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Tytuł:
Kształtowanie się współczesnej koncepcji polskiego systemu szkolnictwa muzycznego w latach 1945–1959 w kontekście dyskusji środowiskowych
Shaping the Contemporary Concept of the Polish Music Education System from 1945-1959 in the Context of Community Discussions
Autorzy:
Domagała, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/2159823.pdf
Data publikacji:
2021-01-29
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
edukacja muzyczna
szkolnictwo muzyczne
historia edukacji
system szkolnictwa muzycznego
music education
music schools
history of education
music education system
Opis:
In the period after World War II, a new three-tier organization of music education was intro-duced in Poland. In 1945, schools were divided into music schoolsoflowerdegree, middle degree schools and music colleges and academies as higher music education. There were also music appreciation schools The solutions adopted were largely based on the patterns that exi-sted in the Union of Soviet Socialist Republics. The three-tier structure enabled – according to the designers of this model – to adapt teaching to new needs and specialize depending on the student’s level of talent. However, the introduction of new organizational solutions faced dif-ficulties, some of the music community questioned the scope, pace and nature of the changes. A separate position was presented by many recognized Polish musicians and teachers. Music schools introduced the new teaching structure in a slow and often reluctant manner. As a result of the pedagogical discussion in the late 1940s and early 1950s, the Ministry of Culture and National Heritage introduced quite significant changes. Although the three-tier structure was retained, music appreciation schools were closed.In the 1950s, intensive efforts were undertaken at the Ministry of Culture and Science to analyze the problems of the Polish model of music education and prepare new structural solutions. Outstanding representatives of Polish musical life took part in these. A number of systemic difficulties were noticed, including students overburdened with studies, high drop-out rates, and artificial separation of the stages of education. New concepts for the organization of education were presented, frequently with references to the old, pre-war solutions, which were appreciated as already tested and more effective. Some outstanding musicians and teachers presented their critical standpoints in the music press. Despite the unequivocal position of many representatives of the pedagogical and music community, the authorities of the Ministry of Culture and National Heritage lacked the determination and sufficient courage to carry out a fundamental reform of the Polish model of music education. Legal acts were prepared and published in which the then current model of education was maintained. Primary music schools of the first degree were provided functions of music appreciation education, and second-degree schools were assigned professional functions.This article is the first attempt to show the circumstances of implementing a new model of music education in Poland. It shows the reaction of the pedagogical and musical community as well as the continuous structural problems. The article was prepared with the use of extensive archival sources, press articles and legal documents.
Źródło:
Ars inter Culturas; 2020, 9; 141-166
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Edukacja muzyczna w Rosji: aspekty historyczne
Musical education in Russia: historical aspects
Autorzy:
Vorozhko, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/428578.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Naukowe Chrześcijańskiej Akademii Teologicznej w Warszawie
Tematy:
system edukacji muzycznej
wychowanie muzyczne
kultura bizantyjska
cerkiewna kultura wokalna
znamiennyj raspiew
Skomorochy
muzyka świecka
rosyjska szkoła wokalistyki
Rosyjskie Towarzystwo Muzyczne
Konserwatorium Moskiewskie
Konserwatorium Petersburskie
music education system
music education
Byzantine culture
Orthodox vocal culture
Znamenny Chant
Skomorokh
secular music
Russian school of vocal art.
Russian Music Society
Moscow Conservatory
Saint Petersburg Conservatory
Opis:
Niniejszy artykuł poświęcony został historycznym aspektom edukacji muzycznej w Rosji. Droga powstawania rosyjskiego systemu edukacji muzycznej omówiona została w kontekście historyczno-teoretycznym i pedagogicznym. W oparciu o dostępne materiały źródłowe i prace darzonych autorytetem badaczy, przeanalizowano węzłowe momenty ewolucji rosyjskiej profesjonalnej edukacji muzycznej. Rozwój ojczystej sztuki muzycznej i edukacji postępował na przestrzeni całej historii Rosji, wywierając specyficzny wpływ na rożne sfery życia i pozostawiając wyraźny ślad w kulturowej spuściźnie kraju. W ciągu omówionych w artykule okresów nagromadziło się ogromne i ważne doświadczenie historyczno-pedagogiczne, stanowiące podstawę współczesnego wychowania muzycznego w Federacji Rosyjskiej.
This article is devoted to the historical aspects of music education in Russia. The path on which the Russian music education system has been forming is discussed here in historical-theoretical and pedagogical contexts. Based on the available documentary material and papers by authoritative researchers, crucial moments in the evolution of professional music education in Russia have been analysed. The development of native musical art and music education has been progressing throughout the entire history of Russia, influencing various areas of life peculiarly and leaving a distinct mark on the country’s cultural heritage. Over the periods discussed in the article, a vast and significant historical- pedagogical experience has accumulated, fundamental to the contemporary music education in the Russian Federation.
Źródło:
Studia z Teorii Wychowania; 2018, 3 (24); 217-234
2083-0998
2719-4078
Pojawia się w:
Studia z Teorii Wychowania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzykowanie z fińskim akcentem. Edukacja muzyczna w nauczaniu początkowym w Finlandii
Musicmaking in the Finnish Rhythm. Music Education in Early Childhood Education in Finland
Autorzy:
Adamczewski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/916468.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
music education
Finnish educational system
rhythmic activities
primary school education
national curriculum
Opis:
The article highlights the meaning of music activities in early childhood education. All the personalthoughts and information are mostly based on the Finnish educational system and the examples comingfrom my teaching practice at Vasa Övningsskola. Music education has an enormous impacton the child’s development at early school age. The way we teach and the teacher’s personality playa key role in the process of self-learning. This article contains both theoretical and practical aspects ofmusic education in Finnish primary schools. The conclusion is supported by personal experience andobservations from a Finnish primary school, which help to precisely describe music education in thisparticular system. The speaker will present activities and ideas used in the music education in earlyschool age based on the national curriculum from 2016.
Źródło:
Studia Edukacyjne; 2019, 55; 259-270
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Four Seasons – the Music and Words that Are Building the Children’s World of Values
Autorzy:
Łobos, Anna
Powiązania:
https://bibliotekanauki.pl/articles/29520422.pdf
Data publikacji:
2007-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
music education of children
lyrics for children
the moulding of the system of values
emotional sphere
creativity in education
Opis:
This paper presents some remarks on the album edited last year Cztery pory roku (The Four Seasons). There are two reasons for the immense significance of the album: excellent performance by famous artists and rich essence that together mould the children’s world of values. The lyrics on the album are taken from Śpiewnik dla dzieci op. 34 (Songbook for children op. 34) written by Zygmunt Noskowski and Maria Konopnicka. This songbook was very popular but now it is absolutely forgotten, so it is valuable that the album reminds this great Polish heritage.
Źródło:
The New Educational Review; 2007, 12; 97-102
1732-6729
Pojawia się w:
The New Educational Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
KONTYNUACJA IDEI I CELÓW SALEZJAŃSKIEJ SZKOŁY ORGANISTOWSKIEJ W PRZEMYŚLU W SALEZJAŃSKICH SZKOŁACH MUZYCZNYCH W LUTOMIERSKU
CONTINUATION OF THE CONCEPTS AND GOALS OF THE SALESIAN SCHOOL OF ORGANISTS IN PRZEMYSL IN THE SALESIAN MUSIC SCHOOLS IN LUTOMIERSK
Autorzy:
Dąbrowski, Kazimierz
Powiązania:
https://bibliotekanauki.pl/articles/947159.pdf
Data publikacji:
2018
Wydawca:
Stowarzyszenie Polskich Muzyków Kościelnych
Tematy:
szkolnictwo salezjańskie
Salezjańska Szkoła Organistowska
w Przemyślu
Salezjańska Szkoła Muzyczna w Lutomiersku
szkolnictwo muzyczne
wychowanie salezjańskie
system prewencyjny św. Jana Bosko
Salesian educational (school system)
Salesian School of Organists in
Przemyśl
Salesian Music School in Lutomiersk
musical school education
Salesian education
preventive system of saint J. Bosco
Opis:
Established in 1918 by outstanding composer of applied church music, father Antoni Chlondowski, Salesian School of Organists in Przemyśl stayed open until 1963 with only the short interval during German occupation of Poland when its function was suspended. It played a very important role in promulgation of the musical culture in Poland and also contributed to improved level of education of the church organists as well as rejuvenation of the polish religious music. More than a thousand students attended the school of which almost six hundred received a graduation diploma. Amongst the graduates are also well known and famous people like Feliks Rączkowski, Tadeusz Jarzęcki, or Marian Sawa. Laudable traditions of the School of Organists in Przemyśl are being continued by the Salesian Musical Schools in Lutomiersk – Salesian Level II Music High School (established in 1996) and Salesian Level II Music School (established in 2004). Schools are private institutions run by the Salesian Society Inspectorate of Saint Stanislaw Kostka with headquarters in Warsaw, but with all the privileges just like the state operated schools. Main objective of the school education is to form the professional staff of organists and musicians which would be prepared to either work as a church organist or continue education in the Academy of Music. Following the Salesian principles of educational system with the prevention as a cornerstone of it, the paramount goal of the school is to mold student’s personality which is intrinsically cohesive in the spiritual, mental and artistic spheres, so as per motto of Saint J. Bosko they grow up to be “good citizens and honest Christians”.
Źródło:
Musica Ecclesiastica; 2018, 13; 41-58
2353-6985
Pojawia się w:
Musica Ecclesiastica
Dostawca treści:
Biblioteka Nauki
Artykuł
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