Temat: polish-jewish identity; - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Nawrócenie jako temat poezji – droga Romana Brandstaettera do chrześcijaństwa
Conversion as a topic of poetry – Roman Brandstaetter’s path to Christianity
Autorzy:: Wasilewska, Magdalena
Powiązania:: https://bibliotekanauki.pl/articles/956377.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:: r. brandstaetter
conversion
polish-jewish identity
judaism
bible
Opis:: The article discusses the subject of conversion as a subject of poetry on the example of the work of Roman Brandstaetter. It focused on the post-war creativity of the author, who in 1946 officially abandoned Judaism, received baptism and became a Catholic. Focused on two aspects of conversion. First of all, these were the circumstances of life: the need to leave the country, problems related to the Polish-Jewish identity, death of parents, parting with the first wife. Secondly, these were issues related to the biblical experience of God, because reading the Bible had a great significance for the poet since the time of Polish studies. Confirmations of the issue are confirmed by quotes from works that are testimonies of changes taking place in the author’s life, making up a rich picture of his spiritual transformation.
Źródło:: Dydaktyka Polonistyczna; 2019, 5 (14); 25-34
2451-0939
Pojawia się w:: Dydaktyka Polonistyczna
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Przy sublokatorskim oknie. O Oknie na tamtą stronę Władysława Szlengla
At the subtenant’s window. About Władysław Szlengel’s poem The window to the other side
Autorzy:: Kilanowski, Piotr
Powiązania:: https://bibliotekanauki.pl/articles/1075534.pdf
Data publikacji:: 2021-05-31
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Władysław Szlengel;
polish-jewish identity;
Warsaw ghetto's poetry
tożsamość polsko-żydowska;
poezja getta warszawskiego
Opis:: Celem niniejszego artykułu jest przypomnienie postaci polsko-żydowskiego poety getta warszawskiego, Władysława Szlengla, i ukazanie jego złożonej tożsamości. Rozważając problem marginalnej obecności poety w kanonie kultury polskiej, podejmuję próbę ponownego odczytania jego wiersza Okno na tamtą stronę, sytuując go w kontekście wpływów romantycznych i innych współczesnych mu tekstów. Celem tej lektury jest pełniejsze zrozumienie tożsamości Szlengla jako reprezentanta polsko-żydowskiej inteligencji, jednego z pokolenia żydowskich Kolumbów boleśnie odczuwających swą marginalizację i odrzucenie w kulturze, którą uznawali za swoją. Ową samoświadomość, za Hanną Krall, określam mianem sublokatorskiej.
The aim of this article is to remind the figure of the Polish-Jewish poet of the Warsaw Ghetto, Władysław Szlengel, and to show his complex identity. Considering the problem of the poet's marginal presence in the canon of Polish culture, I attempt to reread his poem The window to the Other Side, situating him within the context of romantic influences and other contemporary texts. The purpose of the reading is to better understand the identity of Szlengel as a representative of the Polish-Jewish intelligentsia, one of the generation of Jewish Kolumbowie, who suffered because of their marginalization and rejection in the culture they considered their own. I refer to this self-awareness, following Hanna Krall, as subtenant's identity.
Źródło:: Polonistyka. Innowacje; 2021, 13; 21-42
2450-6435
Pojawia się w:: Polonistyka. Innowacje
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Between Homeland and Emigration. Tuwim’s Struggle for Identity
Autorzy:: Trepte, Hans-Christian
Powiązania:: https://bibliotekanauki.pl/articles/650003.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Julian Tuwim
Jewish-Polish identity
Polonität
exile
language
Opis:: Julian Tuwim belongs to the pantheon of the greatest Polish writes of the 20th century. His Polish-Jewish descent, his attitude towards the Polish language, towards Jews in Poland, his political activities as an emigrant as well as his controversial involvement with the communist Poland still fuel many critical discussions. Polish language and culture were for him much more important than the categories of nation or state. However, whereas for Polish nationalists and antisemites Tuwim remained “only” a Jew, Jewish nationalists considered him a traitor. It was in exile that his attitude towards his Jewish countrymen began to change, especially after he learnt about the horror of the Holocaust in occupied Poland. Thus, he began writing his famous, dramatic manifesto, We, the Polish Jews. After World War II, Tuwim came back to Poland, hoping to continue his prewar career as a celebrated poet. His manifold contributions to the development of the Polish language and literature, within the country and abroad, cannot be questioned, and the dilemmas concerning his cultural and ethnic identity only make him a more interesting writer. Julian Tuwim belongs to the pantheon of the greatest Polish writes of the 20th century. His Polish-Jewish descent, his attitude towards the Polish language, towards Jews in Poland, his political activities as an emigrant as well as his controversial involvement with the communist Poland still fuel many critical discussions. Polish language and culture were for him much more important than the categories of nation or state. However, whereas for Polish nationalists and antisemites Tuwim remained “only” a Jew, Jewish nationalists considered him a traitor. It was in exile that his attitude towards his Jewish countrymen began to change, especially after he learnt about the horror of the Holocaust in occupied Poland. Thus, he began writing his famous, dramatic manifesto, We, the Polish Jews. After World War II, Tuwim came back to Poland, hoping to continue his prewar career as a celebrated poet. His manifold contributions to the development of the Polish language and literature, within the country and abroad, cannot be questioned, and the dilemmas concerning his cultural and ethnic identity only make him a more interesting writer.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 36, 6
1505-9057
2353-1908
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Między ojczyzną i emigracją. Juliana Tuwima uwikłania (nie tylko) w tożsamość
Between Homeland and Emigration. Tuwim’s Struggle for Idenitity
Autorzy:: Trepte, Hans-Christian
Powiązania:: https://bibliotekanauki.pl/articles/967549.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Julian Tuwim
Jewish-Polish identity
Polonität
exile
language
Opis:: Julian Tuwim belongs to the pantheon of the greatest Polish writes of the 20th century. His Polish-Jewish descent, his attitude towards the Polish language, towards Jews in Poland, his political activities as an emigrant as well as his controversial involvement with the communist Poland still fuel many critical discussions. Polish language and culture were for him much more important than the categories of nation or state. However, whereas for Polish nationalists and antisemites Tuwim remained “only” a Jew, Jewish nationalists considered him a traitor. It was in exile that his attitude towards his Jewish countrymen began to change, especially after he learnt about the horror of the Holocaust in occupied Poland. Thus, he began writing his famous, dramatic manifesto, We, the Polish Jews. After World War II , Tuwim came back to Poland, hoping to continue his prewar career as a celebrated poet. His manifold contributions to the development of the Polish language and literature, within the country and abroad, cannot be questioned, and the dilemmas concerning his cultural and ethnic identity only make him a more interesting writer.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2014, 26, 4
1505-9057
2353-1908
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Ten chudy Schlechter
That Thin Schlechter
Autorzy:: Maleszyńska, Joanna
Powiązania:: https://bibliotekanauki.pl/articles/1533388.pdf
Data publikacji:: 2013-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: pre-war Polish song
cabaret
comedy
Polish pre-war film
popular culture
Lviv ghetto
Holocaust
Polish-Jewish artist identity
Opis:: The article relates the life and work of a pre-war author who is almost unknown by name, but very popular because of his work, an author of songs, cabaret sketches, and film scrips. He was born in a family of assimilated Jews from Lviv. He made a great contribution to Polish language, both literary and colloquial, by writing song lyrics with phrasings that have become fixed expressions used in communication of the simplest and most universal feelings. Schlechter became a victim of the Holocaust, and his artistic work, which focused on joy and the bright side of life, did not protect him physically and mentally from the Nazi death machine. He was killed in Lviv ghetto, probably in 1943.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 55-70
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Świecka tożsamość polskich Żydów jako żydowska tożsamość alternatywna
Autorzy:: Włodarczyk, Tamara
Powiązania:: https://bibliotekanauki.pl/articles/631147.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: POLISH JEWS
JEWISH IDENTITY
SECULAR IDENTITY
Opis:: The article discusses the issue of Jewish secular identity. Drawing on the studies of Irena Hurwic-Nowakowska, Konstanty Gebert and Heleny Datner, as well as own research, the author demonstrates the specific identity of a number of Polish Jews, whose notion of Jewish identity is not founded on religion but rooted in the broadly understood Jewish heritage.
Źródło:: Studia Europaea Gnesnensia; 2013, 8; 71-95
2082-5951
Pojawia się w:: Studia Europaea Gnesnensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: In the Interstices of Languages and Cultures. Julian Stryjkowski – a Polish Writer of Jewish Origin
Autorzy:: Piekarski, Ireneusz
Powiązania:: https://bibliotekanauki.pl/articles/508748.pdf
Data publikacji:: 2014
Wydawca:: Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:: Julian Stryjkowski
Jewish literature
Polish literature
Jewish identity
Polish Jews
Opis:: In the Interstices of Languages and Cultures. Julian Stryjkowski – a Polish Writer of Jewish OriginThe following sketch is a depiction of a prewar stage of life as well as work of Julian Stryjkowski who was a Polish writer of Jewish origin. Identity quandary of the author of Voices in the Dark was presented against the background of changes taking place in the Jewish world at the turn of the twentieth century juxtaposed with the parallel choices of Shmuel Josef Agnon and Isaac Bashevis Singer. The aim of the essay is to present the role of the language of writing in the process of shaping authors' personal identity.W szczelinach języków i kultur. Julian Stryjkowski - polski pisarz żydowskiego pochodzeniaJest to szkic o przedwojennym etapie życia i twórczości Juliana Stryjkowskiego - polskiego pisarza żydowskiego pochodzenia. Tożsamościowe rozterki twórcy Głosów w ciemności ukazane zostały na tle przemian modernizacyjnych postoświeceniowego żydostwa i zestawione z paralelnymi wyborami Szmuela Josefa Agnona i Izaaka Baszewisa Singera. Głównym celem artykułu jest ukazanie roli języka twórczości w kształtowaniu osobowej tożsamości pisarzy.
Źródło:: Colloquia Humanistica; 2014, 3
2081-6774
2392-2419
Pojawia się w:: Colloquia Humanistica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: „Braterstwo krwi”. Historia Stanisława Aronsona
„Brotherhood of Blood”. A History of Stanisław Aronson
Autorzy:: Ratajczak, Wiesław
Powiązania:: https://bibliotekanauki.pl/articles/1536076.pdf
Data publikacji:: 2013-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: war literature
identity
Polish-Jewish (and Jewish-Polish) relations
biography
military ethos
Opis:: Based on conversations with the hero, Patrycja Bukalska’s Rysiek z Kedywu. Niezwykłe losy Stanisława Aronsona [Rysiek from Kedyw. Incredible Tribulations of Stanisław Aronson], is an important contribution to the study of Polish-Jewish relations. This is because Aronson’s life is a unique combination of various elements of Polish and Jewish biographies in the 20th century. His life story includes: a happy childhood in a wealthy assimilated Jewish family, the nightmare of Soviet and German occupation, deaths of closest relations, participation in Armia Krajowa resistance movement and Warsaw Uprising, military service in general Anders’s corps, and then in Israeli army. Jew, Pole, Israeli: each of these identies demanded a different ordering and expression of memory, different omissions and declarations. With such an unusual and mixed experience, Aronson had a vantage point to look at the images that Poles, Jews, Holocaust survivors and citizens of newly created Israel, had of one another. Bukalska’s book can be read as a voice against generalizations, as a narrative about a concrete human life immersed in history, a narrative about individual choices, courage, and friendship.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 83-93
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Biografie polsko-żydowskie i żydowsko-polskie: rekonesans ponawiany
Polish-Jewish and Jewish-Polish Biographies: Repeated Reconnaissance
Autorzy:: Czyżak, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/1533579.pdf
Data publikacji:: 2013-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Polish-Jewish and Jewish-Polish biographies
postmemory
Holocaust
family histories
identity
testimony
Opis:: The article contains reflections on changes in biographical writing, especially biography of persons of heterogenous ethnic identity. The biographies are not only reconstructions of an individual’s life, but also a clear testimony and reflection of changes in collective consciousness. It turns out that biographies also discover, in a peculiar way, the author’s identity, who, in the process of selection and creation of a biographical text, reveals a part of their own history. This aspect is clearly seen in texts by second and third generation Holocaust survivors, and is demonstrated by interpretations of Magdalena Tulli’s Włoskie szpilki [Italian High Heels] and Piotr Paziński’s Pensjonat [Boarding house].
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 157-172
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Źle przemieszani
Wrongly Mixed
Autorzy:: Czapliński, Przemysław
Powiązania:: https://bibliotekanauki.pl/articles/1533580.pdf
Data publikacji:: 2013-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Polish-Jewish biographies
Jewish-Polish biographies
Holocaust
exclusion
postmemory
identity
identification
tabu
antisemitism
philosemitism
Opis:: The main statement of the article is that Polish-Jewish and Jewish-Polish biographies have an ambiguous ontological status. The status, which the article describes as spectral, is traced in Polish literature over the last twenty four years (from mid-80s till now). Three conventions have been identified, which, because of their openness to ontologically incomplete beings, are good expressions of complications of biography and identity. The conventions are romance, genealogy, and horror. The writers who use these conventions aim at representing a concrete Polish-Jewish or Jewish-Polish biography, but the phantasmatic quality of combination of what is Polish with what is Jewish leads to unreality of all elements of a novel. Consequently, not only Jewish characters and Jewish identity, but also Poles and Polish identity become phantasmatic.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 97-118
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

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