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    Wyświetlanie 1-7 z 7
    Tytuł:
    Testing the Petra Garden and Pool Complex chronology through the ceramics
    Autorzy:
    Koulianos, Pamela K
    Powiązania:
    https://bibliotekanauki.pl/articles/2033327.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    pottery
    Nabataean
    Roman
    Coarse wares
    Nabataean Painted Fine Ware
    Petra Garden and Pool Complex
    Opis:
    The Petra Garden and Pool Complex in the ancient city center has been dated based on stratigraphy and an array of diagnostic finds. The present study of the coarse wares from selected contexts at the site (augmented by amphorae and fine wares) aims to show corroborative evidence from the ceramic assemblage to support the dating of three major phases in the history of the complex: the construction of the monumental Nabataean garden and pool complex in the end of the 1st century BCE, the Roman renovations in the early 2nd century CE and, last but not least, the second destruction that ended the occupation of the complex, most probably at the end of the 6th century CE. The overall purpose of this paper is to contribute to the knowledge of Petra coarse-ware pottery from the Nabataean and Roman periods.
    Źródło:
    Polish Archaeology in the Mediterranean; 2021, 30(2); 611-628
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Response to Erickson-Gini’s "Problems and solutions in dating Nabataean pottery in the post-annexation period"
    Autorzy:
    Wenner, Sarah
    Parker, S. Thomas
    Powiązania:
    https://bibliotekanauki.pl/articles/2033331.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    pottery
    Nabataean chronology
    Nabataean Painted
    Fine Ware
    Opis:
    In the late 1990s, Stephan G. Schmid published a chronological typology of Nabataean Painted Fineware (NPFW) that was widely accepted by scholars of Nabataea and Roman Arabia. Tali Erickson-Gini has since raised concerns about parts of his NPFW typology, specifically related to two decoration types dating to the end of the 1st century and the beginning of the 2nd century CE (Dekorphases 3b and 3c). This article is a response to Erickson-Gini’s critique, published in this volume. We find that there is sufficient evidence to broadly validate Schmid’s proposed dating for the beginning of production of Dekorphases 3b and 3c to the late 1st century and early 2nd century CE, respectively.
    Źródło:
    Polish Archaeology in the Mediterranean; 2021, 30(2); 707-736
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pottery from Tomb MMA 28 at Deir el-Bahari: preliminary remarks
    Autorzy:
    Weźranowska, Ania
    Wodzińska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2033195.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Deir el-Bahari
    Temple of Hatshepsut
    MMA28
    pottery
    Middle Kingdom
    New Kingdom
    double bottles
    blue-painted pottery
    cult of Hathor
    Opis:
    The clearance of Tomb MMA 28 at Deir el-Bahari yielded mixed pottery material dating from the Middle Kingdom to modern times. The article presents, in chronological order, some of the most characteristic vessels representing each phase (with the exception of the late Roman period, which is to be studied separately). Among them are Middle Kingdom pointed bottles and Marl C jars, New Kingdom double and triple bottles, kernoi, beer jars and blue-painted pottery, as well as Ptolemaic painted pottery.
    Źródło:
    Polish Archaeology in the Mediterranean; 2021, 30(1); 79-104
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Painted decoration of water jars from Byzantine Athribis in the Egyptian Delta
    Autorzy:
    Południkiewicz, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1707854.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Athribis
    Byzantine
    Coptic
    Egypt
    Kom Sidi Youssuf
    painted decoration
    pottery
    Tell Atrib
    water jars
    Opis:
    Water jars are easily recognizable as a type owing to the strainer fitted into the neck of these vessels. This form was distinguished in the assemblage coming from the Polish excavations around Kom Sidi Youssuf in Tell Atrib, the site of ancient Athribis in the Nile Delta. The discussed vessels were made of Nile silt and richly painted on the surface. The article focuses on the decoration of these water containers, presenting a catalogue of motifs: geometrical, vegetal, zoomorphic, human and others. The set is dated to the 6th–7th century AD based on the excavation context and comparative studies of the so-called Coptic painted pottery from Egypt.
    Źródło:
    Polish Archaeology in the Mediterranean; 2016, 25; 781-798
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Interconnectivity of the Vardar and Struma river valleys. Some hints to the understanding of the south-eastern Balkans role in the 2nd millennium BC
    Powiązania kulturowe dolin Wardaru i Strumy. Kilka uwag na temat roli południowo-wschodnich Bałkanów w 2. tysiącleciu p.n.e.
    Autorzy:
    Bahyrycz, Cezary
    Powiązania:
    https://bibliotekanauki.pl/articles/27312792.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Mycenaean Pottery
    Matt-painted
    Incised and encrusted
    Fortified outposts
    Mountainous paths
    Late Bronze Age
    Archaeology
    Contacts
    Opis:
    The Vardar and Struma rivers flow through the south-eastern Balkans, creating valleys which have been inhabited by human populations for thousands of years. From an archaeological perspective, from Neolithic times these corridors have long been considered crucial for establishing cultural, trade, and social networks, developed later by the emergence of cultural complexes of Late Bronze Age. This area was incorporated into wide archaeological frameworks of interregional interaction, namely – the world-system theory and its variants. The aim of this paper is an attempt to apply these theoretical models as well as concept of “contact space” to human interactions in the Vardar and Struma rivers’ valleys in the 2nd millennium BC. It analysis bases on tableware pottery evidences with data concerning presence of defensive outposts within easy to control mountainous paths, as well as chosen information deriving from funeral rites. These data may provide insights into the communication networks in south-eastern Balkans and mentioned river valleys may seem as an important area of mutual influences.
    Źródło:
    Folia Praehistorica Posnaniensia; 2022, 27; 9-38
    0239-8524
    2450-5846
    Pojawia się w:
    Folia Praehistorica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ceramika malowana z wczesnej epoki żelaza vs. nowożytna ceramika biała. Rozważania o magii i o „odczarowaniu świata”
    Painted ceramics from the early iron age vs. modern white ceramics. Reflections on magic and “disenchanting the world”
    Autorzy:
    Markiewicz, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/27312684.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    painted pottery
    white ceramics
    Hallstatt period
    modern period
    magical thinking
    magic
    ritual
    Opis:
    The article contrasts two chronologically distinct groups of artifacts: painted ceramics from the Hallstatt period and the so-called white ceramics, produced until the end of modernity. They are related by means of the technique of covering a bright surface with colorful patterns and the stylistic similarity of certain geometric motifs. However, the ideas behind creating these pictorial representations were completely different. In the article, painted vessels from the Hallstatt period and modernity will be the starting point for detailed studies on magical and rational thinking about the world. It was in the Renaissance that, according to the concept of the sociologist and philosopher Max Weber (1864‒1920), a “disenchantment of the world”, took place ‒ e.g. the departure from the magical understanding of reality. Early Iron Age and Modernity ceramics will illustrate this process.
    Źródło:
    Folia Praehistorica Posnaniensia; 2022, 27; 103-130
    0239-8524
    2450-5846
    Pojawia się w:
    Folia Praehistorica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Can similarities be found in the cults of prehistoric hunters and farmers? Analysis of ‘dance’ scenes of four beings of the Mesolithic from Alta, Finnmark, Norway, and of the beginning of the Eneolithic from Střelice, southwestern Moravia, Czech Republic
    Autorzy:
    Kovárník, Jaromír
    Powiązania:
    https://bibliotekanauki.pl/articles/2035495.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    hunter-gatherers
    petroglyphs
    Neolithic
    Moravian–East-Austrian group
    Painted Pottery culture
    fertility cult
    Opis:
    The ways of life of hunters, fishers and gatherers are noticeably different from those of farmers. Surviving evidence of their cultures is very rare. Although we are aware that it is very difficult to interpret and compare them, sometimes external similarities can be observed, such as in the depiction of human figures, particularly female figurines (also in zoomorphic sculptures) in the Upper Palaeolithic (‘the Cult of Hunters’) and in the Neolithic (‘Field Fertility Cult’ and ‘Domestic Animals Fertility Cult’). The depiction of a woman and three men with their arms stretched upwards on a famous vase of Moravian – East-Austrian group, Phase MOG IIa (around 4525–4375 BC) of the Painted Pottery culture from Střelice in the Czech Republic is significant, and has been interpreted by the author as an example of hieros gamos (i.e. a dialogue with space). This vase has considerable similarity with a petroglyph of a circular dance, again obviously depicting a woman and three men holding hands, from Alta in northern Norway, one of the central ‘galleries’ of hunters (5 stages, the oldest being 5300 BC). We can only assume (with just a certain amount of probability) that they depict a story (rite or myth?) in the form of a ‘language of symbols’ (e.g. a restoration of ‘Mother Earth’).
    Źródło:
    Acta Archaeologica Carpathica; 2021, 56; 103-152
    0001-5229
    2719-4841
    Pojawia się w:
    Acta Archaeologica Carpathica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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