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Tytuł:
«смена поколений» в русской поэзии XIX и ХХ вв.: опыт сравнительного текстологического анализа
Generation change in Russian poetry of the 19th and 20th centuries: a case study in comparative textual analyses
Autorzy:
Kotin, Michaił L.
Powiązania:
https://bibliotekanauki.pl/articles/1374177.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
poetry discourse
form-content correlation in poetry
continuity and conflict of generations
axiological connotations
Opis:
The paper attempts to provide an analyses of poetically-encoded discourse about generation change in selected verses written by outstanding Russian poets of the 19th and 20th century – Pushkin, Zhukovsky, Baratynsky, Esenin and Mayakovsky, under a partial comparison with similar motives appearing by the German poet Goethe. The central problem is the axiological assessment of continuity vs. conflict of generations as well as the general confrontation with the “challenge of time”, both from existential and socially determined perspectives. The concepts of positive vs. negative connoted changes and the problem of their acceptability in the analysed verses are presented by means of a formal-semantic description with a special stress on language entities denoting the conceptual sphere of time and generation change.
Źródło:
Przegląd Wschodnioeuropejski; 2020, XI, 2; 395-418
2081-1128
Pojawia się w:
Przegląd Wschodnioeuropejski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Novyj publicističeskij stil
New publicistic style
Autorzy:
Severskaâ, Ol'ga I.
Powiązania:
https://bibliotekanauki.pl/articles/615229.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Opolski
Tematy:
social poetry
political discourse
publicistic style
discourse analysis
Opis:
The author discusses the so-called „civil poetry”, which is now closer to journalism and becomes part of the political discourse, becoming part of media. The poetry participates in political communication, reflecting the oppositional sentiment of society. The author demonstrates that poetic discourse approaches to the journalistic one by the set of ideologemes, the social evaluation, the author’s intention to change the perception and the worldview of the recipient, the strategies of persuasion and linguistic manipulation. Special attention is given to irony and citations as interpretive methods of formation of the evaluation, and to expression of subjectivity. The article concludes the convergence of poetic and political discursive practices. The research is based on the material of Russian socio-political poetry of the circle of the “New literary review”, fellonneau poetry of D. Bykov and L. Kaganov and German political poetry, published by the newspaper “Die Zeit”. Content analysis, linguistic analysis of the text and com- municative-cognitive analysis methods have been used.
Źródło:
Stylistyka; 2015, 24; 141-161
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Ten sam odwieczny wróg niebezpieczny.” The Universal Dimension of Tuwim’s Satire
Autorzy:
Sidoruk, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1032268.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Polish poetry
satire
satirical discourse
poetry
literary circulation
Opis:
In the article, the author analyses the satirical works by Julian Tuwim published in his poetic collections. By indicating the strong bonds between poetry and satire in the poet’s works, the author explains the phenomenon of the unwavering topicality of Tuwim’s satire having generalising ambitions. She has considered the poet’s masterful combination of the poetic perspective with the attitude of a satirist as a factor which enables the generalisation of the critical diagnosis. However, she argues that the universal dimension of his wide-scope satirical works is mainly determined by the poet’s worldview-based horizons, which constituted the point of reference for his critical evaluation of the existing social reality, which exposed the destructive influence of a community on an individual. She also stated that he was able to peer deep into the mentality of the mindless members of the “tyrannous community” by virtue of his distance towards himself, in turn being the result of his sense of the absurdity of his own existence.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2020, 9; 309-322
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wartościowanie poezji w Zarysie literatury polskiej z ostatnich lat szesnastu Piotra Chmielowskiego. Kilka punktów widzenia
Valuation of poetry in “Zarys literatury polskiej z ostatnich lat szesnastu” by Piotr Chmielowski. A handful of perspectives to consider
Autorzy:
Kowalczuk, Urszula
Powiązania:
https://bibliotekanauki.pl/articles/1534417.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poetry
evaluation
evaluative discourse
exclusion
suffering
Opis:
The article analyses the mode of establishing and recording the process of poetry valuation in Zarys literatury polskiej z ostatnich lat szesnastu [An outline of the literature of the last sixteen years] written by Piotr Chmielowski, as well as the textual strategies of the author that modeled the transformations in the discourse of the author. It is proved in the article that in the Chmielowski’s disquisitions the problem of evaluation is just as important as the evaluation as a problem. The evaluation of poetry conducted by the critic was an element of self-identification of the generation of ”young poets” that he himself represented, as well as a proof for their longing for grand poetry, discomfort resulting from lack of authority figures and difficulties in expressing one’s own or/and national suffering. The use of the so-called ”argument of poetry” has been recognized here as a distinctive feature of Chmielowski’s idiolect that serves to dynamize his critical writings.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 61-74
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‘Living in a house without mirrors’: Poetry’s Cachet and Student Engagement
Autorzy:
Xerri, Daniel
Powiązania:
https://bibliotekanauki.pl/articles/888905.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
poetry reading
crisis discourse
student engagement
teacher beliefs
poetry’s cachet
Opis:
This article examines the contentious proposition that poetry has for the past few decades been experiencing a crisis, especially when it comes to student engagement. By means of the results of a study conducted in an English as a second language context, it explores teachers’ and students’ beliefs, attitudes and practices in relation to poetry. This article shows that the very discourse used to talk about poetry is a direct reflection of how much cachet it is ascribed in the classroom. It questions whether this inflation of cachet is responsible for the fact that poetry is not perceived as a genre that teachers and students opt to read for personal pleasure.
Źródło:
Anglica. An International Journal of English Studies; 2016, 25/1; 271-286
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poésie et absence
Poetry and absence
Autorzy:
Litsardaki, Maria
Powiązania:
https://bibliotekanauki.pl/articles/483681.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
French poetry
poetic discourse
forms of absence
inspiration
Opis:
Considering poetry as a literary form in close relation with absence and scarcity; this paper deals with some of the most frequent and significant forms of absence that appear in poetic texts. The physical absence of the other, due either to death or to the distance between the two individuals, is the most common kind in lyric poetry. Modern poetry often deals with Gods’ absence, which represents an important loss for the contemporary human being, trying to understand or face it. There is also the lack of inspiration and words with efficient expressive capacity that make poets suffer. However, poetry is the only way in which they express their situation and create a meaningful language. Finally, absence in poetry is also a fundamental sign of its generic specificity in connection with the means that it uses, as well as with its printed representation on paper, especially in the contemporary production. In all cases, poetry, based on the dialectic of being – not being, operates as a material, sensible and intellectual presence, which like the primordial logos fillsthe vacuum, eliminates absence and scarcity, generates and animates the human world and en-riches it with presence and meaning.
Źródło:
Quêtes littéraires; 2012, 2; 162-172
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ancient Japanese Poetry in Early Medieval Poetic Discourse Appropriation of the Manyôshû in Selected Poems of Princess Shikishi
Autorzy:
Citko, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/599857.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
Princess Shikishi
Man'yōshū
medieval Japanese poetry
waka
poetic discourse
poetry appropriation
Opis:
The paper analyzes several poems by the Princess Shikishi (11491200) from the viewpoint of Manyôshû appropriation. Despite relative scarcity of allusions to Manyôshû, some features in her appropriation style are found in the poetry of other contemporary poets, e.g. frequent appropriation of volumes XXI and well-known Manyôshû lines, utilization of secondary sources rather than Manyôshû manuscripts, etc. This demonstrates complexity of channels through which Manyôshû was appropriated. Simultaneously, there are features of her Manyôshû appropriation that distinguished her from other contemporary poets, which evidences that Princess Shikishi was not only a participant in but also a significant contributor to early medieval poetic discourse.
Źródło:
Acta Asiatica Varsoviensia; 2014, 27; 55-83
0860-6102
Pojawia się w:
Acta Asiatica Varsoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Soldier Dolls, Little Adulteresses, Poor Scapegoats, Betraying Sisters and Perfect Meat”: The Gender of the Early Phase of the Troubles and the Politics of Punishments against Women in Contemporary Irish Poetry
Autorzy:
Ostalska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/641384.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
contemporary Irish poetry
gender discourse
the Troubles
Northern Ireland
Opis:
This paper examines the literary representation of the beginnings of the Northern Irish Troubles with regard to a gender variable (women’s roles and functions ascribed to them, mostly punitively, by men ), in the selected poems by Heaney, Durcan, Boland, Meehan and Morrissey. The reading of Heaney’s “Punishment” will attempt to focus not solely on the poem’s repeatedly criticized misogyny but on analyzing it in a broader, historical context of the North’s conflict. In Durcan’s case, his prominent nationalist descent or his declared contempt for any form of paramilitary terrorism (including the IRA) do not seem to prevent him entirely from immortalizing female victims of the Troubles. Boland’s attitude seems the most unequivocal: the clear aversion to the language of death and rendering Irish women’s experiences (and children’s) in this discourse. The article concludes with analysis of Meehan’s “Southern” guilt for the situation of Catholics in the North with the simultaneous critique of perpetrated violence and Morrissey’s complicated standpoint: atheist/neutral/Protestant/communist and her striving for the impossible impartiality in a war-ridden and politically divided country. Trying to avoid systemic victimization of Irish women, the paper intends to analyze the historical and political circumstances which made them more susceptible to various forms of attacks at the beginnings of the Troubles, as reflected in the titular labels.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 84-106
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Uparte trwanie baroku” w recepcji wierszy Stanisława Barańczaka
‘The Stubborn Persistence of the Baroque’ in the receptions of Stanisław Barańczak’s poems
Autorzy:
Lisak-Gębala, Dobrawa
Powiązania:
https://bibliotekanauki.pl/articles/1040901.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Barańczak Stanisław – reception
baroque
Polish 20th-century poetry
Polish 21st-century poetry
metaphysical poetry
Polish literary history
analysis of literary studies discourse
Opis:
The article focuses on the functioning of the term ‘baroque’ in the reception of Stanisław Barańczak’s poems. The author takes into account the context of fashion for returning to the legacy of the baroque which became visible after 1956 in both poetry itself and in the discourse of both literary criticism and literary studies.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2019, 36; 59-76
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Niezwykły użytek z życia i poezji. O Wisławie Szymborskiej
The unusual use of life and poetry. On Wisława Szymborska
Autorzy:
Galaverni, Roberto
Powiązania:
https://bibliotekanauki.pl/articles/1391663.pdf
Data publikacji:
2016-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Montale
Szymborska
poetry
existence
discourse
paradox
allegory
irony
poezja
egzystencja
dyskurs
paradoks
alegoria
ironia
Opis:
This article is of a comparative nature and attempts to contrast the poetic output of two Nobel prize-winners, i.e. Eugenio Montale and Wisława Szymborska. The author uncovers numerous similarities especially between Montale’s late works and Szymborska’s poetry. This is particularly visible on two planes, i.e. existential reflection and language, as well as poetic means. The Italian poet and Polish poetess focus on the individual presented as being under pressure from the modern world’s vast, impersonal forces, e.g. history, progress etc. They treat the traditional poetic means of expression with mistrust and instead favour the kind of language that is as clear as possible, subject to philosophical reflection, and infused with irony, allegory and paradox.
Źródło:
Przestrzenie Teorii; 2016, 26; 255-267
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
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