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Wyświetlanie 1-15 z 1044
Tytuł:
Inwentarz zbiorów sztuki Prowincji Krakowskiej Zakonu OO. Kapucynów
Autorzy:
Gadacz, Kornel
Powiązania:
https://bibliotekanauki.pl/articles/1048385.pdf
Data publikacji:
1965
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
inwentarz
sztuka
zbiory
prowincja krakowska
zakon oo. kapucynów
kapucyni
Karków
inventory
art
collection of art
province of Krakow
Karkow
order
Capuchin
Źródło:
Archiwa, Biblioteki i Muzea Kościelne; 1965, 11; 119-200
0518-3766
2545-3491
Pojawia się w:
Archiwa, Biblioteki i Muzea Kościelne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Inwentarz zbiorów sztuki Prowincji Krakowskiej Zakonu OO. Kapucynów : (dok.)
Autorzy:
Gadacz, Kornel
Powiązania:
https://bibliotekanauki.pl/articles/1048350.pdf
Data publikacji:
1967
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
inwentarz
zbiory
sztuka
prowincja krakowska
zakon kapucynów
kapucyni
Kraków
inventory
repertory
art
province of Krakow
Capuchin monastery
Capuchin
Krakow
Źródło:
Archiwa, Biblioteki i Muzea Kościelne; 1967, 14; 205-226
0518-3766
2545-3491
Pojawia się w:
Archiwa, Biblioteki i Muzea Kościelne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rejestr prac zabytkoznawczych, badawczo-naukowych i dydaktycznych Katedry Historii Sztuki Koscielnej KUL za lata 1957/58-1980/81
Autorzy:
Smoleń, Władysław
Powiązania:
https://bibliotekanauki.pl/articles/1044414.pdf
Data publikacji:
1980
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
sztuka kościelna
KUL
historia sztuki
zabytki
muzeum diecezjalne
Lublin
church art
history of art
antiquity
diocesan museum
Źródło:
Archiwa, Biblioteki i Muzea Kościelne; 1980, 40; 127-160
0518-3766
2545-3491
Pojawia się w:
Archiwa, Biblioteki i Muzea Kościelne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dostęp ikonografii do bóstwa według mitologii i filozofii greckiej oraz według Biblii
Access of Iconography to God according to the Greek Mythology and Philosophy on the One Hand and to the Bible on the Other
Autorzy:
Popowski, Remigiusz
Powiązania:
https://bibliotekanauki.pl/articles/1955173.pdf
Data publikacji:
2000
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
sztuka religijna
ikonografia Boga
religious art
iconography of God
Opis:
Accessibility of iconography to God, iconography understood as the act of painting or sculpturing, depends on the degree of his attribute ἀπάϑεια and on the conception of his nature. The attribute ἀπάϑεια was ascribed to God by Greek philosophers. According to philological analysis ἀπάϑεια in the dimension of existence denotes not being in relation to anything; in the dimension of action – being intangible by anybody else's action, which is a consequence of the dimension of existence; and finally in the dimension of grammar – impossibility to be defined by any sentence, even syntactically active, and especially by a passive one. By ascribing to God the attribute ἀπάϑεια Greek philosophers made it impossible to make his effigies. Moreover, their God is neither anthropomorphic nor zoomorphic or, indeed, personal. However, philosophers have generally accepted God's active and forming relation towards the visible world. According to them, nature is an epiphany of God's existence, acting and attributes. It follows then that iconography could try to show God but only in the form of an allegory, symbol, conventional sign or an artistic allusion. Homer's religion encouraged art, especially sculpture, to present gods' and goddesses' effigies anthropomorphically. However, these effigies should show gods as ideally beautiful, young and full of dignity. In the Bible God is a person and man is his visible image. Moreover, although the Bible contains the implicit notion of ἀπάϑεια as God's attribute, with its anthropomorphic pronouncements about God and with its whole contents it shows that God himself by his act of creation put himself in a relation to the world; that he removed the barrier of ἀπάϑεια, approaching man and treating him as his friend and ally. This gives iconography access to God. However, it was God's Son who validated it by becoming a real man with individual mental and bodily traits. Even though there are still very strict injunctions in the Bible not to make any effigies, from the time of the Son's incarnation they may be considered occasional, temporary, pedagogical-psychological, conditioned by the historical context. And the Church has been following this interpretation. But has it been doing so without any reservations? God is only a spirit; but he remains an inconceivable mystery, and Christ is not only a man but also God. God cannot be fully experienced with the senses, comprehended with the reason, defined with the language or closed in space and time with a picture or sculpture. From this it follows that although the Church has accepted the iconography of God, the angels, the Virgin Mary and other saints, it still expects that the iconography should be Platonic in its spirit. Any effigy of God, or of Christ as God and man as well as any effigy of a saint should not rivet the gaze and thoughts of the man looking at it but it should lead this thought beyond time and space, i.e. to eternity; it should direct it to what is divine and not physical; it should incline one to contemplate God. Identification of the image with the presented person would be idolatry that is forbidden by God, but it would also be a mistake if a cult effigy only satisfied the sense of beauty and did not take one's thought to God.
Źródło:
Roczniki Humanistyczne; 2000, 48, 3; 5-20
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Co się dzieje z estetyką?
What is happening to aesthetics?
Autorzy:
Kiereś, Henryk
Powiązania:
https://bibliotekanauki.pl/articles/2015977.pdf
Data publikacji:
2002
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
estetyka
filozofia sztuki
dzieje pojęć
aesthetics
philosophy of art
history of notions
Opis:
In order to answer the question 'What is happening to aesthetics?' in the title of the article one has to decide what the problem of aesthetics consists in. The discipline is in a crisis, and sometimes its 'death' is announced and the rule of anti-aesthetics is proclaimed whereas the debate 'Aesthetics or anti-aesthetics?' ends up in a cognitive stalemate: aesthetics is tainted with the error of normativism and reductionism; and anti-aesthetics finishes in relativism. Hence a return is necessary to the classical philosophy (metaphysics) of art (Aristotle, Thomas Aquinas) that avoids errors of the aesthetic tradition and works out a universal and neutral criterion for evaluating purposefulness in art, and also does not interfere with the competence of humanities or of art criticism.
Źródło:
Roczniki Filozoficzne; 2002, 50, 1; 333-343
0035-7685
Pojawia się w:
Roczniki Filozoficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Misterium liturgii czy teatralne imitatio? Liturgiczna perspektywa w badaniach nad średniowiecznymi dramatyzacjami
A Mystery of Liturgy or a Theatrical Imitatio? A Liturgical Perspective in Studies of Medieval Dramatizations
Autorzy:
Skrzydło, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/1954673.pdf
Data publikacji:
2002
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
interdyscyplinarność
dramatyzowana liturgia
symbolizm
alegoryzm
liturgia a sztuka
ewolucja form teatralnych
inter-disciplinary studies
dramatized liturgy
symbolism
allegorism
liturgy vs. art
ewolution of theatrical form
Opis:
It was first of all literature and theatre historians who were the authors of studies and articles concerning liturgical dramatisations. However, such an approach is not complete; only an inter-disciplinary approach gives a full vision. Attention should be paid to at least a few other aspects, the most important of which seems to be liturgy. It turns out that knowledge of widely understood liturgy in numerous cases modifies our understanding of the texts of dramatisations to a considerable degree. They do not have to be understood as just a stage on the way to a complete theatrical spectacle. They can be received as texts with a completely different (from later dramatic forms) character; as ones that have their own specificity and are built by a somewhat different set of rules. The article is an attempt at seeing some of the most important issues connected with dramatisations in a new light: the origin of those texts, their structure, contents, the way they were performed, the way the symbols contained in them functioned, as well as the place they take in the medieval writings.
Źródło:
Roczniki Humanistyczne; 2002, 50, 1; 81-102
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ozdoby celtyckie na ziemiach polskich
Celtic Ornaments in the Polish Territories
Autorzy:
Szpindowska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1954298.pdf
Data publikacji:
2003
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
sztuka celtycka
Celtowie na ziemiach polskich
zdobnictwo epoki żelaza
ornamentyka celtycka
Celtic art
Celts in Polish territories
ornaments in the epoch of iron
Celtic ornamentation
Opis:
The author has presented and classified various types of ornaments used by Celts who inhabited the present territories of Poland from the beginning of the fourth century B.C. until the first decades of A.D. The ornaments have been divided according to the material from which they were made (metal, glass, sapropel, bone, and amber), for it was a material that imposed the form of an ornament and its decoration. The techniques that were applied then have been discussed, decorative motifs characters of various kinds of ornaments (clasps, bracelets, epaulettes, shin-guards, necklaces, buckles, rings, and pendants).
Źródło:
Roczniki Humanistyczne; 2003, 51, 4; 79-118
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz sztuki czeskiej według Wlastimila Hofmana
The picture of the Czech art according to Wlastimil Hofman
Autorzy:
Sienkiewicz, Jan Wiktor
Powiązania:
https://bibliotekanauki.pl/articles/1954058.pdf
Data publikacji:
2004
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
sztuka czeska
historia malarstwa i rzeźby od wieków średnich do XX wieku
Czech art
history of painting and sculpture from the Middle Ages to the 20th century
Opis:
The text is a scholarly interpretation of the manuscript of Wlastimil Hofman's lecture on Czech art, delivered on 16 January 1934 in the Jagellonian University in Cracow. The manuscript comes from Jiài Karásek's collection that since 1960 has been kept in Prague, in the collection of Památník národního písmnictví. Seventy years ago in his lecture Wlastimil Hofman gave an outline of the history of Czech painting, starting from the period of the early Gothic, up to the artists and works from the break of the 19th century that were most important for Czech art. The choice of the Czech artists and their works presented to Polish students was influenced by both the Polish painter's personal views of social-historical nature and his artistic preferences – Hofman knew well Prague's artistic circles of those times and historical and political determinants, also of art, of the then young Czechoslovakia. In the text of his lecture Wlastimil Hofman did not conceal the fact that he did not know the old Czech art very well, so he fully based his opinions about artists and about their works, especially of the Gothic, Renaissance and baroque periods, on opinions expressed by the Czech historians of art who specialized in those periods, like Vincenc Kramaø or Vojtéch Volavka. Only the 19th century Czech painting that Hofman knew well was treated by the Polish painter more broadly and in greater detail. In this part of his lecture the artist expressed his personal tastes and likings, especially in reference to Czech artists of the period of the so-called “national awakening” that started at the break of the 18th century, when, first on the grounds of the Enlightenment ideology, and then of the 19th century nationalism the Czechs undertook actions aiming at revival of their nation. Along with building the foundations of a new economic structure and modern forms of political life they created the basic elements of the literary Czech language, of literature and of their own national art. Owing to the efforts they undertook, in all domains of life – starting from economy and ending with the problems connected with developing the nation's creative powers and national consciousness (with a special emphasis on the element of education, ethics and art), Czech entered the 20th century as the only nation in Central and Eastern Europe that did not have its own state, and after World War I, in 1918, they established Czechoslovakia, a country that was an element of Europe of that time within the so-called Versailles order, and one that was the crowning of the many centuries of Czechs' and Slovaks' national aspirations.
Źródło:
Roczniki Humanistyczne; 2004, 52, 4; 391-418
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem narratora w średniowiecznej ikonografii objawień św. Jana na przykładzie Apokalipsy z Angers
The problem of the narrator in the medieval iconography of St. John’s Apocalypse on the example of Apocalypse of Angers
Autorzy:
Patyra, Jowita
Powiązania:
https://bibliotekanauki.pl/articles/1954039.pdf
Data publikacji:
2004
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Apokalipsa z Angers
Apokalipsa św. Jana − ikonografia
sztuka gotycka − XIV wiek
narracja wizualna
Apocalypse of Angers
St. John's Apocalypse – iconography
Gothic art – the 14th century
visual narration
Opis:
The monumental tapestry dating back to the 14th century with images coming from St. John's Apocalypse, kept at present in the Angers castle, was designed on the basis of the iconographic program of the so-called Anglo-French apocalypses. In the unusually rich cycle of images contained in that group of illuminated manuscripts the figure of St. John is stressed in an unprecedented way. The present text is an attempt at referring the way of presentation of the author and narrator of Apocalypse to the miniature tradition and at pointing to the function of his figure in the narrative structure of the work.
Źródło:
Roczniki Humanistyczne; 2004, 52, 4; 129-148
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zaślubiny Starego i Nowego Testamentu w sztuce XV wieku. Zarys problematyki badawczej
The wedding of the Old and New Testament in the 15th century art. An outline of the research problems
Autorzy:
Kuter, Seweryn
Powiązania:
https://bibliotekanauki.pl/articles/1954061.pdf
Data publikacji:
2004
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
estetyka recepcji
sztuka żydowska
zwyczaje weselne
domestic painting
ikonografia zaślubin biblijnych
ikonografia uczt biblijnych
esthetic of reception
Jewish art
wedding rituals
iconography of Biblical weddings
iconography of Biblical wedding parties
Opis:
Reception of Jewish art and rituals as well as their effect on Christian iconography of the wedding of the Old and New Testament, and especially the scenes of The Wedding of Mary and Joseph are the main objects of the author's research. They are concerned with the art of the end of the Middle Ages and the beginning of the modern age. The author's aim is not only to confront the Biblical narration with the art presentations and to distinguish the repertoire of Jewish symbols and objects made by handicraft presented in the scenes of weddings and of wedding parties, but also to show the infiltration of Jewish wedding rituals into Christian ones that can be seen in art.
Źródło:
Roczniki Humanistyczne; 2004, 52, 4; 451-460
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Uczynił sobie z ciemności ukrycie”. Ze studiów nad pisarstwem Tadeusza Micińskiego
„He Made a Higing for Himself out of Darkness”. From Studies of Tadeusz Miciński’s Writings
Autorzy:
Próchniak, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1953782.pdf
Data publikacji:
2005
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Tadeusz Miciński
Młoda Polska
poezja Młodej Polski
sztuka interpretacji
Young Poland
poetry of Young Poland
art of interpretation
Opis:
Tadeusz Miciński is a dark writer. His eruptive, feverish imagination – and what follows from it, his work – is enlivened by the paradox. However, the creaky tone of that work, the dark, depressive aura that pervades it, the meandering twists of obscure references and breaks should not deceive us. It is not the destructive power of those gestures that is the essence of the work of the author of Nietota. The stake of his project is the light of the truth, or putting it in a different way: revealing the metaphysical background, the core and the meaning of reality.
Źródło:
Roczniki Humanistyczne; 2005, 53, 1; 149-164
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ovid's 'Art of Love' I 41-134 in Three Translations
Autorzy:
Zagorski, M.
Wrotkowski, W.
Skwara, E.
Powiązania:
https://bibliotekanauki.pl/articles/702553.pdf
Data publikacji:
2005
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
OVID ('ART OF LOVE') - POLISH TRANSLATION
Opis:
The same passage of Ovid's manual for lovers is given here in three Polish translations: by Mariusz Zagorski (who supplied his translation with notes), Wojciech Wrotkowski and Ewa Skwara.
Źródło:
Meander; 2005, 60, 4; 428-436
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Profiles of Gifted Students in Turkey
Autorzy:
Gökdere, M.
Çepni, S.
Powiązania:
https://bibliotekanauki.pl/articles/28762918.pdf
Data publikacji:
2005-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
gifted children/students
gifted student identification system of Turkey
high-special level classrooms
science and art centers
survey method
Opis:
The purpose of this study is to determine the profiles and characteristics of the students at the six science-art centers in Turkey and to find out shortcomings of the current student identification system. In this research a case study approach was used, and data gathered with the help of a developed questionnaire. This questionnaire was delivered to 304 students who are educated at the Science-Art Centers in the cities of Bayburt, Bursa, İzmir, Sinop, Tekirdağ and Trabzon and 258 questionnaires returned. The data clarified that 36% of the sample’s mothers and 55% of their fathers were graduated from the universities. In addition, present gifted student-identification system is mostly concentrated on determining the students at upper class of society.
Źródło:
The New Educational Review; 2005, 6; 89-98
1732-6729
Pojawia się w:
The New Educational Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
State of the art in landing gear shock absorbers
Amortyzatory podwozi lotniczych
Autorzy:
Wolejsza, Z.
Kowalski, W.
Lafitte, A.
Mikulowski, G.
Remmers, L
Powiązania:
https://bibliotekanauki.pl/articles/213657.pdf
Data publikacji:
2005
Wydawca:
Sieć Badawcza Łukasiewicz - Instytut Lotnictwa
Tematy:
state of art in landing gear shock absorbers
Opis:
This report describes the state of the art inlanding gear design with a particular focus on shock absorbes. It gives an overview on the general design solutions and installation of landing gears into the airframe. An emphasis is placed on the function and calculation of loads acting on oleopneumatic shock absorbers, which are the main type of shock absorber considered within ADLAND. One part of this dokument covers the requirements which are the basis of the shock absorber design, materials used and related future developments within aerospace industry. A brief summary is given on research performed on active shock absorber so far.
Opracowanie przedstawia zagadnienia związane z konstrukcjami podwozi lotniczych, ze szczególnym uwzględnieniem problematyki amortyzatorów cieczowo-gazowych. Podano ogólne wskazówki dotyczące rozwiązań konstrukcyjnych różnych rodzajów amortyzatorów i ich adaptacji do pozostałej struktury samolotu. Szczególny nacisk położono na analizę obciążeń generowanych w amortyzatorach cieczowo-gazowych, które aktualnie są przedmiotem szczegółowych badań w ramach programu UE ADLAND. W opracowaniu opisano także wymagania stawiane obecnie nowo projektowanym konstrukcjom amortyzatorów lotniczych, a także wymieniono materiały z których są one wykonane. Przedstawiono zakres dotychczas zrealizowanych badań w obszarze podwozi adaptacyjnych oraz kierunki dalszego rozwoju i zastosowań amortyzatorów w lotnictwie.
Źródło:
Prace Instytutu Lotnictwa; 2005, 2(181); 1-54
0509-6669
2300-5408
Pojawia się w:
Prace Instytutu Lotnictwa
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 1044

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