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Wyświetlanie 1-2 z 2
Tytuł:
Ozdoby stroju wykonane z paciorków w kulturze wielbarskiej
Costume decorations made of beads in Wielbark culture
Autorzy:
Żyto, Kinga
Powiązania:
https://bibliotekanauki.pl/articles/681883.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
kultura wielbarska
paciorki
kolie
dekoracje
aplikacje
Wielbark culture
beads
necklaces
decorations
applications
Opis:
The main purpose of the article is to present various forms of costume decoration in Wielbark culture. The analysis was based on well-known burials with an intact arrangement of monuments in the burial cavern. On this basis, decorations made of beads were highlighted. In addition to the necklaces that adorned the area of the neck and chest, vertical compositions are particularly noteworthy, in which the beads were discovered in a line from the level of the neck to the waist level. In addition, beads were used to trim robes in the form of applications. Another type are beads decorating belt and sachets or purses.
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Źródło:
Acta Universitatis Lodziensis. Folia Archaeologica; 2018, 33; 75-92
0208-6034
2449-8300
Pojawia się w:
Acta Universitatis Lodziensis. Folia Archaeologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nazewnictwo i symbolika ozdób starogermańskich
The nomenclature and symbolism of old Germanic ornaments
Autorzy:
Kowalski, Andrzej Piotr
Powiązania:
https://bibliotekanauki.pl/articles/679751.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
archaeology
artefacts
brooches
fibulas
necklaces
rings
symbol of snake
vocabulary
word-formation
Edda
etymology
Opis:
The paper is devoted to possible concepts that ancient Germans held about ornaments. Cultural categories related to wealth, prestige, gift, sacrifice and deposit are carefully discussed. The main accent is on the etymological analysis of Proto-Germanic names for brooch or fibula, ring, necklace, belt, buckle. These are items found by archaeologists in the areas of Barbaricum dating from the period since the Bronze Age. The changes that led to the development of the Wielbark culture identified with the Goths were very important. The population of this culture did not place weapons and tools in graves, but only ornaments. Such a norm may have resulted from the mythical convictions confirmed in the Poetic Edda. The Old Norse goddess called Gullveig (literally ‘gold strength’) was the reason for the war of the divine generations of Aesir and Vanir.The Aesir were rulers and warriors, whereas the Vanir represented farmers and producers.Aesir used weapons, Vanir tools.Gullveig, burned three times at the stake and three times reborn, seems to be a symbol of ornaments. The Goths used only female burial equipment, putting a taboo on military accessories typical of Aesir.In addition, some Old Nordic poems associate ornaments with a mythical snake.This aspect is confirmed by archeological and linguistic data. The mythical technique of making jewellery is also important. The Old Nordic divine blacksmith called Völundr folds it from the bodies of the dead princes. In this way, he refers to the cosmogonic myth of the sacrifice of Ymir. The techniques of making ornaments, based on the reintegration of elements, resemble folk methods of treatment and are related to the Germanic idea of beauty as a complex whole.
Źródło:
Acta Universitatis Lodziensis. Folia Germanica; 2017, 13; 149-166
2449-6820
Pojawia się w:
Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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