and ideological distance is narrator’s attemp to challenge the reader’s preconceived notions about such major events as: the storming of the Bastille, the women’s march on Versailles or the July Revolution. Therefore, the narrative instance uses argumentative and descriptive plasticity of hypotyposis, even if it leads him to disregard the historical truth. It’s triumph in reader’s consciousness proves that hypotyposis belongs to rhetorical figures based on reception. But the efficacy of hypotyposis requires some rhetori- cal subterfuges such as: surrounding the narrator’s role to spectator, basing historical pictures on the criterion of realism and plausibility, using rhetorical figures connected with the process of association.
Le présent article considère l’impact du mémorialiste sur les réalisations de l’hypotypose dans les Mémoires d’outre-tombe. Chateaubriand recourt aux représentations visuelles dans des buts persuasifs : l’approfondissement ou le démantèlement des mythes historiques a pour objectif de convaincre le lecteur de sa vision de l’histoire. Cette finalité visible exerce de l’influence sur une fonction aporétique implicite dont est dotée l’hypotypose. Par le fait de diminuer une distance visuelle, émotive et idéologique le narrateur a l’intention de modeler les représentations du lecteur sur des événements aussi monumentaux que la prise de la Bastille, la marche des femmes sur Versailles ou la Révolution de Juillet. Pour cela, il s’appuie sur la plasticité descriptive et argumentative de l’hypotypose au détriment de la vérité historique. Le triomphe de l’hypotypose dans l’esprit du lecteur confirme qu’elle appartient aux figures de réception. Cependant, l’influence sur le lecteur nécessite la référence aux subterfuges rhétorique tels que : la réduction du rôle du narrateur à un simple spectateur, les critères du réalisme et de la plausibilité dans l’esquisse d’un tableau historique ou l’emploi des figures rhétoriques qui exploitent le processus d’association.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2016, 11; 199-210
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
RECEPCJA ESTETYCZNA POEZJI KONKRETNEJ NA LEKCJI JĘZYKA OBCEGO
Autorzy:
Meinel, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1047759.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
aesthetic reception, concrete poetry, reception aesthetics, reception of the work, autocommunication, text, functions and goals of working with concrete poetry in the lesson
Opis:
The subject of the article is the aesthetic reception of concrete poetry and the possibility of its use in foreign language classes. Reception aesthetics concentrates on the reception of the work and not its production. Concrete poetry works on sight and hearing, combines decoding of letters with visual perception and creates special opportunities for aesthetic reception in foreign language classes. The article draws attention to the phenomenon of text communication. The historical background and the first attempts to experiment with concrete poetry are discussed. Works of concrete poetry bring together aesthetics and didactics, which justifies their use in class. The functions and objectives of working with concrete poetry in the lesson are discussed and examples of works included in textbooks and examples of lesson scenarios are given.
Źródło:
Scripta Neophilologica Posnaniensia; 2019, 19; 265-279
1509-4146
Pojawia się w:
Scripta Neophilologica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reminiscenze leopardiane nell’ opera di Maria Konopnicka
Reminiscences of Leopardi in Maria Konopnicka’s Oeuvre
Reminiscencje Leopardiańskie W Dziełach Marii Konopnickiej
Autorzy:
Trzeciak, Małgorzata Ewa
Powiązania:
https://bibliotekanauki.pl/articles/2076640.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
poetry
infinite
Italy
reception
Leopardi
Konopnicka
Opis:
Drawing upon studies on the reception of Leopardi’s poetry in Poland, this essay investigates the influence of Leopardi’s works on Maria Konopnicka’s oeuvre as it argues that the influence was key to a certain change of poetic imagery in her works. Through an analysis of poems and other writings by Konopnicka, the article throws a new light on the reception of Leopardi’s poetry in Poland. This subject has so far been rather neglected by critics.
Źródło:
Kwartalnik Neofilologiczny; 2016, 2; 234-243
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kompetencje do odbioru filmów dokumentalnych. Na przykładzie analizy narracji studentów pedagogiki
Autorzy:
Konieczna, Ewelina
Powiązania:
https://bibliotekanauki.pl/articles/2041589.pdf
Data publikacji:
2015-09-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
film reception
competences
documentary film
text
Opis:
This paper highlights the main issues concerned with competences necessary for the documentary film reception. The main purpose of this article is to investigate pedagogy students’ (specialization: social-cultural animation) understanding of documentary films on the basis of their narration and to define the basic competences in film understanding. According to the thesis, competences for proper film reception require general knowledge which enables individuals to make choices, understanding conventions, contexts and interdependences. Research focuses on the reception of Polish documentary films created before the political changes in 1989. The analysis of results and final conclusions are based on Umberto Eco’s and Francesco Casetti’s theoretical concept of the text assumptions. The study has confirmed assumptions presented above and justified the following conclusion: documentary film is a text based on the specific competence of the spectator but also contributes to the formation of certain competence. The film text makes the spectator capable of actualizing the various meaning-contents and the role of the spectator is to update his knowledge while receiving documentary film. The textual cooperation gives the spectator an essential role in the process of creating meaning.
Źródło:
Kultura i Edukacja; 2015, 3(109); 176-191
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z antykiem w tle…
With antiquity in the background…
Autorzy:
Krajewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1039697.pdf
Data publikacji:
2019-04-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
anamorphic reception
reading dramaturgy
archive changes
Opis:
An introduction to this year`s issue of “Przestrzenie Teorii” reflecting on the possibilities offered byanamorphic reception. The proposed reading category shows how we can influence the past in our individual reading acts.
Źródło:
Przestrzenie Teorii; 2018, 30; 7-13
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wergiliuszowy epyllion o Orfeuszu i Eurydyce: na warsztacie badaczy, artystów, tłumaczy… Transpozycja opowieści do polszczyzny
Autorzy:
Arndt, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1041454.pdf
Data publikacji:
2020-12-18
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Orpheus and Eurydice
epyllion
reception
translation
Opis:
The article discusses differences in the treatment of the Virgilian epyllion by scholars and artists. It also indicates that the work of a translator is the result of the activities in both areas. A few introductory remarks are followed by Polish translation of the story.
Źródło:
Collectanea Philologica; 2020, 23; 91-97
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rozbitek buduje łódź. Przegląd wątków recepcyjnych Robinsona Crusoe w narracjach ocaleńców z Zagłady
The Castaway is Building a Boat. An Overview of Robinson Crusoe’s Reception Threads in the Narrations of Holocaust Survivors
Autorzy:
Roszak, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/912164.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
reception
Holocaust
Robinson Crusoe
recepcja
Zagłada
Opis:
W artykule podjęto próbę przeglądu wybranych wątków recepcyjnych powieści Daniela Defoe Przypadki Robinsona Crusoe (1719) wobec Zagłady. Ukazanom tym samym, jakie elementy powieści aktualizują się w kontekście Szoa, jakie się zacierają oraz co nowego o losie innych książek i ludzi z XX wieku pozwala powiedzieć ów trzystuletni utwór. Angielska powieść służy w omówionych tekstach jako synekdocha (Primo Levi, Uri Orlev), lektura apotropaiczna (świadectwa osobiste, m. in. wspomnienia Hanke Grynberg) lub podstawa dla wykreowania apokryfu (wiersze Dana Pagisa i Jehudy Amichaja).
The author of the article attempts to review selected reception threads of Daniel Defoe’s The Life and Strange Surprising Adventures of Robinson Crusoe (1719) in connection to the Holocaust. Thus, it is shown what elements of the novel are updated in the context of the Shoah, which are blurred, and what this three hundred year old book has to say about the fate of other books and people of the 20th century. The English novel is used in the interpreted texts as a synecdoche (Primo Levi, Uri Orlev), apotropaic reading (personal testimonies, including memories of Hanke Grynberg) or the basis for creating apocrypha (poems by Dan Pagis and Jehuda Amichaj).
Źródło:
Porównania; 2019, 25, 2; 157-171
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Reception of Galician Performances and (Re)translations of Shakespeare
Autorzy:
Lorenzo-Modia, María Jesús
Powiązania:
https://bibliotekanauki.pl/articles/647979.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Shakespeare
Galician language
reception
performances
translations
Opis:
This presentation will deal with the reception of performances, translations and retranslations of Shakespeare’s plays into the Galician language. As is well-known, Galician is a Romance language which historically shared a common origin with Portuguese in the Iberian Peninsula, and which had a different evolution due to political reasons, i.e. the independence of Portugal and the recentralization of Spain after a long partition with the so called Catholic monarchs. As a consequence, Galician ceased to be the language of power and culture as it was during the Middle Ages, and was spoken by peasants and the lower classes in private contexts for centuries. With the disappearance of Francoism in the 1970s, the revival of Galician and its use as a language of culture was felt as a key issue by the Galician intelligentsia and by the new autonomous government formed in 1981. In order to increase the number of speakers of the language and to give it cultural respectability, translations and performances of prominent playwrights, and particularly those by Shakespeare were considered instrumental. This article will analyse the use of Shakespeare’s plays as an instrument of gentrification of the Galician language, so that the association with Shakespeare would confer a marginalized language social respectability and prestige.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2017, 16, 31; 75-88
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
King John in the “Vormärz”: Worrying Politics and Pathos
Autorzy:
Gillett, Robert
Powiązania:
https://bibliotekanauki.pl/articles/648218.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Brexit
Europe
Reception
Germany
Politics
Nationalism
Opis:
This article picks up on a tendency of recent criticism to look to Shakespeare for insights into contemporary politics, and extends it backwards to the period of German history known as the “Vormärz”―the period between 1815 and 1848. It establishes parallels between that period and the current debates about Brexit, and shows how equivalent issues are reflected in the accounts of King John given by three leading German critics of the “Vormärz” period―which also successively demonstrate the deleterious rise of German nationalism. These issues include: the weaknesses, mistakes and crimes of the powerful, and their effect both on the nation directly afflicted with them, and on others; the issue of national sovereignty and its relationship to the fellowship of nations; the struggle against arguably alien ways of thinking; the dividing line between necessary compromise and rank betrayal; the dilemma of choice; and the poisoned chalice of democratic freedom. And the parallels they establish between Shakespeare, the “Vormärz” and us are as instructive as they are unsettling.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2019, 19, 34; 71-89
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Österreichische Literatur in der Zeitschrift<i>Wiadomości Literackie</i>in der Zwischenkriegszeit
Autorzy:
Hurnikowa, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/648481.pdf
Data publikacji:
2016-06-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Austria
Interwar era
reception
journals
criticism
Opis:
The article is devoted to reception of Austrian literature before the Second World War in Wiadomości Literackie (Literary News). It was the most popular letter, whose aim was to educate society, and popularize foreign literature and culture. The literature that was most often promoted was French literature, but also German-speaking authors (cited in the article) were discussed. Austrian literature was not treated as distinct from German literature during that time but nontheless, the articles presents artists, of Austrian origin: Joseph Roth, Stefan Zweig, Rainer Maria Rilke, Hugo von Hofmannsthal, Arthur Schnitzler, Odon von Horváth, Franz Werfel and others. The article examines interviews with these writers as well as reviews their books and other texts which appeared in Wiadomości Literackie.
Źródło:
International Studies. Interdisciplinary Political and Cultural Journal; 2016, 18, 1; 9-32
1641-4233
2300-8695
Pojawia się w:
International Studies. Interdisciplinary Political and Cultural Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Парадоксалната българска рецепция на Библията през епохата на Възраждането
Autorzy:
Аретов [Aretov], Николай [Nikolaĭ]
Powiązania:
https://bibliotekanauki.pl/articles/677398.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Bible
reception
translation
Bulgarian National Revival
Opis:
Paradoxical Bulgarian reception of the Bible during the National RevivalThis paper is focused on the difficulties that Bulgarian reception of the Bible encountered in nineteenth century – the lack of older canonical translations and the opposition of the Ecumenical Patriarchate against new translations, which were associated with Protestantism. Some instances that illustrate the ideas of the Bulgarians from that period are presented. One of them is from Two Brothers (Dvama bratya; 1888–1889) by Iliya Blaskov – a semi-documental novel dealing with the fates of the author’s family. The author concludes that the image of the Holy Scripture that even pious teachers had at that time was vague and closer to folklore than to modern biblical notions. Paradoksalna bułgarska recepcja Biblii w czasie odrodzenia narodowegoArtykuł prezentuje problemy bułgarskiej recepcji Biblii w XIX wieku – brak starszego tłumaczenia kanonicznego, a także opór Patriarchatu Konstantynopola wobec nowego przekładu kojarzonego z protestantyzmem. W pracy omówiono kilka przykładów bułgarskich koncepcji przekładu Pisma Świętego. Jedna z nich pochodzi z utworu Двама братя (1888–1889) Ilii Błyskowa – quasi-dokumentalnej powieści opowiadającej o losach rodziny autora. Okazuje się, że obraz Pisma Świętego, jaki mieli w tamtym czasie działacze bułgarskiego odrodzenia narodowego, był bardzo mglisty i bliższy folklorowi aniżeli nowoczesnym kategoriom.
Źródło:
Slavia Meridionalis; 2016, 16
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Historie anielskie. Przyczynek do recepcji twórczości Władysława Broniewskiego
Angel stories. A contribution to the reception of Władysław Broniewski’s works
Autorzy:
Lisewska, Sławomira
Powiązania:
https://bibliotekanauki.pl/articles/1879745.pdf
Data publikacji:
2021-12-18
Wydawca:
Uniwersytet Zielonogórski. Wydział Humanistyczny
Tematy:
reception
document
album
recepcja
dokument
sztambuch
Opis:
Artykuł stanowi przyczynek do recepcji twórczości Władysława Broniewskiego. W ostatnich latach zaznacza się wzrost zainteresowania poetą. W 1948 roku, przebywając w Gorzowie Wielkopolskim, artysta wpisał swoją fraszkę do sztambucha. Dotąd ani pamiętnik, ani wpis Broniewskiego nie były przedmiotem uwagi badaczy, o czym traktuje artykuł. Omówiono w nim i zestawiono tekst fraszki wpisanej do sztambucha z tekstem fraszki zachowanym w Muzeum Władysława Broniewskiego i publikowanymi wersjami tego utworu.
The article discusses the reception of works by Władysław Broniewski. In recent years, interest in the poet has grown. In 1948, staying in Gorzów Wielkopolski, the artist wrote his epigram in an album. So far, neither Broniewski’s diary nor his entry has been a subject of attention of researchers. The epigram text written in the album has been discussed and compared with the epigram text retained in the Władysław Broniewski’s Museum and published versions of the short poem.
Źródło:
Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego; 2021, 7; 271-280
2450-3584
Pojawia się w:
Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Духовна естафета поколінь: творчість Тараса Шевченка в літературно-критичному осмисленні Івана Франка
A Spiritual Relay Race of Generations: Taras Shevchenko’s Creative Work in the Literary and Critical Comprehension of Ivan Franko
Autorzy:
Hołod, Roman
Powiązania:
https://bibliotekanauki.pl/articles/1790555.pdf
Data publikacji:
2016-02-02
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
reception
biography
bibliography
romanticism
literary process
Opis:
In this article the hereditary connection between Taras Shevchenko and Ivan Franko’s creative work is studied in Ukrainian literary tradition discourse. Through the prism of Franko’s literary and critical reception of T. Shevchenko’s creative work the causes of coincidences and differences in the ideas and aesthetic conceptions of both writers are determined. The author of the article proves the existance of the indissoluble connection between the different literature generations’ representatives on the idea and content levels, as well as on the formal and aesthetic level. The importance of T. Shevchenko and I. Franko’s creative heritage for Ukrainian culture and literature is also evaluated.
Źródło:
Studia Ucrainica Varsoviensia; 2016, 4; 355-371
2299-7237
Pojawia się w:
Studia Ucrainica Varsoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tekst i paratekst: recepcija Witolda Gombrowicza u Hrvatskoj
Text and Paratext: The Reception of Witold Gombrowicz in Croatia
Autorzy:
Gverić Katana, Petra
Powiązania:
https://bibliotekanauki.pl/articles/487125.pdf
Data publikacji:
2017-12-31
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Witold Gombrowicz
recepcja chorwacka
paratekst
literatura w przekładzie
kultura docelowa
Croatian reception
paratext
translations
culture reception
Opis:
Po 2000 roku liczba utworów Witolda Gombrowicza przetłumaczonych w Chorwacji nagle wzrosła, ukazało się też wiele różnorodnych tekstów dotyczących recepcji dzieł polskiego pisarza: artykułów naukowych, tekstów publicystycznych i krytycznych — wszelkiego rodzaju paratekstów. W niniejszym artykule skoncentrowano się na związku pomiędzy tekstem literackim a paratekstem w kulturze docelowej, ich współzależności i wpływie, jaki wywarły na odbiór dzieła Witkacego i percepcję autora. Przeanalizowano także czynniki powodujące jego rosnącą obecność w chorwackim dyskursie kulturowym.
From the year 2000 onwards, the number of works by Witold gombrowicz translated into croatian has decisively increased. The above is followed by a plethora of critical articles: features, commentaries, reviews, academic research articles, etc. The present article focuses on the issue of correspondence between the literary text and its paratext(s) in the target language culture, their potential interdependence, and their consequent impact on the reception of gombrowicz’s work and the writer’s image. The analysis considers the factors contributing to gombrowicz’s growing presence in croatian cultural discourse.
Źródło:
Przekłady Literatur Słowiańskich; 2017, 8, 2; 61-85
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filmy Eldara Riazanowa w Polsce – z zagadnień recepcji
Eldar Ryazanov’s films in Poland – reception issues
Autorzy:
Mocarz-Kleindienst, Maria
Powiązania:
https://bibliotekanauki.pl/articles/482121.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Eldar Ryazanov
film reception
soviet cinematography
Opis:
Eldar Ryazanov directed films including The Irony of Fate, Station for Two, Carnival Night, Beware of the Car, and Office Romance. These films, regarded as cult classics in Russia (the former Soviet Union), are also known to Polish fans of Russian films. This paper takes account of two periods of reception of Ryazanov’s films in Poland: primary reception (1960s – 1980s) and secondary reception (beginning of 2000s). The reception analysis was conducted based on the following materials: press articles, collective monographs, Polish Television archival material and internet forums. Consequently, several areas of interest of critics and viewers were identified, including the following: 1) the plot, 2) aesthetic and artistic impressions, 3) the reference of the director’s works to the works of the Polish film industry, 4) the director’s artistry, 5) the cast, 6) the quality of translation.
Źródło:
Acta Polono-Ruthenica; 2017, 4, XXII; 57-68
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dzieje grzechu, czyli kontrowersje wokół polskiej recepcji twórczości filmowej Waleriana Borowczyka
A story of sin: the controversy surrounding polish reception of Walerian Borowczyk’s cinematic works
Autorzy:
Kwas, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/520726.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Walerian Borowczyk
film
surrealism
press
reception
Opis:
Worldwide Walerian Borowczyk is known as a vanguard artist. In Poland, however, his works have been always divided into two categories: the “real art”, eg. his animated films made with Jan Lenica and “all the rest”, usually called “controversial” or demoralizing”, made abroad. Borowczyk’s late works (such as Immoral Tales, 1974, The Beast, 1975, or Emmanuelle V, 1987) confirmed his image of a pornographer, an iconoclast and controversial yet repetitive creator constantly shocking with (cheap) erotica. In that context, an insight on the reception of Borowczyk’s cinematic works in his homeland seems particularly interesting. An analysis of the aforementioned problem is followed by an attempt to find all the possible sources of such particular reception of the works of Walerian Borowczyk. He was a director viewed either as a pornographer or an uncompromising icon of bold film productions – the first real surrealist of Polish cinema.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2012, 4; 105-112
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wizerunek najstarszej antologii poezji japońskiej „Man’yōshū” w epoce średniowiecza
Medieval Image of the Oldest Collection of Japanese Poetry, Man’yōshū
Autorzy:
Citko, Małgorzata Karolina
Powiązania:
https://bibliotekanauki.pl/articles/578052.pdf
Data publikacji:
2015
Wydawca:
Polskie Towarzystwo Orientalistyczne
Tematy:
Man’yōshū
reception
Rokujō
Mikohidari
discourse
Opis:
The paper analyzes the discrepancies between the Man’yōshū’s images of the medieval and contemporary eras. As it turns out, the contemporary reception of this very first extant collection of Japanese poetry is quite different from the one from the medieval period. It seems that Man’yōshū was considered to be an imperial anthology preserved in many different manuscripts, none of which was canonized or preferred in any manner. There were many different interpretations in regard to the information about this anthology’s creation, e.g. date of compilation, number of poems, identity of the compiler(s) and of the emperor who allegedly commissioned it. Such an image has its origin in the existance of a poetic discourse, participation in which became one of the requirments for early medieval poets from various poetic schools to aqcuire patronage for their poetic activity. Above all, this paper demonstrates that Man’yōshū was a much more fluid, challenged and reconsidered text in the early medieval era than we may currently think.
Źródło:
Przegląd Orientalistyczny; 2015, 1-2; 97-107
0033-2283
Pojawia się w:
Przegląd Orientalistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Canons and Heroes: The Reception of the Complete Works Translation Project in Finland, 2002-13
Autorzy:
Keinänen, Nely
Powiązania:
https://bibliotekanauki.pl/articles/647987.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Shakespeare
complete works
reception
Finland
translation
Opis:
This essay examines the reception of the ten-year Complete Works translation project undertaken by the Finnish publishing company Werner Söderström Oy (WSOY) in 2004-13. Focusing on reviews published in the first and last years of the project, the essay details ongoing processes of Shakespeare (re-)canonization in Finland, as each new generation explains to itself what Shakespeare means to them, and why it continues to read, translate and perform Shakespeare. These processes are visible in comments from the series editors and translators extolling the importance of Shakespeare’s work and the necessity of creating new, modern translations so Finns can read Shakespeare in their mother tongue; in discussions of the literary qualities of a good Shakespeare translation, e.g. whether it is advisable to use iambic pentameter in Finnish, a trochaic language; and in the creation of publisher and translator “heroes,” who at significant cost to themselves, whether in money in terms of the publisher, or time and effort in terms of the translators, labour to provide the public with their Shakespeare in modern Finnish. While on the whole reviewers celebrated the new translations, there was some resistance to changes in familiar lines from older translations, such as Macbeth’s “tomorrow” speech, suggesting that there are nevertheless some limits on modernizing “classic” translations.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2017, 16, 31; 109-125
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Scandalmonger: Julian Tuwim
Autorzy:
Łuszczykiewicz, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/650009.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Julian Tuwim
biography
scandal
provocation
reception
Opis:
The article attempts to argue that Tuwim’s personality and work can be explained by looking into his early childhood and writing. It is definitely the period inadequately explored by critics. The author discusses key moments in the poet’s biography and most crucial elements of his work, paying particular attention to controversies triggered by some texts and themes in his writing. The article also focuses on the analysis of conflicts that Tuwim suffered from in his life. Tuwim’s strategy of provocation is also taken under scrutiny. The article presents Tuwim’s poetry as a lasting contribution to Polish literature and as a body of work which manages to resist ideological readings.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 36, 6
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Relation between the Spiritual and the Aesthetic in the Poetry of Daniel Pastirčák
Autorzy:
Andričík, Marián
Powiązania:
https://bibliotekanauki.pl/articles/951929.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
spiritual poetry
mysticism
allegory
Gospel
reception
Opis:
The aim of the study is to present the poetry of Daniel Pastirčák, one of the most prominent spiritual poets in the contemporary Slovak literature. Through interpretation of his four book of verse, we attempt to name dominant features of his poetry. A thread of spiritual poetry can be seen since Old Slavonic literature, particularly St. Cyril’s foreword to his translation of the Gospels called Proglas. Since then, every period of literary history had active priests engaged in writing poetry, and a short survey of most important names is given in this study. We tackle general problems of writing spiritual poetry, especially the tension between its theological and poetic aspect. A good way to overcome this threatening imbalance is either the use of original imagery or particular human experience with faith as is shown in Pastirčák’s best poems. His philosophical and meditative poetry emphasizes the unity of the world, of man and nature, of earthly and divine. The speaker can see dualism in both: man and the world, combining it with the cyclical conception of time. He proves what is typical of good poetry and literature entirely: that they are able to point to spiritual values indirectly not only by their invocation. The Christian character of Pastirčák’s poetry is supported by his frequent references to the Bible, either direct quotations or paraphrases, or allusions. The diction of many of his poems, mainly in his first book of verse Tehilim, is biblical, too. We try to support our conclusions with quotations of particular poems or their extracts in English translation. The overall ambition of this study is the attempt to offer a relatively complex view upon Daniel Pastirčák as a poet, which, we hope, will contribute to the reception of spiritual poetry in Slovak literature.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 3(3); 91-102
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Skandalista Julian Tuwim
The Scandalmonger: Julian Tuwim
Autorzy:
Łuszczykiewicz, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/967555.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Julian Tuwim
biography
scandal
provocation
reception
Opis:
The article attempts to argue that Tuwim’s personality and work can be explained by looking into his early childhood and writing. It is definitely the period inadequately explored by critics. The author discusses key moments in the poet’s biography and most crucial elements of his work, paying particular attention to controversies triggered by some texts and themes in his writing. The article also focuses on the analysis of conflicts that Tuwim suffered from in his life. Tuwim’s strategy of provocation is also taken under scrutiny. The article presents Tuwim’s poetry as a lasting contribution to Polish literature and as a body of work which manages to resist ideological readings.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2014, 26, 4
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł

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