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Tytuł:
«Енциклопедія Сучасної України» vs. «Вікіпедія»: рівень популярності в українському інформаційному просторі
Encyclopedia of Modern Ukraine vs. Wikipedia: the popularity scale in information space of Ukraine
Autorzy:
Іщенко, Олександр
Powiązania:
https://bibliotekanauki.pl/articles/1196173.pdf
Data publikacji:
2019
Wydawca:
National Academy of Sciences of Ukraine. Institute of Encyclopedic Research
Tematy:
Encyclopedia of Modern Ukraine
Wikipedia
viral information
information space
online encyclopedias
pop culture
high culture
електронні енциклопедії (онлайн-енциклопедії)
Opis:
The article deals with the problems of the popularity of online encyclopedias in the nowadays information space. It is shown that the most popular in Ukraine is Wikipedia, and the academic Encyclopedia of Modern Ukraine is much inferior to it in this context. The different levels of popularity these two compendiums of knowledge are explained in terms of the belonging of each of them to different types of cultures: the point here is pop culture and high culture, which differ in a priori by many indicators, including a popularity among people.
У статті висвітлено питання популярності онлайн-енциклопедій в сучасному інформаційному просторі. Показано, що найбільшою популярністю в Україні користується енциклопедичний ресурс «Вікіпедія», натомість академічна «Енциклопедія Сучасної України» за цим параметром йому значно поступається. Різний рівень популярності двох компендіумів знань пояснено з точки зору належності кожної з них до різних типів культур, зокрема масової та елітарної (відповідно), які апріорі відрізняються за багатьма показниками, наприклад, рівнем популярності в суспільстві.
Źródło:
Енциклопедичний вісник України; 2019, 11
2706-9990
2707-000X
Pojawia się w:
Енциклопедичний вісник України
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Русский национальныц стиль и эго реализация в текстах современных сми
Russian National Style and its Realization in Modern Mass Media
Autorzy:
Клушина, Наталья И
Powiązania:
https://bibliotekanauki.pl/articles/953398.pdf
Data publikacji:
2020-12-11
Wydawca:
Uniwersytet Opolski
Tematy:
national style
pop style
mass media
mass culture
Opis:
National style is the ideał style of a nation, contrasting greatly with the style ofmass culture. The ąuality press in modem Russian mass media features texts written in national style,while the yellow press is written in global supranational style. Research on the ąuality press demonstrates that national style has been becoming morę difficult, constituting a growing trend.
Źródło:
Stylistyka; 2012, 21; 19-34
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wielka Wojna Ojczyźniana – historia alternatywna: projekt „Pierwszy Oddział”
The Great Patriotic War – Alternative History. Project First Squad
Autorzy:
Zywert, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/437042.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warszawski. Wydział Lingwistyki Stosowanej. Katedra Studiów Interkulturowych Europy Środkowo-Wschodniej
Tematy:
Wielka Wojna Ojczyźniana
Rosja
Japonia
popkultura
Pierwszy Oddział
Great Patriotic War
Russia
Japan
pop culture
First Squad
Opis:
Przedmiotem analizy jest japońsko-rosyjsko-kanadyjski projekt Pierwszy Oddział (Первый отряд) podejmujący temat Wielkiej Wojny Ojczyźnianej. Składają się na niego: wideoklip First Squad (2005) rapera Legalize, pełnometrażowy film anime Pierwszy oddział: Moment prawdy (Первый отряд. Момент истины) w reżyserii Yoshiharu Ashino, manga autorstwa Enki Sugihara Первый отряд: Момент истины, oraz powieść Anny Starobiniec Первый отряд. Истина (2009). Ten uznany przez niektórych krytyków za kontrowersyjny (głównie z uwagi na zaskakującą formę – manga i anime) projekt (choć niepozbawiony wad i niedociągnięć) jest niezwykle ważny, ciekawy i inspirujący zarówno w kontekście zjawiska przenikania i wzajemnego wzbogacania się kultur, jak i procesu dalszej poprawy, do dziś obciążonych historycznymi zaszłościami, stosunków pomiędzy Rosją i Japonią.
The aim of the article is to analyze the Japanese, Russian and Canadian Project First Squad, which touches upon the question of the Great Patriotic War. The project consists of a video clip, a full-length anime movie, a manga and a novel. First Squad is a multi-code project, which, despite its fl aws and imperfections, is a bold, original and important undertaking.
Źródło:
Przegląd Środkowo-Wschodni; 2017, 2; 61-74
2545-1324
Pojawia się w:
Przegląd Środkowo-Wschodni
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Głód na Jezusa. Notatki na marginesie (nie)chrystologii i popkultury
Craving for Jesus. Side Notes to (Non)Christology and Pop Culture
Autorzy:
Żyła, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/3200752.pdf
Data publikacji:
2022
Wydawca:
Wyższa Szkoła Ekonomiczno-Humanistyczna w Bielsku-Białej
Tematy:
Jesus
Christianity
rock opera
pop culture
Opis:
The objective of the article is an attempt to interpret the character/figure/symbol of Jesus by references to miscellaneous cultural texts. First, the author describes the most significant aspects of Piotr Augustyniak’s essay Jezus Niechrystus, emphasizing their originality and rebelliousness, especially towards the Christian doctrine. In latter part of the article, selected fragments of Zbigniew Masternak’s film novella Jezus na prezydenta are analysed. Further, the author acknowledges timelessness of Jesus Christ Superstar rock opera. In the recapitulation, the author discerns constant craving for Jesus, perceiving it as a desirable response, since – according to Kołakowski’s and Augustyniak’s message – teachings of the carpenter from Nazareth constitute an abiding code of our culture.
Źródło:
Polonia Journal; 2022, 15; 185-205
2083-3121
Pojawia się w:
Polonia Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja twórczości Francisa Bacona w sztuce polskiej lat sześćdziesiątych i siedemdziesiątych XX wieku. Rozpoznanie wstępne
Reception of Francis Bacon’s Paintings in the Polish Art. Introductory Reconnaissance
Autorzy:
Zychowicz, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/2121221.pdf
Data publikacji:
2009
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
polska sztuka po 1945 roku
malarstwo polskie
rzeźba polska
figuracja
„nowa figuracja”
nouvelle figuration
realizm
pop-art
sztuka zaangażowana
deformacja
groteska
egzystencjalizm
angoisse
Angst
recepcja
intertekstualność
Polish art after 1945
Polish painting
Polish sculpture
figuration
New Figuration
Realism
Pop-art
Engaged Art
deformation
grotesque
existentialism
reception
intertextuality
Opis:
In the mid Sixties New Figuration appeared in Poland. Researchers interested in this chapter of polish art consider the reception of Francis Bacon's paintings as one of the sources of this kind of art. The subject of this article is mainly the painters, whose works show this reception, but also the sculptors. It concentrates on the Sixties and Seventies in Polish painting. At that time in the Polish art we can see a group of artists connected with existentialism. One of the most interesting phenomena is the painting of Teresa Pągowska (1926-2007), this artist, whom was older than others who were also working in the area of New Figuration, already had concrete artistic experience. In spite of similarities between many works of Francis Bacon and Teresa Pągowska, mainly in the composition and shot of the figure (deformed, not complete, dismembered), the works of Pągowska should be considered in their own right particular to her own style. Pągowska processed Bacon's art in an original way. Her distinction from other painters belonging to New Figuration comes from her experience, on the one hand Colorism (polish Postimpresionism), on the other hand – Abstraction, which led her to understand figures as a plastic sign, moving, full of color. In the second half of the Sixties we can find the inspiration of Francis Bacon's art in the paintings of Janusz Przybylski (1937-1998). Bacon in his compositions used spatial frame which was interpreted in different ways. It had been seen as a usual glass cage, confined the human being. The artist admitted that he uses this endeavour to expose a man in a better way. This solution became a kind of an artistic hook and it was taken by other artists. It spread so much that it became a kind of a manner. To avoid narration Bacon sometimes used a form of triptych. This was typically used by him and was imitated almost as often as placing people in a spatial frame. Both hooks were used by Przybylski, whose art in a different way fits in as a style of existentialism. The deformed human beings in the cages should show alienation and the drama of man. This aspect of polish artists' paintings more than others highlights connections with the English master's art. The polish painter of the Sixties and Seventies was not an artist who could be described as self-sufficient from what we can see by viewing their paintings and reading art critics. The reception of Bacon's painting we can also find in the art of a group from Cracow called “Wprost”, especially in the one of their member's art – Zbylut Grzywacz (1939-2004). Grzywacz confirmed that his interest in Bacon's art can be seen in his paintings created in the Seventies. The nature of these adaptations lay mainly in getting compositional solutions typical to Bacon and the original look of the deformed human being. However, the artist also underlined that used by him endeavours of body's deformation were connected with politics so they had a different context than in the work of Bacon. This highlights the large gap between English artists who's art concentrated on universal cases and the public art of the polish artist. Grzywacz painted with speed, carelessly, he just wanted to give us a short message, he didn't care about particular artistic problems. He wasn't a member of this group interested in Francis Bacon. Next to him we should remember Jacek Waltoś (born 1938). In his paintings we won't find such a direct connection with Bacon's art like as is the case with Grzywacz. Waltoś was fascinated by Bacon but he took from him just the ideas concerning problems of a painting's composition. This artist, contrary to other members of “Wprost” was mostly interested in the representation of emotional states, of what is inside the human being. Waltoś, a creator of existential art, feeling incomplete, the loneliness of human being, found in the Irish artist a kind of brother. There was also Wiesław Szamborski (born 1941) who was among the painters inspired by Bacon. In the first years after he finished his studies he exhibited often with Marek Sapetto (born 1939; until 1974). The art of both artists joins with Bacon's art color standardisation of painted surfaces and putting on them strongly deformed human beings. More painters were regarded as inspired by Bacon but there is not a description of their art in this article which is just an introductory reconnaissance of this problem. The image of a human being which was proposed by Francis Bacon turned out to be very interesting also for sculptors centred on existential reflection. The dramatically deformed face occurred to be the best medium to express people's anxieties, their feelings of emptiness and loneliness (Jacek Waltoś, Jan Kucz – born 1936, Wiktor Gajda – 1938, Adam Myjak – born 1947). The Eighties did not have such rich artistic material as can confirm a permanent fascination of Bacon's painting in Poland. It seems that in a world dominated by New Expressionism there is no place for it. Enough to say that the most interesting artist in dialogue with the English painter seems to be Grzegorz Bednarski (born 1954), consequently belonging to Figuration, connected with Cracow's environment. After his debut he moved to the area of existentialism. Nowadays Bacon's work is regarded as a classic. Artists quote his paintings in a conscious way (for example Marek Przybył, born 1961). Bacon happened to be a very popular artist in Poland in the Sixties and Seventies which corresponds with general trends in European art. At this time came after return to show a human being. It appeared New Figuration, antidote on the Abstraction, Conceptual Art and metavisual experiments of the Sixties. Bacon became the father to these new phenomena in art because he brought about a renewed artistic imagination and created a new image of the human being. Moreover, Bacon was regarded as a main representative of art identified with existential philosophy. This painting in a very good way expressed spirits of the time. It reflected Zeitgeist, that climate which was then best shown in the philosophy of existentialism. Bacon's reception in Poland had also local color. English artist's art was assimilated by polish painters, who were interested in politics, what was unfamiliar with Bacon who concentrated on universal problems. It seems that polish artists like thematic art, taking problems concerning a human being and his immediate environment, what constitutes the heritage of our history.
Źródło:
Roczniki Humanistyczne; 2009, 56-57, 4; 55-79
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Shoah in Contemporary Polish Fiction (after 1989)
Autorzy:
Żurek, Sławomir Jacek
Powiązania:
https://bibliotekanauki.pl/articles/28409119.pdf
Data publikacji:
2016
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Shoah
Contemporary Polish prose
Transgression
Metonymy
Pop-culture
History
Memory
Post-memory
Opis:
This article takes a look at contemporary Polish prose dealing with theme of the Shoah. “Contemporary”, in this case, means fiction published in the 1990s and after the year 2000, thus already in the twenty-first century. It therefore comprises the last twenty-five years. The fundamental categories used here in the analyses of texts, are the memory and post-memory of the Shoah. The authors who have published works over the last twenty five years have either been witnesses of these events (i.e. Children of the Holocaust), or – more often – representatives of the second or third generation after the Shoah. In this article, contemporary Polish fiction will be exemplified by the prose of Marek Bieńczyk, Piotr Szewc, Igor Ostachowicz, Mariusz Sieniewicz and Piotr Paziński. Analysis contains four categories which structure both the world represented and the form of the prose: transgression, pop-culture, history and metonymy.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 187-195
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Par-eikon: przypadek Ostatniej Wieczerzy
Par-eikon: the case of the Last Supper
Autorzy:
Zarychta, Anna
Powiązania:
https://bibliotekanauki.pl/articles/917968.pdf
Data publikacji:
2014-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Eikon
parody
irony
picture analysis
transtextuality
the evolution of aesthetic forms
visual metaphors
stimulus equivalence
difference and repetition
pop-culture
The Last Supper
David La Chapelle
Leonardo da Vinci
Jacopo Bassano
Opis:
The text is an attempt to analyze the evolution of aesthetic forms and motifs discussed on the example of the so-called “great figure” The Last Supper – the starting point for the analysis of the motif is the photography of David La Chapelle of the series: Jesus is my homeboy. Significant here is the context theory of parody by Linda Hutcheon – understood as a central point overview of contemporary art – a phenomenon combining fidelity to tradition and contemporary ideas of creative freedom, to express, among others, in need of confrontation with the ‘classic’ conventions – encroaching and deconstructive also in our contemporary pop-cultural processes of “image-consumption”. 
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 93-110
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Naród, gender, popkultura. Nacjonalistyczne konstrukcje płci i seksualności w popkulturowej odsłonie
Autorzy:
Zamojska, Eva
Powiązania:
https://bibliotekanauki.pl/articles/644903.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
nationalistic discourse
gender
sexuality
pop culture
Opis:
The paper is a short theoretical summary of relationships between the notions of nation, gender and sexuality in a nationalistic discourse. It is also an attempt at applying this knowledge for analyzing selected artifacts of pop culture. In the first part of the paper, theoretical and research findings on the constructs of gender and sexuality in a nationalistic discourse are presented. In the second part these findings are used for a discursive analysis of gender and sexuality constructs in selected songs / stage acts presented at the Eurovision Song Contest 2014 and a pastiche cover version of one of them.
Źródło:
Kultura-Społeczeństwo-Edukacja; 2017, 12, 2; 361-378
2300-0422
Pojawia się w:
Kultura-Społeczeństwo-Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tacky “Shakespeares” in Japan
Autorzy:
Yoshihara, Yukari
Powiązania:
https://bibliotekanauki.pl/articles/648194.pdf
Data publikacji:
2013-12-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
pop culture
Japan
consumerism
commodification
mass media
Opis:
There is no doubt that Shakespeare is “the flagship commodity” in the globalized cultural market. The fact that his works are being studied, performed, and admired, or, adapted and parodied almost all over the world, would surely testify that his works are great sources to be capitalized on (both culturally and materially) in the consumerist society in which we live. However, it could be also argued that the brand logo, “Shakespeare,” no longer holds such a privileged status, that it is merely one of numerous cultural artifacts that can be used and recycled, and that one of the few convenient things about “Shakespeare” is that it can be reproduced, copied, and parodied without the need for any royalty payments being made? Some popular, global, tacky “shakespeares” seek to destabilize the presupposed notion that “Shakespeare” is the dominant, central, hegemonic icon by juxtaposing “Shakespeare” with other artifacts, which are presumed to be of minimal capitalist and cultural value. This article attempts to illustrate how (in)significant or (un)influential Shakespeare, as a residual socio-cultural icon, can be. Tackyfying “Shakespeares” can, however, also be a means to proliferate the Bard. Japanese pop “Shakespeares,” proudly and assertively tacky, offer tributes to the great Bard.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2013, 10; 83-97
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga
Autorzy:
Yoshihara, Yukari
Powiązania:
https://bibliotekanauki.pl/articles/648144.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Pop culture
Japan
gender
cultural hierarchy
manga
animation
Opis:
In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film titled “Ophelia, not yet”. Ophelia, in this animation, survives, as she is a backstroke champion. This article will attempt to contextualize the complex negotiations, struggles and challenges between high culture and pop culture, between Western culture and Japanese culture, between authoritative cultural products and radicalized counterculture consumer products (such as animation), to argue that it would be more profitable to think of the relationships between highbrow/lowbrow, Western/non-Western, male versus female, heterosexual versus non-heterosexual, not simply in terms of dichotomies or domination/subordination, but in terms of reciprocal enrichment in a never-ending process of mutual metamorphoses.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2016, 14, 29; 107-122
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cosplay – znaczenie fenomenu w relacjach uczestniczek
Cosplay – the Significance of the Phenomenon in Female Participants’ Accounts
Autorzy:
Wrona, Daria
Powiązania:
https://bibliotekanauki.pl/articles/1070842.pdf
Data publikacji:
2020-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
cosplay
identity
youth
pop culture
Opis:
Cosplay is a poorly understood phenomenon related to popular culture. Currently, however, it is slowly attracting the interest of an increasing number of fields of science, such as sociology, psychology or pedagogy. The following article will present the theoretical foundations and research on the role of cosplay in the life of female cosplayers. Focusing on the subjects, I touched upon the issues of interpersonal interactions, interests and skills, social perception of cosplay, problems related to the preparation of costumes, and the impact of cosplay on identity development.
Źródło:
Studia Edukacyjne; 2020, 56; 385-399
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Funkcje realizmu w fantastyce dla młodego czytelnika
The functions of realism in fantastic novels for young readers
Autorzy:
Wróblewski, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1041890.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
fantastic
realism
myth
children’s literature
pop culture
Opis:
In the article the author examines fantastic novels by contemporary Polish writers (Andrzej Maleszka, Paweł Beręsowicz, Rafał Kosik and other) for young readers in a cultural context. In his essay he uses two well-known cultural categories “myth” and “magic” to his analysis of fantastic novels. According to the author, the myth and magic have two important functions in fantastic children’s literature. First, they lead young readers to knowledge about the world and depict different, complex phenomena of cultural dimension. Second, the myth and magic create a particular space (what “engulfs” young readers) of play and entertainment. Moreover, the myth and magic attract young readers to fabulous worlds including the elements of realistic literary convention. Thereby the writers increase their credibility among the youth. A “myth-magic” in the presented word of contemporary Polish fantastic novels assures balance between incredible entertainment represented by wizards, witches, dragons and the real world with characters having various digital devices within reach.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 28; 121-138
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Betrayal of Childhood in a Socio-Cultural Context
Autorzy:
Wróblewski, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/962251.pdf
Data publikacji:
2018
Wydawca:
Polskie Towarzystwo Ludoznawcze
Tematy:
childhood
adulthood
symulakrum
pop culture
capitalism
Opis:
In my article, I focus on the relationship between a child and adult in socio-cultural perspective in order to demonstrate how the representations of childhood are used by Polish authors of children’s literature in critical descriptions of war and other forms of violence. At first, I relate to the crucial moment in the European history in which there appeared a discourse of senility and youthfulness. Next, I present the main consequences of the “production” and “distribution” of images of childhood in pop culture. In the last part of my discussion, I analyse novels by Joanna Rudniańska, Jacek Dukaj, Grzegorz Gortat and Dorota Combrzyńska-Nogala, who, in their works about the Holocaust, the martial law in Poland and the war in Syria create the world in which young characters possess certain features belonging to the adult. My analyses demonstrate the sources of betrayal of childhood which appears in these novels like a sublime sign reflecting primarily adults’ fantasies about the child. As I show, this sign contains very few real issues referring to contemporary childhood.
Źródło:
Literatura Ludowa; 2018, 62, 3
2544-2872
0024-4708
Pojawia się w:
Literatura Ludowa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Heart of Arabs. Emirati Songs for Egypt
Сердце арабов. Эмиратские песни для Египта
Autorzy:
Wolny-Abouelwafa, Edyta
Powiązania:
https://bibliotekanauki.pl/articles/24988521.pdf
Data publikacji:
2023-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Egypt
United Arab Emirates
patriotic songs
love for Egypt
pop culture
amicable songs for Egypt
Hussain Al Jassmi
Arab unity
Египет
Объединенные Арабские Эмираты
любовь к Египту
поп-культура
дружеские песни о Египте
Хусейн АльДжассми
арабское единство
патриотические песни
Opis:
Creating patriotic songs in the Arab countries is very common. They can represent different types of music, can be connected to special occasions or be created without them, just from the ‘need a heart’. The author of the article has been doing research on contemporary Egyptian patriotic songs for years. On the basis of her results, she has decided to divide all the analysed songs into the those created by Egyptians for Egyptians and in addition created by other artists for Egypt and its citizens. The job of the latter she calls ‘patriotic songs’ as well and divided them into two main groups which are connected with the way they identify themselves. The article presents the results of the analysis of selected songs released by United Arab Emirates’ artists for Egypt. The article’s author’s goal was to check the songs’ topics and which one of the previously mentioned groups they represent. She also mentions the figure of Hussain Al Jassmi, the most popular, in recent years, Emirati singer creating patriotic songs for Egypt. She analysed the songs on the basis of the songs’ topics and combined it with the contemporary relations between United Arab Emirates and Egypt while mentioning their origins historically. All of this allowed her to reach the conclusions presented in the article.
Создание патриотических песен в арабских странах очень распространено. Они могут представлять разные стили музыки, могут быть связаны с особыми случаями или созданы без них, просто из «сердце нужно». Автор статьи на протяжении многих лет занимается исследованием современных египетских патриотических песен. На основании своих результатов она решила разделить все проанализированные песни на те, которые созданы египтянами для египтян, а также созданы другими исполнителями для Египта и его граждан. Работу последних она также называет «патриотическими песнями» и разделяет их на две основные группы, связанные с тем, как они себя идентифицируют. В статье представлены результаты анализа избранных песен, выпущенных артистами Объединенных Арабских Эмиратов для Египта. Целью автора статьи было проверить тематику песен и какую из ранее упомянутых групп они представляют. Она также упоминает фигуру Хусейна Аль-Джассми, самого популярного в последние годы эмиратского певца, создающего патриотические песни для Египта. Она проанализировала песни на основе их тем и объединила их с современными отношениями между Объединенными Арабскими Эмиратами и Египтом, упомянув при этом их историческое происхождение. Все это позволило ей прийти к выводам, представленным в статье.
Źródło:
Nowa Polityka Wschodnia; 2023, 2(37); 278-294
2084-3291
Pojawia się w:
Nowa Polityka Wschodnia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On the Role of Reverse Perspective in "Marylin Diptych" by Andy Warhol. An Attempt at a Semiotic Analysis
Autorzy:
Widota, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2076580.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
reverse perspective
pop art
Warhol Andy
semiotics
icon
odwrócona perspektywa
Warhol
semiotyka
ikona bizantyjska
Opis:
Marylin Diptych by Warhol consists of twenty-five brightly coloured pictures on the left and the twenty-five black and white ones on the right. Since Western cultures typically conceptualise space in terms of directional metaphors LEFT IS THE BEGINNING and RIGHT IS THE END, the common interpretation is that the colourful images represent Marylin’s life with the greyish ones corresponding to her death. One way of clearing some doubts concerning this interpretation of the work is to assume that the painter used reverse perspective, which he most probably knew from the art of the Byzantine icon.
Marylin Diptych autorstwa Andy’ego Warhola przedstawia pięćdziesiąt zdjęć Marylin Monroe – dwadzieścia pięć kolorowych umieszczonych po lewej stronie obrazu i dwadzieścia pięć czarno-białych, po prawej. Ponieważ kultury zachodnie konceptualizują przestrzeń za pomocą metafor kierunkowych LEWO JEST POCZĄTKIEM oraz PRAWO JEST KOŃCEM, powszechna interpretacja tego dzieła zakłada, że kolorowe obrazy przedstawiają życie Marylin, natomiast czarno-białe, symbolizują jej śmierć i popadnięcie w niepamięć. Niniejszy artykuł ma na celu wyjaśnienie szeregu wątpliwości dotyczących takiej interpretacji dzieła, przyjmując założenie, że Warhol zastosował odwróconą perspektywę, znaną mu najprawdopodobniej ze sztuki ikony bizantyjskiej, z którą miewał do czynienia za młodu.
Źródło:
Kwartalnik Neofilologiczny; 2018, 2; 301-311
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 130

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