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    Tytuł:
    Późnośredniowieczne skarby monet z dolnego Nadodrza i dolnego Połabia z zawartością biżuterii i ozdób
    Late Medieval Hoards of Coins from the Lower Odra Region and Lower Elbeland, Containing Jewellery and Ornaments
    Autorzy:
    Szczurek, Tadeusz
    Powiązania:
    https://bibliotekanauki.pl/articles/532537.pdf
    Data publikacji:
    2014
    Wydawca:
    Muzeum Pierwszych Piastów na Lednicy
    Tematy:
    aplikacja-tarczka
    biżuteria
    bransoleta
    brosza
    depozyt
    emalia
    fibula
    guziki
    guzy
    Hanza wendyjska
    kamienie półszlachetne
    klamra
    kolczyki
    krzyżyki
    zawieszki
    masa szklana, naszyjnik, niello, obrączka, okucie, ozdoby, perła, pierścień,
    pozłacanie, skarb, sprzączka, sygnet, szpila, tezauryzacja, trybowanie, zapinka
    fitting-shield
    jewellery
    bracelet
    brooch
    deposit
    enamel
    buttons
    knobs
    Wendic Hansa
    semi-precious stones
    buckle
    earrings
    crosses-pendants
    glass mass
    necklace
    niello
    annuli ring
    fitting
    ornaments
    pearl
    ring
    gilding
    hoard
    signet
    hair-pin
    hoarding
    embossing
    clasp
    Opis:
    In this paper the author offers an overview of hoards containing ornamental items, that is, jewellery, dress ornaments as well as ornaments used to decorate other artefacts. Je mapping of finds, starting with those from the second half of the 12th c., does not display any concentration in the discussed territory. However, there is quite a large concentration of deposits with ornaments in the southern borders, or actually beyond them—in Anhalt, Saxony-Wittenberg and in Thuringia (Fig. 1). When the finds are arranged chronologically, it turns out that deposits which were hidden in the period from c. 1360 to c. 1500 are the most numerous. Earlier hoards, however, are much richer in decorative artefacts. In later deposits such artefacts are either single specimens or their number is limited to but a few finds. There are occasional hoards dated back to the Early Middle Ages (to c. 1070) containing ornaments only or ornaments and non-monetary silver (in the form of clumps and bars). However, from the second half of the 12KP c. onwards there are no finds which contain ornamental items only. Although there are ornaments in deposits with bars (Gusskönige), they are accompanied by coins. An overwhelming majority of the ornamental items was made from silver. From the 13th c. onwards, gilding appears on the silver artefacts. Je technique of gilding is commonly used in silver jewellery artefacts from the 14th and 15th c. A silver ring from the hoard from Bardowick is ornamented in the niello technique. Gold artefacts occur very rarely, and it seems that they appear as single finds only. Bronze artefacts are truly unique. Specimens from the 14th and 15th c. are ornamented with semi-precious stones, a glass mass and enamel, while pearls are found sporadically. Amber does not occur in the discussed territory; on the other hand, it is known from small artefacts in other parts of Europe (e.g., from the Austrian hoard in Fuchsenhof, c. 1275–1278). Je assortment of ornamental artefacts for decoration of the body (jewellery) and of dress is quite similar to that from the present time. It encompasses rings (often with eyelets), annuli and signet rings, brooches used as clasps, buckles and the fittings of belts, knobs used as buttons, but also as dress ornaments, fittings (thin metal sheets with openings, used to ornament dresses, purses and caskets) in the shape of round and heraldic shields, or heraldic eagles and lions. In some hoards there are large numbers of buckles (some of these are similar to brooches, somewhat resembling fibulae). Crosses-pendants, earrings and hair pins are not common. Items of cutlery are rather sporadically found (silver spoons and silver fittings for knife handles). The largest hoards are known from the territory of the Wendic Hansa and they were discovered in urban areas. "ere is no doubt that these were gathered by members of the patriciate. On the other hand, rich hoards with gold artefacts are known from the Rhineland, but also from Erfurt in Thuringia and from Środa Śląska.
    Źródło:
    Studia Lednickie; 2014, 13; 49-76
    0860-7893
    2353-7906
    Pojawia się w:
    Studia Lednickie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Produkcja górnicza podstawowych surowców mineralnych w świecie i w Polsce w 2017 roku
    Mining production of basic mineral resources in the world and in Poland in 2017
    Autorzy:
    Stanienda-Pilecki, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/167542.pdf
    Data publikacji:
    2019
    Wydawca:
    Stowarzyszenie Inżynierów i Techników Górnictwa
    Tematy:
    produkcja górnicza
    surowce mineralne
    metale
    kamienie szlachetne
    surowce energetyczne
    surowce chemiczne
    surowce ogniotrwałe
    mining production
    mineral resources
    metals
    precious stones
    energy raw materials
    chemical materials
    refractory materials
    Opis:
    W artykule dokonano analizy wielkości produkcji podstawowych surowców mineralnych w świecie i w Polsce w 2017 roku, z uwzględnieniem czołowych producentów. Analizie poddano wybrane surowce z grupy metali i kamieni szlachetnych (złoto, srebro, platyna i platynowce oraz diamenty naturalne), z grupy metali kolorowych (miedź, cynk, cyna, ołów, kadm, rtęć, ind i ren), z grupy metali lekkich lub ich rud (boksyt, magnez, beryl, tytan, rutyl naturalny oraz ilmenit), z grupy metali staliwnych lub ich rud (ruda żelaza, nikiel, ruda manganu, chromit, kobalt, molibden, wolfram, tantal i niob), surowce energetyczne – węgiel kamienny, węgiel brunatny, ropa naftowa i gaz ziemny, surowce nuklearne – uran, cyrkon i ziemie rzadkie, wybrane surowce chemiczne (fosfaty, potas, sól kamienna, siarka rodzima, gips, kaolin, antymon, fluoryt, baryt, bor i soda rodzima) oraz podstawowe surowce ogniotrwałe (perlit, magnezyt, wermikulit i łącznie – sillimanit, andaluzyt i cyjanit). W artykule przedstawiono istotne zmiany w wielkości produkcji tych surowców mineralnych w stosunku do 2016 roku, z uwzględnieniem wzrostów i spadków wydobycia u czołowych producentów.
    This paper presents an analysis of basic mineral resources production in the world and in Poland in 2017, including the leading producers. The analysis was executed for selected raw materials from the group of metals and precious stones (gold, silver, platinum and platinum and natural diamonds), from the group of non-ferrous metals (copper, zinc, tin, lead, cadmium, mercury, indium and rhenium), from the group of light metals or their ores (bauxite, magnesium, beryllium, titanium, natural rutile and ilmenite), from the group of ferrous metals or their ores (iron ore, nickel, manganese ore, chromite, cobalt, molybdenum, tungsten, tantalum and niobium), energy resources – hard coal, lignite, oil and natural gas, nuclear resources – uranium, zirconium and rare earths, selected chemical raw materials (phosphates, potassium, rock salt, native sulfur, gypsum, kaolin, antimony, fluorite, barite, boron and native soda) and basic refractories (perlite, magnesite, vermiculite and in total – sillimanite, andalusite and cyanite). The paper presents significant changes in the volume of production of these mineral raw materials in relation to 2016, taking into account increases and decreases in production at the leading producers.
    Źródło:
    Przegląd Górniczy; 2019, 75, 4; 19-28
    0033-216X
    Pojawia się w:
    Przegląd Górniczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kamienie w fundamentach Nowego Jeruzalem – analiza obrazu Ap 21,19-20
    The Foundation Stones of the New Jerusalem: An Analysis of the Image in Rev 21:19-20
    Autorzy:
    Nowińska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1621303.pdf
    Data publikacji:
    2017-05-18
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Apokalipsa
    kamienie szlachetne
    fundament
    Bóg
    obraz
    miasto
    oblubienica
    Revelation
    precious stones
    foundation
    God
    picture
    city
    bride
    Opis:
    Księga Apokalipsy św. Jana posługuje się licznymi terminami, przynależącymi do puli semantycznej świata stworzonego. Uwagę wśród nich przyciągają kamienie, z racji największego bogactwa rodzajowego. Włączone w obraz fundamentów Nowego Jeruzalem – Oblubienicy Baranka oddają bogactwo i różnorodność przejawów relacji Boga z człowiekiem. Ich lokacja wydaje się oddawać refleks intymności, ukrycia, głębi duchowej. Paleta barw, dostępna ludzkiej percepcji jedynie przy świetle, w konwencji Apokalipsy odsyła do Stwórcy, opisanego w porównaniu do złota, blasku, jaspisu, przejrzystości kryształu. Stopień bliskości z Nim warunkuje obszar odkrytego piękna. Aspekt wspólnotowy, oddany został wzmianką o imionach Apostołów na poszczególnych warstwach kamieni. Sekwencja wyakcentowana liczebnikami porządkowymi uwypukla harmonię i ład obecne w tej przestrzeni relacji. Co znamienne autor natchniony nie odsuwa tej ostatniej w przyszłość eschatologiczną, lecz zaprasza do odkrywania dziś, w rzeczywistości osobistego życia duchowego.
    The Book of Revelation uses many words connected with nature and the process of creation. One of the most interesting categories is that of jewels and precious stones, partly because of the great variety which are presented. They are incorporated into the foundations of the walls of the New Jerusalem – called the wife of the Lamb (21:9) – and present an image of the richness and variety of God’s relationship with his people. The localization of the stones seems to describe an intimacy, a spiritual depth and a latency. The spectrum of colors, available only in the light, is used here as a kind of God’s presentation – He is described by a gold, a brightness, a jasper and a clear glass. The level of intimacy with God is conditioned by the greatness of the sphere of beauty, available to a human being. The names of the Apostles on the stones focus attention on the aspect of community, and the sequence of ordinal numerals reveals the harmony and order of that relationship. It is interesting that the author does not relegate such intimacy with God to a future, eschatological time, but rather invites the reader to discover it now, in the personal reality of the spiritual life.  
    Źródło:
    Verbum Vitae; 2017, 31; 189-213
    1644-8561
    2451-280X
    Pojawia się w:
    Verbum Vitae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Religijno-kulturowa funkcja relikwiarzy. W kręgu genezy obrazowania ciała świętych w sztuce europejskiej
    Cultural-religious Function of Reliquaries. From the Circle of the Origins of Depicting the Bodies of Saints in European and Polish Art
    Autorzy:
    Mazurczak, Małgorzata Urszula
    Powiązania:
    https://bibliotekanauki.pl/articles/1807407.pdf
    Data publikacji:
    2020-01-02
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    mozaiki: barwa
    światło
    relikwiarze: antropomorficzne
    złoto
    kamienie szlachetne
    antropologia ciała
    ciało święte
    ciało ziemskie
    mosaics
    colour
    light
    reliquaries
    anthropomorphic
    gold
    precious stones
    anthropology of the body
    saint body
    earthly body
    Opis:
    Works of art are an integral part of religious culture and they reflect its wealth in Christian piety. However, while methodology of research into works of religious art has consolidated its fixed and tested methods, interpretation of works in the context of cultural studies asks questions, raises doubts, and sometimes stirs up controversies. Nevertheless, one cannot help deliberating over the cultural-religious function of such significant evidences in the heritage of Christian culture as reliquaries, especially ones in the form of parts of the body, like the hand, foot, head, arm etc. In the aspect of the cult of relics of saints and the ways of practicing this cult, reliquaries have been discussed in detail in theological research, in hagiography of spirituality, as well as in the history e.g. of pilgrimages and of the cult of saints. The present deliberations try to interpret various forms of works of art connected with the cult of saints. Reliquaries in the form of parts of the body that serve keeping relics of saints evoke faith in sanctity and in the resurrection of bodies. It is in them that the mystery of resurrection of the body as a new body, with new features of the matter, has been illustrated. Its nature may be most adequately made evident by the nature of the light, brightness, radiating of colours. Even Roman mosaics filling the early Christian churches used the new artistic medium in depicting pictures of saints and of God. The form of the body divided into small tesserae implies the body that is “in pieces”, joined again with mortar into a new visual quality of joined pieces covered with gold and precious dyes. The technique of mosaic allowed rendering the shining and the brightness of colours, making one aware of the mystic matter and showing with the use of artistic means the nature of a saint’s body as a “new body”. In this way mosaics and reliquaries make it easier for the faithful to realize the mystery of the “new body” of the saint and the resurrected martyrs. This is why the mosaic décor, especially in the apses and the places where relics of saints are placed in early Christian Rome churches, is compared to reliquaries that were common in medieval Europe and in Poland. They belong to the common heritage of religious culture that in a sensual way showed the mysteries of resurrection of the bodies of martyrs and of their relics. Artistic objects participate in the Church’s teaching and faith, constituting the mutual heritage of art and faith.
    Źródło:
    Roczniki Kulturoznawcze; 2012, 3; 45-66
    2082-8578
    Pojawia się w:
    Roczniki Kulturoznawcze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nauka o kamieniach i jej źródła w cyklu kazań Nuptiae Agni Antoniego Węgrzynowicza
    The study of precious stones and its sources in the cycle of sermons entitled „Nuptiae Agni” by Antoni Węgrzynowicz
    Autorzy:
    Kroczak, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/1041648.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    precious stones
    gemology
    encyclopedism
    secret science
    Apocalypse
    sermons
    Antoni Węgrzynowicz
    Opis:
    This article centers on the literary achievements of preacher Antoni Węgrzynowicz (1658-1721) from the collection Nuptiae Agni . Gody Baranka apokaliptycznego…  (Krak.w 1711) – „Nuptials of the Apocalyptic Lamb” (transl.) – in which there are, among other things, a series of conceptual sermons – refer to the fragment of Apocalypse 21, 19-20, relates to the twelve precious stones being the foundations of the Heavenly Jerusalem, traditionally associated with the names of the apostles. The author presents spiritual content, ingeniously built on knowledge of natural sciences regarding the properties of precious stones, derived from the writings of past and contemporary naturalists, from encyclopedic texts, biblical commentaries, baroque symbolographic compendia, and specialized literature for church speakers. The article discusses these sources of knowledge and seeks to present the writing strategies used by Węgrzynowicz concerning the study of precious stones.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 31; 269-292
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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