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    Wyświetlanie 1-8 z 8
    Tytuł:
    A Metafictional Reflection on Historiography: the Inclusiveness of Truth in Graeme Macrae Burnet’s His Bloody Project
    Autorzy:
    Kucała, Bożena
    Powiązania:
    https://bibliotekanauki.pl/articles/2141904.pdf
    Data publikacji:
    2022-06-30
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Graeme Macrae Burnet
    historiographic metafiction
    crime fiction
    postmodern historiography
    multiperspectivity
    Opis:
    This article analyses Graeme Macrae Burnet’s novel His Bloody Project (2015) as a metafictional exemplification of the problem of truth in historical accounts. Spuriouslyclaiming that his novel contains authentic material related to a nineteenth-century crime, Burnet recounts the case in the form of a collection of miscellaneous texts. The novel may be read in the light of the stance upheld in postmodern historiography that there is no ultimate truth to be reached at the end of a historical enquiry. This analysis of His Bloody Project aims to demonstrate that the obscure, multifaceted truth about the murder case is constituted by all the diverse − even if incongruous and contradictory − perspectives presented in the book.
    Źródło:
    Acta Neophilologica; 2022, 2, XXIV; 151-164
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Фрагментація постмодерного прозового тексту: засади і прийоми
    The fragmentation of postmodern prose: principles and techniques
    Autorzy:
    Kropyvko, Iryna
    Powiązania:
    https://bibliotekanauki.pl/articles/2157678.pdf
    Data publikacji:
    2022-07-28
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    fragment
    fragmentarity
    modern/postmodern prose
    postmodernism
    fiction text
    Ukrainian literature
    Polish literature
    Opis:
    The article focuses on factors and manifestations of postmodern text fragmentation. A fragment is one of the central concepts of modern and postmodern literature. The modernist fragment was a means of cognitive activity and a form of its adequate representation. It was determined by the basic concept of the integrity of a literary phenomenon and recognition of its encoded meaning, as well as encouraged the reader to invent missing parts. It has been proven that for postmodernist prose, the fragment is the only possible mode of its existence, an artistic strategy and an artistic device. The postmodernist text is positioned by the game field, where equal participants play with multiple-order fragments. Such fragments include preceding artistic traditions and techniques. Text fragmentation is enhanced by equalizing the rights of the author, character and the reader. Each participant of the literary communication has their own (partial) view of the art world. Narrative strategies of prose fragmentation are determined by the ways of building rhizomatic narratives and the peculiarities of their perception by the receptionist. Ukrainian and Polish writers use various means of constructing a fragmented text at the levels of its conceptualization, narrative structure, interpretative and receptive strategy, image-based specificity (intermediateness etc.).
    Źródło:
    Studia Polsko-Ukraińskie; 2022, 9; 141-161
    2353-5644
    2451-2958
    Pojawia się w:
    Studia Polsko-Ukraińskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Historical Imagination: Interpretation of the Past in Postmodern Novels A History of the World in 10½ Chapters and The Incomplete Manuscript
    Autorzy:
    Abdullayeva, Yegane
    Powiązania:
    https://bibliotekanauki.pl/articles/2013181.pdf
    Data publikacji:
    2021
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    postmodern novels
    historical imagination
    irony
    reflexion
    fiction
    Opis:
    This article compares British novelist Julian Barnes’s novel A History of the World in 10½ Chapters with the novel The Incomplete Manuscript by Azerbaijani author Kamal Abdulla. In each novel accepted history is revised, the idea that history is subjective is explored, as well as the fact that history is fiction, and in the process a new alternative history is written. The postmodern liberation strategy of both authors emphasizes history, past revision, history’s subjectivity, as well as the creation of a new alternative history to make history fictitious. The idea of history, catastrophe, error and human foolishness in Barnes’s novel is similar to the ideas of a fictitious, imagined, authenticated reality in Abdulla’s novel. This form of narration in Barnes’s and Abdulla’s novels is concerned with the ironic modes of 20thcentury thinking and the fact that human thinking has cast doubt on our understanding of the world. In Barnes’s novel, history is a catastrophe, an erroneous ghost, while in the novel by Abdulla we find fiction, fabrication, and reality.
    Źródło:
    Academic Journal of Modern Philology; 2021, 14; 9-24
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    ”In memory of The Snow Queen” – Hans Christian Andersen recalled and retold
    Autorzy:
    Zańko, Aldona
    Powiązania:
    https://bibliotekanauki.pl/articles/1202497.pdf
    Data publikacji:
    2020-01-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    fairy tale
    feminism
    Hans Christian Andersen
    intertextuality
    postmodern fiction
    reworking
    revision
    Opis:
    The main focus of the present paper is the so-called ”intertextual revision”, explored as one of the most recent and innovative strategies employed while reviving the legacy of the Danish fairy-tale classic Hans Christian Andersen. In order to illustrate this practice, I discuss a short story entitled Travels with the Snow Queen (2001), by an American writer Kelly Link, which is a reworking of Andersen's world-famous fairy tale The Snow Queen (1844). Link's take on Andersen's tale represents one of the leading directions within revisionary fairy-tale fiction, inspired by feminism and gender criticism. The analysis is centered around the narrative strategies employed by the author in order to challenge the gender logic incorporated into Andersen's account, as well as the broader fairy-tale tradition it belongs to.
    Źródło:
    Folia Scandinavica Posnaniensia; 2019, 27; 35-50
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W hołdzie dla Diderota. Milan Kundera, Kubuś Fatalista i ich pan
    In tribute to Diderot: Milan Kundera, Jacques the Fatalist and their Master
    Autorzy:
    Gawarecka, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/635442.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    enlightenment novel
    postmodern novel
    literary fiction
    poetics of variations
    meta-literariness
    Opis:
    In his meta-literary and para-textual statements, Milan Kundera has been frequently turning to the issue of the enlightenment narrative experiments considered as the initial ones for the twentieth-century (post)modern creative strategies. Those experiments resulted from the striving for suppression of the over-prescription characterized the classicist rules, and they managed to direct attention to the literary genres which were undermined by the Enlightenment era that is in other words and above all, novel. In order to reveal this “modernity” of the eighteenth-century prose, the Czech writer in the work entitled Jacques and his master (1971) performed a “cultural translation” (variation) of the famous text by Diderot into the form of drama. Kundera was focused on the devices used by the French encyclopaedist which enabled him to expose the “evidence of trick” regarding the anti-illusion and fictitious character of literary representation of the world. He was, therefore, interested not so much in the philosophical and ideological background of Diderot’s tale dedicated to the romances of Jacques the Fatalist, but in the author’s freedom in his “play with the romance’s conventions” which even then was undergoing the process of fast schematisation.
    Źródło:
    Poznańskie Studia Slawistyczne; 2018, 15
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Muriel Spark’s Employment of Burlesque: Parody of Detective Fiction in Not to Disturb
    Autorzy:
    Ertin, Serkan
    Powiązania:
    https://bibliotekanauki.pl/articles/606034.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    parody
    Muriel Spark
    detective fiction
    pastiche
    postmodern novel
    Opis:
    Der Band enthält die Abstracts ausschließlich in englischer Sprache.
    Parody contributes to the improvement of literary genres since it is the key to various popular subgenres as in the case of the development of detective fiction. Muriel Spark’s Not to Disturb, among the contemporary examples of parody of detective stories, is about a group of sinister servants in a Swiss chateu awaiting impatiently the bloody deaths of their employers, dictating memoirs and even selling the fim rights beforehand. Analysed in terms of its plot structure, characterisation and setting, the novel proves to be a brilliant example of parody of detective stories.
    Le numéro contient uniquement les résumés en anglais.
    Том не содержит аннотаций на английском языке.
    Źródło:
    Lublin Studies in Modern Languages and Literature; 2017, 41, 1
    0137-4699
    Pojawia się w:
    Lublin Studies in Modern Languages and Literature
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Postmodernistyczny retelling baśni — garść uwag terminologicznych
    Postmodern Retelling of Fairy Tales — A Handful of Terminological Comments
    Autorzy:
    Skowera, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/520080.pdf
    Data publikacji:
    2016
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    fairy tale
    young adult fiction
    retelling
    adaptation
    postmodernity
    postmodernism
    postmodern fiction
    Opis:
    Nowadays, new versions of well-known fairy tales are extremely popular. However, it is debatable how to define such works. The author of the paper Postmodern Retelling of Fairy Tales — A Handful of Terminological Comments suggests using the term “retelling” in relation to a particular group of postmodern works which tell canonical, traditional fairy tales in new ways. Andrzej Sapkowski’s definition of “retelling” and differences between this notion and the others (such as “rewriting” or “adaptation”) are also considered. The article concludes with a proposal to form a new definition of “retelling”. It is based on the conviction that this term should be used to call both the mode of storytelling and such works in which various aspects of pre-texts undergo essential revisions.
    Źródło:
    Creatio Fantastica; 2016, 2(53); 41-56
    2300-2514
    Pojawia się w:
    Creatio Fantastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Les aventures du narratif dans deux romans de Pierre Senges
    Adventures of the narrative in two novels by Pierre Senges
    Autorzy:
    Kroker, Wiesław
    Powiązania:
    https://bibliotekanauki.pl/articles/1051148.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    fiction
    representation
    postmodern writing
    textuality
    possible worlds
    relativity of values
    Opis:
    In his novels, Pierre Senges (born in 1968) constantly questions the limits of the literary representation as he emphasizes the textual nature of any fictional world. Veuves au maquillage (2000) is a relatively continuous narrative of an unusual suicide planned by the protagonist-narrator as a methodic murder gradually committed on him by his six mistresses, the six jealous widows; whereas Études de silhouettes (2010) consists of a series of short texts, each based on a phrase from Kafka’s drafts, without any thematic bounds between them. In Senges’s universe, the borders become blurred between different possible worlds so that the reader does not get the possibility to determine whether any of these worlds has a priority over the others. His postmodern writing is a lesson and a practice of relativity of values and significations.
    Źródło:
    Studia Romanica Posnaniensia; 2013, 40, 4; 5-11
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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