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Wyświetlanie 1-5 z 5
Tytuł:
Naim Frashëri - Founder and professor of Albanian literature for children
Autorzy:
Alimerko, Rudina
Powiązania:
https://bibliotekanauki.pl/articles/1035839.pdf
Data publikacji:
2012
Wydawca:
Academicus. International Scientific Journal publishing house
Tematy:
Pedagogical works
prose for children
poetry
national renaissance
Opis:
The tradition that Naim created is alive and inspirational even among the lives of the present society. More than a writer, Naim is the greatest poet of our National Renaissance, is a patriot, think-tank and famous activist of education and Albanian culture. His most special merit in this literary creativity stands in the fact that he raised the literature for children at a higher artistic level, strongly affecting the other Renaissance figures. Which are the virtues that Naim Frashëri wants to develop among the children? As a writer and professor, Naim aimed to activate through his creativities the intellectual and educational thought and the spiritual moral emancipation of the children. In his literary creativity, Naim Frashëri appears not only as a famous writer and poet, but as a great professor at the same time, publishing literary and pedagogical works. The book Reader for boys with short stories distinguished him as a talented prose writer for children, whereas the poetic art in the collection Poetry for the first grades established him as the founder of the poetry for children, where Naim appears as an educator and serves as a propagandist of the noble virtues of love for work, of honour, faith, justice, truth, humanism, will for learning and knowledge, love for one’s country. In the general view of this literature, as a poet and writer through different genres and types, Naim aims to give advices, to convey wisdom and philosophy but also to emanate elements of culture and good manners, behaviour and moral. Naim, likewise his predecessors: Naum Veqilharxhi and Kostandin Kristoforidhi, dedicated himself to the literature for children to deeply affect the conscience and moral of the children. In this point of view there is another reason why Naim dedicated himself to the literature for children: he was convinced that the boundaries of the linguistic culture of the nation are laid down at school and in childhood. “Little boys and maids need to learn their language, to read it correctly and write it good”. Thus, the poetry and prose for children subdue to his aim; the artistic and patriotic education of children. Therefore, for this contribution that he brought, Naim Frashëri deserved being named as the founder of Albanian literature for children and as its main representative during the National Renaissance.
Źródło:
Academicus International Scientific Journal; 2012, 05; 143-152
2079-3715
2309-1088
Pojawia się w:
Academicus International Scientific Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Roksana Jędrzejewska-Wróbel w trzech odsłonach. O kreowaniu światów poprzez słowo i obraz
Autorzy:
Ungeheuer-Gołąb, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/445636.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
prose for children by Roksana Jędrzejewska-Wróbel
illustration in a book for child
Opis:
Roksana Jędrzejewska-Wróbel in three views. About creating realties through the use of word and picture enters The article entitled Roksana Jędrzejewska-Wróbel in three views. About creating realties through the use of word and picture enters into interpretation of particular meanings between the literary text and its representation. Three books by Roksana Jędrzejewska-Wróbel, such as: Królewna (2009), O słodkiej królewnie i pięknym księciu (2008), Florka. Listy do Józefiny (2008) have been chosen to be discussed. The authoress of the article points to differences in how the particular illustrators: Ewa Poklewska-Koziełło, Agnieszka Żelewska, Jona Jung picture their works. She pays attention to the fact that the ways of introducing the picture (writers line, avant-garde concept, choice of scenes etc.) establish new context for understanding each literary work as a whole filling in so called space “between” (between word and picture).
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2017, 5; 166-181
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Strategie komunikacyjne w służbie apoteozy przeszłości w prozie historycznej Zofii Bukowieckiej z okresu zaborów
Communication strategies in the service of the past apotheosis in Zofia Bukowiecka’s historical prose from the partitions period
Autorzy:
Hawrysz, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1364869.pdf
Data publikacji:
2019-12-19
Wydawca:
Uniwersytet Zielonogórski. Wydział Humanistyczny
Tematy:
strategie komunikacyjne
świadomość narodowa
zabory
Zofia Bukowiecka
communication strategies
national consciousness
partitions
historical prose for children
Opis:
Celem szkicu jest identyfikacja strategii pisarskich oraz podporządkowanego im repertuaru środków językowych wykorzystanych w apoteozującym opisie państwa, jaki wyłania się z prozy historycznej Zofii Bukowieckiej. Kreacja laudacyjnej wizji przeszłości Polski (zgodna z wytycznymi epoki) jest tworzona przez Z. Bukowiecką programowo i ma charakter edukacyjny, konsolacyjny, wreszcie – najważniejsze – formacyjny, tzn. ma na celu rozbudzanie patriotycznych postaw w pozbawionym państwa narodzie. Spojrzenie na teksty Zofii Bukowieckiej z perspektywy pragmatyki lingwistycznej pozwoliło wyróżnić kilka strategii pisarskich, które służą realizacji apoteozującej wizji przeszłości. Są to idyllizacja pejzażu, perfektyzacja państwa, splendaryzacja władców i magnifikacja narodu. Szczególnie często wykorzystywanymi środkami językowymi (z różnych poziomów organizacji języka i tekstu) realizującymi poszczególne strategie były: nagromadzenie, hiperbola, kontrast, słownictwo aksjologiczne, topos zamilknięcia, bestializacja, argumentum ad verecundiam.
The aim of the sketch is to identify writing strategies and the repertoires of linguistic means used in the apotheosizing description of the state that emerges from Zofia Bukowiecka’s historical prose. Creation of a laudatory vision of Poland’s past (in accordance with the guidelines of the era) is created by Z. Bukowiecka purposively and is of an educational, comforting, and finally – the most importantly – formative nature, i.e. it aims to awaken patriotic attitudes in a nation which was deprived of the state. A look at Zofia Bukowiecka’s texts from the perspective of linguistic pragmatics allowed us to distinguish several writing strategies that serve to implement the apotheosis of the past vision. These are the idyllic stylization of the landscape, the amelioration of the state, the glorification of the rulers and the magnification of the nation. Particularly frequently used linguistic means (from various levels of language and text organization) implementing particular strategies were: accumulation, hyperbole, contrast, evaluative vocabulary, the topos of becoming silent, brutalization, argumentum ad verecundiam.
Źródło:
Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego; 2019, 5; 33-44
2450-3584
Pojawia się w:
Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dziecko Zamojszczyzny. Historiografia Anny Janko dla najmłodszych
A Child of Zamość Region. Anna Janko’s Historiography for the Youngest
Autorzy:
Wądolny‑Tatar, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/784505.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Child of Zamość region
Second World War
prose for children
postmemory
Róża Zamoyska
Anna Janko
Éric‑Emmanuel Schmitt
Opis:
Oleś i Pani Róża by Anna Janko is a postmemorial narrative for the youngest. The trajectory of the fate of a several‑year‑old hero is a literary realisation of the course of dramatic events connected with displacement, separation from parents, the stay in a temporary camp in Zwierzyniec, an orphanage, and the potential danger of not only Germanisation but also death. Thus, the title character becomes a figure of the fate of Children of Zamojszczyzna (Zamość region); in some way he represents them. The piece is also an expression of the homage paid to Róża and Jan Tomasz Zamoyski in recognition of their merits for saving actions for the youngest inhabitants of Zamojszczyzna. Janko’s work is based on family transmission, that is, on inheriting the experience of great‑grandfather (former Oleś) by his great‑granddaughter Róża (namesake of Róża Zamoyska). The narrative touches upon a subject that until recently was considered a taboo, introducing Polish expressions that accentuate the category of “Children of Zamość region” - a toponymic, tragic, negative distinction of the age group, region, and history. One can see character‑related or constructional parallels between the work of Anna Janko and the novel by Éric‑Emmanuel Schmitt - Oskar i Pani Róża (Oscar and the Lady in Pink), which is also intertextually indicated by the very title: Oleś i Pani Róża.
Źródło:
Paidia i Literatura; 2019, 1; 131-144
2719-4167
Pojawia się w:
Paidia i Literatura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poetické obrazy staroby a detstva
Autorzy:
Pršová, Eva
Powiązania:
https://bibliotekanauki.pl/articles/1826615.pdf
Data publikacji:
2020-02-06
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
literature for children and youth
social prose
intergenerational relation
literary image of grandparents
language of the character
Opis:
The phenomena of the old age and childhood are known through projection of intergenerational relation in the family. The subject of interpretation quest in selected texts mainly of social prose for youth is mostly poetical literary image of the relation of a grandparent to the main child character and its variations in the topic. The author follows the way the authorial vision is being transformed into particular original forms and meaning in the texts of Dušan Dušek (The oldest from all sparrows), Peter Holka (A Summer on a waggoner´s horse) and Peter Glocko (I am not afraid of vacations, Robinson and Gramp Millionaire) but also in the context of the other selected authors, whose texts are topically oriented in literary image of the relation between grandparent and his grandchild. The study is not focused on all levels of the epic text, but concentrates on characters and their acting, on the type and language characteristics of the bearers of tradition and teenager.
Źródło:
Conversatoria Litteraria; 2017, 11; 495-508
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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