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    Wyświetlanie 1-7 z 7
    Tytuł:
    U źródeł romantycznej elegii — Elegia napisana na cmentarzu wiejskim Thomasa Graya
    Addressing the underlying issues of Romantic elegy — Thomas Gray’s Elegy written in a country churchyard
    Autorzy:
    Śniedziewski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/1534741.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Thomas Gray
    elegy
    melancholy
    pastoral poetry
    funeral art
    friendship
    epitaph
    Opis:
    From the beginning of his literary career, Thomas Gray consciously and consistently created a lyric with a poetic effect quite of its own in which a personal element (death of a friend) kept on vanishing, toposes and literary allusions overlapped (e.g. images of melancholy inspired by works of John Milton and Thomas Warton) and in which bitter philosophical reflection on life and death mounted in time. It is this reflection that predestined the groundbreaking character of Elegy written in a country churchyard and determined its popularity in English literature and beyond. The interpretation of space, the reflection on the subjectivity and the role of the epitaph (constituting at the same time a structural part of Elegy..., as well as the funeral genre that is thematically related to the Gray’s poem) have made it possible to show the poem written in mid-eighteenth century as a substantial reference point for Romantic authors transforming the genre.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 83-102
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sic undique fulgor percussit. Ekfraza w VII eklodze Kalpurniusza Sykulusa
    Sic undique fulgor percussit. Ekphrasis in Eclogue VII by Calpurnius Siculus
    Autorzy:
    Gryksa, Edyta
    Powiązania:
    https://bibliotekanauki.pl/articles/52405148.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Kalpurniusz Sykulus
    poezja pasterska
    ekfraza
    rzymski amfiteatr
    Calpurnius Siculus
    pastoral poetry
    ekphrasis
    Roman amphitheatre
    Opis:
    The aim of the article is to propose a new Polish translation of the ekphrastic passage of the VII Eclogue (vv. 23-72) by Calpurnius Siculus. It will be preceded by a short commentary, in which special emphasis will be placed on the means of artistic expression used by the poet. The 50-line ekphrastic passage is a story told by Corydon, who recalls his visit to Rome. It is the longest description of this type preserved in pastoral poetry. A shepherd, who wants to leave the countryside and go to the city to start a real literary career there, describes with delight the breathtaking amphitheatre. He is impressed by the splendour, rich ornamentation, as well as the animals exhibited in the arena. In addition to hares, horned boars, elk and bulls, Corydon could also admire sea monsters. All of them fit in with the tradition of locus horridus, which is in opposition to the topos of loci amoeni, i.e. an idyllic, safe place away from the hustle and bustle of the city (topos, which is well known from bucolic poetry).
    Źródło:
    Collectanea Philologica; 2023, 26; 139-149
    1733-0319
    2353-0901
    Pojawia się w:
    Collectanea Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mistyczne żywioły i kosmogoniczny pejzaż w Silviludiach Mario Bettiniego w adaptacji poetyckiej Macieja Kazimierza Sarbiewskiego
    The mystic elements and cosmogonic landscape in The Silviludia by Mario Bettini in Maciej Kazimierz Sarbiewski’s poetic adaptation
    Autorzy:
    Ożóg-Winiarska, Zofia
    Powiązania:
    https://bibliotekanauki.pl/articles/956971.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    elements
    silviludia
    sarbiewski
    bettini
    pastoral drama
    poetic cycle
    polish-latin poetry
    Opis:
    This article attempts to reinterpret the symbolist character of the adapted poetic cycle of M.K. Sarbiewski – Sylviludia dithyrambica (written 1637, published 1757) – and its relationship to the original work of Mario Bettini – Ludovicus, tragicum sylviludium (1612, published 1622). The new interpretation has given up the absolute method based on philological study and versification hitherto applied to explain the relationships between these two literary works, and consequently has rejected the conclusion which says that the work written by the Polish author is entirely repetitive, can be even considered a sort of plagiarism. This article has adopted anthropological and intertextual perspective to discuss the parallels between the two texts, their contexts, and aesthetic and ideological functions. It provides a wider range of possible interpretations of the genesis and semiotics of the Polish work. The author reveals cultural links between the Italian work adapted to Polish conditions and the European tradition woven around the Christian-national ethos of Europe and the idea of the king who takes up the ethos and constitutes its law and values on the territories under his control. In this historical and mythical space, the figure of ruler – in the Polish version King Vladislav IV – enters into relations of the cosmic harmony of beings and elements spinning around him. This approach brings poetic conceptualization and spiritualization of the visions of the nature of monistic qualities, and sacralization of the nature in the motherland and its territorial concretization. In this light, the Polish adaptation provides the affirmation and aestheticization of North-Eastern outskirts of Poland which adopted by Polish romantic poets (Adam Mickiewicz) became one of the models of poetry of the North – Lithuanian lakes, rivers and forests.
    Źródło:
    Dydaktyka Polonistyczna; 2018, 4 (13); 25-35
    2451-0939
    Pojawia się w:
    Dydaktyka Polonistyczna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pastoralizm wobec wojny w Tęczy oraz Zakochanych kobietach D.H. Lawrence’a
    Pastoralism and the War in The Rainbow and Women in Love by D.H. Lawrence
    Autorzy:
    Wojciechowska, Sylwia
    Powiązania:
    https://bibliotekanauki.pl/articles/2033903.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    The Great War
    (pseudo)pastoralism
    Georgian poetry
    pastoral mode
    pastoral convention
    Wielka Wojna
    (pseudo)pastoralizm
    poezja georgiańska
    tryb pastoralny
    sielanka
    Opis:
    Dla literatury i kultury brytyjskiej Wielka Wojna stanowi cezurę, wyraźnie oddzilając czasy pokoju i stabilizacji wiktoriańskiej i edwardiańskiej od niepewności wpisanej w wojenną i powojenną rzeczywistość. Stanowczy zwrot w obrazowaniu uwidocznia się na wielu płaszczyznach, również w nagłym zwrocie ku twórczości o charakterze (pseudo)pastoralnym. Przedmiotem niniejszego artykułu jest analiza dwóch powieści D.H. Lawrence’a, Tęcza (1915) oraz Zakochane kobiety (1920), dokonywana w świetle konwencji sielankowej. Celem podjętych rozważań jest próba udzielenia odpowiedzi na pytanie, czy i w jakim stopniu wojenna rzeczywistość oraz osobiste doświadczenia autora mają wpływ na kształt pastoralizmu w obu powieściach.
    The Great War is a watershed moment in the history of British literature and culture; the pre-WWI period denotes the time of late-Victorian and Edwardian stability whereas the second decade of the twentieth century means instability and uncertainty reaching far beyond the limits of the world of art. The tumult becomes discernible in numerous areas, and in the first place, in a sudden re-awakening of interest in (pseudo)pastoral literature. The article examines two novels by D.H. Lawrence, The Rainbow (1915) and Women in Love (1920), in terms of their endorsement of the pastoral mode. The major question is to what extent the war-time reality influenced the imagery and the application of the well-known pastoral topoi in the literary works under examination.
    Źródło:
    Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2021, 10; 217-230
    2299-7458
    2449-8386
    Pojawia się w:
    Czytanie Literatury. Łódzkie Studia Literaturoznawcze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obraz pasterzy w staropolskich kolędach i pastorałkach (na materiale tzw. „Kantyczek karmelitańskich” z XVII i XVIII wieku)
    Autorzy:
    Borejszo, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/776810.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    literature
    the Enlightenment
    religious lyric poetry
    song
    Christmas carol
    pastoral Christmas carol
    religion
    Christmas
    Opis:
    The image of shepherds in old Polish Christmas carols and pastoral Christmas carols (based on the material provided by the so-called Carmelite Canticles “Kantyczki karmelitańskie” from the 17th and the 18th centuries) Summary The article discusses the images of shepherds, that have come to be identified with Christmas, as they were created in Christmas carol songs written by Polish authors through the seventeenth and the eighteenth centuries. The study covers 358 songs included in the so-called “Kantyczki karmelitańskie” (Carmelitan Canticles) compiled and written down in the eighteenth century (presumably from the 1720s to the end of the century) for the use of the Cracow-based Carmelite nuns. In 1980, the collection of songs was published by Barbara Krzyżaniak (see Kantyczki karmelitańskie. Rękopis z XVIII wieku, przygotowała do wydania B. Krzyżaniak, Kraków 1980, 419). A thorough analysis of the collection has made it possible to identify that a large portion of the Christmas carols that introduce the pastoral thread make up for the bulk of the manuscript under scrutiny (about 46 per cent of the texts). These are original songs, deeply embedded in Old Polish social and natural reality (with mainly pastoral and rustic setting), and thus easily reaching a wide audience of the time. The image of shepherds reconstructed on the basis of the works in the collection includes such elements as: 1) Christian names, surnames (patronymics), and nicknames of shepherds (in all, more than 140 anthroponyms, included in the appendix); 2) characteristic physical and psychological features attributed to particular members of the community of shepherds; 3) the set of social rules governing the relations within the group; 4) particular distinctive and characteristic elements of represented world in which the community operated (e.g. shepherd’s attires, home utensils and equipment to be used for agricultural production, food and dairy products, farm animals and musical instruments). The author claims that the informative nature of the texts clearly indicates that the image of shepherds preserved in Christmas carols had been succumbed to a far-reaching Polonisation process. The settings for the Christmas carol songs were thus purposefully and consistently embedded in Polish local and authentic reality, which undoubtedly gave them mass appeal to people across a wide spectrum of social sectors. Keywords: literature, the Enlightenment, religious lyric poetry, song, Christmas carol, pastoral Christmas carol, religion, Christmas
    Źródło:
    Slavia Occidentalis; 2012, 69; 23-44
    0081-0002
    Pojawia się w:
    Slavia Occidentalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nostalgiczna podróż Petra Zoranicia po „mapie wspomnień”
    Autorzy:
    Antonina, Divna Mrdeža
    Powiązania:
    https://bibliotekanauki.pl/articles/776764.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Petar Zoranić
    pastoral novel
    Mountains (Planine)
    anti-Ottoman Croatian literature
    earl modern period
    humanistic debates
    epistemological value of poetry
    Opis:
    Zoranić built the problem of geopolitical and real time and space in his highly complex literary work through the use of genre. The work is constructed based on of Sannazzaro’s Arcadia, inspired by Ovid’s Metamorphosesand Dante’s Inferno, with an epistemological framework dedicated to Matijević and written according to the style and philosophy of Petrarch and the national folklore of love poems. In addition, the importance of literaturein an existentially threatened community is strictly related to the dichotomy of the epistemology of the appraisal of poetry as present from the pre-Platonic epoch to Zoranić’s humanistic debates. Zoranić speaks in favour of the poet as a medium of God (poeta theologus). Just like his models (especially Petrarch and Dante as supporters of studia humanitatis) he relies on church authorities (Saint Jerome, Augustine, Cassiodorus and Saint Isidore of Seville). Therefore, the author manages to capture in this poetical and cultural context the personal issues presented in literature (in Petrarch’s pastoral themes) as well as community-related issues (paradise and an existentially threatened community). As a result of a journey through shepherds’ retreats, the area of deželji that is at the same time Arcadia, theAvenue des Champs-Élysées and Paradise Lost, transforms into a wasteland. The destroyed cities and strongholds along the Krka canyon (the locus horridus as a symbol of the seized bašćina [ fatherland]), down the river Krkafrom its source to the mouth (catharsis/ re-birth) are symbols of the young poet’s turning from personal literature (lyrical poetry) to serious anti-Ottoman literature, aimed at saving literature’s identity as well as the bašćinian.The description of the deserted land – a symbol of a historical martyr place – is a message about the community’s role as sacrificial lamb. The return to Nin (the pseudo-mythological oldest town in the bašćina) brings the search to an end, but as a return to the starting point of the individual and the community. Zoranić introduces an allegory to the end of Mountains (Planine): the farewell at the beautiful Jela’s grave in his native Nin is a literary farewell to Petrarch’s Donna, notwithstanding whether it is a girl or the poet’s mother.The author’s decision to deal with national issues is reflected in the shift from Jela’s grave to the celebration of the famous bašćinianina [grave] of Juraj Divnić.
    Źródło:
    Slavia Occidentalis; 2015, 72/2; 157-177
    0081-0002
    Pojawia się w:
    Slavia Occidentalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Spruce in the Culture of the Podhale Shepherds
    Rola świerka w kulturze pasterskiej Podhalan
    Autorzy:
    Geneja-Pietrzak, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1038777.pdf
    Data publikacji:
    2019
    Wydawca:
    Akademia Ignatianum w Krakowie
    Tematy:
    kult
    drzewo
    świerk
    magia
    Wołosi
    kultura pasterska
    literatura
    poezja
    sacred tree
    spruce
    magic
    Vlachs
    pastoral culture
    literature
    poetry
    Opis:
    In this article I tackle the issue of the worship of spruce trees in the culture of the shepherds in Podhale, a region in southern Poland. This is an issue related to the particular significance of the spruce. It has played a great role in the culture of the whole Podhale region, and es-pecially in the pastoral culture of this area. The spruce was elevated to the rank of a symbol of good luck, prosperity and well‑being. All ac-tivities carried out in the work of shepherds were connected with the ceremonial treatment of spruce trees. It should be noted that these ac-tivities were religiously and magically motivated, as spruce twigs were blessed in the church beforehand. However, this does not change the fact that the rituals were magical. An example would be the custom according to which shepherds would pin spruce or fir twigs to their hats, believing that this would keep them and their sheep were safe. Nowadays, shepherding culture enjoys great interest among research-ers, as well as among Polish and even foreign communities, who apply for participation in shepherding courses organized today. The magic associated with pastoral culture was also reflected in Polish litera-ture and dialect poetry. Readers can refer to the works of such poets and writers as: Seweryn Goszczyński, Kazimierz Przerwa‑Tetmajer, Władysław Orkan, and Stanisław Witkiewicz or dialect poets Wanda Szado‑Kudasi kowa and Roman Dzioboń.
    W zaproponowanym przeze mnie artykule zajmuję się zagadnieniem kultu świerka w kulturze pasterzy na Podhalu, regionie w Polsce Połu-dniowej. Jest to temat związany ze szczególnym znaczeniem drzewa, jakim jest świerk. Odegrał on na całym Podhalu, a zwłaszcza w kultu-rze pasterskiej tego obszaru ogromną rolę. Został wyniesiony do rangi symbolu szczęścia, pomyślności i dobrobytu. Wszelkie czynności wy-konywane w pracy pasterzy związane były z uroczystym traktowaniem świerka. Należy zaznaczyć, iż czynności te miały religijno‑magiczne motywacje, bowiem gałązki świerka poświęcone były wcześniej w koś-ciele. Nie zmienia to jednak faktu, iż późniejsze rytuały miały charakter magiczny. Przykładem będzie choćby zwyczaj, zgodnie z którym paste-rze przypinali gałązki świerka bądź jodły do kapelusza, wierząc, że im samym oraz owcom nic nie zagraża. Współcześnie kultura pasterska cieszy się ogromnym zainteresowaniem wśród badaczy naukowych za-równo z Polski, jak i z zagranicy, którzy zgłaszają swoje uczestnictwo w organizowanych dzisiaj kursach bacowskich. Magia związana z kul-turą pasterską znalazła swoje odbicie również w literaturze polskiej oraz poezji gwarowej. Czytelnicy mogą sięgnąć po dzieła takich auto-rów jak Seweryn Goszczyński, Kazimierz Przerwa ‑Tetmajer, Włady-sław Orkan, Stanisław Witkiewicz oraz po dzieła twórców poezji gwa-rowej: Wandy Szado‑Kudasikowej, Romana Dziobonia.
    Źródło:
    Perspektywy Kultury; 2019, 27, 4; 201-218
    2081-1446
    2719-8014
    Pojawia się w:
    Perspektywy Kultury
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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