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Wyszukujesz frazę "presentation in the Temple" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Andrés García Serrano, The Presentation in the Temple. The Narrative Function of Lk 2:22-39 in Luke-Acts (Analecta Biblica 197; Roma: Gregorian & Biblical Press, 2012). Pp. 448. € 37. ISBN 978-88-7653-197-2.
Autorzy:
Mielcarek, Krzysztof W.
Powiązania:
https://bibliotekanauki.pl/articles/1051417.pdf
Data publikacji:
2015-11-23
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
presentation in the Temple
Lukan work
Opis:
Book review:Andrés García Serrano, The Presentation in the Temple. The Narrative Function ofLk 2:22-39 in Luke-Acts (Analecta Biblica 197; Roma: Gregorian & Biblical Press,2012). Pp. 448. € 37. ISBN 978-88-7653-197-2.
Źródło:
The Biblical Annals; 2015, 5, 1; 217-221
2083-2222
2451-2168
Pojawia się w:
The Biblical Annals
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Znaczenie antwerpskiej kompozycji Rubensa dla przedstawień Ofiarowania Jezusa na terenach Rzeczypospolitej
The significance in Poland of Rubens’ composition in Antwerp Cathedral depicting the Presentation of Jesus in the Temple
Autorzy:
Ponińska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1395200.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
the Presentation of Jesus in the Temple,
Peter Paul Rubens,
Antwerp, Paul
Pontius,
art in the 17th and 18th centuries
Opis:
The scene depicting the Presentation of Jesus in the Temple was a rather popular image in Polish art in the 17th and 18th centuries due to the event being included among the Joyful Mysteries of the Rosary. It also appears as a stand alone scene, as well as in series illustrating events from the life of Jesus and the Virgin Mary. These representations could take the form of polychrome murals in churches, paintings ornamenting the choir, as well as other series of works of art. Artists often based their work on ready-made models. In the case of the scene depicting the Presentation of Jesus in the Temple, the most popular composition used as a model by Polish artists was undoubtedly the one executed in the first quarter of the 17th century by Peter Paul Rubens. He painted the scene on the side wing of a triptych housed in Antwerp Cathedral, although his drawing was also used to make a graphic version, the composition of which was expanded to include additional figures. The most convenient way of copying these models was by basing on prints which were published in large quantities, although the artists who made use of them often reduced the composition or made other changes which prevented a clear identification of a concrete model. In Poland, Rubens’ composition was used to ornament walls with polychrome paintings (Jarosław and Rzeszów), the backs of choirs (Koźliny, and to some extent Żarnowiec), paintings on canvas (KamieńKrajeński, Baranów, and Kazimierz Dolny), as well as in series of scenes associated with the Rosary (Kobylin), or for one of the scenes decorating the Feasts tier of an Iconostasis (Owczary). The Flemish master’s composition was popular in Polish art both in the 17th and 18th centuries.
Źródło:
Saeculum Christianum. Pismo Historyczne; 2014, 21; 154-168
1232-1575
Pojawia się w:
Saeculum Christianum. Pismo Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Perykopa o Symeonie (Łk 2, 25–35) w świetle teologii Łukaszowej
Autorzy:
Domka, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/22676622.pdf
Data publikacji:
2022-10-11
Wydawca:
Wyższe Seminarium Duchowne w Łodzi
Tematy:
Łk 2, 25–35
Symeon
ofiarowanie
Ewangelia Dzieciństwa
Łk 1–2
proroctwo Symeona
Luke 2:25-35
Simeon
Lukan Infancy Narrative
presentation of Jesus in the temple
Luke 1-2
the prophecy of Simeon
Opis:
The main subject of the article is the thematic and morphological-syntactic analysis of the pericope Luke 2:25-35, which is part of the story about the presentation of Jesus in the temple (Lk 2:21-40). The text of Luke 2:25-25 is set in the context of two parallel childhood stories of Jesus and John (Luke 1-2). The study consists of two parts. The first is the presentation of the context of Luke 2:25-35 in relation to the description of Luke 2:21-24. The second stage is an analysis of Luke 2:25-35 in relation to the theology of Luke. The analysis of the text of Luke 2:25-35 shows the literary and theological relationship of Luke 1-2 with other texts of Luke-Acts.
Źródło:
Łódzkie Studia Teologiczne; 2022, 31, 3; 211-229
1231-1634
Pojawia się w:
Łódzkie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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