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Tytuł:
Muszle – zawieszki – amulety we wczesnym średniowieczu z terenu Polski na przykładzie znalezisk z Kruszwicy
Shells – pendants – amulets from Poland in the early Middle Ages based on the finds from Kruszwica
Autorzy:
Kurzawska, Aldona
Głód, Anna
Powiązania:
https://bibliotekanauki.pl/articles/28407571.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Kruszwica
ornaments
amulets
shells
early Middle Ages
Opis:
In this article, the author takes a closer look at the finds of sea shell ornaments in the early Middle Ages, based on artefacts discovered at two sites (Nos. 2 and 4) in Kruszwica. The four pendants in question come from settlement levels dating from the 11th to the 12th centuries. A malacological analysis suggests that the ornaments reached Kruszwica from the Mediterranean area (Acanthocardia tuberculata and Bolinus brandaris), and probably the Red Sea (Monetaria moneta), and from southern Poland (Turritella sp). These objects had been in use for a long time, as evidenced by the microtraces and damage visible on their surface. During the early medieval period, among the various species of shells that were ‘imports’, money cowrie shell ornaments with the most ‘exotic’ origins were the most common in Europe. It is highly probable that during this period of time, they were used in the exchange/trade and their value as a female symbol object and an amulet. Most likely, the shell pendants reached Kruszwica via trade routes that have been previously documented, alongside other artifacts. These ornaments provide additional evidence of long-distance trade.
Źródło:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2023, 64; 221-241
0080-9993
Pojawia się w:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Use of wood in the Baltic courses architecture on the example of Binz in Ruges
Autorzy:
Bręczewska-Kulesza, Daria
Wieloch, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/24072348.pdf
Data publikacji:
2019
Wydawca:
Szkoła Główna Gospodarstwa Wiejskiego w Warszawie. Wydawnictwo Szkoły Głównej Gospodarstwa Wiejskiego w Warszawie
Tematy:
resort architecture
wood, balconies
loggias
verandas
ornaments
Opis:
Use of wood in the Baltic courses architecture on the example of Binz in Ruges. The town of Binz is a great example of a comprehensive renovation of a town built in a spa style using wood. Made of wood, balconies, loggias, porches, gables, half-timbered constructions of fragments or even entire floors of buildings, combined with various architectural elements, referring to different stylistic formations, creates a perfectly matching conglomerate of forms despite each other's diversity and the surrounding nature. Thanks to the forms of decoration used, the frontage of the building looks harmonious. Laurel ornaments give them a specific beauty that allows you to break away from reality and encourages relaxation. Accents in the landscape, especially variety of villas, prevent fatigue and add expression to the whole building giving desire to just watch them. However, without the use of wood usually painted white, this would never have been achieved. That is why they were often called "white pearls of the Baltic".
Wykorzystanie drewna w architekturze kurortów nadbałtyckich na przykładzie miasta Binz w Rugii. W artykule omówiono rolę drewna w architekturze kurortowej na przykładzie miasta Binz w Rugii. Dzięki pieczołowitej renowacji oraz odtworzeniu detalu budynków w Binz udało się zachować dawny klimat, harmonię sielankowej architektury zgodnej z naturą, dzięki zastosowaniu drewna do budowy czy wykończenia i elementów dekoracyjnych budynków. Binz jest świetnym przykładem dużego znaczenia drewna, jako materiału o szerokim zastosowaniu w architekturze kurortowej, niezależnie od ogólnej stylistyki budynków. Problematyka została omówiona na tle zagadnień dotyczących popularyzacji architektury drewnianej i stylów narodowych w XIX stuleciu.
Źródło:
Annals of Warsaw University of Life Sciences - SGGW. Forestry and Wood Technology; 2019, 107; 104--114
1898-5912
Pojawia się w:
Annals of Warsaw University of Life Sciences - SGGW. Forestry and Wood Technology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sexual selection in the Swallow Hirundo rustica - A review
Autorzy:
Bańbura, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/764943.pdf
Data publikacji:
2005
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
sexual dimorphism
ornaments
sexual selection
monogamy
Swallow
birds
Opis:
Darwinian theory of sexual selection and its development up to the present state of knowledge are sketched. The most important results of empirical studies on sexual selection in the Swallow Hirundo rustica are reviewed. The Swallow is a socially monogamous, slightly sexually dimorphic avian species. Long tail streamers are considered as sexual ornaments of males. Female preference for long and symmetric male tails has been inferred on both observational and experimental grounds. Experimental elongation of the tail causes short-term benefits and long-term costs in male reproductive performance. Behavioural consequences of sexual selection acting in the Swallow are discussed. An aerodynamic role of male tail streamers is also considered.
Źródło:
Acta Universitatis Lodziensis. Folia Biologica et Oecologica; 2005, 2
1730-2366
2083-8484
Pojawia się w:
Acta Universitatis Lodziensis. Folia Biologica et Oecologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Traditional ornaments of Świdermajers’ style windows in the town of Otwock
Autorzy:
Dwornik, Marta
Różańska, Anna
Beer, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/24072371.pdf
Data publikacji:
2019
Wydawca:
Szkoła Główna Gospodarstwa Wiejskiego w Warszawie. Wydawnictwo Szkoły Głównej Gospodarstwa Wiejskiego w Warszawie
Tematy:
wooden architecture
window
Świdermajer
Otwock
ornaments
architektura drewniana
okno
zdobnictwo
Opis:
The paper provides an analysis of windows in antique Świdermajers’ style wooden buildings, located in Otwock. It has been discovered that many of them have been already replaced with new ones. Attention was paid to the traditional Polish casement window structure with transom and the main part below, additionally divided into smaller areas by wooden horizontal or vertical muntins. Analysis of traditional window carpentry elements such as shutters, window sills, cornices and batten frames was made together with their classification based on different kinds of decorative motifs.
Tradycyjne zdobnictwo okien budynków w stylu świdermajer w miejscowości Otwock. W artykule dokonano analizy okien w zabytkowych budynkach drewnianych utrzymanych w stylu świdermajer, położonych w miejscowości Otwock. Ujawniono, iż wiele z nich zostało już wymienionych na nowe. Zwrócono uwagę na ościeżnicową konstrukcje okien zabytkowych oraz podział pola otworu okiennego na podślemię i nadślemię, dodatkowo rozczłonkowane krzyżowymi lub pionowymi szczeblinami. Przeanalizowane zostały tradycyjne elementy zdobnicze stolarki okiennej takie jak: nadokienniki, podokienniki, ramy okienne i okiennice oraz ich klasyfikacja ze względu na występujące motywy.
Źródło:
Annals of Warsaw University of Life Sciences - SGGW. Forestry and Wood Technology; 2019, 107; 84--103
1898-5912
Pojawia się w:
Annals of Warsaw University of Life Sciences - SGGW. Forestry and Wood Technology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ОРНАМЕНТИКА КНИГ ВОИНОВСКОГО МОНАСТЫРЯ. К ВОПРОСУ О ВРЕМЕНИ И МЕСТЕ ИЗДАНИЯ
The Omaments in the Volumes of the Old Believers’ Monastery in Wojnowo. The Time and Place of Publication
Autorzy:
Orzechowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/444789.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Old Believers,
the monastery in Wojnowo,
liturgical volumes,
ornaments,
Grebnev’s printing house
Opis:
The article is a review of four volumes from the remaining collection of volumes in the Old Believers’ monastery in Wojnowo. The author established their place of publication on the basis of the analysis of omaments, primarily book ends, as well as comparing them with the Catalogue of ornaments from L. Grebnev’s printing house published on the Internet. 11
Źródło:
Acta Neophilologica; 2009, XI; 5-19
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jünger- und spätkaiserzeitliche Metallnadeln aus dem Südteil Nordeuropas: regionale Differenzierung, Verwendung und sozialer Kontext
Autorzy:
Przybyła, Marzena
Powiązania:
https://bibliotekanauki.pl/articles/442411.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Instytut Archeologii
Tematy:
dress ornaments, Younger and Late Roman Period, Northern Europe, social diversification,
status, exogamy, elites
Opis:
The presented paper is devoted to a relatively poorly known group of artefacts, namely the metal pins which formed a typical component of female dress within the Younger and Late Roman Period in Scandi - navia. It is possible to distinguish two main kinds of objects: larger and mainly decorated silver or bronze pins and smaller ones, made of bronze, silver, gold or iron and occuring often in pairs. In both cases, more detailed typo-chronological divisions as well as further findings concerning spatial distribution or depositional context of described objects have been proposed. They led to the following conclusions: (1) within the Younger and Late Roman Period, larger metal pins were used as a head ornamentation and restricted to the rich dress of the limited group of adult females (only adultus and maturus age classes); (2) the forms and decorations of larger pins differ widely among particular regions of Scandinavia, although individual examples are known which represent foreign stylistic traditions and, in the case of some types, a tendency has been observed in the styli - stic unification during the C2–C3 phases – both phenomena may perhaps be explained as a result of marital exchanges between the elite families of different parts of the area in question; (3) small pins are characteristic particularly of Jutland and Norway during the C2–D phases; (4) they occur in “mid-wealth” female burial assemblages and in the richest male graves (only examples made of gold in this case); (5) in both contexts they can be interpreted as chest ornamentation.
Źródło:
Recherches Archéologiques Nouvelle Serie; 2012, 4; 5-67
0137-3285
Pojawia się w:
Recherches Archéologiques Nouvelle Serie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Die eingliederigen Fibeln der Almgrens VI. Gruppe in der Przeworsk-Kultur – Fibeln des Typs A 158
Autorzy:
Jakubczyk, Ireneusz
Powiązania:
https://bibliotekanauki.pl/articles/442455.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Instytut Archeologii
Tematy:
dress ornaments
Younger and Late Roman Period
Northern Europe
social diversification
status
exogamy
elites
Opis:
O. Almgren in his 1897 published study on nordeuropean forms of brooches characterized known specimens from the region and classified them in seven groups. His group VI matches brooches with inverted foot as well as their derivative forms with full catch-plate. They are main forms of the late Roman and early Migrations periods Shape and form of those brooches breaks with the early Roman Period’s stilistical traditions, showind differences in construction, because catch-plate is being made by bending the foot downwards, its and is then wrapped around the bow. This key for the studies on late antiquity group of brooches is one of the less published forms of the Barbaricum. O. Almgren himself have had treated them unfairy, whereas later studies didn’t gave precise arrangements. However the homogenity of this goup of artefacts; especially type 158 characteristic for the Przeworsk Culture, have been emphasized. Therefore new classificaton of brooches of the Almgren’s VI Group with taking into consideration all of the deriverative forms and variations was an absolute necessity. It was also essential due to the significance for the chronology of early and late Roman Period. The min assumption of the paper was to work out the one piece brooches of the type 158. The method used for the division is based upon the system proposed by O. Almgren. It is still up to date, however some detailed assumptins are necessery. It is due to the fact that some of O. Almgren’s forms have been described unaccuratelly, therefore determination of arefacts according to his division in chefly uneasy. It is also imprtant to ephasize the fact that since the firt publication of Almgren’s study, the have been noted enormous growth in number of known specimens, some of them are therefore not preciselly represented in typology of the swedish scholar. Main characteristics of brooches taken under consieration by division of sub-types and variants are construction of the specific specimen, shape of the bow as well as its decoration. Such characteristics as form of ornamentation and stilistic criterion i.e. proportions of the appropriate parts of the brooch were also considered. In the process a clusters of broches with some variants within have been archieved. Main part of the paper is the classification of O. Almgren’s type 158 brooches. The study is based upon 799 specimens. The final effect of this analise is the stilistic division of variants with main goal in tighening the chronology of characterized clustes of artefacts.
Źródło:
Recherches Archéologiques Nouvelle Serie; 2013-2014, 5-6; 113-218
0137-3285
Pojawia się w:
Recherches Archéologiques Nouvelle Serie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kartusze i inne ozdoby na dawnych mapach ziem polskich ze zbiorów Biblioteki Narodowej
Cartouches and other ornaments on historic maps of Polish territories from the National Library collection
Autorzy:
Przyłuska, B.
Powiązania:
https://bibliotekanauki.pl/articles/204430.pdf
Data publikacji:
2007
Wydawca:
Polskie Towarzystwo Geograficzne
Tematy:
historia
kartografia
zdobnictwo na mapach
kartusze na mapach
history
cartography
ornaments on maps
cartouches on maps
Opis:
W artykule opisano rodzaje ozdób stosowanych na mapach ziem polskich począwszy od drugiej połowy XV wieku, zwracając szczególną uwagę na kartusze. Dokonano próby ich klasyfikacji zarówno pod względem budowy i charakteru ornamentów jak i spełnianej funkcji.
Cognitive and practical roles of maps have always been accompanied by the need to make them esthe-tically attractive. Originally pictures filled unchartered territories, substituting or complementing map's contents. With the development of geographic knowledge and growing density of contents, ornaments moved to the descriptive section, adding to its esthetic value and often acting as an extra source of information. Ornaments evolved with the development of art in particular periods, following tendencies and fashions of the time. Evolution of the art of ornamentation can be observed on the example of cartouches, which are most typical of ornaments. Cartouches can be grouped according to the main type of ornamentation they contain, their main motif. They can be: brass, floral, zoomorphic, anthropomorphic (with mythological characters, figures of saints, allegorical and historical scenes, portraits) with military, architectural and heraldic motifs. In the main field of a cartouche there was usually a map title, the name of the author or addressee, the date and place of publication, scale and additional text. Therefore we can recognize the following types of cartouches: title, legend, dedicational, scale, commentary and mixed. Sometimes the function of cartouche was performed by other ornamental elements, most commonly in the form of drapes, stone boards or obelisks. Some maps were surrounded by an ornamental frame, which might contain panoramas of cities, visages of people in regional outfits, portraits, historical and mythological scenes and floral motifs. In contemporary research on historic cartography ornamentation is perceived not only as a decorative element. It constitutes a major map identification factor - it helps to distinguish particular editions and printings, helps to establish dates and edition sequence. Elaborate ornamentation disappeared from cartography in the early XlXth century, when practical function of maps, drawn according to increasingly precise measurements began to dominate the decorative function. Gradually the role of the main decorative element of maps was taken over by the elaborate lettering used for non-cartographic contents.
Źródło:
Polski Przegląd Kartograficzny; 2007, T. 39, nr 3, 3; 240-262
0324-8321
Pojawia się w:
Polski Przegląd Kartograficzny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wczesnośredniowieczna biżuteria zachodniosłowiańska
Early Medieval West Slavonic Jewellery
Autorzy:
Kóćka-Krenz, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/532800.pdf
Data publikacji:
2014
Wydawca:
Muzeum Pierwszych Piastów na Lednicy
Tematy:
ozdoby
rzemiosło artystyczne
wczesne średniowiecze
zachodnia Słowiańszczyzna
ornaments
artistic craftsmanship
early Middle Ages
western Slavonic territory
Opis:
Ornaments worn in the Middle Ages by inhabitants of the West Slavonic territory were basically not utilitarian in their nature. They Brst of all served to satisfy aesthetic needs. Usually, they were made from non-ferrous metals, mostly from silver, but also from bronze, bronze plated with silver, or even from tin and lead. Sporadically, such ornaments were made from gold, sometimes with additions of decorative stones or organic raw materials. Finds from Ostrów Tumski and Ostrów Lednicki point out that within the main strongholds there were workshops manufacturing artefacts of artistic craftsmanship upon the order of the rulers. Ornaments which survived in archaeological materials allow for saying that their manufacturers made use of various methods, from very simple ones, consisting in cutting shapes from metal sheets, to those requiring special skills, such as Bligree and granulation techniques. Manufacturers developed some of these techniques on the basis of their own manufacturing traditions, while others were developed as a result of the adaptation of the skills of West European craftsmen in the 10GH and 11GH c. This was expressed in a wide use of high quality ornamental techniques, which were perhaps learned from the centers of European artistic craftsmanship of those days. The forms of ornaments and the way of their deposition in burials, demonstrate that particular stress was put on the decoration of the women’s heads and necks, with less attention to the hands. On the other hand, men only sporadically wore rings and necklaces or chains, which underlined their social status. A particular variety of forms can be seen in the ornaments of women’s temples. Such ornaments were attached to headgear—maidens’ headbands or veils in the case of married women. Some ornaments are typical for the entire West Slavonic territory and they are remarkable for their long time of use, with special reference to temple rings. Others were manufactured for a relatively short period of time and their use was limited to certain areas. Jewellery worn in the territory of Central-Eastern Europe fulfilled numerous aesthetic, social and symbolic functions. It completed the dress of that time; it not only decorated clothing but also requested its local nature. Furthermore, it underlined the pertinence to a given social group and one’s position in it. It also demonstrated one’s age and personal attitudes concerning the sphere of beliefs. As to its artistic level, this jewellery was only slightly inferior to the ornaments manufactured in the main cultural centres of Early Medieval Europe. This especially concerns jewellery made and worn in the 10GH and 11GH c.
Źródło:
Studia Lednickie; 2014, 13; 27-38
0860-7893
2353-7906
Pojawia się w:
Studia Lednickie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Piedad y suntuosidad: los ornamentos litúrgicos de tres colecciones limeñas
Piety and sumptuousness: the liturgical ornaments of three Lima collections
Pobożność i przepych: ozdoby liturgiczne z trzech kolekcji limeńskich
Autorzy:
Cánovas, Emma Patricia Victorio
Powiązania:
https://bibliotekanauki.pl/articles/1837335.pdf
Data publikacji:
2020-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
liturgical ornaments
silk
chasuble
textile art
peruvian art
embroidery
szaty liturgiczne
jedwab
ornat
sztuka tekstylna
sztuka peruwiańska
haft
Opis:
The purpose of this article is to contribute to the knowledge of liturgical ornaments in general, as well as to bring readers closer to understanding of the importance of the collections of the Cathedral Basilica of Lima, the San Francisco Convent and the Nazarenas Carmelitas Descalzas Monastery. These works not only present contents and particularities based on their symbolic character promoted by the Church, but also integrate plastic values of local origin.
Celem artykułu jest poszerzenie wiedzy ogólnej na temat ozdób liturgicznych, a także przybliżenie czytelnikom znaczenia zbiorów zgromadzonych w Bazylice Katedralnej, Klasztorze Św. Franciszka i Klasztorze Karmelitanek Bosych (Nazarenas) w Limie. Dzieła te nie tylko prezentują treści istotne z punktu widzenia języka symbolicznego propagowanego przez Kościół, lecz także inkorporują walory estetyczne pochodzenia lokalnego.
Źródło:
Sztuka Ameryki Łacińskiej; 2020, 10; 75-100
2299-260X
Pojawia się w:
Sztuka Ameryki Łacińskiej
Dostawca treści:
Biblioteka Nauki
Artykuł

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