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Tytuł:
From Research on the Musical “Trans-avant-garde”: A Contribution to the Discussion on the Terminology Concerning the Historiography of 20th Century Polish Music
Autorzy:
Karwaszewska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/632422.pdf
Data publikacji:
2016
Wydawca:
Projekt Avant
Tematy:
postmodernism
Opis:
he research article discusses the concept of “the trans-avant-garde” (a term coined by theItalian art critic Achille Bonito Oliva to describe certain phenomena in visual arts, espe- cially painting, which have appeared since the end of the 1970s) and attempts to adapt it for a discussion of twentieth century Polish music. The trans-avant-garde (Italian la transavanguardia) is an Italian form of expressionism in art (neo-expressionism), origi- nating as a rejection of modernism, formalism, innovation, originality, and stylistic coher- ence, which began to treat tradition in a new way, extensively referring to 16th century mannerisms, ambiguity, stylistic pluralism and polysemy.While, on the one hand, trans-avant-garde artists are fully aware of the crisis of the avant- garde experiment, on the other, they aim to create content-packed works of deeply expres- sive and romantic character. The trans-avant-garde is widely considered to be an early stage of postmodernism, or simply its synonym. There is a difference, though, between the trans-avant-garde and the postmodern. Oliva speaks of a journey from America to Eu- rope and back. My article discusses these differences, systematizes the most important stylistic aspects and aesthetic ideas, and applies these observations to the study of music-a discipline Oliva did not take into consideration.A key issue in the description of the trans-avant-garde in Polish music is analysis of the trends that precede it, are synchronous with it, and follow it in history. It is also important to trace borrowings and differences along this time axis. In order to offer an insight of thiskind, I first present the different concepts of “modernity” and “postmodernity” that haveappeared in music (and art) of the twentieth century, and I then juxtapose those with the Italian original idea of la transavanguardia.
Źródło:
Avant; 2016, 7, 1
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ARISTOTLE AND THE POSTMODERN WORLD
Autorzy:
Marcos, Alfredo
Powiązania:
https://bibliotekanauki.pl/articles/507366.pdf
Data publikacji:
2012
Wydawca:
International Étienne Gilson Society
Tematy:
Aristotle
postmodernism
Opis:
With the support of recent scholarship the author proposes an understanding of the Aristotelian Corpus inspired by the biological works. He points out that this understanding is bound up with other current philosophical discussions, especially on biology, rationality, realism, the knowledge of an individual, metaphor, and poetics. The author concludes that Aristotle offers the most promising ontological, epistemological and anthropological basis not only for undertaking a series of urgent reconciliations (of facts and values, of theoretical and practical reason, of understanding and sensation, and of intelligence and emotion), but also for solving many dualisms of modern times, in their Platonic or materialist varieties.
Źródło:
Studia Gilsoniana; 2012, 1; 65-73
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prawda w mediach
The Truth in Media
Autorzy:
Zanussi, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/20028168.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
media
truth
postmodernism
Opis:
It used to be that if some message came from an oral source, its weight depended on reliability of the one who had transmitted it and on the one who had heard it. If, on the other hand, something was printed it intrinsically became credible. Democratization of access to print and similar democratization of media, apart from its undoubtedly positive side, brings also a negative novum – it encourages everyone to speak freely. It is impossible to talk about truth in media, or truth in any other sense, and not relate to the fashionable nowadays in the humanities the vanquisher of Marxism – called postmodernism. This very movement in its popular form sows the seeds of fear of all who proclaim the existence of objective truth or, what is worse, absolute truth. They caution that the supporters of this truth will introduce it by force, so we are in danger of facing totalitarianism, fundamentalism and dark dictatorship. It is uncertainty that drives people to violence. Those who have something to hold on to are more unaffected by despair. The fanatics are often recruited from those who are adrift. Less often from those with a questing mind. But in order to seek one needs to believe that truth exists. Even if it were always incomplete and imperfect in the form in which we are able to assimilate it. To the charges that every certainty leads to violence, I reply that most frequently it is the opposite. It is fear and feeling adrift that drive people to the false certainty. Whoever believes that truth exists will easier accept that he will never grasp it. In the very important debate that was conducted some years ago, the fear of fundamentalism was juxtaposed with the fear of nihilism. I see the latter as a greater threat.
Źródło:
Annales. Etyka w Życiu Gospodarczym; 2008, 11, 2; 191-193
1899-2226
2353-4869
Pojawia się w:
Annales. Etyka w Życiu Gospodarczym
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cracovian modernists - the 60 ties, 90 ties of the XX century - the returns
Autorzy:
Wrana, J.
Powiązania:
https://bibliotekanauki.pl/articles/391276.pdf
Data publikacji:
2009
Wydawca:
Politechnika Lubelska. Wydawnictwo Politechniki Lubelskiej
Tematy:
Cracow
modernism
postmodernism
Opis:
The European reaction of the leading architects towards the period of international style, "The idea of style has yet again become up-to-date. The modern style, covering the whole world, is uniform and coherent..." [4], promoted at the exhibition "Modernist architecture" organized in Museum of Art in New York by architects Henry Russell Hitchcock and Philips Johnson, was immediate. The leading European architects: a) Walter Gropius wrote: "The aim of Bauhaus was not to promote one particular style..." [4], b) Le Corbusier formulated "Fundamental principles of aesthetics" [4], c) Bruno Taut wrote: "Five assumptions of new architecture" [4]. The message that "The form follows the function" became the very principle of modernism. The year 1972, when the blocks of flats in St. Louis, US were blown up, and the year of the actual end of the ideology originating from CIAM, is the agreed time marked as the end of modernism. It was a few years after Le Corbusier's death (1965) - the death of the unchallenged spiritual ideologist of modernism.
Źródło:
Budownictwo i Architektura; 2009, 4, 1; 125-132
1899-0665
Pojawia się w:
Budownictwo i Architektura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
WPŁYW MALARSTWA SURREALISTYCZNEGO NA REKLAMĘ WSPÓŁCZESNĄ
Autorzy:
Bednarska, Sonia
Powiązania:
https://bibliotekanauki.pl/articles/646685.pdf
Data publikacji:
2012
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
advertisement
surrealism
postmodernism
intertextuality
Opis:
The purpose of this article is to examine the influence of surrealistic painting on contemporary advertising, taking into consideration the differences in use of surrealistic references on three levels of literalness: advertisement citing specific, surrealistic images, advertisement made of mosaic of various borrowings from surrealistic painting, finally advertisement created in a surrealistic manner, considered as a type of post-surrealistic masterpiece. To begin with theoretical issues connected with postmodern culture of image, the phenomena of contemporary advertisement and its intertextual relations with art, author tries to find answers on following questions: Why surrealism became so attractive material for advertisement? Is it possible, to acknowledge advertisement profiting from surrealistic painting, as an example of postmodern statement? Is it valid, basing on its example, to treat about the type of transgression in contemporary advertisement? The conclusions of this analysis include: purpose and function of use of surrealism in advertisement, the role of visual layer, disappearance of persuasive function to the benefit of strengthening the esthetic function and inscribing advertisement into postmodern paradigm of culture.
Źródło:
Studia Humanistyczne AGH; 2012, 11, 1
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poradnictwo zawodowe w epoce postmodernizmu
Vocational counseling in the postmodern era
Autorzy:
Paszkowska-Rogacz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2139078.pdf
Data publikacji:
2002
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
career development
counseling
postmodernism
Opis:
In the beginning of the new millennium our society moves to a new vantage point from which to view the work-role and career development. All indicators suggest the move from seeking the truth to participation in conversations; from objectivity to perspectivity. This article describes the six innovations in counseling for career development that the postmodern era has already engendered: ‘‘no more experts’’, ‘‘enable rather than fit’’, rewrite the grand narrative’’, ‘‘career is personal’’, ‘‘career development is not counseling theory’’, ‘‘stories rather than scories’’.
Źródło:
Acta Universitatis Lodziensis. Folia Psychologica; 2002, 06; 29-36
2353-4842
Pojawia się w:
Acta Universitatis Lodziensis. Folia Psychologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wstęp do filozofii Jean-François Lyotarda
Autorzy:
Słomski, Wojciech
Czarnecki, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/2148217.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
There is no doubt that Lyotard’s the most famous achievement is his conception of metanarrative. This concept undermines the credibility of traditional philosophy along with its claim for conceptual clarity, thanks to which we would be able to speak about the world as it “really” appears. Lyotard has pointed out that since the Enlightenment we have lived in an illusion believing in future possibility of coming to fruition of the narrative of the dialectics of Spirit, the emancipation of reason, social progress, etc. While rejecting metanarratives and proposing a limitation to micro-narration instead, Lyotard has established the theoretical foundations of a pluralistic society, seeking solutions of its own problems not by consensus, but by permanent endless disputes. He has presented, in essence, a new image of society as a multiplicity of various subsystems and discourses, none of which can claim to be superior to others. Despite sometimes harsh criticism, there will be only a slight exaggeration in the statement that his concepts have influenced not only the philosophy of the last decades of the 20th century, but indirectly also social reality, since the concept of the pluralistic society is derived directly from the philosophy of modernism. Even if we find that complaints made against Lyotard to be legitimate, we cannot deny that society functioning as Lyotard has desired, would be the society free from the threat of the rebirth of totalitarianism.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 119-142
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Derrida i Lyotard. Obok siebie
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148221.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
The present reflections will be devoted to the philosophies of Jacques Derrida and Jean- François Lyotard. We will attempt here to identify differences and similarities both between these two thinkers, and among the philosophical movements which their deliberations have given rise to. In the beginning, it is obviously necessary to make some terminology standardization, because such terms as “deconstructionism,” “post-structuralism” or “postmodernism” are sometimes used in various meanings, and are often the matter at issue. As a consequence of ambiguity of all these concepts, is the fact that individual authors are included either in post-structuralism or postmodernism, even when they have dissented themselves from belonging precisely to those philosophical currents.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 147-155
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Derrida. Dekonstrukcja i jej konsekwencje
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148223.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
The purpose of deconstruction is not an understanding of the content of the text in the ordinary sense of the word, but to get to the bottom of everything that the text does not speak about explicitly, and thanks to it, it can lay claim to the truth. While speaking of signs which are rooted in metaphysics, Derrida, in fact, means precisely that the accepted tacit assumption that the text tells us something about the world, and that our task while reading the text is to bring out all there is in it that is directly related to real objects. That assumption can be accepted, and it may determine the way of reading the text only while going through a series of rhetorical procedures including the use of hierarchical conceptual oppositions, often possessing the evaluative character, or ignoring certain contents. Remaining outside the discourse and viewing it as a historical product, deconstruction should determine what and why has been relegated in that discourse to the margins and doomed to oblivion. The deconstructed text turns out to be another myth, moreover, the internally contradictory myth because in its innermost layer, which has just been revealed by deconstruction, denying it what it is trying to express itself.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 175-187
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od „dna” ku „denku”. Postmodernistyczna aktualizacja dramatu M. Gorkiego
From the bottom to the shallowness. Postmodernism in M. Gorkie’s drama
Autorzy:
Pieczyński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/915273.pdf
Data publikacji:
2018-09-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postmodernism
intertextuality
transcontextualization
parody
Opis:
Contemporary Russian drama is situated in a dialogue with literary and more precisely dramatic tradition. For example, this thesis clearly confirms a comedy by Igor Shpric On the bottom. The text at the level of its title refers to Maxim Gorky's play  The Lower Depths.  Shpric’s comedy parodies this work by presentingGorky's characters in the social and cultural context of contemporary reality. The main purpose of the paper is the intertextual analysis and interpretation of ironic Shpric’s comedy as the transcontextualization of language, poetics, themes, plot and characters ofGorky's text.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2014, 4; 151-158
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wstęp do estetyki Derridy i Lyotarda
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148218.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
There have been outlined serious discrepancies between philosophies of Derrida and Lyotard on the grounds of deliberations concerning art. Lyotard questions the notion of beauty, demanding a replacement of it with a notion of the sublime, thanks to which artistic creation could also get rid of its constraints. Lyotard argues that beauty is possible thanks to the mimesis of nature, but the mimesis requires observance of the rules. Rejecting the idea of beauty, as a supreme value in art, we reject the necessity of subordinating art to rules, or, in Lyotard’s words, we sacrifice it for the freedom of practical reason.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 143-145
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Systemy filozoficzne Derridy i Lyotarda
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148222.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Postmodernism
Post-structuralism
Deconstruction
Opis:
Jacques Derrida and Jean-François Lyotard are the creators of a philosophical and cultural movement called postmodernism (Lyotard has also contributed to the popularization of the term “postmodernism”), but it should be remembered that currently the term “postmodernism” refers to the entire spectrum of various ideas, the ideas and texts from various fields, therefore, it is impossible to identify the philosophy of Derrida or the philosophy of Lyotard with the movement in philosophy or, more importantly, the humanities and social sciences, which we now call postmodernism. From today’s perspective, both Derrida and Lyotard belong to a large group of authors whose work constitutes broadly understood postmodernism, but it would be unwarranted to claim that this movement stems directly from their achievements. These philosophers have begun a new way of practicing philosophy and proposed a new point of view, but they did not create concepts that would be widely accepted by philosophers who describe themselves as postmodernists. They also did not raise any disciples or successors who would attempt to develop the concepts outlined by them, although undoubtedly some of their concepts have had a significant impact on both the development of philosophy and the humanities, and social sciences. The concept of Derrida’s deconstruction proved to be the most influential (by that, however, it is necessary to understand the general method of reading texts, but not the collection of Derrida’s views, sometimes referred to as “deconstruction”), and Lyotard’s thesis concerning the end of Grand Narratives. The detailed theses on aesthetic, social, semantic and, finally, political issues are, as it seems, known primarily to philosophy experts.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 157-173
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O dekonstrukcji
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148232.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
From general assumptions concerning the method of reading the text, a series of detailed implications, important both for philosophy and for social, and political reality are drawn by Derrida. One of the binary oppositions, which Derrida submits to deconstruction, is the opposition between literalism and a metaphor. Also, that opposition, according to the French thinker, after a closer examination turns out to be a myth. According to popular belief, the literal meaning of the expression takes precedence over all metaphorical use in the sense that it is the foundation upon which the metaphorical use is built. From this point of view, a metaphor is supposed to be at most an addition and an ornament, and if it is supposed to be used in philosophy, it is only in exceptional circumstances, and to facilitate the understanding of the content that the philosopher tries to explain in any way possible in a language devoid of metaphors. In accordance with the assumptions of deconstruction, Derrida reverses this order and the concept, traditionally considered subservient to its opposition, puts in the first place. First of all, he notices that a metaphor does not belong to the language of philosophy, but to the colloquial language. We could expect that in order to understand the meaning of a metaphor in a philosophical text, we should translate it into a natural language in which we will be able to discover its literal meaning. Derrida believes that the process of reaching that literality we can admittedly begin, i.e., for any philosophical metaphor we can indicate some other term that comes off as literal, however, the term, after a closer analysis, also turns out to be a metaphor for which we need to find another expression that comes off as literal, etc. The difference between a philosophical metaphor and a natural expression comes down to the superficial impression of literalness, while, as a matter of fact, the natural expressions turn out to be old, “worn-out”, as Derrida expresses, metaphors.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 261-268
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kategoria „duchowości życia” w perspektywie religijnej i flozofcznej
Autorzy:
Guzowska, Beata
Powiązania:
https://bibliotekanauki.pl/articles/44732050.pdf
Data publikacji:
2022-10-24
Wydawca:
Polskie Towarzystwo Religioznawcze
Tematy:
spirituality
religiosity
life
postmodernism
Opis:
The category of „Spirituality of Life” is a kind of „product” of modern change in religion and religiosity. The spirituality of life strives to be an alternative to human needs that are not met in traditional religions and concern the diversity of values, norms and paths of development.
Źródło:
Przegląd Religioznawczy; 2022, 3/285; 73-80
1230-4379
Pojawia się w:
Przegląd Religioznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Specyfika postmodernizmu ukraińskiego
Specificity of the Ukrainian postmodernism
Autorzy:
Szydło, J.
Powiązania:
https://bibliotekanauki.pl/articles/398762.pdf
Data publikacji:
2013
Wydawca:
Politechnika Białostocka. Oficyna Wydawnicza Politechniki Białostockiej
Tematy:
postmodernizm
modernizm
modernizm ukraiński
postmodernizm ukraiński
postmodernism
modernism
Ukrainian modernism
Ukrainian postmodernism
Opis:
W artykule poruszono zagadnienie postmodernizmu ukraińskiego. Skoncentrowano się na analizie twórczości Jurija Andruchowycza. Pokazano, że ukraińska refleksja nad ponowoczesnością, jako zjawiskiem kulturowym, wiąże się ściśle z przełomem politycznym. Postmodernizm w dawnych państwach socjalistycznych przybrał inny kierunek niż na Zachodzie; nie jest tak bogaty, dobrze znany i wpływowy jak zachodni. Niemniej jednak okazuje się wysoce kreatywny, unikatowy i oferuje inny aspekt kulturowego pluralizmu. Zwraca się do rezerwuaru narodowego dziedzictwa, a szczególnie do tej jego części, która dawniej w modernizmie postrzegana była jako prowincjonalna, niekosmopolityczna, a na tyle międzynarodowa, aby potraktować ją poważnie i dostrzec walor narodowy. Regionalizm okazuje się jedną z charakterystycznych cech ponowoczesności. Nie wyklucza to jednak wartości międzynarodowych. Postmodernizm ukraiński jest próbą unowocześnienia ukraińskiej tożsamości kulturowej, umożliwiającej znalezienie w niej miejsca dla różnorodności.
The text raises the question of postmodernism. It aims to show that Ukrainian postmodernism is a specific phenomenon based on the relationship between East and West. It is something distinctive from what has been previously discussed in the literature of postmodernism. It is not as clear and unambiguous, as there is no clear foundation. It is based on complexes, insularity, twists of history, and specific political “games”. Writing this text was a journey of budding creativity in a neighbouring, but yet little discovered country. The more so with so many outstanding characters absorbing attention of their talents and an interesting world view.
Źródło:
Ekonomia i Zarządzanie; 2013, 5, 2; 81-93
2080-9646
Pojawia się w:
Ekonomia i Zarządzanie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kłamstwo jako element kobiecej tożsamości w powieści Ludmiły Ulickiej "Сквозная линия"
Lying as a Feminine Identity in the Novel "Through Line" by Lyudmila Ulitskaya
Autorzy:
Tarkowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2032392.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
identity
postmodernism
typology
manipulation
archetypes
Źródło:
Slavia Orientalis; 2018, LXVII, 4; 661-677
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Po mochlos – prolegomena do możliwych jeszcze rozważań o kondycji uniwersytetu
After mochlos – prolegomena to any still possible considerations about the condition of univerisity
Autorzy:
Chojnacki, Marek
Żardecka, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1029605.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
university
mochlos
hauntology
Kant
postmodernism
Opis:
The text tackles the problem of the condition of university, in a world blindly believing that the only possible worth measure is economic in nature and, in the name of this belief, setting in motion a ruthless bureaucratic machinery that throttles all kinds of creativity and nips in the bud all nonstandard actions and creations. The world apparently is “out of joint”, and things are taking an unexpected turn. University is one of the victims, but also one of active accomplices of this despicable situation. How to speak about the university to those who are exclusively in business of calculating balance of profits and losses? How to speak about it after deconstruction, when all great ideas have been already repeatedly and manifoldly dismounted and discredited? How to speak about it, when the university’s men and women have discredited themselves repeatedly as well, oscillating between libido sciendi and libido dominandi? Trying to solve this puzzle, we are following in the footsteps of Derrida, who in his texts about university makes appeal to Kant, and inspired by his invention, we set in motion two opposite traditions, represented by Lyotard, Bourdieu, Bauman and Readings on the one hand, and by Humboldt, Schleiermacher and Jaspers on the other. With Derrida, we make noises about the return of the ideas of truth, of the light of reason, of the autonomy of university. It is, however, a return of the specters of the past, in alignment with Derrida’s hauntology. Humanists are people of academia who see these specters, but at the same time are already specters themselves – even if they still show up here and there, they are almost insignificant. They are onlyallowed to contemplate their negligibility and to confess their habitual helplessness. University always had to defend itself, and it does defend itself today.
Źródło:
Człowiek i Społeczeństwo; 2020, 49
0239-3271
Pojawia się w:
Człowiek i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Intertekstualna „encyklopedia” Wiktora Jerofiejewa jako refleksja nad istotą rosyjskości
Reflecting on the Essence of Russianness in Intertextual “Encyclopaedia” of Wiktor Jerofiejew
Autorzy:
Biegluk-Leś, Weronika
Powiązania:
https://bibliotekanauki.pl/articles/951601.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Russian postmodernism
deconstruction
intertextuality
Russianness
Opis:
In his "Encyklopedia duszy rosyjskiej" Wiktor Jerofiejew performs a brutal vivisection of his nation’s cultural memory. The key concepts of history, power, nation, and fatherland gain a new erudite interpretation. Consistent in uncovering totalitarian discourse, Jerofiejew demythologizes opinions and prejudices, deconstructs ideas, concepts and attitudes. While bringing to life the portrait of Russian mentality and their national character, he proposes hierarchy but never accepts taboos. Consequently, "Encyklopedia" does not appeal to popular tastes. It is a multifaceted “miniature gallery”, a bitter diagnosis of the essence of Russianness and the condition of Russian culture.
Źródło:
Białostockie Studia Literaturoznawcze; 2015, 7
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od)nowa chrześcijańska? Apologia według powieści Filipa Dimitrowa Светлина на човеци
CHRISTIAN RENEWAL? APOLOGY BY PHILIP DIMITROV’S NOVEL СВЕТЛИНА НА ЧОВЕЦИ (THE LIGHT OF MEN)
Autorzy:
Drzewiecka, Ewelina
Powiązania:
https://bibliotekanauki.pl/articles/705107.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Biblistic tradition
postmodernism
Apology
Christianity
Opis:
The paper raises the issue of the functioning of Christian tradition in (post)modern Bulgarian literature in the perspective of the typical for the Western mass culture exploitation of biblical images in order to deal with various "totalisms". The subject is a novel by Philip Dimitrov Светлина на човеци (2003), which paraphrases the New Testament themes makes a (re)construction of the image of the first Christians’ comunity and aspires to create a message in accordance with Christian canon. The text appears to be an apology of God's creation and its freedom and, consequently, to stand up for the institution of the Church and the Christian roots of Bulgarian culture. However, as adapting heterodox motifs, in fact, it raises a question about the boundaries of Orthodoxy and the definition of strategy of evangelization. The aim of this paper is to interpret the modern term of apocrypha in the perspective of the essentially ambivalent experience of postmodernism and posttotalitarism, as a testimony of the worldview exploration of the writer (and the entire epoch).
Źródło:
Pamiętnik Słowiański; 2012, 62, 1-2; 123-136
0078-866X
Pojawia się w:
Pamiętnik Słowiański
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From The Laboratory Of The 1990s To The Novel Of The 21st Century – Contemporary Bulgarian Literature In Highlights
Autorzy:
Dimitrova, Elka
Powiązania:
https://bibliotekanauki.pl/articles/694499.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
contemporary Bulgarian literature
novel
postmodernism
Opis:
The text presents the main trends in Bulgarian literary development from the 1990s to the present day through the highlights of the lyrical boom of the 1990s and the novel wave since 2001 on. Some lines of continuity are outlined, tracing back to the 1960s (regarding the literary experiment and dissident attitude), and the period before 1944 (the adoption/challenge of the modernist tradition in the 1990s). A separate research topic is the fi xation of the critical interest on certain writers’ personalities.
Źródło:
Slavica Lodziensia; 2017, 1
2544-1795
Pojawia się w:
Slavica Lodziensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postmodernism and customer centricity
Autorzy:
Mehraramolan, Amirreza
Powiązania:
https://bibliotekanauki.pl/articles/540600.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwo Naukowe Wydziału Zarządzania
Tematy:
postmodernism
positivism
customer centricity
phenomenology
Opis:
There are many different explanations of customer centricity, and many people are in support of that concept whereas many others are against it. Different meanings can be found for customer centricity in literature. Which one could be the proper and most reliable one? Most of the views on customer centricity are based on foundational philosophical approaches and many different patterns are set as a guideline for the organizations which are willing to be customer-centric. In this paper, the aim is to look at the customer centricity phenomenon from the postmodernist point of view. The question of this study is linked to an anti-foundational philosophical approach (postmodernism) and it is shown how different the answers could be based on the philosophy approach that we choose. To collect the data, 10 in-depth interviews were done with senior business managers of customer-centric organizations in Iran. The results showed completely different answers from the postmodernist point of view.
Źródło:
Journal of Marketing and Consumer Behaviour in Emerging Markets; 2016, 1(3); 34-41
2449-6634
Pojawia się w:
Journal of Marketing and Consumer Behaviour in Emerging Markets
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Karpowiczów dwóch – o dialogu prozy Ignacego Karpowicza i poezji Tymoteusza Karpowicza
Autorzy:
Witczak, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/445642.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Karpowicz
prose
poety
postmodernism
rhizome
Opis:
Two of Them – the dialogue of Ignacy Karpowicz prose and Tymoteusz Karpowicz poetry This essay is about the participation of poetry Tymoteusz Karpowicz at Ignacy Karpowicz novels. The basis for writing prose is fragmented, multiplying references and styles, and above all the use of quotes and quasi citations. The article analyzed the references to the Karpowicz work occurring in three works: Gesty (2008), Balladyny i romanse (2010) and Spam (2008). This feature of the postmodern novel (Hassan) is here discussed in the perspective of the concept “rhizome” (Deleuze, Guattari). Karpowicz strips his characters with delusions of values. Both artists also connects the way contact with the customer – constantly shifting horizon of meaning results in the loss of opportunities to communicate and ultimately the possibility of incurring defeat.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2017, 5; 145-156
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Crying of Lot 49 and the Parody of Detective Fiction
Autorzy:
Róg, Borys
Powiązania:
https://bibliotekanauki.pl/articles/601309.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Pynchon, Postmodernism, parody, detective fiction
Opis:
The Crying of Lot 49, recognized as an important example of postmodern fiction, is a novella by an American author Thomas Pynchon. It follows the story of Oedipa Maas, who encounters a possible underground conspiracy related to postal services. Its themes and structural properties suggest affinities with a detective story genre, although there are crucial differences which actually mark the novel as a parody of the genre. In my article I want to analyze two elements which contribute to the parodic nature of The Crying of Lot 49. One is the wide use of various cultural references to the popular culture, history, American society etc.; they are usually satirized by the author as to what contributes to the overall sense of a parody. The second contributes directly to the reversed structure of a detective fiction; the use of entropy as the plot device distorts the unraveling mystery in the novel. Moreover, the reading of the novel as a parody in terms of the characteristics listed above justifies its reputation as a postmodern text. 
Źródło:
New Horizons in English Studies; 2017, 2
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Art After Democracy, Art Before Democracy
Autorzy:
Mizerkiewicz, Tomasz
Anessi, Thomas
Powiązania:
https://bibliotekanauki.pl/articles/951464.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
democracy
art
book-art
postmodernism
Opis:
The paper describes today’s new situation of art facing antidemocratic processes. The powerful metaphor of Parthenon of books is used, which once was the name of an installation by Marta Minujín presented just after the fall of Argentinian brutal regime in the early eighties and reinstalled again few years ago. The author points that popular “posts” of humanities (postmodernism, postsecularism etc.) need to be replaced by the philosophy of art being after some definite change. The new temporal and public condition of art being after is the result of its dramatic contemporary and future challenges.
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 15-21
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O pojęciu „muzycznego postmodernizmu”
On the notion of “musical postmodernism”
Autorzy:
Krajewski, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/521918.pdf
Data publikacji:
2017
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
postmodernism
musical work
definition
deconstruction
Opis:
The usual way of characterising the notion of “musical postmodernism” is set out by the following claims: (1) a postmodern musical work corresponds to the postmodern worldview; the notion in question is closely connected with the etymology of its name (“postmodern” means, in any case, “of an era after a modern one”); (3) the characterisation of the postmodern worldview (and, thus, of a postmodern piece of music) ought to conform to the beliefs of the classics of the postmodern thought; (4) the postmodern repertoire includes mainly the works created after about 1970; (5) the most important features of these compositions are euphony, aleatoric indetermination, polistylistics, and repetitiveness. The notion governed by the claims (1) – (5) is highly unclear and provides little help for understanding musical phenomena. In order to make it more precise, the basis of its definition should be modified and the three following claims accepted: (A) a postmodern musical work is a musical representation of the postmodern worldview; (B) the existing musical repertoire contains some postmodern works; (C) a correct definition of musical postmodernism should enable to qualify at least some of the given composi-tions as postmodern or not. The conditions (A ) – (C) and the analysis of the postmodern worldview seem to suggest that a postmodern musical work is such of a precariously integrated structure. A postmodern work represents the undermining (“deconstruction”) of the crucial idea of the com-posing practice: the piece of music arises from the integration of sounds, not of a simple aggregation of them. The musical “deconstruction” can emerge when some of the important portions a work or certain aspects of it exhibit larger degree of integration than the work as a whole. It seems that some compositions by Ives and the final movement of Chopin’s Sonata in B minor Op. 35 are postmodern in the sense pointed above.
Źródło:
Aspekty Muzyki; 2017, 7; 15-32
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Utwory klawesynowe Weroniki Ratusińskiej-Zamuszko – między przeszłością a współczesnością
Works for Harpsichord by Weronika Ratusińska-Zamuszko — Between the Past and the Present
Autorzy:
Woźniak, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2188953.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
harpsichord
contemporary music
postmodernism
composition
Opis:
The article is devoted to two works by Weronika Ratusińska-Zamuszko: the cycle Nymphs for soprano saxophone and harpsichord, and the miniature For Berenika. A miniature in the Baroque style. The introduction contains information about the composer and basic facts about the pieces in question. In the following sections of the article the author analyses: harmony (tonal arrangement and harmonic relations), form (formal models, motifs, rhythms), texture and sound as well as aesthetic aspects. Based on these elements, the key determinants of the composer's style are presented, referring to the Baroque techniques as well as those typical of the postmodern musical language, also discussing the issues of non-musical content resulting from the programme titles of the works. In the analytical part, the author presents an innovative analytical method consisting in reducing the notation of the harpsichord part to the basso continuo notation to verify the thesis that the choice of the instrument (in this case, the harpsichord) determines the style of the composition. The analytical argument leads to interesting research conclusions and is an attempt to define the composer's musical language.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2022, 2(53); 33-58
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
FILOZOFICZNE OBRAZOWANIE ŚMIERCI
Autorzy:
Bobkowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/487989.pdf
Data publikacji:
2017-12-12
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
death
Socrates
parrhesia
philosophy
differend
postmodernism
Opis:
The text is devoted to reflections on death in the context of philosophical thinking. In the history of philosophy, the acceptance of death penalty by Socrates remains the paradigm of this relation. In this context I undertake considerations of the problems of the impossibility of expressing the damage outlined in The Differend: Phrases in Dispute by J. F. Lyotard and the concept of parrhesia as a true speech on the border between life and death described in the most recent lectures by Michel Foucault entitled Fearless Speech, that have not been translated into Polish yet. The philosophical background of the considerations and their final conclusion concerning the problem of the phantasm of the procedure of suicide refer to the most recent lectures on death penalty by Jaques Derrida, not translated into Polish, as well.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2017, 24; 138-156
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Źródła solidarności. Czy etyka bezzałożeniowa jest irracjonalna?
The Sources of Solidarity. Is Ethics without Assumptions Irrational?
Autorzy:
Koczanowicz, Leszek
Powiązania:
https://bibliotekanauki.pl/articles/2015841.pdf
Data publikacji:
2003
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
etyka
postmodernizm
pragmatyzm
ethics
postmodernism
pragmatism
Opis:
The article is concerned with the foundations of ethics. The author takes into consideration rationalistic and universalistic conceptions of the foundations of ethics represented by Ch. Taylor and J. Habermas on the one hand, and ones based on intuition and direct moral experience on the other. In the latter current he includes the conceptions created under the influence of E. Levinas' (J. Derrida's) philosophy. At the same time he analyses the opposition between ethics established on reference to an actual, individual man and ethics based on universal rules. In his further considerations he also takes into account M. Bachtin's views as well as those of the American pragmatists: J. Dewey and G. H. Mead.
Źródło:
Roczniki Filozoficzne; 2003, 51, 1; 191-207
0035-7685
Pojawia się w:
Roczniki Filozoficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Siódma przechadzka po lesie fikcji. O książce „Między światami” Piotra Stasiewicza i badaniach nad fantastyką po zwrocie postmodernistycznym
The Seventh Walk in a Fictional Wood. Notes on Piotr Stasiewicz’s book „Between Worlds” and Postmodern Fantasy Studies
Autorzy:
Maj, Krzysztof M.
Powiązania:
https://bibliotekanauki.pl/articles/1202426.pdf
Data publikacji:
2018
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
postmodernism in fantasy
literary theory
intertextuality
Opis:
Reviewed book: Piotr Stasiewicz, Między światami. Intertekstualność i postmodernizm w literaturze fantasy, Białystok Wydawnictwo Uniwersytetu w Białymstoku 2016, ISBN 978-83-7431-494-7
Źródło:
Creatio Fantastica; 2018, 1(58); 191-212
2300-2514
Pojawia się w:
Creatio Fantastica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między (re)konstrukcją a nostalgią. Współczesny polski i rosyjski neopoganizm w kontekście „postcolonial studies”
Autorzy:
Nakoneczny, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1022763.pdf
Data publikacji:
2019-08-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
neopaganism
postcolonial studies
nostalgia
myth
postmodernism
Opis:
The article proposes a look at contemporary neopoganism as a phenomenon that can be described in the context of postcolonial studies. However, analyzing neopaganism through the prism of the classic postcolonial terms seems to be insufficient to the author. Therefore, he proposes to supplement it with the concept of nostalgia. He also disagrees with the view that neopaganism is the part of the postmodern trend of contemporary culture.
Źródło:
Studia Rossica Posnaniensia; 2019, 44, 1; 101-112
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
WHERE IS CULTURE HEADING? CRITICAL REFLECTIONS ON STEFAN MORAWSKI’S PROPOSALS
DOKĄD ZMIERZA KULTURA? KRYTYCZNA REFLEKSJA NAD PROPOZYCJAMI STEFANA MORAWSKIEGO
Autorzy:
Przybysz, Piotr J.
Powiązania:
https://bibliotekanauki.pl/articles/418861.pdf
Data publikacji:
2018
Wydawca:
Akademia Marynarki Wojennej. Wydział Nauk Humanistycznych i Społecznych
Tematy:
culture
crisis
postmodernism
kultura
kryzys
postmodernizm
Opis:
In this article, I present the position of Stefan Morawski – one of the most eminent Polish aestheticians and philosophers of art – on culture and its axiological dimension. On the other hand, I critically verify what culture’s central diagnosis is: a cultural crisis. I believe that to reach such a goal, I need to present the following central issues that make up this position: an understanding of the concept of culture and civilization; the ontology of value; an understanding of the cultural and civilizational crisis; Morawski’s typology of this crisis; and Morawski’s suggestions as to what distinctive features of culture testify to its crisis. This, I think, creates the opportunity to try to answer the question posed in the title: Where is contemporary culture heading?
W artykule niniejszym podejmuję próbę z jednej strony prezentacji stanowiska Stefana Morawskiego, jednego z najwybitniejszych polskich estetyków i filozofów sztuki, na temat kultury i jej aksjologicznego wymiaru. Z drugiej strony to co jest jej centralną diagnozą – kryzys kultury poddaję krytycznej weryfikacji. Sądzę, że dotarcie do tak określonego celu wymaga przedstawienia następujących centralnych zagadnień składających się na to stanowisko: rozumienia pojęcia kultury i cywilizacji, ontologii wartości, rozumienia kryzysu kultury i cywilizacji oraz przeprowadzonej przez Morawskiego typologii tego pojęcia, wskazania na podstawowe cechy dystynktywne, które zdaniem Morawskiego świadczą o jej kryzysie. To jak sądzę, stwarza możliwość podjęcia próby udzielenia odpowiedzi na pytanie postawione w tytule: Dokąd zmierza współczesna nam kultura?
Źródło:
Colloquium; 2018, 10, 4; 143-164
2081-3813
2658-0365
Pojawia się w:
Colloquium
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czesław Miłosz i Walt Whitman: przekład jako prawdziwa obecność
Czesław Miłosz and Walt Whitman: translation as an authentic presence
Autorzy:
Van Nieukerken, Arent
Powiązania:
https://bibliotekanauki.pl/articles/1533706.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czesław Miłosz
Walt Whitman
modernism
postmodernism
Opis:
Miłosz’s later poetry attempts to overcome the (post)modernist gap between the author as a textual effect and the subject of autobiography. An important stage on this road was his poetry book (in fact, a long poem in its own right) Nieobjęta ziemia [Unattainable Earth]. Its form is clearly dialogical. The collection mixes authorial poems with various examples of “heteroglossia”. Particularly striking is the prominent presence of Walt Whitman’s poetry. Whitmanian poetics assume that fully experiencing reality presupposes the existence of a community. The task of poetry consists in conceiving artistic structures that, when they are “concretized”, allow the reader to participate in such a community. Nieobjęta ziemia tries to come to terms with the Whitmanian challenge. The poetical subject in this somewhat modified example of the modern “sylva rerum” experiences its link with the “other” by an individual reception of artifacts that point to the communal essence of humanity. Nieobjęta ziemia , realizing community in the field of poetics “performatively”, incorporates these artifacts into the text. Particularly important seems to be the role played by poems translated by Miłosz himself (they are explicitly labeled as translations), and that represent the human condition called by Whitman “en masse”.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 20; 217-231
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Opowieść jako pieśń i „zabójstwo pieśni”. Tradycja w aktualnych okolicznościach według Josepha Campbella
Story as a Song and “Murder of a Song”. The Tradition in the Current Circumstances According to Joseph Campbell
Autorzy:
Miczka-Pajestka, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2052193.pdf
Data publikacji:
2014-12
Wydawca:
Muzeum "Górnośląski Park Etnograficzny w Chorzowie"
Tematy:
tradition
mythology
postmodernism
tradycja
mitologia
postmodernizm
Opis:
The article discusses the problem of myths in the current cultural circumstances, that is, in post-modernity. It indicates the crucial issue of the attitude of the postmodern man towards tradition and its transmission. The work also concerns issues related to the exploration of a new mythology and connected with the issue concept of Joseph Campbell. Suggestions for the way of thinking about reality and traditions included in the theories of Roger Fidler, Wolfgang Welsch and Paul Virilio have been disucessed as well. Furthermore, the author undertakes an attempt to answer the following questions: can the today’s story be seen as a „song” and whether in the technical world, virtualized and marked by pluralism of everything the final “murder of this song” has been committed in a symbolic sense?
W artykule omówiony został problem funkcjonowania mitów w aktualnych okolicznościach kulturowych, czyli w ponowoczesności. Wskazano na zasadniczą kwestię stosunku ponowoczesnego człowieka do tradycji i jej przekazu. Rozważono też problematykę związaną z poszukiwaniem nowej mitologii i związaną z tym zagadnieniem koncepcję Josepha Campbella. Uwzględniono również propozycje myślenia o rzeczywistości i tradycji ujęte w teoriach Rogera Fidlera, Wolfganga Welscha i Paula Virilio. Podjęto próbę odpowiedzi na pytania: czy można dziś postrzegać opowieść jako „pieśń” i czy w świecie stechnicyzowanym, zwirtualizowanym i naznaczonym pluralizmem wszystkiego dokonało się, w sensie symbolicznym, ostateczne „zabójstwo owej pieśni”?
Źródło:
Rocznik Muzeum "Górnośląski Park Etnograficzny w Chorzowie"; 2014, 2, 2; 9-22
2353-2734
Pojawia się w:
Rocznik Muzeum "Górnośląski Park Etnograficzny w Chorzowie"
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Avant-Garde Europe: The Problem of Modernism and the Common Foreign and Security Policy and Enlargement
Autorzy:
Ilik, Goran
Iljevski, Nikola Lj.
Powiązania:
https://bibliotekanauki.pl/articles/419530.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warszawski. Centrum Europejskie
Tematy:
Modernism
Postmodernism
European Union
CFSP
Enlargement
Opis:
This paper explores two divergent concepts installed in the EU operational structure – postmodernism and modernism – in relation to the CFSP and enlargement. The research is conducted upon the content analysis method, descriptive method and comparative analysis. The main research intention is to locate the inability of the EU, to achieve internal coherence on a certain international issues, taking into account the clash between the above mentioned concepts. Consequently, this paper locates the problem of modernism as in the EU normative provisions and behavior of its Member States. At the end, it is noted that the concept of avant-garde Europe can be used as a possible solution for future development of the EU in a postmodern direction.
Źródło:
Yearbook of Polish European Studies; 2017, 20; 61-84
1428-1503
Pojawia się w:
Yearbook of Polish European Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Beckett: a Critical Problem
Autorzy:
Colerick, Edward
Powiązania:
https://bibliotekanauki.pl/articles/1826715.pdf
Data publikacji:
2019-07-02
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Formalism
Poststructuralism
Postmodernism
Schopenhauer
Knowing
Known
Opis:
The article explores the polarisation within the body of twentieth century criti-cism surrounding Samuel Beckett’s work: A polarisation between strict forma-list approaches which tend to see Beckett as very much part of a modernist tradition and poststructuralist theorists who seek to categorise his work in terms of postmodernism. As an unfortunate result of extreme critical standpoints, the philosophical thinking of Schopenhauer, which had such a profound and lasting influence on both Beckett’s approach to writing as well as to the theatre, has been largely ignored or simply pushed to one side.
Źródło:
Conversatoria Litteraria; 2019, 13; 247-257
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ZMIANA „TONU” W GILSONA POJĘCIU FILOZOFII CHRZEŚCIJAŃSKIEJ
A CHANGE IN “TONE” IN GILSON’S NOTION OF CHRISTIAN PHILOSOPHY
Autorzy:
FAFARA, RICHARD J.
TARASIEWICZ, PAWEŁ
Powiązania:
https://bibliotekanauki.pl/articles/507370.pdf
Data publikacji:
2012
Wydawca:
International Étienne Gilson Society
Tematy:
Étienne Gilson
Christian philosophy
theology
postmodernism
Opis:
The author undertakes four points: (a) There was no major change in Gilson’s position on Christian philosophy as it was defined and justified in his 1931 Gifford Lectures and later developed in the sixties. (b) During the 1960s, Gilson’s Christian philosophy placed more emphasis on its Christian aspect, faith guiding reason. Earlier formulations emphasized philosophy searching within the faith for what can become rational. (c) During the 1960s Gilson emphasized faith and the Church as the guardian of Christian philosophy, expressed a relative indifference to the validity of rational proofs for the existence of God, and empathized with those accepting questionable philosophical approaches to understand the faith. (d) Gilson’s Christian philosophy fits into the framework of post-modernism.
Źródło:
Studia Gilsoniana; 2012, 1; 15-28
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Zmyślnie wykoncypowana, postmodernistyczna zabawka”. Muzyka Pawła Mykietyna wobec kategorii postmodernizmu i konstruktywizmu na przykładzie III Symfonii na alt i orkiestrę1
“Cleverly Devised, Postmodern Toy”: Paweł Mykietyn’s Music in the Category of Postmodernism and Constructivism on the Example of III Symphony for Alto and Orchestra
Autorzy:
Daniec, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/513938.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Paweł Mykietyn
postmodernism
constructivism
deconstruction
intertextuality
Opis:
Works of Paweł Mykietyn belong to the most characteristic trends of Polish contemporary music. His compositional attitude was individualised in the first decade of the 21st century, and today he is recognised as one of the most original Polish composers of the 20th and 21st centuries. Andrzej Chłopecki, when characterizing Mykietyn’s music after the premiere of the composer’s II Symphony, compared this work to a “cleverly devised, postmodern toy”. Also Mykietyn’s next, III Symphony (2011), can be considered in the context of the categories of postmodernism and constructivism. This work manifests the postmodern attitude, but it is also marked by strict, “cleverly devised”, constructivist thinking. Its musical language contains intertextual references to hip-hop and rap music; on the other hand, it includes such typical for Mykietyn measures as “(de)gradation form”, “accelerando form”, “permanent accelerando” and dodecaphony, which can be found while analysing the work. III Symphony can be also interpreted in relation to techniques of deconstruction, including both concept and structure of the composition.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 4(39); 55-78
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Cleverly Devised, Postmodern Toy”: Paweł Mykietyn’s Music in the Category of Postmodernism and Constructivism on the Example of III Symphony for Alto and Orchestra1
Autorzy:
Daniec, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/1203411.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Paweł Mykietyn
postmodernism
constructivism
deconstruction
intertextuality
Opis:
Works of Paweł Mykietyn belong to the most characteristic trends of Polish contemporary music. His compositional attitude was individualised in the first decade of the 21st century, and today he is recognised as one of the most original Polish composers of the 20th and 21st centuries. Andrzej Chłopecki, when characterising Mykietyn’s music after the premiere of the composer’s II Symphony, compared this work to a “cleverly devised, postmodern toy”. Also Mykietyn’s next, III Symphony (2011), can be considered in the context of the categories of postmodernism and constructivism. This work manifests the postmodern attitude, but it is also marked by strict, “cleverly devised”, constructivist thinking. Its musical language contains intertextual references to hip-hop and rap music; on the other hand, it includes such typical for Mykietyn measures as “(de)gradation form”, “accelerando form”, “permanent accelerando” and dodecaphony, which can be found while analysing the work. III Symphony can be also interpreted in relation to techniques of deconstruction, including both concept and structure of the composition.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 4(39) Eng; 59-85
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poetyka intertekstualna surkonwencjonalistów
Surconvetionalists’ intertextual poetics
Autorzy:
Granat-Janki, Anna
Powiązania:
https://bibliotekanauki.pl/articles/521906.pdf
Data publikacji:
2017
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
intertextuality
poetics
surconventionalism
postmodernism
Polish music
Opis:
The subject of my research presented in this article, which concentrates on the issue of intertextuality, are the works of three composers who represent a trend in Polish post-modern mu-sic called surconventionalism, i.e.: Stanisław Krupowicz, Paweł Szymański, and Paweł Mykietyn. They developed certain idiomatic composing principles of shaping the structure, architectonics and style of a musical work, which allows one to talk about the poetics of their music. This poetics is based on a dialogue with tradition which manifests itself in intertextual relations. In order to properly capture the characteristics of these composers’ intertextual poetics, the author has taken into account, following Ryszard Nycz’s proposal, the three types of relations: text-text, text--architext, and text-reality. Accordingly, the following issues have been considered: (1) the problem of quotation, (2) references to genre and stylistic archetypes, and (3) cultural relations. The author has also taken into consideration the deconstruction technique which plays a sig-nificant role in the process of composition and reception of surconventional music. The issues related to the problem of intertextual poetics include not only the whole body of characterist-ics and relations of the texts (works of music), but also the ways in which they are understood by listeners who are the participants of a communicative process. Thus, on the one hand, the inter-and architextual references have been indicated, and on the other, the possibilities of recognizing these references by listeners have been discussed.
Źródło:
Aspekty Muzyki; 2017, 7; 105-118
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reguły i paradoksy
Autorzy:
Leguérinel, Adrian
Kopeć, Sonia
Lyotard, Jean-François
Powiązania:
https://bibliotekanauki.pl/articles/944917.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
postmodernism
grand narratives
language
rules
paradoxes
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2018, 8, 2
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Krytyka pojęcia rozwoju a studia regionalne
Critique of the concept of development and regional studies
Autorzy:
Domański, Bolesław
Powiązania:
https://bibliotekanauki.pl/articles/414361.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Warszawski. Instytut Ameryk i Europy. Centrum Europejskich Studiów Regionalnych i Lokalnych (EUROREG)
Tematy:
studia regionalne
postmodernizm
regional studies
postmodernism
Opis:
Przedmiotem zmasowanej krytyki stało się u schyłku XX wieku pojęcie rozwoju jako modernizacji i postępu, wraz z jego różnymi odmianami, m.in. europeizacją. Zarzuca mu się traktowanie rozwoju jako procesu o charakterze teleologicznym, jednolitym, linearnym, normalizującym i instrumentalnym. U podstaw takiego ujęcia leżą często idee dychotomicznego podziału przestrzeni. "Post-rozwojowa" krytyka reprezentuje różne nurty, m.in. konserwatywny antymodernizm, neoliberalny sprzeciw wobec interwencji państwa i lewicowy relatywizm kulturowy. Autor twierdzi, że źródła krytykowanych słabości tkwią przede wszystkim w nadmiernej generalizacji przedmiotowej, czasowej i geograficznej procesów rozwoju. Możliwe jest ich przezwyciężenie bez przyjmowania skrajnego stanowiska postmodernistycznego, odrzucającego wartościowanie regionalnych trajektorii rozwojowych i sprowadzającego je do równoległych narracji. Proces rozwoju może mieć w studiach regionalnych charakter otwarty, nie musi oznaczać zmierzania do określonego stanu końcowego i upodabniania do regionów uznanych za bardziej rozwinięte. Istnieją różne ścieżki rozwoju, z których wiele nie stanowi procesu linearnego ani też odgórnego projektu, istotną rolę odgrywają czynniki endogeniczne, w tym aktywność podmiotów regionalnych.
At the end of the XX-th century the concept of development as a synonym of modernization and progress has been heavily criticized. It has been said that such an approach defines the development as a teleological, uniform, linear, normalizing and instrumental process. This critique, known as post-development approach includes various ideologies, e.g. conservative anti-modernism, neo-liberal rejection of state's interventionism, and cultural relativism. The author claims that the main weaknesses of development concept are due to the unjustified generalizations with respect to the subject, time and space in which the processes are observed. Coping with those weaknesses do not necessarily require taking radical post-modernistic positions, rejecting any valuation of regional patterns of development. Regional studies may treat development as an open process, not necessarily leading to predetermined outcomes, and not always following the paths of the developed regions. There are development paths that are nonlinear processes in which the crucial role is played by the endogenous factors, such as activity of local actors.
Źródło:
Studia Regionalne i Lokalne; 2004, 2(16); 7-23
1509-4995
Pojawia się w:
Studia Regionalne i Lokalne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
William S. Burroughs’s Concept of Language as a Virus in the Context of American Beat and Postmodern Literature
Autorzy:
Dorobek, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1833839.pdf
Data publikacji:
2019-03-22
Wydawca:
Mazowiecka Uczelnia Publiczna w Płocku
Tematy:
language
communication
manipulation
oppression
beat
postmodernism
Opis:
In this essay, we shall attempt to highlight W. S. Burroughs’s concept of language being a virus from outer space as remarkably different from the pertinent views of any other Beat writer. If Kerouac saw language as an efficient medium of expressing the immediacy and unpredictability of experience, while Ginsberg used it as just as efficient instrument of voicing sociopolitical protest or Buddhist truths (following in the footsteps of Romantic transcendentalists or Whitman), Burroughs saw it rather as an enigmatic, alien force. The latter could effectively disturb human understanding and communication, or even be used as a means of mental/social political oppression and manipulation on the global scale. Consequently, this, arguably, most atypical Beat writer appears to be a forerunner of a relevant trend in American postmodern fiction, represented e. g. by Ronald Sukenick or Raymond Federman, with their implied disbelief in language as a cognitively reliable means of handling human experience or reality as such: for example, by the lavishly applied typographical experimentation.
Źródło:
Społeczeństwo. Edukacja. Język; 2019, 8; 67-74
2353-1266
2449-7983
Pojawia się w:
Społeczeństwo. Edukacja. Język
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja językowego obrazu rzeczywistości postradzieckiej w polskich tłumaczeniach ukraińskiej prozy postmodernistycznej
Reception of linguistic picture of postsovietical reality in Polish translations of Ukrainian postmodernism prose
Autorzy:
Bracki, Artur
Powiązania:
https://bibliotekanauki.pl/articles/481801.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
postsovietical reality
Ukrainian postmodernism prose
translatio
Opis:
The article is grouped on the problem of complication in that, to read and transposition of literarycode at the use of linguistic supplies of other area of social and culture. On the basis of row of worksfrom the flow of Ukrainian postmodernism prose and also their translating into the Polish language anessay is presented of most neuralgic areas in a narrative and dialog layer, which draw of verycomplication at creation of literary translation. The article is bandaged by the row of bibliographicnotes, tangent to newest works which interpret about the titled problem.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 353-365
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Counteracting Americas Value Orientation to Sport: A Perspective for the 21st Century
Autorzy:
Zeigler, Earle F.
Powiązania:
https://bibliotekanauki.pl/articles/449174.pdf
Data publikacji:
2012
Wydawca:
Politechnika Opolska. Wydział Wychowania Fizycznego i Fizjoterapii
Tematy:
modernism
postmodernism
America
The Olympic Movement
Opis:
Polemics
Źródło:
Journal of Physical Education & Health - Social Perspective; 2012, 1, 1; 61-73
2084-7971
Pojawia się w:
Journal of Physical Education & Health - Social Perspective
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literacki głos pokolenia X? David Foster Wallace wobec popkultury
A Literary Voice of Generation X? David Foster Wallace on Popculture
Autorzy:
Gutowska, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/545525.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
American literature
postmodernism
popculture
irony
comedy
Opis:
The article treats on the life and work of American postmodern writer David Foster Wallace. The subject is undertaken in context of appearance of his writing in the Polish translation (by Jolanta Kozak). The author aims to present Wallace as a potentially interesting writer in the field of Polish literary studies. Next to describing him as a popcultural phenomenon, she puts stress on matters of the texts themselves, such as postmodern irony and psychological issues, corresponding with the writer’s actual experience.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2017, 8; 201-212
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Crisis in the idea of the university and its causes. Selected problems
Autorzy:
LESZCZYŃSKI, SEWERYN
Powiązania:
https://bibliotekanauki.pl/articles/628495.pdf
Data publikacji:
2012
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
university, crisis, postmodernism, values, science, economy
Opis:
The article is focused on the three phenomena of the crisis in the idea of the university: the fashion of postmodernism, re-evaluation of the values, link between science and the economy. The author tried to show that these processes lead to irreversible changes in thin-king about the idea of university. The changes include social processes in the long period of time. In this way we can say that these phenomena can be considered as causes of this crisis. The author does not decide whether this is the fact. But it seems to be true. Anyway, we have to be careful in consideration of the crisis in the idea of the university: here nothing is certain. The article stays open to new ideas which may explain this topic.
Źródło:
Journal of Education Culture and Society; 2012, 3, 2; 67-73
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zamknięcie w języku. „Oblężenie” Jewgienija Griszkowca
Enclosed in Language: “The Siege” by Evgeny Grishkovets
Autorzy:
Biegluk-Leś, Weronika
Powiązania:
https://bibliotekanauki.pl/articles/1520524.pdf
Data publikacji:
2018-12-20
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
contemporary Russian drama
postmodernism
intertextuality
myth
Opis:
The author of this article analyzes the play The Siege by Evgeny Grishkovets, a renowned contemporary Russian writer. She places it against a background of the rest of his works, exposing essential features that characterize his entire dramaturgy, such as the presence of metatheatrical devices, recognition of the importance of contact with the audience, and emphasis on stage performance. The analysis also draws attention to such elements of the play as non-homogeneous spatio-temoral framework, hybrid composition of characters, and parallel development of plot threads. Special attention is paid to the “imprisoning” of characters in discourses and the ambivalent nature of cultural symbols. As the author points out, The Siege stands out in the Grishkovets’s oeuvre, both by departing from the dominant monodrama form and by juxtaposing key themes recurring in his works: the human experience of war, the reflection on the nature of time, the collapse of language referential abilities, and the impossibility of authentic communication.
Źródło:
Białostockie Studia Literaturoznawcze; 2018, 13; 263-284
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narration True and False: Dialogical Self Theory in Psychotherapy
Autorzy:
Kałowski, Piotr
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030879.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
dialogical self theory
narration
psychotherapy
Postmodernism
Opis:
Postmodernism denies universal values and emphasizes the role of political power in constructing truth. This creates a challenge for psychotherapy, where the client’s perspective must simultaneously be respected and filtered through a given modality’s theory. The paper discusses the notions of truth and falsity in psychotherapy, presenting dialogical self theory as an approach responding to the aforementioned challenges. Comparing it to the dominant cognitive-behavioral approach, examples of its practical use, especially problems related to identity and its continuity, are described, and the benefits and limitations of the metaphor of therapeutic work as a dialogue or narration are outlined.
Źródło:
Truth and Falsehood in Science and the Arts; 189-204
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kategorie czasu i formy muzycznej w II Koncercie na wiolonczelę i orkiestrę symfoniczną Pawła Mykietyna
The Categories of Time and Musical Form in Paweł Mykietyn’s Concerto No. 2 for Cello and Symphony Orchestra Lviv
Autorzy:
Kaszubska, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/2189501.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Paweł Mykietyn
Postmodernism
permanent accelerando
deconstruction
Opis:
The paper supplements the research on the latest Paweł Mykietyn's work. It broadens the spectrum of problems related to the technique of deconstruction in his works and allows for a better understanding of the structure of the Concerto No. 2 for cello and symphony orchestra. The main research method is descriptive analysis, bringing Paweł Mykietyn's musical language closer to the harmonic material, textural systems, agogic-metric structures, and the concept of form. The analysis is based on the score of the 2nd Concerto for Cello and Symphony Orchestra, published in 2019 by the PWM Edition in Kraków. The structure of the paper includes: introduction, three paragraphs and a summary. The characteristics of Paweł Mykietyn’s work contained in the introduction will allow the reader to become familiar with stylistic tendencies at various stages of the composer's work. The section devoted to the genesis and reception aims to present the history of the creation of the analysed work, as well as its contexts and resonance. The analytical sketch in the context of the issues of time and form will allow to present selected aspects of the compositional technique.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2022, 3(54); 19-41
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sztuka w pofałdowanym świecie: architektura w płynie
Art in the Folding World: the Liquid Architecture
Autorzy:
Sułkowska-Janowska, Mariola
Powiązania:
https://bibliotekanauki.pl/articles/423308.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
ART
ARCHITECTURE
CONTEMPORARY WORLD
POSTMODERNISM
BAUMAN
Opis:
While writing this article, the author was inspired by “Między chwilą a pięknem. O sztuce w rozpędzonym świecie” by Zygmunt Bauman. Following Baumanian diagnosis of the contemporary art we are faced with the condition of our contemporary world. The main feature we can observe in both areas seems to be their ‘liquidity’. In this liquid context the author of the article focuses on contemporary architecture, which was omitted by Zygmunt Bauman. It appears that the most fixed, palpable and sturdy type of art also may assume a kind of liquid form – as in the case of so called ‘folding’, ‘downy’, or ‘pleated’ architecture proposed by Bernard Tschumi or Peter Eisenman who are strongly inspired by philosophical thoughts of Friedrich Nietzsche, Gilles Deleuze, or Jacques Derrida.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2012, 24; 175-184
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-50 z 373

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