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    Wyświetlanie 1-9 z 9
    Tytuł:
    Записная книжка писателя и литература постмодернизма: точки сближения
    The writer’s notebook and postmodern literature: points of convergence
    Autorzy:
    Ефимова, Светлана
    Powiązania:
    https://bibliotekanauki.pl/articles/22593436.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    notebook
    postmodern novel
    fragmentariness
    ambiguity
    hypertext
    Opis:
    This article begins with a brief characterization of the writer’s notebook as a special text type. Then the article analyzes structural and compositional features that notebooks of the 19th and 20th centuries have in common with postmodernist prose. These features include: a) fragmentary narration; chaotic composition; many syntactic and semantic ellipses; b) the absence of one main idea and an important role of chance in the creative process; c) an opportunity to start reading a text from any of its parts, even from the end; d) a great number of intertextual links; similarity to hypertext; e) no stylistic and thematic limitations, etc. There are three possible explanations of these points of convergence: a psychological one, a linguistic one and a historical-literary one.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2012, 5; 100-110
    1427-9681
    2353-4834
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La post-fantasy: il ciclo letterario Inquisitore Eymerich di Valerio Evangelisti come una realizzazione dell’elemento fantastico tramite la narrazione postmoderna
    Post-Fantasy: The literary series of Inquisitore Eymerich by Valerio Evangelisti as an example of postmodern transposition of the fantastic element
    Autorzy:
    Przełucka, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/701127.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Italian fantasy
    postmodern novel
    intertextuality
    transfictionality
    narrative modes
    Opis:
    This article examines the literary series of Inquisitore Eymerich by Valerio Evangelisti, a variegated macronarrative, which, resisting generic classification, introduces innovation to the panorama of contemporary Italian fantasy. Departing from the analysis of the salient features of the series such as intertextuality, hybridization, storiographic metafiction, and transfictionality, the article examines closely the areas of postmodern narration and inquires into the role of the fantastic element in Italian literature. Evangelisti makes the most of postmodern narrative strategies and of fantasy’s ability to penetrate various media in order to provide a tool of critical reflection on human history with an emphasis on the phenomenology of power. By interweaving different literary genres and inviting readers to produce their own interpretations in form of fan fiction, Evangelisti creates a new type of committed narrative, post-fantasy, which presents a new conception of postmodern narrative, one that overcomes the barrier between the literary fiction and the genre fiction.
    Źródło:
    Romanica Silesiana; 2020, 17, 1; 69-80
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Muriel Spark’s Employment of Burlesque: Parody of Detective Fiction in Not to Disturb
    Autorzy:
    Ertin, Serkan
    Powiązania:
    https://bibliotekanauki.pl/articles/606034.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    parody
    Muriel Spark
    detective fiction
    pastiche
    postmodern novel
    Opis:
    Der Band enthält die Abstracts ausschließlich in englischer Sprache.
    Parody contributes to the improvement of literary genres since it is the key to various popular subgenres as in the case of the development of detective fiction. Muriel Spark’s Not to Disturb, among the contemporary examples of parody of detective stories, is about a group of sinister servants in a Swiss chateu awaiting impatiently the bloody deaths of their employers, dictating memoirs and even selling the fim rights beforehand. Analysed in terms of its plot structure, characterisation and setting, the novel proves to be a brilliant example of parody of detective stories.
    Le numéro contient uniquement les résumés en anglais.
    Том не содержит аннотаций на английском языке.
    Źródło:
    Lublin Studies in Modern Languages and Literature; 2017, 41, 1
    0137-4699
    Pojawia się w:
    Lublin Studies in Modern Languages and Literature
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W hołdzie dla Diderota. Milan Kundera, Kubuś Fatalista i ich pan
    In tribute to Diderot: Milan Kundera, Jacques the Fatalist and their Master
    Autorzy:
    Gawarecka, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/635442.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    enlightenment novel
    postmodern novel
    literary fiction
    poetics of variations
    meta-literariness
    Opis:
    In his meta-literary and para-textual statements, Milan Kundera has been frequently turning to the issue of the enlightenment narrative experiments considered as the initial ones for the twentieth-century (post)modern creative strategies. Those experiments resulted from the striving for suppression of the over-prescription characterized the classicist rules, and they managed to direct attention to the literary genres which were undermined by the Enlightenment era that is in other words and above all, novel. In order to reveal this “modernity” of the eighteenth-century prose, the Czech writer in the work entitled Jacques and his master (1971) performed a “cultural translation” (variation) of the famous text by Diderot into the form of drama. Kundera was focused on the devices used by the French encyclopaedist which enabled him to expose the “evidence of trick” regarding the anti-illusion and fictitious character of literary representation of the world. He was, therefore, interested not so much in the philosophical and ideological background of Diderot’s tale dedicated to the romances of Jacques the Fatalist, but in the author’s freedom in his “play with the romance’s conventions” which even then was undergoing the process of fast schematisation.
    Źródło:
    Poznańskie Studia Slawistyczne; 2018, 15
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tilting at Numbers: A Critical Analysis of the Quixotic Attitudes and Picaresque Undertones in Ramsey Campbell’s The Count of Eleven
    Autorzy:
    Zasada, Oskar
    Powiązania:
    https://bibliotekanauki.pl/articles/29520375.pdf
    Data publikacji:
    2023-12-18
    Wydawca:
    Uniwersytet Bielsko-Bialski
    Tematy:
    pikareska
    donkiszoteria
    powieść postmodernistyczna
    komedia slapstickowa
    Ramsey Campbell
    picaresque
    quixotism
    postmodern novel
    slapstick comedy
    Opis:
    Ramsey Campbell, whose illustrious writing career began as a result of being introduced to the eldritch works of H.P. Lovecraft, is frequently referred to as one of the most prolific authors in the field of British horror. However, the motifs, literary structures, and character archetypes found in his writings often stem from other genres. With this background in mind, this article undertakes a critical analysis of The Count of Eleven, one of Campbell’s best-known works, through a dual spectrum of picaresque traditions and quixotic mentalities. The initial aim of this process is to assess the depth and breadth of the conceptual interconnections that exist between Campbell’s novel and Miguel de Cervantes’ Don Quixote – one of the cornerstones of pícaro-focused storytelling. This will allow for an estimation of the effectiveness with which the British writer employs picaresque ideas to achieve narrative goals usually associated with works of horror and social commentaries. It will also provide insight into the current pop and sociocultural relevance of the literary concepts discussed and about the validity of the pícaro archetype in the contemporary Western mediascape.
    Źródło:
    Świat i Słowo; 2023, 41, 2; 401-419
    1731-3317
    Pojawia się w:
    Świat i Słowo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Rules of How Reality Works Through the Prism of Post-Postmodern Prose
    Autorzy:
    Zymomria, Mykoła
    Powiązania:
    https://bibliotekanauki.pl/articles/1032264.pdf
    Data publikacji:
    2020-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    philosophy of literature
    British post-postmodern novel
    Dmytro Drozdovskyi
    carnival
    mystery
    German Romanticism
    theory of the contemporary novel
    Opis:
    The reviewer analyses the monograph Problematic-Thematic Units and Philosophical-Esthetical Parameters of the British Post-Postmodern Novel (Kyiv, 2020) written by Dmytro Drozdovskyi, a Ukrainian scholar from Taras Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine, member of The European Society for the Study of English (Bulgarian branch). In the monograph, the author has outlined the theory of the post-postmodern novel based on the analysis of the key novels of contemporary British fiction (David Mitchell, Ian McEwan, Sarah waters, Mark Haddon, etc.). The review states that the Ukrainian scholar has developed the theory proposed by Fredric Jameson regarding the post-postmodern features of Cloud Atlas and also discusses the concept of meta-modernity as one of the sections in the post-postmodern literary paradigm in the UK. Drozdovskyi argues that meta-modernism cannot be the only term that explains all the peculiarities of contemporary British fiction, which also cannot be outlined as meta-modern but as post-postmodern. The scholar provides a new theory of the novel based on the exploitation of real and unreal historical facts and imagined alternative histories and multifaceted realities. Furthermore, the reviewer pays attention to the contribution this monograph has for world literary studies spotlighting the theory of literary meta-genre patterns, as Drozdovskyi provides a theory according to which literary periods can be divided into those in which the carnival is the dominant meta-genre pattern (like postmodernism) and those that exploit the mystery as the meta-genre pattern (post-postmodernism). The reviewer analyses the key thematic units explained by Drozdovskyi as the key ones that determine the semiosphere of the contemporary British novel (post-metaphysical and post-positivist thinking of the characters, medicalisation of the humanitarian discourse, and the representation of the temporal unity of different realities). The scholar also states that the post-postmodern British novel exploits the findings of German Romanticism and Kant’s philosophy.
    Źródło:
    Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2020, 9; 347-354
    2299-7458
    2449-8386
    Pojawia się w:
    Czytanie Literatury. Łódzkie Studia Literaturoznawcze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “The Things We Are”: Alasdair Gray’s Poor Things and the Science of Man
    Autorzy:
    Berndt, Katrin
    Powiązania:
    https://bibliotekanauki.pl/articles/888812.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Alasdair Gray
    Scottish Enlightenment philosophy
    postmodern narrative
    metahistorical novel
    Opis:
    The aim of this article is to examine the influence of Scottish Enlightenment philosophy on Alasdair Gray’s novel Poor Things (1992) with a particular focus on its references to the natural and life sciences. The essay argues that the novel allegorizes two central themes of the eighteenth-century Science of Man: it stresses the social nature of human beings, and it aims for a comprehensive portrayal of human nature whose different aspects are depicted in explicit connection with one another. The article shows that Gray employs the emancipatory framework of Scottish Enlightenment philosophy in order to communicate an idealistic belief in the possibility of gradual improvement of society.
    Źródło:
    Anglica. An International Journal of English Studies; 2016, 25/1; 125-140
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Strange Case of Mr. Hyde: a Victorian Villain and a Victorian Detective Revisited
    Autorzy:
    Krawczyk-Żywko, Lucyna
    Powiązania:
    https://bibliotekanauki.pl/articles/888746.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    graphic novel
    Cole Haddon
    M. S. Corley
    Robert Louis Stevenson
    Jack the Ripper
    neo-Victorian
    intertextuality
    postmodern culture
    Opis:
    The paper discusses one of the latest revisions of Doctor Jekyll’s dark side, Mr Hyde, as depicted in a graphic novel by Cole Haddon and M.S. Corley The Strange Case of Mr. Hyde. The text is a sequel to Stevenson’s novella and sets his character in 1888 during Jack the Ripper’s autumn of terror. What makes it stand out among other adaptations and appropriations is the combination of a Victorian and a modern villain – Edward Hyde and Hannibal Lecter, as well as giving voice to a Victorian police detective – a character that was ignored by the majority of nineteenth-century writers.
    Źródło:
    Anglica. An International Journal of English Studies; 2014, 23/1; 95-104
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    ETNOOBRAZY I STEREOTYPY NARODOWE W POWIEŚCI FANTASY NIKI RAKITINEJ GONITWA I POWIEŚCI SENSACYJNEJ ANDRZEJA KURKOWA DOBRY ANIOŁ ŚMIERCI
    ETHNIC IMAGES AND NATIONAL STEREOTYPES IN THE FANTASY-NOVEL GONITWA BY NICKY RAKITINA AND THE ACTION-PACKED NOVEL GOOD ANGEL OF DEATH BY ANDREY KURKOV
    Autorzy:
    Kowalow, Siergiej
    Powiązania:
    https://bibliotekanauki.pl/articles/911614.pdf
    Data publikacji:
    2018-08-28
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Russian-language literature of Belarus and Ukraine
    national tradition
    fantasy genre
    action-packed novel
    ethnic images and national stereotypes
    intertextuality
    postmodern game
    rosyjskojęzyczna literatura Białorusi i Ukrainy
    tradycja narodowa
    gatunek fantasy
    powieść sensacyjna
    etnoobrazy i stereotypy narodowe
    intertekstualność
    gra postmodernistyczna
    Opis:
    Artykuł dotyczy funkcjonowania etnoobrazów i stereotypów narodowych w rosyjskojęzycznej literaturze Białorusi i Ukrainy na przykładzie powieści fantasy młodej pisarki białoruskiej Niki Rakitinej Gonitwa oraz powieści sensacyjnej znanego pisarza ukraińskiego Andreja Kurkowa Dobry anioł śmierci. Wybrane do analizy utwory należą do różnych literatur narodowych i reprezentują odmienne gatunki literackie, mimo to przekonująco świadczą o artystycznym potencjale związanym z wykorzystaniem przez pisarzy współczesnych tradycji narodowych oraz podejmowaniem gry literackiej z narodowymi kodami i obrazami.
    On the example of the fantasy-novel Gonitva written by a young Belarusian author Nicky Rakitina and action-packed novel Good Angel of Death by Andrey Kurkov, the article presents an analysis of the way ethnic images and stereotypes function in the Russian-language literature of Belarus and Ukraine. Works chosen for the analysis belong to the different national literatures and different genres, but clearly indicate the prospects of how writers can turn their views on the national traditions and play with national codes and images.
    Źródło:
    Porównania; 2017, 21, 2
    1733-165X
    Pojawia się w:
    Porównania
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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