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    Wyświetlanie 1-11 z 11
    Tytuł:
    Poza głosem. Postać Fenelli w świetle wystawień warszawskich z 1831 roku
    Beyond the Voice. The Character of Fenella in the Light of 1831 Warsaw Stagings
    Autorzy:
    Kaminiczna, Natalia
    Powiązania:
    https://bibliotekanauki.pl/articles/2135471.pdf
    Data publikacji:
    2022-09-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Daniel Auber
    La muette de Portici
    Fenella
    opera character
    no voice
    pantomime
    Antonina Palczewska
    Opis:
    The article is an attempt to describe an operatic figure deprived of a voice. Following the views of Thrasybulos G. Georgiades, who believes that an operatic character differs from a literary or a dramatic one in that it constitutes a kind of symbiosis between person and sound, the author tries to characterise a mute character. She analyses the Warsaw stagings of Daniel Auber’s opera Masaniello ou La muette de Portici from 1831. Additionally, by activating the visual imagination and relying on iconographic and book sources (including Mimika [Facial expression] by Wojciech Bogusławski), the author reconstructs the character of Fenella in the interpretation of Antonina Palczewska in order to be able to investigate how this character functioned on stage. Such a procedure allowed for an in-depth analysis of the operatic figure devoid of a voice and created by means of a combination of facial expressions and gestures. The study also takes into account the circumstances and problems related to the performance of this opera during the November Uprising.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2022, 42; 265-293
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Integrative Aspects of Non-verbal Cultural Communication in Europe. Case Study - Pantomime
    Autorzy:
    Kurkowska, Mirella
    Powiązania:
    https://bibliotekanauki.pl/articles/1811337.pdf
    Data publikacji:
    2021-10-28
    Wydawca:
    Uniwersytet Warszawski. Centrum Europejskie
    Tematy:
    Non-verbal Communication
    Cultural Communication
    Pantomime
    Mime Festivals
    Street Art Festivals
    Intercultural Communication
    Europe
    Opis:
    This article touches on the integrative aspects of non-verbal cultural communication as exemplified by diverse pantomime genres in modern Europe. The starting point being the characteristic features of this form of art, as well as its genesis and functions in the Eastern and Western parts of the globe. Festivals, which have been rapidly developing in the world of pantomime and street art since the beginning of the 1970s, play an exceptional role in European cultural exchange. They are, however, generally ephemeral projects, often placed besides institutionalised mainstream culture, with no aspirations to become part of the EFA for example. Nonverbal cultural communication in Europe is still poorly integrated and yet maintains a remarkable diversity of genres and multi-colour forms. Such decentralisation is also the source of its strength manifested by its ease in reaching an incredibly diverse audience, the ability to obtain feedback from mass audiences, its expansiveness (taking up various spaces), its flexible approach in its quest for answers - but at the same time respecting the rudiments of the rich, native European tradition of popular culture. It seems that EU institutions nowadays notice the significant role of this type of intercultural communication, asevidencedby, for example, the Commissioner Gabriel's statement regarding a meeting with EFA representatives on 22nd June 2021. The European Union has no harmonisation competences in the area of culture, but rather solely complementary and supporting functions with regards to Member States' activities - one can count on EU sectoral support funds from the Creative Europe Programme. The subsidisation of festival, confrontation, and meeting movements related to non-verbal cultural exchange can take place (and does take place) through regions, local governments, or cultural institutions.
    Źródło:
    Studia Europejskie - Studies in European Affairs; 2021, 25, 3; 137-155
    1428-149X
    2719-3780
    Pojawia się w:
    Studia Europejskie - Studies in European Affairs
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Marcel Marceau jako rzecznik mimu współczesnego
    Marcel Marceau as the Contemporary Mime Spokesman
    Autorzy:
    Krzyżak, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1807064.pdf
    Data publikacji:
    2020-01-03
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    aktor
    antropologia teatru
    filozofia
    gest
    identyfikacja
    teatr
    milczenie
    mim
    pantomima
    actor
    anthropology of theater
    gesture
    identification
    mime
    theater
    silence
    pantomime
    philosophy
    Opis:
    Artykuł jest szkicem na temat mimu, formy teatralnej znanej od starożytności, lecz dzisiaj istniejącej w nowej odsłonie. Mim współczesny, powstały na kanwie awangardowych poszukiwań praktyków i teoretyków teatru początków XX wieku, zawdzięcza swą obecną formę twórcom francuskim, takim jak Étienne Decroux, Marcel Marceau i Jean-Louis Barrault. Koncepcja mimu przedstawiona w niniejszej pracy oparta jest na teorii i praktyce Marcela Marceau, mającej szczególny rys filozoficzny. Marceau, poświęcając całe życie propagowaniu idei i techniki mimu współczesnego poprzez spektakle, wywiady i pracę pedagogiczną, stał się jego rzecznikiem na całym świecie. Współcześnie mim to rodzaj teatru, w którym kluczową rolę odgrywają milczenie, stanowiące nowy wymiar ludzkiego istnienia, gdy słowa zawodzą, oraz postać doskonale przygotowanego technicznie aktora-mima, czyniącego na scenie to, co niewidzialne, widzialnym. Artykuł składa się z dwóch części. W pierwszej zarysowano historyczny kontekst mimu. Podjęto również próbę uporządkowania terminologicznego. W drugiej przedstawiono materię mimu współczesnego w aspekcie filozoficznym oraz technicznym na podstawie dokonań Marcela Marceau.
    The article is a sketch of the subject of mime, a theatrical form known since the ancient times, but nowadays existing in a new version. A contemporary mime that came into being based on the research of avant-garde theoreticians and practitioners of the early 20th century theatre owes its current shape to the French artists such as Étienne Decroux, Marcel Marceau, and Jean-Louis Barrault. The presented concept of mime is based on Marceau’s theory and practice—both having a particular philosophical touch. Marceau who dedicated his life to promoting theory and methodology of contemporary mime by means of performances, interviews and teaching has become a mime expert whose work has a timeless quality worldwide. These days mime is becoming a kind of theatre where silence plays the key role and becomes a new dimension of a human being when words fail, and where an actor-mime with perfect technical skills makes the invisible visible on stage The article consists of two parts. The first part outlines a historical context of mime. It also tries to organize its terminology. The second one presents philosophical and technical aspects of contemporary mime on the basis of Marcel Marceau’s work.
    Źródło:
    Roczniki Kulturoznawcze; 2018, 9, 2; 55-75
    2082-8578
    Pojawia się w:
    Roczniki Kulturoznawcze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Problem estetyczny i moralny teatru w pismach św. Augustyna
    Aesthetic and Moral Issue of the Theatre in the Writings of St. Augustine
    Autorzy:
    Eckmann, Augustyn
    Powiązania:
    https://bibliotekanauki.pl/articles/1807467.pdf
    Data publikacji:
    2020-01-02
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Augustyn
    teatr
    problem estetyczny
    problem moralny
    κάϑαρσις
    mim
    pantomima
    kult pogański
    Augustine
    theatre
    aesthetic issue
    moral problem
    mime
    pantomime
    pagan cult
    Opis:
    An analysis of texts indicates that in the mind of the author of the writings, the moral question the theatre poses is closely related to the issue of aesthetics. The evil the theater causes is explained by seducing pleasure, experienced as a result of touching scene, which disturbs the heart and weakens the will, leaving it defenseless against a sudden return of awakening instinct. The emotion comes from the desire of crying and human brotherhood. The Bishop of Hippo condemns the ancient theatre of his times for three main reasons: theological, moral and social. Theologically, the theatre seems to him to be a Devil’s playground and a morbid manifestation of an evil spirit. Morally, the theatre is a school of corruption. Socially, Augustine complains that the theater diverts the sight of people from the difficult real situation in the country, by a presentation of imaginary woes. We see in the Augustinian demonstration a great power of expression and an ability of psychological impact.
    Źródło:
    Roczniki Kulturoznawcze; 2010, 1; 135-146
    2082-8578
    Pojawia się w:
    Roczniki Kulturoznawcze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sąd Parysa. Widowisko pantomimiczne (w relacji filozoficznego osła)
    (The Judgment of Paris. A pantomimic spectacle [as related by the philosophizing ass])
    Autorzy:
    Wasyl, Anna Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/1045676.pdf
    Data publikacji:
    2020-12-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Apuleius (Lucius Apuleius Madaurensis)
    Apuleius’s Metamorphoses
    or
    the Golden Ass
    book X
    ancient pantomime
    The Judgment of Paris
    aesthetics of pantomime in Apuleius’s Metamorphoses
    enargeia / evidentia in Apuleius’s Metamorphoses; scenic illusion in Apuleius’s Metamorphoses
    Opis:
    This paper focuses on the description of a pantomimic spectacle given by Apuleius in the 10th book of his Metamorphoses. Set in a theater in Corinth and narrated by Lucius the ass, this performance relates the story of the judgment of Paris. Lucius, as the viewer of the performance (and, from our perspective, its main teller), styles himself as an objective ‘connoisseur’ of the art of pantomime. Upon a closer look, however, one realizes that he has been absorbed by the scenic illusion and takes it for his own reality. Consequently, despite his penchant for philosophizing, he turns out to be not merely Lucius the ass, but an asinine philosopher, indeed.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2020, 30; 99-122
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le silence, mise à l’épreuve de la sincérité au théâtre (1802-1828)
    Testing and contesting authority: silence in French theatre (1802-1828)
    Autorzy:
    Fix, Florence
    Powiązania:
    https://bibliotekanauki.pl/articles/483630.pdf
    Data publikacji:
    2017
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    melodrama
    mute characters
    pantomime
    mutism
    Pixerécourt.
    Opis:
    In 19th century French very successful melodrama, discourse is seen as a powerful way to get attention. Criminals and traitors are masters of speech and seductive persuasion, but they never achieve their goals by the end of the play. On the other hand, the mute, humble and shy characters demonstrate that silence can convey values such as honesty, loyalty and show the audience that sensibility should be preferred to histrionic actor play.
    Źródło:
    Quêtes littéraires; 2017, 7; 34-42
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mise en corps des «gueules» de «Ferdydurke»: le ballet grotesque d’Anna Hop à la lumière de l’œuvre de Gombrowicz
    The Grotesque Ballet of Anna Hop in Light of Gombrowicz’s Works
    Autorzy:
    Bocianowski, Cécile
    Powiązania:
    https://bibliotekanauki.pl/articles/690244.pdf
    Data publikacji:
    2017
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    dance
    ballet
    grotesque;
    Witold Gombrowicz
    Ferdydurke
    body
    pantomime
    taniec
    balet
    groteska
    ciało
    pantomima
    Opis:
    This article examines Anna Hop’s 2015 ballet, based upon Witold Gombrowicz’s novel Ferdydurke, created at the National Polish Ballet, analysing the interaction between the choreography and literary language to demonstrate the choreographic specificity of Hop’s treatment of Gombrowicz’s text.
    Źródło:
    Prace Polonistyczne; 2017, LXXII; 183-195
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Syntax in Pantomimic Re-enactments of Events Among Polish Participants
    Autorzy:
    Boruta, Monika
    Placiński, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/1996831.pdf
    Data publikacji:
    2017-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    pantomime
    natural word order
    transitive events
    Opis:
    What appears to be a key question in recent studies on language evolution is the notion of natural word order-a hypothesis propounding word order to be innate in a phylogenetic and cognitive sense (Dryer, 2005; Pagel, 2009; Gell-Mann & Ruhlen, 2011). Gesture and sign studies provide a sound base for the topic. The primary idea for the study comes from Goldin-Meadow et al. (2008) research, which proposed the silent gesture paradigm, in which participants communicate simple events with the aid of their hands. The result of their research suggests that when participants communicate via gestures, notwithstanding their native language, they apply the SOV (subject-object-verb) word order-a finding which has been largely substantiated, but also discussed by following studies (e.g., Gibson et al., 2013; Hall et al., 2013). The purpose of our study was to verify whether the SOV order is prevalent in the experimental environment when participants are instructed to use whole-bodily pantomime rather than hand-and-arm gesture only. The actors in the study were instructed to perform reversible events from the pictures. Reversible events means that both the actor and the patient can perform an action. There exists an exciting opportunity for our study to shed a new light on research into natural word order.
    Źródło:
    Kultura i Edukacja; 2017, 2(116); 106-117
    1230-266X
    Pojawia się w:
    Kultura i Edukacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bożonarodzeniowa obrzędowość: kolędowanie z Szopką i Herody w województwie lwowskim, Bojkowszczyna na Ukrainie
    CHRISTMAS RITUALS: CAROLLING WITH NATIVITY AND HERODY IN THE LVIV REGION (BOJKOWSZCZYNA UKRAINE)
    Autorzy:
    Borovets, Taras
    Powiązania:
    https://bibliotekanauki.pl/articles/490219.pdf
    Data publikacji:
    2016
    Wydawca:
    Instytut Teologiczno-Pastoralny im. św. bpa Józefa Sebastiana Pelczara
    Tematy:
    Ukraina
    tradycyjna kultura
    tradycja
    obrzędowość bożonarodzeniowa
    szopka
    pantomima
    szopki kukiełkowe
    wertep
    szopka statyczna
    Ukraine
    traditional culture
    traditions
    Christmas rituals
    crib
    pantomime
    puppet nativity
    Wertep
    static crib
    Opis:
    Scientific interest in the traditional culture in order to preserve the spiritual wealth, especially in conditions of accelerated urbanization, unification, the spread of mass culture, it becomes even more relevant. Preservation of traditions, spirituality, each nation is not only a source of concern for culture, but also taking care of its development in our time and the future of every nation. Ukrainian rituals are the glue that has helped over the centuries to keep the national mentality, and cognitive and educational potential is the dearest treasure that helped survive nationalities, to keep down the centuries and today thrive in the global community of nations. While popular culture is best preserved its local traditions in celebrating Christmas, it was a feast worthy of special scientific interest.The object of the research is Christmas rituals: carolling with nativity and Herody villagers regions starosamborskiego and Sambor in Boykivshchina, Lviv region. The aim of this article is to determine the specifics of the Christmas rituals in the context of the overall cultural heritage of the Ukrainian nation on the basis of preserved archival materials Cathedral ethnology Lviv National University named I. Franko, and developed the scientific literature. Since 1998, efforts lecturers completed eighteen trips beginners ethnologists to various historical and ethnographic regions of Ukraine, including the land Bojkowszczyzny (2003, 2005, 2010); In 2005, students made an expedition to starosamborskiego region, base points were the villages Hołowecko, Dnistryk, Mszanec, Hwozdec, Hroziowe, Ripi, Wyciw, Babyno and others; in 2010 they were in villages in Sambor district Bojkowszczyzny - Kowynyczi, Werbiwka, Berehy, Baraniwci, Zarajckie, Kornyczi. Students ethnology, preparing for the expedition, develop a comprehensive program of interrogating, which is a reliable instrument for productive work in the field, such a methodology we used, we too, adding data from its own ethnographic research. The survey involved both men as women, young and older people.The history of the development of specific motifs carolling with nativity and Herody in Boykivshchina intrigued many contemporary scholars of folklore, as well as the author of this article, which points to the wealth of culture and religion in the region.The analysis and conclusions of the study can be used for detailed and deep acquaint with the Christmas customes of Boikivshchyna villages in Lviv region, in Ukraine. Materials of the research can also be used in textbooks, anthologies of religious and kulturological studies, topical special courses, as well as in the creation of a repertoire of folk groups and organizations Christmas celebration at schools, parishes and other collectives.
    Źródło:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej; 2016, 23; 21-36
    1234-8880
    Pojawia się w:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Cultural and educational leisure activities in nules of Ukraine
    Autorzy:
    KOVALCHUK, Tamara
    MELNICHUK, Tetyana
    Powiązania:
    https://bibliotekanauki.pl/articles/457389.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Rzeszowski
    Tematy:
    NULES of Ukraine
    studio
    theatre
    leisure
    artistic creative company
    pantomime
    variety art
    vocal
    ballroom dance
    declamation
    Opis:
    Cultural and educational work in NULES of Ukraine has fruitful influence on the formation of future social teachers’ preparedness to deal with leisure activity. The favorable conditions are created at the University with the purpose of individual and professional qualities improvement; theatrical, vocal and musical gifts perfection and physical development.
    Źródło:
    Edukacja-Technika-Informatyka; 2013, 4, 1; 234-238
    2080-9069
    Pojawia się w:
    Edukacja-Technika-Informatyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Social trauma and the theatre: a study of the formation of a non-conformist identity
    Autorzy:
    Truskauskaite, Vitalija
    Powiązania:
    https://bibliotekanauki.pl/articles/470524.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    pantomime theatre
    Judita Vaiciunaite
    Giedrius Mackevicius
    social trauma
    Opis:
    The present article aims to analyse the social trauma implicit in the representation of the nonconformist identity formation in Judita Vaiciunaite’s play The Siege (Lithuanian Apsiaustis) directed by Giedrius Mackevicius. The play reflects on the experiences and inner states of characters as they struggle to survive in a seized city, wherein the motif of the seized city alludes to the political situation of Kaunas as a city seized by the totalitarian system. The play was performed by an amateur group in 1971 in the Kaunas Trade Unions Palace of Culture. The study relies on trauma studies by Danute Gailiene for the analysis of Giedrius Mackevicius’ debut experience; also it refers to the semantics of Judita Vaiciunaite’s play The Siege. In the staging of The Siege in 1971, on the contrary, the universal thematic dimension of this drama was emphasized.
    Źródło:
    Studia Ecologiae et Bioethicae; 2013, 11, 4; 9-18
    1733-1218
    Pojawia się w:
    Studia Ecologiae et Bioethicae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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