Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "popular Italian" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-7 z 7
    Tytuł:
    “Things Change but the Amerecano Is Here to Stay”: America in Italian Popular Movies of the 1980s
    Autorzy:
    Zangari, Sostene M.
    Powiązania:
    https://bibliotekanauki.pl/articles/626392.pdf
    Data publikacji:
    2013-11-30
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    talian popular film
    1980s
    representation of America
    film studies
    Italian comedies
    Italian cinema
    comparative Italian American studies
    cultural history
    Opis:
    Sostene M. ZangariUniversity of MilanItaly“Things Change but the Amerecano Is Here to Stay”: America in Italian Popular Movies of the 1980sThe article focuses on a number of film comedies of the early 1980s. In different ways, the movies rearticulate the relationship between Italy and the United States. In showing how Italians can beat Americans at sports, how they can indulge in conspicuous consumption and finally how even the United States are not alien to provincialism and backwardness, these movies express a new mood of confidence that was widely felt in Italian society at the time. However, these movies came at a moment when the Italian film industry was on the verge of its decline. Starting from the 1980s, in fact, American movies and distributors would colonize the Italian movie market and depress the Italian movie industry.
    Źródło:
    Review of International American Studies; 2017, 10, 2
    1991-2773
    Pojawia się w:
    Review of International American Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O teatr przyszłości. Zapomniane źródła włoskiego myślenia performatycznego
    For the Theater of the Future. The Forgotten Sources of Italian Performance Studies
    Autorzy:
    Woźniak-Shukur, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/32062353.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Corrado Pavolini
    Silvio D’amico
    performance studies theory
    pre-history of Italian performance studies
    Italian popular theater
    teoria performance studies
    prehistoria włoskich performance studies
    włoski teatr popularny
    Opis:
    Italian theater studies in 20th century focused on the theater as the art of staging a dramatic text and it’s analysis. Over the past decade, theater anthropology and performance studies make their way among these relics of the past century slowly but effectively, and the sources of the Italian performance studies are indicated in the 1960s and 1970s. Meanwhile, the interest of Italian researchers in restored behavior is reflected in texts published in-between the two world wars. The subject of the analysis are two texts by Corrado Pavolini who we consider to be a precursor of Italian performance studies.
    Źródło:
    Przestrzenie Teorii; 2022, 38; 375-385
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Luciano Curreri and Michel Delville, <i>Il grande ‘Incubo che mi son scelto.’ Prove di avvicinamento a Profondo Rosso (1975-2015) </i>
    Autorzy:
    Pomilio, Daniele
    Powiązania:
    https://bibliotekanauki.pl/articles/626039.pdf
    Data publikacji:
    2017
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Italian popular film
    representation of America
    film studies
    comparative Italian American studies
    cultural history
    Opis:
    Daniele PomilioUniversity of UdineItaly Luciano Curreri e Michel Delville, Il grande ‘Incubo che mi son scelto.’ Prove di avvicinamento a Profondo Rosso (1975-2015), Piombino, Edizioni Il Foglio, 2015 The text offers a review of Il grande “Incubo che mi son scelto” - a collection of essays written in three different languages by a group of international scholars to celebrate the fortieth anniversary of Profondo Rosso, the cult movie by Dario Argento. The book contributes to the canonization of an Italian classic long neglected by those critics who still consider horror movies a low-rated subgenre comparable to B-movies.
    Źródło:
    Review of International American Studies; 2017, 10, 2
    1991-2773
    Pojawia się w:
    Review of International American Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Trading Rationality for Tomatoes: The Consolidation of Anglo-American National Identities in Popular Literary Representations of Italian Culture
    Autorzy:
    Pierini, Francesca
    Powiązania:
    https://bibliotekanauki.pl/articles/888909.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    postcolonial theory
    Italian culture
    Anglo-American popular literature
    Orientalism
    colonial discourse
    Opis:
    In The Rhetoric of Empire (1993), David Spurr analyzes journalistic discourse on the Third World and isolates a nucleus of rhetorical figures around which representations of the colonial and post-colonial other are articulated. In this paper, I will borrow, in particular, three of these rhetorical figures (naturalization, idealization, appropriation) and I will adapt them to the context of contemporary Anglo-American representations of Italian culture in popular literature. I will argue that a substantial number of contemporary works on Italy retains the basic assumption of a world ordered around a dichotomy between modern cultures and pre-modern ones, and makes of this taxonomy the basic spatiotemporal context for its narratives.
    Źródło:
    Anglica. An International Journal of English Studies; 2016, 25/1; 181-197
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Echi della battaglia della Piana dei Merli (1389) nella storiografia e nella cultura italiana
    Echoes of the battle of Kosovo polje (1389) in Italian historiography and culture
    Echa bitwy na Kosowym Polu (1389) we włoskiej historiografii i kulturze
    Autorzy:
    Perillo, Francesco S.
    Powiązania:
    https://bibliotekanauki.pl/articles/1365291.pdf
    Data publikacji:
    2021-05-28
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Balkan Peninsula
    battle of Kosovo Polje
    Lazar Hrebeljanović
    Kosovo Myth
    Serbian popular epic
    Italian historiography
    Półwysep Bałkański
    bitwa na Kosowym Polu
    mit Kosowa
    włoska historiografia
    Opis:
    W czerwcu 1389 roku wojska serbskie i ich sojusznicy zostali pokonani przez Turków na równinie kosowskiej. W krwawej bitwie poległo wielu dzielnych chrześcijańskich bojowników oraz sam książę Lazar Hrebljanović, który został uświęcony przez Kościół prawosławny. Katastrofa wojsk chrześcijańskich utorowała drogę do inwazji osmańskiej na Półwysep Bałkański, ale klęska nabrała wartości mitu dla narodu serbskiego, który przez wieki towarzyszył jego istnieniu jako wzór poświęcenia i miłości do ojczyzny.
    On June 15, 1389 Serbian troops and their allies were defeated by the Turks on the Kosovo field. Many valiant Christian fighters and the Serbian prince Lazar Hrebljanović, who was sanctified by the Orthodox Church, fell in the battle. The disaster of the Christian army paved the way for the Ottoman invasion of the Balkan Peninsula, but the defeat assumed the value of a myth for the Serbian people, which accompanied their existence over the centuries as a model of sacrifice and love of the country.
    Źródło:
    Fabrica Litterarum Polono-Italica; 2021, 3; 117-150
    2658-185X
    Pojawia się w:
    Fabrica Litterarum Polono-Italica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il plurilinguismo nelle opere teatrali del commediografo molisano Antonio Angelone
    Plurilingualism in the Comedies of Molisan Playwright Antonio Angelone
    Autorzy:
    Iannacito-Provenzano, Roberta
    Powiązania:
    https://bibliotekanauki.pl/articles/446587.pdf
    Data publikacji:
    2019-09-13
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    literary plurilingualism
    dialect plays
    dialects
    popular Italian
    Molisan
    Plurilinguismo letterario
    commedie dialettali
    dialetto
    italiano popolare
    molisano
    Opis:
    This article discusses plurilingualism in the dialect comedies of Molisan playwright Antonio Angelone. After a brief biographical sketch of the author, the rich, expressive, and authentic dialect spoken by his protagonists from the peasant class is analysed. Furthermore, essential details and examples pertaining to Angelone’s keen awareness of the challenges of writing in dialect are provided. The most fundamental part of this essay focuses on the plurilingual aspects that—certainly not extraneous to literary production in Italy—fully manifest themselves in Angelone’s comedies; this occurs through characters created by a playwright who excels at highlighting how important it is to employ linguistic varieties adapted to the circumstances and needs of the protagonists to make the theatrical experience more authentic and more credible for the reader/viewer. Along with the dialect or dialects, there are examples of Standard Italian, popular Italian, and italiese, or the language of North-American Italians, in the repertoire of the protagonists, pronounced by characters who belong to different generations, who are from different social classes, and who come from different geographical areas.
    Quest’articolo tratta il plurilinguismo nelle commedie dialettali del molisano Antonio Angelone. Dopo alcuni riferimenti biografici su Angelone, viene commentato, in prima luogo, il dialetto ricco, espressivo e autentico posto sulla bocca di personaggi spesso tratti dal mondo contadino ben noto all’autore. Inoltre sono forniti dettagli sulla presa di coscienza, da parte del commediografo, delle sfide riguardanti lo scrivere in dialetto. La parte fondamentale di questo saggio verte comunque sugli aspetti plurilinguistici che, non certamente estranei alla produzione letteraria in Italia, si manifestano pienamente nelle commedie angeloniane attraverso personaggi creati da un autore che riesce a mettere in rilievo come sia importante impiegare varietà linguistiche adatte alle circostanze e alle esigenze dei protagonisti per rendere il teatro più autentico, più credibile per il lettore/lo spettatore. Insieme al dialetto o ai dialetti, nel repertorio dei protagonisti si riscontrano esempi della lingua italiana, dell’italiano popolare e dell’italiese ovvero dell’italo-americano, pronunciati da personaggi che appartengono a diverse generazioni, a diverse classi sociali e anche che provengono da diversi comuni, regioni o paesi.
    Źródło:
    Italica Wratislaviensia; 2019, 10.1; 281-307
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Popular Music Studies in Italy: A Historical/Political Overview
    Autorzy:
    Fabbri, Franco
    Powiązania:
    https://bibliotekanauki.pl/articles/1186464.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Italian popular music
    Popular music studies
    history of popular
    music research
    Opis:
    Courses on popular music were sparsely introduced in Italian universities in the late 1900s – early 2000s, and are still included under the umbrellas of other disciplines (ethnomusicology, media and communication studies, sociology). An official disciplinary sector including popular music does not exist. However, research on popular music has existed in Italy at least since the 1960s, two important international conferences took place in Italy (as early as in 1983, and in 2005), and Italian popular music scholars are known internationally and have been members of associations, editorial boards, scientific committees. To explain this contradiction, a long historical period has to be overviewed. It’s a very specific Italian story. Or maybe not.
    Źródło:
    Załącznik Kulturoznawczy; 2020, 7; 225-236
    2392-2338
    Pojawia się w:
    Załącznik Kulturoznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies