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    Wyświetlanie 1-5 z 5
    Tytuł:
    Brzozowski i Żuławski – dwa poetyckie spojrzenia na Księgę Hioba
    Brzozowski and Żuławski – Two Poetic Perspectives on the Book Of Job
    Autorzy:
    Nowak, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/1892153.pdf
    Data publikacji:
    2013
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Karol Brzozowski
    Jerzy Żuławski
    Księga Hioba
    parafraza
    translatoryka biblijna
    Book of Job
    paraphrase
    Bible translation
    Opis:
    This paper discusses parallel fragments of the two poetic paraphrases of the biblical Book of Job by Karol Brzozowski and Jerzy Żuławski. The analysis leads to the conclusion that the main idea of Job’s argument is handled in a very loyal and faithful manner by both translators. However, both translations differ in obvious ways. Both poets are looking for their own mode of expression – without rejecting the language of the denominational traditions they represent. As a Protestant, Brzozowski stays close to the Radziwiłł Bible, while Żuławski makes references to the Catholic Bible by Wujek. The translations differ considerably in terms of stylistic solutions adopted by the two translators. While Brzozowski attempts to make the text more poetic, universal and up-to-date, Żuławski resorts to archaisation. Both translators introduce substandard lexical items into their texts, which is owing to their own poetic interests.
    Źródło:
    Roczniki Humanistyczne; 2013, 61, 6; 165-186
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Varietas metryczna poetyckiej parafrazy Psałterza Caspara Cunradusa
    Variety of Metres in the Psalm Paraphrase of Caspar Cunradus
    Autorzy:
    Modlińska-Piekarz, Angelika
    Powiązania:
    https://bibliotekanauki.pl/articles/1929088.pdf
    Data publikacji:
    2012
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Caspar Cunradus
    poeta śląski
    Psałterz
    parafraza psalmów
    poezja biblijna
    poezja kunsztowna
    miary wierszowe
    metrum
    metryka
    Silesian poet
    Psalter
    Psalm paraphrase
    biblical poetry
    artistic poetry
    metrical measures
    metre
    metrics
    Opis:
    The author discussed the matter of metre of the Psalm Paraphrase of Caspar Cunradus (1571-1633) from Vratislavia, who belongs to the most popular and highly regarded exponents of Silesian humanist at the turn of the 16th and 17th centuries. Cunradus’ Psalter is a good example of the metrical variety of poetry, which is characterized by using many different metrical measures in the one work. Cunradus used in his Psalter 48 kinds of verses composed in 149 various metrically strophes. His metrical fancies we direct at variety of iambic metres, most frequent are: iambic dimeter catalectic, acatalectic and hipercatalectic. Iambic trimeter also is used by him very often, in a version catalectic, acatalectic and even hipercatalectic. From trochaic measures very frequent are trochaic dimeter catalectic and acatalectic, rare is trochaic trimeter catalectic. From dactylic measures he chooses eagerly Adonian verse, dactylic tripody catalectic (hemiepes) and acatalectic, dimeter catalectic and acatalectic, pentapody (or Greek pantameter), hexameter, rarely elegiac pentameter. Very popular are also Aeolic measures like Sapphic, Alcaic and Phalaecean hendecasyllable. The most often used are pure choriambs, especially glyconic, pherecratean, minor and greater Asclepiad verse. Cunradus also applies mixed dactylic and trochaic metres, named logaedic metres, for example an Aristophan metre, dactylic logaedic pentameter and heptameter, named Archilochian verse and greater Archilochian verse, rarely uses anapests and measures from a minore ionics and galliambic hexameter. Even bigger variety was created thanks to huge number and kinds of metrical orders, which were created from connecting different kinds of mentioned verses and composing them into strophes. He divided strophes according to number of lines in the stanza: two-line strophes (or distichs), three-line strophes (tristichs), four-line strophes (tetrastichs), five-line strophes (pentastichs) and six-line strophes (sexastichs). Each of them come under further distinction according to number of used measures in the strophe: the strophe consisted of one kind of metre (monocolos), the strophe consisted of two kind of metre (dicolos), the strophe consisted of three kind of metre (tricolos), the strophe consisted of four kind of metre (tetracolos). Silesian poet created in this way many new metrical combinations. Only several times on a hundred and fifty Psalms he repeated the same metrical system. Undoubtedly the size of this literary enterprise and his scale must be admired. His Psalm Paraphrase was geared towards a display of erudite skills and a great knowledge of a Latin metrics and a prosody.
    Źródło:
    Roczniki Humanistyczne; 2012, 60, 3; 117-151
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Staropolska Ars legendi Biblii. Historia o Heliaszu proroku (1572) – metoda pracy poety nad parafrazą
    Autorzy:
    Krzysztofik, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/690256.pdf
    Data publikacji:
    2018
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Bible in the Renaissance, biblical paraphrase, the prophet Elijah
    parafraza biblijna, Biblia w renesansie, prorok Eliasz
    Opis:
    The article is devoted to characteristics of the method of paraphrasing biblical text found in the anonymous Historia o Heliaszu proroku from the Third Book of Kings (1572). I discuss the composition of the text, its elements of cultural adaptation and to what extent the religious romance is faithful to the canonical pattern. The comparison of paraphrases with the relevant passages of the Bible makes it clear that the poet was focused on an interesting story with fast-changing action. Therefore, he shortened or skipped those Bible episodes loosely related to the history of Elijah, as well as descriptive and information-reporting fragments. He made cultural adaptations, but he was inconsistent in these. The author worked hard to maintain a similarity with The Scriptures. He expanded the meaning of the Bible verse by inserting various functions (prosodic, commenting, explaining, characterizing, evaluating), without fundamentally changing the meaning of the original text. He did not allude to his contemporary times, events nor characters. He did not interpret the Old Testament in a New Testament context. He did not add prayers and did not supplement the text with marginal remarks. The poetic beauty of the paraphrases was of secondary value; the didactic and moralizing tone of the work was the most important for the author.
    Źródło:
    Prace Polonistyczne; 2018, 73; 159-177
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Desine gentilibus iam inservire poetis…” (versus XI 9). Chrześcijańscy epicy w bibliotece Izydora z Sewilli
    „Desine gentilibus iam inservire poetis…” (versus XI 9). Christian epics in the Isidore’s of Seville library
    Autorzy:
    Krynicka, Tatiana
    Powiązania:
    https://bibliotekanauki.pl/articles/613407.pdf
    Data publikacji:
    2013
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Izydor z Sewilli
    starożytna łacińska poezja chrześcijańska
    chrześcijańscy epicy
    centon
    parafraza biblijna
    Isidore of Seville
    ancient Latin Christian poetry
    Christian epics
    biblical paraphrase
    Opis:
    Isidore of Seville (560-636) is rightly considered to be one of the most important teachers of the medieval Europe. He wrote numerous didactic works on catholic doctrine, biblical exegesis, history, grammar, natural sciences etc. Isidore was neither a scientist nor an independent thinker, but indeed he was a genius of compilation. He spent his youth in the famous library of the bishops of Seville, where he stored knowledge by studying Holy Scriptures and works of classic and Christian authors. This library was destroyed, but we could strive to recreate its catalogue reading the books written by Isidore. In his Versus in bibliotheca Isidore tells us about authors he knew. We find among them Christian poets – Prudentius, Iuvencus, Sedulius, Avitus Viennensis. In Etymologiae Isidore presents to the reader Dracontius, and in De viris illustribus he admires talents of the centonist Proba. Isidore’s knowledge of Christian epics and the high regard he had for them tell us a lot not only about literary tastes of the well-educated bishop, but about the culture of reading of inhabitants of Visigothic Spain in the seventh century as well.
    Źródło:
    Vox Patrum; 2013, 60; 191-207
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dystopia w warunkach ponowoczesności? Przypadek bułgarski
    Dystopia in the conditions of Postmodernity? A Bulgarian case
    Autorzy:
    Drzewiecka, Ewelina
    Powiązania:
    https://bibliotekanauki.pl/articles/2013659.pdf
    Data publikacji:
    2014-06-02
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Weselin Stojanow
    literatura bułgarska
    dystopia
    parafraza biblijna
    ponowoczeność
    Veselin Stoyanov
    Bulgarian literature
    Biblical paraphrase
    Postmodernity
    Opis:
    The topic of the paper is Gnostic, and therefore total, experience of the world as a bad place in the context of the postulate (resulting from the postmodern critical attitude) to replace the total programs of the world’s transformation with partial transformations. A novel by Veselin Stoyanov (1957−2014) constitutes the subject matter of the analyses. The interpretative perspective is given by the utopian/ dystopian discourse, especially by the category of ‘dystopia’ as interpreted by M. Keith Booker. The reflection is focused on the consequences of the author’s attempt at reinterpreting and even unmasking a total thought, as well as on the diagnosis of world’s corruption in relation to the social criticism. Therefore, a crucial meaning is given to the question of the writer’s involvement, and finally − to the status of evil in literature. The paper raises the question of the functioning of the dystopia in the conditions of postmodernity.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 435-453
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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