Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "myth in film" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Zjedz lub zostań zjedzony. Miasto Macunaímy
Eat or Be Eaten. The City of Macunaíma
Autorzy:
Rojek, Patrycja
Powiązania:
https://bibliotekanauki.pl/articles/920085.pdf
Data publikacji:
2013-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Macunaíma (1969)
Joaquim Pedro de Andrade
Brazilian film
Cinema Novo
myth in a film
Opis:
Macunaíma, the trickster-hero from old Amerindian legends, was in the 1960s an icon of the Brazilian Cinema Novo – a new wave film movement that was a response by artists to class and racial disparities. Joaquim Pedro de Andrade, the director of Macunaíma (1969), moves the eponymous hero out of his jungle and puts him into the modern, mechanized and restless big city. Not only are social problems strongly emphasized in the film – equally important is here the aspect of myth itself. Macunaíma enters the new world as a real old-time god who sees the city as his opponent. During his battle – full of trickery and plotting – it emerges that the difference between the Amazonian jungle and the concrete jungle are barely visible.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 257-264
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Figura mitologicznej Kasandry w filmach science fiction
The mythical figure of Cassandra in science fiction films
Autorzy:
Rojek, Patrycja
Powiązania:
https://bibliotekanauki.pl/articles/1047291.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek mythology
science fiction
myth in film
Cassandra
prophetism
Terminator 2: Judgment Day
James Cameron
12 Monkeys
Terry Gilliam
Minority Report
Steven Spielberg
Arrival
Denis Villeneuve
Opis:
The article reflects on how characters with the features of the mythological Cassandra function in science fiction films. Such references are part of the rich tradition of building fictional depictions of the near or distant future on the foundation of mythical stories. The study aimed to examine the considerable and complex meaning which Cassandra conveys through the ages and to determine its usefulness in constructing pop culture ideas about the current condition of humanity. In contemporary fiction, Cassandra is brought to the fore more often than in ancient sources, and her fullest portrait is drawn in those films that both consider her a figure of the powerlessness of the prophets and take into account her personal drama. In Terminator 2: Judgment Day (1991) by James Cameron, 12 Monkeys (1995) by Terry Gilliam, Minority Report (2002) by Steven Spielberg, and Arrival (2016) by Denis Villeneuve, the figure of Cassandra is examined through her prophetic gift, the alleged madness of the seer and the fearfulness of the prophetism itself.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 234-246
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Penelopa i jej współczesne filmowe inkarnacje
Penelope and Her Cinematic Incarnations
Autorzy:
Rojek, Patrycja
Powiązania:
https://bibliotekanauki.pl/articles/920892.pdf
Data publikacji:
2015-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Penelope
Odyssey
myth and film
Greek mythology
woman in antiquity
O Brother
Where Art Th ou?
Inception
Cast Away
Opis:
By analysing contemporary cinematic incarnations of Penelope, the wife of Odysseus, the author shows a thematic relation between cinema and ancient mythologies. Although an interest in mythical motifs is visible in film from its very beginnings, their popularity has constantly changed due to e.g., technological developments in filmmakers’ capabilities. However, what never changes is the presence of mythical plots in deeper story structures, which include the recreation of ancient characters. Examining Penelope’s spirit in today’s culture proves that the mythical story in which she appears provides excellent material for building new things – it easily adapts to modern times, constantly inspires artists, and stimulates various reflections about our cultural heritage.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 177-187
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies