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Tytuł:
„Zwijanie” ponowoczesności. O nowym realizmie Maurizia Ferrarisa
“Rolling up” postmodernity. On the new realism of Maurizio Ferraris
Autorzy:
Zawadzki, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1038571.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Verwindung
postmodernity
hermeneutics
new realism
ontology
aesthetics
documentality
Opis:
This article presents the views of Maurizio Ferraris, one of today’s best-known Italian middle-generation philosophers. Since the end of the 1990s, he has been constructing a concept he calls new realism. It is a critique of postmodernism defined in the broad sense, which, in Ferraris’ view, is characterised by the primacy of interpretation over facts, epistemology over ontology, conceptual schemes over reality. Ferraris assumes the possibility of strictly separating the two cognitive activities: the primary determination of facts and their secondary interpretation. Ferraris’ realist views are also expressed in his aesthetics and the concept of social document, founded on the notion of trace understood in the material sense. The author also attempts to critique Ferraris’ views on his understanding of realism and interpretation.
Źródło:
Przestrzenie Teorii; 2020, 34; 99-115
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Beyond the Battlefields of Memory: Historical Traumas and Hungarian Literature
Poza pobojowiskami pamięci. Historyczne traumy i literatura węgierska
Autorzy:
Kisantal, Tamás
Powiązania:
https://bibliotekanauki.pl/articles/913153.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
collective memory
traumatic events
competitive and multidirectional memory
contemporary historical fiction
new realism
pamięć kolektywna
wydarzenia traumatyczne
pamięć rywalizująca i wielokierunkowa;
współczesna proza historyczna
nowy realizm
Opis:
One can describe the contemporary Hungarian collective memory as an interpretational field of some traumatic historical events of the twentieth century. The essay aims to sketch some important tendencies of the literary representation of these events after the millennium. At first, it outlines the wider social and political contexts of these literary works. Secondly, it models the current Hungarian cultural field as an opposition between two strategies of memory labeling them in Michael Rothberg’s terminology as competitive and multidirectional ones. These approaches to the past are also associated with different ideological implications and literary canons. Finally, with a brief overview of some recent novels, the essay demonstrates some pathways of representing multidirectional attitudes to the past in the Hungarian literary fiction of the 2000s.
Współczesną węgierską pamięć zbiorową można opisać jako pole interpretacyjne kilku traumatycznych wydarzeń historycznych XX w. Artykuł ma na celu wskazanie ważnych tendencji w reprezentacji literackiej tych wydarzeń w nowym tysiącleciu. Na początku autor szkicuje konteksty społeczne i polityczne utworów literackich. Następnie przedstawia współczesną kulturę węgierską jako przeciwieństwo dwóch strategii pamięci, posługując się terminologią Michaela Rothberga – rywalizacyjnej i wielokierunkowej. Takie podejście do przeszłości wiąże się z różnymi implikacjami ideologicznymi, jak również kanonami literackimi. Wreszcie, wraz ze wskazaniem wybranych najnowszych powieści, autor pokazuje kilka sposobów reprezentacji wielokierunkowego podejścia do przeszłości w węgierskiej literackiej prozie nowego tysiąclecia.
Źródło:
Porównania; 2020, 27, 2; 47-58
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dramat Andrzeja Wróblewskiego
Andrzej Wróblewski’s Drama
Autorzy:
HENDRYKOWSKI, MAREK
Powiązania:
https://bibliotekanauki.pl/articles/920935.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
artist
socialist realism
ideology
art
painting
abstraction
personal experience
revolution
society
war
new world
drama
Opis:
Andrzej Wróblewski (1927-1957) was one of the most important Polish modern painters of his time, closely connected both with key issues of the 20th-century European avant-garde in art, as well as socialist realism in post- war Poland. The article is a sui generis glossa to Wróblewskis retrospective exhibition “Recto/Verso” presented in Winter-Spring 2015 by the Museum of Contemporary Art in Warsaw.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 292-299
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Józefa Sawicka (Ostoja) – prekursorka ideału Nowej Kobiety w literaturze polskiej końca XIX wieku. Próba portretu zapomnianej nowelistki
Józefa Sawicka (Ostoja) – Precursor of the Ideal ot the New Woman in Polish Literature of the End of the XIX Century. Attempt of a Portrait of a Forgotten Novelist
Autorzy:
Banot, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/29520275.pdf
Data publikacji:
2022-12-20
Wydawca:
Uniwersytet Bielsko-Bialski
Tematy:
Józefa Sawicka-Ostoja
pisarstwo kobiet końca XIX wieku
Nowa Kobieta
realizm
naturalizm
modernizm
women’s writing at the ending of 19th century
New Woman
realism
naturalism
modernism
Opis:
Józefa Sawicka (Ostoja) is one of the many woman writers of the second half of the 19th century who were inspired by the works of Eliza Orzeszkowa. In correspondence with Sawicka, the author of Marta [Martha] expressed her talent with great serenity, as did the critics (including Piotr Chmielowski). What made the almost brilliant writer of 1881 a forgotten literary woman shortly after her death in 1920? Edmund Jankowski, commenting on Orzeszkowa’s correspondence with Ostoja, claims that Chmielowski simply overestimated the talent of the author of the debut Ulicznik. Is not such a declaration a simplification? Definitely yes. In my article I deal with Sawicka and her selected works – an author who deals with the problems of women’s emancipation and uses the feminocentric literary tradition, a naturalist (or perhaps a realist?), a woman forced by her circumstances to earn a living. I wonder if the figures of the heroines created by Ostoja can be regarded as one of the first realisations of the pattern of the New Woman in Polish literature. In addition, I am interested in the question of why the person and the work of Sawicka have been forgotten so quickly and permanently.
Źródło:
Świat i Słowo; 2022, 38, 1; 217-232
1731-3317
Pojawia się w:
Świat i Słowo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konstruktywizm i pedagogika różnorodności w kontekście edukacji włączającej
Constructivism and diversity pedagogy: learning in the context of inclusive education
Autorzy:
Rzeźnicka-Krupa, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/1387022.pdf
Data publikacji:
2020-12-31
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
constructivism
diversity pedagogy
inclusive education
universal design for learning
new realism
Opis:
Constructivism is a very complex and ambiguous concept, whereas the constructivist approach is mostly presented in three main aspects: ontological and epistemological (conditions and capabilities of reality existence and cognition), psychological (mental processes of knowledge constructing) and pedagogical (processes of learning and creating concepts). In this article I am searching the answer to two basic questions, the first one reading: What are the potential results of the constructivist approach in connection with diversity pedagogy and inclusion learning for education and the functioning of schools? The posthuman critique of social constructivism formulates the second of the questions I want to answer in the text: how can the constructivist approach cooperate with some new contemporary social theories, especially the new realism (materialism) and pedagogy of things? Employing the Piagetian concept of decentration, I take a critical look at how and in what sense constructivism could influence the change of meanings ascribed to categories like norm(s), learning difficulties or special educational needs, as well as reformulate the general philosophy of education and eventually affect the functioning of schools as accessible learning environments.
Źródło:
Problemy Wczesnej Edukacji; 2020, 51, 4; 153-166
1734-1582
2451-2230
Pojawia się w:
Problemy Wczesnej Edukacji
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miejsce filozofii chemii w filozofii przyrodoznawstwa
The Position of Philosophy of Chemistry in Philosophy of Natural Sciences
Autorzy:
Zeidler, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/2013404.pdf
Data publikacji:
2006
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
filozofia chemii
filozofia nauk przyrodniczych
nowy eksperymentalizm
nauka laboratoryjna
stabilność nauki laboratoryjnej
redukcja chemii do fizyki
realizm laboratoryjny
kryteria istnienia przedmiotów teoretycznych
model teoretyczny
intersubiektywna sprawdzalność
semiotyka chemii
philosophy of chemistry
philosophy of natural sciences
new experimentalism
laboratory science
stability of laboratory science
reduction of chemistry to physics
laboratory realism
criteria of existence of theoretical entities
theoretical model
inter-subjective testability
semiotics of chemistry
Opis:
The paper is focused on the role of philosophy of chemistry in the philosophy of natural sciences. The author claims that chemistry is a paradigmatic example of laboratory science in Ian Hacking’s sense. Therefore a philosophical and methodological analysis of chemistry can change or modify several theses of the philosophy of natural sciences. Some of them are as follows: the stability of laboratory science; the primacy of experimental practice over the theoretical one in chemistry; the problem of the reduction of chemistry to physics; the influence of scientific instruments on the growth of chemical knowledge; the problem of the empirical criteria of the existence of theoretical entities; the role of theoretical models and theoretical modelling in laboratory sciences; the problem of using the principle of inter-subjective testability in chemistry; the semiotic peculiarities of chemistry.
Źródło:
Roczniki Filozoficzne; 2006, 54, 2; 313-333
0035-7685
Pojawia się w:
Roczniki Filozoficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nadzieja i nowy realizm. Apel o zmiany w szkolnym czytaniu
Hope and New Realism. An Appeal for Changes in Literature Reading at School
Autorzy:
Handzel, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1954072.pdf
Data publikacji:
2021-12-30
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
factfulness
new realism
optimism
values
reading at primary school
Opis:
This article presents the ideas of factfulness created by H. Rosling and “new realism” presented by R. Bregman in his book Homo Sapiens. The author connects these ideas with subjects and topics present in obligatory reading according to “Podstawa Programowa” [core curriculum]. The author is convinced that “people are better than we think” (Bregman, 2020) and that we should use critical thinking and the idea of factfulness. In this article, she analyses whether those obligatory books are somehow still up-to-date for primary school students and presents some alternative books worth reading in class in order to bring hope and an optimistic look at the future of humanity.
Źródło:
Paidia i Literatura; 2021, 3; 1-15
2719-4167
Pojawia się w:
Paidia i Literatura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nowa rola przedmiotu w choreografiach współczesnych: Witalistyczna materialność w twórczości Aleksandry Borys
The New Role of an Object in the Contemporary Choreography Practices: The Vitality of Matter in the Works of Aleksandra Borys
Autorzy:
Guzy, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/34112083.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
zwrot ku rzeczom
choreografia współczesna
Aleksandra Borys
Karen Barad
realizm agencyjny
nowy materializm
materiality turn
contemporary choreography
agential realism
new materialism
Opis:
Artykuł stanowi próbę poszerzenia polskiego dyskursu teatrologicznego o analizę współczesnych praktyk choreograficznych skoncentrowanych na zagadnieniu wykorzystania przedmiotu w przedstawieniach tanecznych i eksplorujących nowe sposoby rozumienia materialności. Rozważania oparte są na założeniu, że twórcy nowej choreografii postrzegają materię jako aktywny czynnik, który na różne sposoby może być włączany w proces twórczy. Autor przedstawia i interpretuje dwa projekty artystyczne Aleksandry Borys: instalację Air Mapping oraz choreografię Dancing the Dance. Prace te zestawia z teorią realizmu agencyjnego Karen Barad. Stara się wykazać, że materia w twórczości Borys może być postrzegana przez pryzmat jej procesualnego charakteru, a nie jako niezmienna podstawa rzeczywistości.
This article attempts to broaden the Polish theater discourse into analyzing modern choreography practices, focused on the use of objects in dance performances and exploring new ways of understanding materiality. The considerations are based on the assumption that matter is perceived by the creators of new choreography as an active factor which can be incorporated in the artistic process in various ways. The author presents and interprets two artistic projects by Aleksandra Borys, the installation Air Mapping and the choreography Dancing the Dance, and juxtaposes them with Karen Barad’s theory of agential realism. He aims to demonstrate that in Borys’s work matter can be perceived as a process rather than as an unchanging basis of reality.
Źródło:
Pamiętnik Teatralny; 2021, 70, 3; 167-185 (pol); 7-27 (eng)
0031-0522
2658-2899
Pojawia się w:
Pamiętnik Teatralny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polacy w Atelier Fernand Léger (1948-1950)
Poles at the Fernand Léger Atelier (1948-1950)
Autorzy:
Zychowicz, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/1901919.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Fernand Léger
Atelier Fernand Léger
Pablo Picasso
Oskar Hansen
Lech Kunka
Kazimierz Ostrowski
Tadeusz Romanowski
komunizm
kultura francuska
Paryż
stypendium rządu francuskiego
Nadia Léger
sztuka abstrakcyjna
nowy realizm
realizm socjalistyczny
realizacje ścienne
sztuka zaangażowana
sztuka nowoczesna
Francuska Partia Komunistyczna
communism
French culture
Paris
French Government scholarships
abstract art
new realism
socialist realism
murals
engaged art
modern art
French Communist Party
Opis:
In Polish literature devoted to art history one can easily find information concerning scholarships of Oskar Hansen, Lech Kunka, Kazimierz Ostrowski and Tadeusz Romanowski at Fernand Léger Atelier in Paris. The subject is not strongly present in Polish art history therefore it is worth reconstruction. It shows that the French culture was still very important for Poles. What is more, the painters were in Paris at the very important moment in the French history, when existentialism and spectacular activity of the French Communist Party were developing. Abstraction and surrealism were very popular in visual arts. But Polish students were influenced by artists associated with communism. The students received scholarships funded by the French Ministry of Foreign Affairs which worried about strong influence of American culture in Europe at this time. That was the reason why so many students from Eastern Europe got this kind of scholarship. On the other hand it was the last moment to get it. The relations between two countries were getting worse and worse. The Polish students could study at the Academy of Fine Arts for free. Nevertheless, they chose the Fernand Léger Atelier. It is possible to reconstruct the nature of studies at the Fernand Léger Atelier thanks to memoirs of his students. I refer here to texts written by the Pole, Oskar Hansen, the Frenchman, Pierre Faniest and the American, Bruce Gregory. The master attended the atelier only once a week therefore the school was managed by his assistants strongly influenced by communist ideology. The atelier was located at a large building in Montmarte and was full of still lifes à la Léger. Most of students imitated the works of the master and only strong individuals kept their style. Correction of the works was quite bizarre. Léger used to say just one sentence and the best not one could get was „C'est costaud” („It's strong”). The master gave also lectures at the Atelier, showed his works and avant-garde films. Every year Léger organised the competition and exhibition of students’ works at the gallery outside Atelier. The scholarship at the Fernand Léger Atelier was particularly important for Lech Kunka and to a lesser extent for Kazimierz Ostrowski. Kunka was interested in the master’s works created during his stay in the United States (paintings where colour was separated from the line). He mixed also features of Léger style (thick black contour with pure colours) with fascination with Pablo Picasso or works from the Museum of the Human Being. Kazimierz Ostrowski was mainly inspired by the work Les Constructeurs. He mixed influences of Fernand Léger with Klee or Matisse's works. Probably also mural paintings created by both artists after return to Poland were under influence of Fernand Léger. The end of the French scholarship was astonishing. Kazimierz Ostrowski's exhibition in Sopot in 1950 was closed after few hours. Oskar Hansen didn’t take part in Polish artistic life. The cultural policy changed diametrically. The socrealism came and in the next few years nobody could take advantage of foreign scholarships.
Źródło:
Roczniki Humanistyczne; 2012, 60, 4; 253-285
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Propagandowy obraz społeczeństwa powojennego Elbląga w powieści Janiny Dziarnowskiej pt. „Miasto nowych ludzi”
The propaganda image of post-war Elbląg society in Janina Dziarnowskas novel "The City of New People"
Autorzy:
Gliniecki, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/2147929.pdf
Data publikacji:
2019-12
Wydawca:
Wyższe Seminarium Duchowne Diecezji Elbląskiej w Elblągu
Tematy:
Miasto nowych ludzi
powieść
realizm socjalistyczny
Elbląg
Dziarnowska
przebudowa społeczeństwa
1945
Ziemie Odzyskane
propaganda
"City of new people"
novel
socialist realism
formation of society
rok 1945
Recovered lands
Opis:
"Miasto nowych ludzi" to tytuł powieści socrealistycznej z początku lat 50. XX w., która opisywała budowę nowej społeczności po II wojnie światowej na tzw. Ziemiach Odzyskanych. Jej autorką była Janina Dziarnowska, polska pisarka, działaczka społeczna, komunistka. W powieści przedstawiony został nienazwany w treści Elbląg jako przykładowe miasto, w którym ścierały się siły zwycięskiej lewicy z przeciwnikami chcącymi przywrócić dawny ustrój kraju. Powieściowy wizerunek miasta i osiedlających się tu ludzi, niejednokrotnie dokładny w detalach i dosadności, propagandowo i jednostronnie przedstawiał dokonującą się po wojnie przebudowę społeczną.
"City of new people" is a title of socialist realistic novel from early 1950s, which described the development of new communities in postwar Recovered Territories. An author of the novel, Janina Dziarnowska, was a Polish writer, social activist and communist. In the novel, the city of Elbląg (yet unnamed in the plot) was presented as an example of a place where the victorious left wing influences were fighting with the opponents wanting to restore country’s previous political system. Image of the city and its’ settlers was described in the novel with great detail and bluntly. At the same time, it was full of propaganda and one-sided depictionof the social restoration after Second World War.
Źródło:
Studia Elbląskie; 2019, 20; 127-146
1507-9058
Pojawia się w:
Studia Elbląskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja twórczości Francisa Bacona w sztuce polskiej lat sześćdziesiątych i siedemdziesiątych XX wieku. Rozpoznanie wstępne
Reception of Francis Bacon’s Paintings in the Polish Art. Introductory Reconnaissance
Autorzy:
Zychowicz, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/2121221.pdf
Data publikacji:
2009
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
polska sztuka po 1945 roku
malarstwo polskie
rzeźba polska
figuracja
„nowa figuracja”
nouvelle figuration
realizm
pop-art
sztuka zaangażowana
deformacja
groteska
egzystencjalizm
angoisse
Angst
recepcja
intertekstualność
Polish art after 1945
Polish painting
Polish sculpture
figuration
New Figuration
Realism
Pop-art
Engaged Art
deformation
grotesque
existentialism
reception
intertextuality
Opis:
In the mid Sixties New Figuration appeared in Poland. Researchers interested in this chapter of polish art consider the reception of Francis Bacon's paintings as one of the sources of this kind of art. The subject of this article is mainly the painters, whose works show this reception, but also the sculptors. It concentrates on the Sixties and Seventies in Polish painting. At that time in the Polish art we can see a group of artists connected with existentialism. One of the most interesting phenomena is the painting of Teresa Pągowska (1926-2007), this artist, whom was older than others who were also working in the area of New Figuration, already had concrete artistic experience. In spite of similarities between many works of Francis Bacon and Teresa Pągowska, mainly in the composition and shot of the figure (deformed, not complete, dismembered), the works of Pągowska should be considered in their own right particular to her own style. Pągowska processed Bacon's art in an original way. Her distinction from other painters belonging to New Figuration comes from her experience, on the one hand Colorism (polish Postimpresionism), on the other hand – Abstraction, which led her to understand figures as a plastic sign, moving, full of color. In the second half of the Sixties we can find the inspiration of Francis Bacon's art in the paintings of Janusz Przybylski (1937-1998). Bacon in his compositions used spatial frame which was interpreted in different ways. It had been seen as a usual glass cage, confined the human being. The artist admitted that he uses this endeavour to expose a man in a better way. This solution became a kind of an artistic hook and it was taken by other artists. It spread so much that it became a kind of a manner. To avoid narration Bacon sometimes used a form of triptych. This was typically used by him and was imitated almost as often as placing people in a spatial frame. Both hooks were used by Przybylski, whose art in a different way fits in as a style of existentialism. The deformed human beings in the cages should show alienation and the drama of man. This aspect of polish artists' paintings more than others highlights connections with the English master's art. The polish painter of the Sixties and Seventies was not an artist who could be described as self-sufficient from what we can see by viewing their paintings and reading art critics. The reception of Bacon's painting we can also find in the art of a group from Cracow called “Wprost”, especially in the one of their member's art – Zbylut Grzywacz (1939-2004). Grzywacz confirmed that his interest in Bacon's art can be seen in his paintings created in the Seventies. The nature of these adaptations lay mainly in getting compositional solutions typical to Bacon and the original look of the deformed human being. However, the artist also underlined that used by him endeavours of body's deformation were connected with politics so they had a different context than in the work of Bacon. This highlights the large gap between English artists who's art concentrated on universal cases and the public art of the polish artist. Grzywacz painted with speed, carelessly, he just wanted to give us a short message, he didn't care about particular artistic problems. He wasn't a member of this group interested in Francis Bacon. Next to him we should remember Jacek Waltoś (born 1938). In his paintings we won't find such a direct connection with Bacon's art like as is the case with Grzywacz. Waltoś was fascinated by Bacon but he took from him just the ideas concerning problems of a painting's composition. This artist, contrary to other members of “Wprost” was mostly interested in the representation of emotional states, of what is inside the human being. Waltoś, a creator of existential art, feeling incomplete, the loneliness of human being, found in the Irish artist a kind of brother. There was also Wiesław Szamborski (born 1941) who was among the painters inspired by Bacon. In the first years after he finished his studies he exhibited often with Marek Sapetto (born 1939; until 1974). The art of both artists joins with Bacon's art color standardisation of painted surfaces and putting on them strongly deformed human beings. More painters were regarded as inspired by Bacon but there is not a description of their art in this article which is just an introductory reconnaissance of this problem. The image of a human being which was proposed by Francis Bacon turned out to be very interesting also for sculptors centred on existential reflection. The dramatically deformed face occurred to be the best medium to express people's anxieties, their feelings of emptiness and loneliness (Jacek Waltoś, Jan Kucz – born 1936, Wiktor Gajda – 1938, Adam Myjak – born 1947). The Eighties did not have such rich artistic material as can confirm a permanent fascination of Bacon's painting in Poland. It seems that in a world dominated by New Expressionism there is no place for it. Enough to say that the most interesting artist in dialogue with the English painter seems to be Grzegorz Bednarski (born 1954), consequently belonging to Figuration, connected with Cracow's environment. After his debut he moved to the area of existentialism. Nowadays Bacon's work is regarded as a classic. Artists quote his paintings in a conscious way (for example Marek Przybył, born 1961). Bacon happened to be a very popular artist in Poland in the Sixties and Seventies which corresponds with general trends in European art. At this time came after return to show a human being. It appeared New Figuration, antidote on the Abstraction, Conceptual Art and metavisual experiments of the Sixties. Bacon became the father to these new phenomena in art because he brought about a renewed artistic imagination and created a new image of the human being. Moreover, Bacon was regarded as a main representative of art identified with existential philosophy. This painting in a very good way expressed spirits of the time. It reflected Zeitgeist, that climate which was then best shown in the philosophy of existentialism. Bacon's reception in Poland had also local color. English artist's art was assimilated by polish painters, who were interested in politics, what was unfamiliar with Bacon who concentrated on universal problems. It seems that polish artists like thematic art, taking problems concerning a human being and his immediate environment, what constitutes the heritage of our history.
Źródło:
Roczniki Humanistyczne; 2009, 56-57, 4; 55-79
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rosyjska i polska recepcja twórczości Romana Sienczina w latach 2001-2021
Autorzy:
Jastrzębska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2131262.pdf
Data publikacji:
2022-05-15
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
critical reception of a literary text
Roman Senchin
new realism
contemporary Russian literature
Russian pessimism
Opis:
This paper focuses on the Russian and Polish receptions of the works of Roman Senchin, a leading representative of the New Realism Trend in Russian literature. The writer’s debut was his collection of short stories entitled Athens Nights (Афинские ночи), published in 2000. Since then, Senchin has written many works, including The Yeltyshevs (Елтышевы), published in 2009 and translated into several languages. His works are widely commented on, discussed, analyzed, and interpreted not only by Russian literary scholars, critics, and commentators of Russian cultural life, but also by Polish researchers investigating contemporary Russian literature. The article presents the views of literary critics and literary scholars concerning Senchin’s works, as well as reflections on their typical or dominant features. Despite widely differing points of view, Russian literary critics agree that Roman Senchin is the most pessimistic contemporary Russian writer.
Źródło:
Acta Neophilologica; 2022, 1, XXIV; 163-180
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Schizofreniczna materia. O produkcji ciał, pojęć i podmiotowości
Schizophrenic Matter. About the Production of Bodies, Concepts and Subjectivities
Autorzy:
Mroczkowski, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/1013066.pdf
Data publikacji:
2017-09-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
new materialism
matter
agential realism
Karen Barad
Anti-Oedipus
posthumanism
performativity
Deleuze and Guattari
feminism
poststructuralism
materia
realizm sprawczy
nowy materializm
Anty-Edyp
posthumanizm
performatywność
Deleuze i Guattari
feminizm
poststrukturalizm
Opis:
Realizm sprawczy jest współczesnym stanowiskiem, mieszczącym się w obrębie nowego materializm i posthumanizmu, łączącym zagadnienia z zakresu filozofii i fizyki. Jego twórczyni, Karen Barad, feministyczna myślicielka, wiąże ze sobą rozważania z zakresu poststrukturalizmu (Michel Foucault), krytycznych teorii feministycznych z odkryciami współczesnej fizyki kwantowej, wynikającymi z twierdzeń przyjętych przez jednego z fundatorów tej dziedziny wiedzy – Nielsa Bohra. Celem artykułu jest ukazanie pokrewieństw zachodzących pomiędzy realizmem sprawczym oraz rozważaniami Deleuze’a i Guattariego, przedstawionym w Anty-Edypie. Autor skupia się na zaprezentowaniu procesualnej ontologii (objaśnieniu w jaki sposób produkowane są ciała, pojęcia i przedmioty) wynikającej z zazębiania się obydwóch stanowisk.
Agential realism is a perspective situated within the new materialism and posthumanism which combines philosophical and physical issues. Karen Barad, feminist thinker and creator of agential realism, mixes poststructuralist ideas (Michel Foucault) and feminist critical theories with quantum physics, in particular with the thesis of Niels Bohr, one of the founders of this field. The main purpose of this article is to show the relations between agential realism and ideas presented by Deleuze and Guattari in one of their most famous books – Anti-Oedipus. The author of the paper focuses on the presentation of a processual ontology (especially on an explanation of how bodies, concepts, and objects are produced) resulting from the engagement of both perspectives.
Źródło:
Praktyka Teoretyczna; 2017, 25, 3; 354-370
2081-8130
Pojawia się w:
Praktyka Teoretyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The propaganda World in the prose of the first half of the 1950s. Persuasivestrategies, conventions, language stereotypes
Autorzy:
Sałdecka, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/628524.pdf
Data publikacji:
2010
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
new reality model, socialist realism, socialist system, stereotypes, strategies of persuasion
Opis:
The world depicted in selected novels of the first half of the 1950s functions as a “semantic effect”, precisely shaped by the propaganda of that period. This world is created by narration in order to present the fulfillment of production goals. As a result, we deal with a new reality in which the characters are portrayed first and foremost as manufacturers. Feelings and emotions and their importance are replaced by labor. New civic and social patterns imposed in the novels are to prove that the socialist system is absolutely positive. In order to obtain this goal, primarily lexemes and language constructions are employed, consolidated and repeated in the texts; language conventions that guarantee the coherence of the model of the propaganda-created world. The world presented in the novels set outside Szczecin is narrowed to merely a few thematic fields that are worth discussing.
Źródło:
Journal of Education Culture and Society; 2010, 1, 2; 94-108
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W cieniu języka [Recenzja książki: Andrzej Marzec, „Antropocień. Filozofia i estetyka po końcu świata”, Wydawnictwo Naukowe PWN, Warszawa 2021, ss.256]
In the Shade of Language [A Review of „Antropocień. Filozofia i estetyka po końcu świata” by Andrzej Marzec]
Autorzy:
Adamczewski, Tymon
Powiązania:
https://bibliotekanauki.pl/articles/25455183.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Komisji Edukacji Narodowej w Krakowie
Tematy:
antropocen
język
zmiana klimatu
nowy materializm
realizm spekulatywny
Anthropocene
language
climate change
new materialism
speculative realism
Opis:
Artykuł stanowi recenzję książki Andrzeja Marca pt. Antropocień. Filozofia i estetyka po końcu świata. Identyfikuje główne zakresy tematyczne omawiane przez autora (nowy materializm oraz ontologię zwróconą ku przedmiotom), a także obraną przez niego metodę. Ze względu na znaczącą rolę języka w propozycji terminologicznej filozofa, poza opisem zawartości publikacji, tekst podejmuje również próbę spojrzenia na książkę jako na zapis rozważań nad możliwością zakwestionowania i wyzwolenia się z dominującego antropocentrycznego języka.
The article reviews the book by Andrzej Marzec, entitled Antropocień. Filozofia i estetyka po końcu świata. It identifies the key subject areas discussed in his work (new materialism and object‑oriented ontology), as well as the adopted method. Due to the significant role of language in the philosopher’s terminological proposition, apart from analyzing the content of the book, the article also examines the publication as an attempt to question and liberate our human selves from the possibility of the dominant, anthropocentric language.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2023, 11; 420-429
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 19

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