- Tytuł:
- O come chiare e belle (Olinto pastor), HWV 143 – rzymska serenata Georga Friedricha Haendla w służbie europejskiej polityki
- Autorzy:
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Markuszewska, Aneta
Łakomska, Bogna
Piasecka, Ewa
Banaszkiewicz-Bryła, Maria - Powiązania:
- https://bibliotekanauki.pl/chapters/1117956.pdf
- Data publikacji:
- 2019
- Wydawca:
- Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
- Tematy:
-
Georg Friedrich Haendel
o come chiare e belle (olinto pastor)
muzyka włoska
muzyka dawna
rzymska serenata - Opis:
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O come chiare e belle (Olinto pastor), HWV 143 – Roman serenata of Georg Friedrich Haendel in the service of European politics. Georg Friedrich Haendel came to Italy in 1706 and spent there almost four years. He made splendid acquaintances with the best musicians active then in Italian cities, such as Domenico Scarlatti, Antonia Caldara, Arcangelo Corelli and many others. In Rome, the most powerful people such as marquis Francesco Maria Ruspoli, cardinal Pietro Ottoboni or cardinal Benedetto Pamphili became his patrons. For them he composed circa 100 cantatas, two oratorios and other religious works. Because opera was prohibited at that time in Rome, he agreed to write operas for Florence and Venice. In 1708 Haendel composed a cantata/ a serenata for marquis Ruspoli entitled
(HWV 143) to a libretto by unknown poet (by Ruspoli himself?). It was performed on 9th September 1708 in Ruspoli’s garden during a decisive phase of the War of the Spanish Succession. The main goal of this paper is to shortly present Haendel’s Italian period and to demonstrate how a musical composition was used for the political purposes in the Baroque Rome. will serve as a case study to show how Haendel, through his music, emphasized political allusions hidden in the libretto. - Źródło:
-
SZTUKA WŁOSKIEGO BAROKU; 33-53
9788364615382 - Dostawca treści:
- Biblioteka Nauki
Artykuł