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Wyszukujesz frazę "painting and literature" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
Twarze dandysa? Autoportrety Stanisława Ignacego Witkiewicza
Faces of a Dandy? Stanisław Witkacy’s Self-Portraits
Autorzy:
Niedziałkowska, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/1945479.pdf
Data publikacji:
2007
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Witkacy
autoportrety
dandys
plastyka i literatura
self-portraits
dandy
painting and literature
Opis:
This paper describes the self-portraits of Stanisław Ignacy Witkiewicz (1885-1939) who was a painter, writer, philosopher, theoretician, and critic. The author has selected twelve most interesting works, analysed them and interpreted in the context of the whole literary, philosophical, and epistolographic output of the artist, including his biography. The text is supplemented by coloured oil reproductions, pastels, and drawings. They are described in detail in a chronological order. All the elements of Witkacy's works become meaningful, starting from typically historical and artificial: representations, views, colours, techniques, and signatures or the author's title. This paper is based on a master's thesis and it contains also some remarks concerning the whole collection of self-portraits. The author sought to show Witkacy's self-portraits. Witkacy was a professional portrait painter in the perspective of dandy painting. Now drawing on the studies written by historians of art and literature, she sought to indicate how useful are the categories used in literature or journalism for painting. Dandy painting is a key of interpretation that helps to explain not only why the author of A Farewell to Autumn was so eager to paint his physiognomy (there are eighty-two self-portraits), but also the varied character of the collection of self-portraits. We may find among them representative portraits painted with care, and some sketches drawn in haste under the influence of drugs, or self-caricatures attached to correspondence.
Źródło:
Roczniki Humanistyczne; 2007, 55, 4; 183-214
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Зинаида Гиппиус и творчество Льва Бакста
Zinaida Gippius and works of Leon Baksta
Autorzy:
Panek, Inna
Powiązania:
https://bibliotekanauki.pl/articles/481937.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Common themes in painting and literature
Leon Bakst
works of Zinaida Cippius
painting
impact theatre
the art of
Opis:
The purpose of this paper is to show the correlation between poetry of Zinaida Gippius and works of Leon Baksta. Emphasizing motives common for both authors such as fascination with theatre and art of ancient civilizations makes possible to present the connection between poetry and painting which is of special interest of comparative studies. The comparative analysis of the authors’ works has revealed a profound impact their biographies had on the quality and meaning of their artistic creations. This paper has also presented motif of the death, symbolic meaning of flowers and fascination with theater common for both authors. Zinaida Gippius and Leon Bakst created moving, dynamic and vibrant works and tackled with the most important questions looming out of loneliness.
Źródło:
Acta Polono-Ruthenica; 2015, 1, XX; 103-110
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Orbita oka. Melancholia wzroku w Sedanie Pawła Hertza i w Drewnianym koniu Kazimierza Brandysa
Eye Orbit. Melancholy of Sight in Paweł Hertz’s Sedan and Kazimierz Brandys’ Drewniany koń (The Wooden Horse)
Autorzy:
Kozłowska, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/1038708.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literature of retribution
intellectual
melancholy
Saturn’s child/melancholic
motif of sight/eye
motif of blindness
motif of window/glass
painting and literature
World War II
history
Kazimierz Wyka
Paweł Hertz
Kazimierz Brandys
Opis:
The article concerns the way in which the eye topos functions in Paweł Hertz’s Sedan and Kazimierz Brandys’ The Wooden Horse, works representing Polish literature of retribution written in the 1940s. The role of the process of seeing is interpreted by means of the category of melancholy, and the protagonists in these works are presented as melancholics. Standing in front of a window or in the quiet of European museums, members of the intelligentsia do not so much focus on passive contemplation but rather protest against History. The desire to constantly use the eyes has an existential and political sense. Recognition of the phenomenon of a melancholic gaze in the literature of retribution enriches the traditional interpretation of this trend in literature by lending it a new context and allowing rehabilitation of the intellectuals portrayed in it.
Źródło:
Przestrzenie Teorii; 2020, 33; 245-263
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Babie lato” na obrazie Józefa Chełmońskiego i w poezji Michaliny Chełmońskiej-Szczepankowskiej
Autorzy:
Ożóg-Winiarska, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/2041565.pdf
Data publikacji:
2015-09-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
poems for children
axiology
ekphrasis
symbols
realistic painting
values
Józef Chełmoński
Michalina ChełmońskaSzczepankowska
children’s and youth literature
Opis:
The aim of the article is to present some aesthetic and ideological relationships between different cultural texts - the painting of Józef Chełmoński entitled Babie lato (Indian Summer, 1875) and its poetic ekphrasis with the same title written by Michalina Chełmońska-Szczepankowka (1937). The article describes cultural axiology and poetic sense of the perception of the painting which focuses on the visual theme of Indian summer. The presented interpretation demonstrates that the ideological message of the poem comprises the symbols of the Indian summer inspired by the poetics of the painting, namely praise of freedom, imagination and creative artistic thrust, which people derive directly from both the beauty of their native land and the truth about the order of life imposed by the natural law of the motherland, irrespective of its social and economic situation as well as its historical conditions.
Źródło:
Kultura i Edukacja; 2015, 3(109); 219-231
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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