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Wyświetlanie 1-15 z 75
Tytuł:
Wiek interpretacji
The Age of Interpretation
Autorzy:
Vattimo, Gianni
Powiązania:
https://bibliotekanauki.pl/articles/1391857.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Christianity
hermeneutics
interpretation
nihilism
Opis:
Gianni Vattimo, who is both a Catholic and a frequent critic of the Church, explores the surprising congruence between Christianity and hermeneutics in light of the dissolution of metaphysical truth. As in hermeneutics, Vatimo claims, interpretation is central to Christianity. Influenced by hermeneutics and borrowing largely from the Nietzschean and Heideggerian heritage, the Italian philosopher, who has been instrumental in promoting a nihilistic approach to Christianity, draws here on Nietzsche’s writings on nihilism, which is not to be understood in a purely negative sense. Vattimo suggests that nihilism not only expands the Christian message of charity, but also transforms it into its endless human potential. In “The Age of Interpretation,” the author shows that hermeneutical radicalism “reduces all reality to message,” so that the opposition between facts and norms turns out to be misguided, for both are governed by the interpretative paradigms through which someone (always a concrete, historically situated someone) makes sense of them. Vattimo rejects some of the deplorable political consequences of hermeneutics and claims that traditional hermeneutics is in collusion with various political-ideological neutralizations.
Źródło:
Przestrzenie Teorii; 2013, 20; 237-246
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wierność epistolarna Witkacego
Epistolary faithfulness of Witkacy
Autorzy:
Szkudlarek, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1392295.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Christianity
hermeneutics
interpretation
nihilism
Opis:
Epistolary writing has been known for ages and has won a significant position in the history of literature. One of the most intriguing exchanges of letters known from the 20th century started nine days before the wedding of the renowned artist Stanisław Ignacy Witkiewicz with an aristocrat Jadwiga von Urunh. The first letter is dated to the 21st of March 1923 and the last on the 24th of August 1939. The letters of Witkacy to his wife have been for many years surrounded by a veil of mystery. They can be read as a history of a certain relationship, a study of loneliness, a historical and social life chronicle or as a comment on artistic activity. The set comprises 1278 letters, postcards and wires. In this edition it is divided into two equal parts of which the first one includes the letters, while the second presents the commenting notes written by Professor Janusz Degler. The editors divided the whole set into four parts of which three volumes of Witkacy’s letters to his wife from the years 1923–1927, 1928–1931, 1932–1935 have already been published. Unfortunately, none of the letters written by Jadwiga to her husband has been found, so we know the correspondence exclusively from the side of a daily writer Stanisław Ignacy Witkiewicz.
Źródło:
Przestrzenie Teorii; 2011, 16; 237-252
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dioniso a Milano: le atopie di Milo De Angelis
Dionysios in Milan: Milo De Angelis and atopies
Autorzy:
Baldacci, Alessandro
Powiązania:
https://bibliotekanauki.pl/articles/1050744.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
City
suburb
atopy
nihilism
tragedy
Opis:
The essay focuses on Milo De Angelis’s poetic work, underlying his representation of the city of Milan as a tragic and mythic place, crossed by threatening energies on the basis of which the author emphasizes his dramatic tension with reality.
Źródło:
Studia Romanica Posnaniensia; 2014, 41, 4; 5-9
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nihilism and the Problem of Future: Biodiversity Destruction As One of the Great Dangers of Technology?
Autorzy:
Oliveira, Jelson
Powiązania:
https://bibliotekanauki.pl/articles/781115.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
biodiversity
biotechnology
nihilism
Hans Jonas
Opis:
Starting from the example of the Amazon, in Brazil, we intend to analyse how technology (mainly in its biotechnological face) appears as a threat to biodiversity, insofar as it acts through a reduction and standardization: technology needs to reduce diversity to something knowable to be able to control and exploit, in view of human necessities. In this sense, according to Hans Jonas, it is necessary to ask about the horizon of the future giving preference to the negative prognosis (fear rather than hope) to avoid that the harmful consequences of nihilism (marked by the absence of criteria capable of guiding technological action) affect life decisively. In this case, the Enhancement project proposed by transhumanism appears as yet another chapter in the history of risks represented by modern technology.
Źródło:
Ethics in Progress; 2017, 8, 1; 147-155
2084-9257
Pojawia się w:
Ethics in Progress
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Die nihilistischen Protagonisten im Roman Peace von Alexa Hennig von Lange
The Nihilistic Protagonists in the Novel Peace by Alexa Hennig von Lange
Autorzy:
Sobótka, Brygida
Powiązania:
https://bibliotekanauki.pl/articles/2020893.pdf
Data publikacji:
2016
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
nihilism
loneliness
existential fears
addiction
anorexia
Opis:
Alexa Hennig von Lange depicts in the novel Peace the nihilism of the protagonists. They have a penhant for self-destruction. The figures suffer from alcoholism, drug addiction, depressions, apathy and anorexia. Alexa Hennig von Lange masterly portrays in her novel loneliness of the protagonists. She depicts the extreme border situations of the figures such as: suffering and perturbation of their identity. Alexa Hennig von Lange masterly depicts the complexity of the problems that afflict the young generation. Her works, particularly Peace, deal with the existential fears of the youth. The protagonist Joshua grows up in the pathological family and has to interfere in the conflicts of the adults, despite his own adolescence problems. The teenager confides that he is very lonely and cannot depend on his parents. This novel highlights the profound significance of childhood and parents, who prepare their children for the social life. It is the past, particularly childhood, that appears as the moral values foundation in life of the protagonists. The author reveals the grief of the protagonists after their lost childhood. Peace explicitly refers to the existentialism as it portrays suffering, death and existential fears. The text emphasizes the overriding value of the existence. Peace refers to the works of Simone de Beauvoir.
Źródło:
Academic Journal of Modern Philology; 2016, 5; 157-165
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hamlet Underground: Revisiting Shakespeare and Dostoevsky
Autorzy:
Thurman, Chris
Powiązania:
https://bibliotekanauki.pl/articles/648299.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Shakespeare
Dostoevsky
Hamlet
Hamletism
underground
nihilism
Opis:
This is the first of a pair of articles that consider the relationship between Dostoevsky’s novella Notes from the Underground and Shakespeare’s Hamlet. Acknowledging Shakespeare’s well-known influence on Dostoevsky and paying close attention to similarities between the two texts, the author frames the comparison by reflecting on his own initial encounter with Dostoevsky in David Magarshack’s 1968 English translation. A discussion of previous Anglophone scholarly attempts to explore the resonance between the texts leads to a reading of textual echoes (using Magarshack’s translation). The wider phenomenon of Hamletism in the nineteenth century is introduced, complicating Dostoevsky’s national and generational context, and laying the groundwork for the second article-which questions the ‘universalist’ assumptions informing the English translator-reader contract.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2018, 18, 33; 79-92
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nicość realna w interpretacji Heideggera, Sartrea, Weltego, Nehera i filozofów Bliskiego i Dalekiego Wschodu
Real Nothingness in the Interpretation of Heidegger, Sartre, Welte, Neher and Philosophers of the Near and Far East
Autorzy:
Ochmann, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/607159.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
nothingness
nihilism
philosophy
ontology
Sartre
Heidegger
Opis:
Nothingness is a multifaceted problem. The basic difficulty connected with it emerges in the philosophy of language, as it hardly possible to name and find an appropriate term for that which does not exist. The problem proper arises when we are to justify nothingness, to support its fact in a rational, and at least partly, also in a scientific mode. Reflection on nothingness is taken up today in six cultures: in the philosophical thought of the West (Heidegger, Sartre, Welte, Neher), in Jewish theology, in Christian theology, and in Hinduistic, Buddhist and Taoistic thought. In each of those traditions the issue of nothingness is associated with a different context. In the West it is considered philosophically in ontology, where it serves to explain the problem of being (Heidegger) or to contradict what is considered as being (Nietzsche). In theology nothingness manifests itself in several contexts: in connection with the doctrine of creation out of nothingness (creatio ex nihilo), where it appears as that which did not exist previously or as that which might have existed but from a later perspective is defined as nothingness “with respect to what is at present” and when God is considered to be Nothingness.
Źródło:
Poznańskie Studia Teologiczne; 2009, 23; 247-264
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nietzschego oblicza nihilizmu
Autorzy:
Mazur, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/667985.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
nihilism
values
methaphysics
aesthetics
transvaluation
nothingness
Opis:
This article presents the main issues relating to the Nietzschean interpretation of nihilism in its diverse and ambiguous manifestations. Furthermore, it attempts to show the relationship between the rejection of strictly metaphysical discourse and aestheticization of thinking, accomplished in the work of the German philosopher. With such a perspective the article attempts to defend the validity of the „transvaluation of values” thesis.
Źródło:
Racjonalia. Z punktu widzenia humanistyki; 2014, 4
2391-6540
2083-9952
Pojawia się w:
Racjonalia. Z punktu widzenia humanistyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dialectic into Dialogos and the Pragmatics of No-thingness in a Time of Crisis
Autorzy:
Vervaeke, John
Mastropietro, Christopher
Powiązania:
https://bibliotekanauki.pl/articles/1833802.pdf
Data publikacji:
2021-10-30
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
dialectic
dialogos
nothingness
nihilism
metanoia
parable
koan
Opis:
Nishitani and Neoplatonism both argue that overcoming the nihilism of non-being requires a confrontation with, and cultivation of, the experience of nothingness. This paper argues that the appreciation of nothingness is best realized in the practice of dialectic into dialogos, as adapted from the Socratic tradition. We argue that dialectic equips the self for the confrontation with nihilism, and is best suited to transforming the privative experience of nothingness into a superlative, collective experience of no-thingness. The practice of dialectic into dialogos exapts the nature of the self as a synthesis of being and non-being, and possibility and necessity, in and through its relationship to others, and to its own otherness within self-transcendence. Dialectic into dialogos can thereby become a central philosophical practice for responding to our contemporary meaning crisis by affording a generative process of meaning-making that can lead to personal and cultural transformation and communion within the culture – renewing communitas for new communities.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2021, 5, 2; 58-77
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Un “libro terribile”. L’Imperio di De Roberto tra disincanto politico e nichilismo
A “terrible book”. L’Imperio of De Roberto between political disillusionment and nihilism
Autorzy:
Ferraro, Gianfranco
Powiązania:
https://bibliotekanauki.pl/articles/1050791.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
De Roberto
nihilism
disenchantment
pessimism
political novel
Opis:
In the correspondence with his mother, Federico De Roberto defined its own novel L’Imperio as a “a terrible book”. Published in 1929, when the Sicilian writer was not longer alive, this incomplete novel concluded the project of literary triptych including the novels L’Illusione and I Viceré. What could arouse dismay and abhorrence in its readers was the nihilistic outcome of the plot. In order to explain it, the authors of the present paper show how the political disillusionment, embodied in the novel by the figure of the young journalist Federico Ranaldi, discloses for De Roberto the horizon of European nihilism. Being symbolic of the Italian generation born after the Unification, Ranaldi loses his political ideals when he understands that the politicians have no faith and are no longer right. Disgusted by the conduct of Consalvo Uzeda di Francalanza, the last heir of the ancient “viceroys” of Sicily, now the minister of the Kingdom, Ranaldi is overwhelmed by a radical, pessimistic vision of the world. Thus it is evident that De Roberto was extremely influenced by such philosophers as Giacomo Leopardi, Arthur Schopenhauer and Eduard von Hartmann.
Źródło:
Studia Romanica Posnaniensia; 2014, 41, 4; 61-75
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nihilism and the Roots of Crisis in American Democracy: A Diagnosis of Cornel West
Autorzy:
Jeliński, Julian
Powiązania:
https://bibliotekanauki.pl/articles/628291.pdf
Data publikacji:
2014
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
Cornel West, Nihilism, Prophetic Philosophy, American Democracy
Opis:
Cornel West’s diagnosis of the crisis of the American democracy is the subject matter of this article. Analyzing the condition of the American democracy of the end of XX and the beginning of XXI centuries, C. West focused on the individual, existential character of the crisis. The diagnosed state had according to him much affect not only on political issues, but first and foremost on the spread of nihilism among American citizens. Nihilism – is understood in the C. West as senselessness of life and low self-esteem is the subject matter of this article.
Źródło:
Journal of Education Culture and Society; 2014, 5, 2; 43-52
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dostoevsky Overcomes Nihilism: Luigi Pareyson Reads The Brothers Karamazov
O przezwyciężaniu nihilizmu. Co Luigi Pareyson odkrył w Braciach Karamazow Dostojewskiego
Autorzy:
Blanco-Sarto, Pablo
Powiązania:
https://bibliotekanauki.pl/articles/1920301.pdf
Data publikacji:
2021-06-05
Wydawca:
Papieski Wydział Teologiczny we Wrocławiu
Tematy:
Christianity
nihilism
Nietzsche
suffering
redemption
chrześcijaństwo
nihilizm
cierpienie
odkupienie
Opis:
“Dostoevsky’s novels are pure philosophy,” declared Luigi Pareyson (1918–1991), an Italian existentialist. He presents a Christian Dostoevsky capable of overcoming the nihilistic onslaught of a post-Christian culture, both in its harshest and “weaker” and postmodern versions. Nietzsche finds a good antagonist in Dostoevsky, who, being earlier in time, will be able to overcome Nihilism. Before being a Christian, the Russian novelist had already descended into hell out of nowhere, in his exile in Siberia. He survived this ordeal − which inevitably led him to nowhere − and paradoxically found Jesus Christ. That is why his novels and his ideas can offer a shelter at this turn of the millennium?
„Powieści Dostojewskiego są czystą filozofią” – twierdził włoski egzystencjalista Luigi Pareyson (1918–1991), przedstawiając chrześcijanina Dostojewskiego jako zdolnego do przezwyciężenia nihilistycznego natarcia na postchrześcijańską kulturę, zarówno w jego najostrzejszej, jak i „słabszej” postmodernistycznej wersji. Nietzsche również znajduje w Dostojewskim – chronologicznie wcześniejszym – odpowiednią osobę do przezwyciężenia nihilizmu. Rosyjski powieściopisarz, zanim stał się chrześcijaninem, zstąpił znikąd do piekła, na zesłanie na Syberii, by przeżyć mękę, która nieuchronnie miała prowadzić donikąd, a doprowadziła do odnalezienia Jezusa Chrystusa. Ten paradoks sprawia, że w jego powieściach i ideach możemy odnaleźć schronienie na przełomie tysiącleci.
Źródło:
Wrocławski Przegląd Teologiczny; 2021, 29, 1; 393-411
2544-6460
Pojawia się w:
Wrocławski Przegląd Teologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Post-Secular Turn: Enlightenment, Tradition, Revolution
Autorzy:
Bielik-Robson, Agata
Powiązania:
https://bibliotekanauki.pl/articles/451485.pdf
Data publikacji:
2019-10-31
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
post-secularism
enlightenment
tradition
revolution
Marranism
nihilism
naturalism
indifferentism
Opis:
The aim of this essay is to give a general and accessible overview of the so called “post-secular” turn in the contemporary humanities. The main idea behind it is that it constitutes an answer to the crisis of the secular grand narratives of modernity: the Hegelian narrative of the immanent progress of the Spirit, as well as the enlightenmental narrative of universal emancipation. The post-secularist thinkers come in three variations which this essay names as Enlightenmental, Traditional, and Revolutionary. The first camp wishes to reconceptualize the place of religion in the seemingly secularized modern paradigm and see if revelation can cooperate with enlightenment, that is, if it can support the modern emancipatory values in the dangerous moment of their “crisis of legitimation.” The second one emphasizes the need to recover the institutional aspect of Christian theology which must be reinstated once again as the “queen of the sciences,” or as the true “invisible hand” operating behind social theories. And the third party, which simultaneously opposes both, enlightenment and tradition, revolves mostly around the “revolutionary figure” of Saint Paul and constitutes a radically leftist answer to the crisis of Marxism with its scientific insight into the objective laws of history.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2019, 3, 3(9); 57-82
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Norwid nieznany – śmierć Boga w Pierścieniu Wielkiej Damy
Norwid unknown – the death of God in The Ring of Great Lady
Autorzy:
Grabowski, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/967449.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Norwid; Heidegger
nihilism
symulacrum
Nietzsche
romantyzm
nihilizm
symulakrum
romanticism
Opis:
Artykuł jest analizą utworu Norwida pod kątem problematyki związanej ze Śmiercią Boga. Zwracam uwagę na styczność wniosków Norwida z założeniami Nietzschego i Heideggera. Według autora Wiedzy radosnej umarły Bóg pozostawia po sobie Nicość. To właśnie zagospodarowanie tej przestrzeni jest głównym problemem, z jakim zmierzą się bohaterowie Pierścienia Wielkiej Damy. Teatralizacja ich zachowań i sprowadzenie przedmiotów sakralnych do rangi rekwizytów będzie próbą symulacji transcendencji. Norwid wykorzystuje konwencję teatru w teatrze i deus ex machina w sposób ironiczny. To własnie ironia stanie się podstawą nowego gatunku dramatycznego, jakim miała być Norwidowska biała tragedia. Pierścień Wielkiej Damy jest więc nie tylko próbą głębokiej refleksji nad kryzysem metafizyki, ale również próbą wprowadzenia nowej jakości do europejskiej dramaturgii.
The article is an analysis of Norwid’s work in terms of the theme of the Death of God. I focus on the proximity between Norwid’s conclusions and Nietzsche and Heidegger’s presumptions. According to the author of The Joyful Wisdom, dead God leaves Nothingness behind himself. The filling of this space is the major problem which the protagonists of the Pierścień Wielkiej Damy will face. Through dramatization of their behavior and downgrading religious objects to the role of props they will be an attempt at simulating transcendence. Norwid uses the conventions of a play within a play and deus ex machina ironically. It is irony that will become the basis for a new kind of drama, which originally a Norwidian white tragedy was supposed to be. Pierścień Wielkiej Damy is not only an attempt to at a deeper reflection on the crisis of metaphysics, but also to introduce new quality to European drama.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2013, 22, 4
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Heidegger’s phenomenology of the invisible
Autorzy:
Serafin, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/437503.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Martin Heidegger; phenomenology; ontology; theology; physics; metaphysics; truth; nihilism
Opis:
Martin Heidegger has retrospectively characterized his philosophy as “phenomenology of the invisible”. This paradoxical formula suggests that the aim of his thinking was to examine the origin of the phenomena. Furthermore, Heidegger has also stated that his philosophy is ultimately motivated by a theological interest, namely the question of God’s absence. Following the guiding thread of those remarks, this essay analyzes the essential traits of Heidegger’s thought by interpreting them as an attempt to develop a phenomenology of the invisible. Heidegger’s attitude towards physics and metaphysics, his theory of truth, his reading of Aristotle, his concept of Dasein, his understanding of nothingness are all situated within the problematic context of the relation between the invisible and the revealed. Heidegger’s thought is thereby posited at the point of intersection of phenomenology, ontology, and theology.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2016, 6, 2; 313-322
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
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