- Tytuł:
- Victim-Warriors and Restorers—Heroines in the Post-Apocalyptic World of Mad Max: Fury Road
- Autorzy:
- Reglińska-Jemioł, Anna
- Powiązania:
- https://bibliotekanauki.pl/articles/2032754.pdf
- Data publikacji:
- 2021-11-22
- Wydawca:
- Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
- Tematy:
-
post-apocalyptic utopia
Mad Max saga
feminism - Opis:
- The article discusses the evolving image of female characters in the Mad Max saga directed by George Miller, focusing on Furiosa’s rebellion in the last film—Mad Max: Fury Road. Interestingly, studying Miller’s post-apocalyptic action films, we can observe the evolution of this post-apocalyptic vision from the male-dominated world with civilization collapsing into chaotic violence visualized in the previous series to a more hopeful future created by women in the last part of the saga: Mad Max: Fury Road (2015). We observe female heroes: the vengeful Furiosa, the protector of oppressed girls and sex slaves, the women of the separatist clan, and the wives of the warlord, who bring down the tyranny and create a new “green place.” It is worth emphasizing that the plot casts female solidarity in the central heroic role. In fact, the Mad Max saga emerges as a piece of socially engaged cinema preoccupied with the cultural context of gender discourse. Noticeably, media commentators, scholars and activists have suggested that Fury Road is a feminist film.
- Źródło:
-
Text Matters: A Journal of Literature, Theory and Culture; 2021, 11; 106-118
2083-2931
2084-574X - Pojawia się w:
- Text Matters: A Journal of Literature, Theory and Culture
- Dostawca treści:
- Biblioteka Nauki
Artykuł