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    Wyświetlanie 1-6 z 6
    Tytuł:
    Grzyby, technokulturowe hybrydy i nieorganiczni nieludzie Ekologie spekulatywne w polskich sztukach performatywnych ostatnich lat
    Fungi, Technocultural Hybrids and Inorganic Nonhumans. Speculative Ecologies in Contemporary Performative Arts in Poland
    Autorzy:
    Chaberski, Mateusz
    Powiązania:
    https://bibliotekanauki.pl/articles/1815475.pdf
    Data publikacji:
    2021-04
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    ecology
    speculative gestures
    assemblage
    emergence
    performative arts
    Opis:
    This article analyzes selected “speculative gestures” (Debaise, Stengers) in contemporary Polish performative arts which stage speculative ecologies. Speculative ecologies are different ways of thinking about ecology, alternative to the modern concept of nature as inert matter separated from humans and bereft of all agency. The analysis aims to unravel some nonanthropocentric modes of distributing agency between humans and nonhumans and ways of knowing they posit. The article focuses specifically on selcted hybrid projects emerging from a fusion of artistic strategies, scientific protocols and new technology design. Examples discussed here demonstrate how the initiators of such projects at the intersection of nature, culture and technology perform three types of speculative ecologies: by staging polyphonic assemblages (Lowenhaupt-Ting) as contingent encounters between human and nonhuman lifeways, by questioning received notions of natural environment, and by registering the agency of abiotic existents as proper ecological actors.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2021, 162; 6-26
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Performing More-Than-Human Corporeal Connections in Kiki Smith’s Sculpture
    Autorzy:
    Stępień, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2032729.pdf
    Data publikacji:
    2021-11-22
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    performative arts
    more-than-human entanglements
    American art
    Kiki Smith
    Joseph Beuys
    Opis:
    The article examines work by contemporary American artist Kiki Smith, who proposes a future in which human and nonhuman bodily borders merge. The artist’s contribution to the more-than-human artistic entanglements is juxtaposed with Joseph Beuys’s artistic manifesto from 1974 which proposes, among other things, an attempt to get outside of the represented human towards the asignified ahuman. In Kiki’s sculpture, both human and nonhuman animals undergo constant morphogenesis, becoming hybrid forms far beyond the human-social paradigm, implying that the human and nonhuman binary, due to the exchange of affective entanglements, is no longer valid in the heyday of techno-scientific development. The analyzed work shows that both human and nonhuman bodies are raw materials not separated from one another but always interconnected with the world and its ongoing material processes. Thus, the article emphasizes that it is only through the transgression of the human and nonhuman border that one can acknowledge the more ethical and political ways of cooperation needed for the appreciation of the multispecies dimension of our world and its survival.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2021, 11; 225-239
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Theatre as Contagion: Making Sense of Communication in Performative Arts
    Autorzy:
    Sugiera, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/641687.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    contagion as communicable disease
    epidemic as metaphor
    the tipping point
    mimesis
    participation in performative arts
    Opis:
    Contagion is more than an epidemiological fact. The medical usage of the term is no more and no less metaphorical than in the entire history of explanations of how beliefs circulate in social interactions. The circulation of such communicable diseases and the circulation of ideas are both material and experiential. Diseases and ideas expose the power and danger of bodies in contact, as well as the fragility and tenacity of social bonds. In the case of the theatre, various tropes of contagion are to be found in both the fictional world on the stage (at least since Sophocles’ Oedipus Rex) and in many theories defining the rules of interaction between theatre audiences, fictitious characters and/or performers. In consequence, the historically changing concept of contagion has in many respects influenced how mimesis was conceived and understood. The main goal of my article is to demonstrate how the concept of contagion has changed over the last few decades and how it may influence our understanding of the idea of mimesis and participation in performative arts. This will be achieved in two steps. Firstly, I will compare the concept of contagion as the outbreak narrative that had influenced, among others, Antonin Artaud’s The Theater and the Plague with the more recent and dynamic concept of epidemic structured around the tipping point. Secondly, I will look for performative art forms with similar structure of audience responses, analyzing Mariano Pensotti’s project Sometimes I Think, I Can See You (2010), in order to demonstrate new forms of performativity and (re)presentation.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2017, 7; 291-304
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Splątane światy literatury i filmu
    The Entangled Worlds of Literature and Film
    Autorzy:
    Krajewska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1039036.pdf
    Data publikacji:
    2019-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    film
    literature
    dramaturgy
    entangled arts
    performative humanities
    Opis:
    Krajewska Anna, Splątane światy literatury i filmu [The Entangled Worlds of Literature and Film]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 7–12. ISSN 1644-6763. DOI 10.14746/pt.2019.32.0. In view of the relations between literature and film, the article contains suggestions for ways to use performative approaches, which preclude concepts of adaptation, in favour of processes defining actions involving the entanglement of the arts.
    Źródło:
    Przestrzenie Teorii; 2019, 32; 7-14
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A Biographic Researcher in Pursuit of an Aesthetic: The use of arts-based (re)presentations in “performative” dissemination of life stories
    Autorzy:
    Jones, Kip
    Powiązania:
    https://bibliotekanauki.pl/articles/2138910.pdf
    Data publikacji:
    2006-04-29
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    biographic narrative research
    arts-based (re)presentation
    relational aesthetics
    social constructionism
    “performative” social science
    Opis:
    The (re)presentation of biographic narrative research benefits greatly from embracing the art of its craft. This requires a renewed interest in an aesthetic of storytelling. Where do we find an aesthetic in which to base our new “performative” social science? The 20th Century was not kind to 18th Century notions of what truth and beauty mean. The terms need to be re-examined from a local, quotidian vantage point, with concepts such as “aesthetic judgment” located within community. Social Constructionism asks us to participate in alterior systems of belief and value. The principles of Nicolas Bourriaud’s Relational Aesthetics offer one possible set of convictions for further exploration. Relational Art is located in human interactions and their social contexts. Central to it are inter-subjectivity, being-together, the encounter and the collective elaboration of meaning, based in models of sociability, meetings, events, collaborations, games, festivals and places of conviviality. Bourriaud believes that Art is made of the same material as social exchanges. If social exchanges are the same as Art, how can we portray them? One place to start is in our (re)presentations of narrative stories, through publications, presentations and performances. Arts-based (re)presentation in knowledge diffusion in the post-modern era is explored as one theoretical grounding for thinking across epistemologies and supporting inter-disciplinary efforts. An example from my own published narrative biography work is described, adding credence to the concept of the research report/presentation as a “dynamic vehicle”, pointing to ways in which biographic sociology can benefit from work outside sociology and, in turn, identifying areas of possible collaboration with the narrator in producing “performances” within published texts themselves.
    Źródło:
    Qualitative Sociology Review; 2006, 2, 1; 66-85
    1733-8077
    Pojawia się w:
    Qualitative Sociology Review
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ekspresyjny wymiar sztuk walki
    Autorzy:
    J, Cynarski, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/891264.pdf
    Data publikacji:
    2018-08-20
    Wydawca:
    Wyższa Szkoła Bezpieczeństwa Publicznego i Indywidualnego Apeiron w Krakowie
    Tematy:
    martial arts
    theatre
    chain of connections
    record of the movement
    archetype
    ritual of movement
    self-expression
    performative phenomenon
    Opis:
    The author presents the mythical and archetypical roots common for martial arts and theatre. He also describes Far-Eastern rituals and theatre, the film of martial arts, the relations of martial arts with dance, as well as aesthetical and meta-aesthetical relations. He writes about knowledge encoded in movement, in the forms of martial arts. These forms are close to theatrical performance. The record of the technical fighting movement (Jap. kata), passed on in unchanged form through centuries, makes the one who exercises the martial arts almost an actor. It is known otherwise, that everyone executes, a given form differently adding elements of his own personality to it. The article contains the reflection based on the humanistic theory of Far-Eastern martial arts and many years author’s experience in training practice. The Chinese, Japanese or Korean martial arts transfer in form of the “kata” the technical and tactical knowledge of the former masters, experience from performed fights, but also a large load of cultural and symbolic knowledge which hides in names the gestures and spiritual dimension of its practice. Similarly to the theatre, Far-Eastern martial arts originate from (or they reflect strong connection with) magic and religious rituals, what can be observed on the example of sumō wrestling. It is possible to formulate here the chain of connections: magic – ritual – dance – theatre, and, further – the cinema and film.
    Źródło:
    Kultura Bezpieczeństwa. Nauka – Praktyka – Refleksje; 2015, 17; 21-39
    2299-4033
    Pojawia się w:
    Kultura Bezpieczeństwa. Nauka – Praktyka – Refleksje
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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