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Wyszukujesz frazę "multimodal collective memory" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Humour as a Carrier of Memory within Culture. A few Remarks on the English Sense of Humour and its Relation to the Collective Memory of the British Society, seen from the Perspective of Cognitive Integration Theory
Autorzy:
Jabłońska-Hood, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1198455.pdf
Data publikacji:
2017-01-23
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
multimodal collective memory
the British
blending
English humour
WW2
Opis:
 RESEARCH OBJECTIVE: The purpose of my article is to present the notion of cultural memory as applied to both the English society as well as the English sense of humour, and to examine these in relation to WW2 by means of the cognitive integration theory, aka blending. THE RESEARCH PROBLEM AND METHODS: The presented research problem hinges around the term of memory, specifically the collective memory of the English, as perceived with regard to its multimodal conceptualization with the culture, together with its inextricable link with the English sense of humour. All this has been scrutinised by a linguistic method, i.e. conceptual integration theory, and the references to the literature in question. THE PROCESS OF ARGUMENTATION: Having defined the goal of my paper, and the basic concepts pertaining to it (memory, collective memory, English sense of humour), I proceed to the brief explanation of the linguistic paradigm, i.e. blending theory, which is employed within this study. Then, I present the analysis of the English humour tackling the subject of the Second World War, which is performed with the aid of the blending theory. RESEARCH RESULTS: The result of this argumentation is the preservation of the glorious memories of the British past via the English sense of humour, which helps to deal with the trauma and the not‑so‑glarious moments of the English history. CONCLUSIONS, INNOVATIONS AND RECOMMENDATIONS: This analysis confirmed that conceptual integration theory can be utilized as a tool with which to analyse the collective memory of the English and their sense of humour. It also proved that the English nation employs their humour into the processing of the historical past, which softens the blow of the horrendous events, and makes it possible for the English to glorify and idealise their role within the world’s arena.
Źródło:
Horyzonty Wychowania; 2016, 15, 36; 87-105
1643-9171
2391-9485
Pojawia się w:
Horyzonty Wychowania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Multimodalne profilowanie pojednania w dyskursach pamięci. Analiza na przykładzie internetowych zapowiedzi obchodów 50. rocznicy niemiecko-francuskiej Mszy Pojednania w Reims i 25. rocznicy polsko-niemieckiej Mszy Pojednania w Krzyżowej
Multimodal constitution of reconciliation in memory discourses. Analysis on the example of online announcements about the 50th anniversary of the German-French Reconciliation Mass in Reims and the 25th anniversary of the Polish-German Reconciliation Mass
Autorzy:
Czachur, Waldemar
Powiązania:
https://bibliotekanauki.pl/articles/615170.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Opolski
Tematy:
multimodal framing
multimodal constitution
multimodal discourse analysis
memory discourses
collective memory
Polish-German reconciliation
German-French reconciliation
Krzyżowa
Reims
Opis:
The aim of this article is to reflect on the multimodal constitution of German-French and Polish-German reconciliation in the context of linguistic research on collective memory. Reconciliation between nations is understood here as a strategy applied in international relations, which takes the form of political action, consistent with the values and interests of certain communities. Reconciliation always requires work on collective memory. That is why it is so important to commemorate the symbolic act of reconciliation. In this way, reconciliation also has a specific political and cultural function. A special role in this process is played by the arranged staging of the anniversary celebrations and their media re-enactment/re-staging in the form of multimodal texts that are typical of reconciliation. Selected onlineGerman-language announcements created in the context of the 50thanniversary of the German-French Reconciliation Mass in Reims and the 25th anniversary of the Polish-German Reconciliation Mass in Krzyżowa will be analysed. The key question we will try to answer is how is reconciliation profiled by means of multimodal texts and are there any differences and similarities in this process in the framework of German-French and Polish-German reconciliation?
Źródło:
Stylistyka; 2019, 28; 453-469
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Visualizing the Unseen: Depicting the Abstract in German Media
Autorzy:
Krasni, Jan
Powiązania:
https://bibliotekanauki.pl/articles/2108267.pdf
Data publikacji:
2012-08-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Social Semiotics
Collective Memory
Media Discourse Analysis
Multimodal Composition
Bonus Payments
Bank Managers
Opis:
In my paper, I will combine two methods of media discourse analysis in order to achieve new insights into not only power relations inherent in texts, but also into the manner in which collective memory is constituted. Firstly, I will critically examine the social semiotic method of qualitative multimodal discourse analysis developed by Theo Van Leeuwen and Gunther Kress as a resource for describing how verbal semiotic modes, together with mixed linguistic/nonlinguistic modes, are used to establish and confirm power relations within pluricoded texts. Secondly, I will investigate the practicability of applying the concept of Key Visuals/Key Invisibles, postulated by Peter Ludes and Stefan Kramer, to multimodal compositions in order to gain a sociological and cultural understanding of the means by which certain content becomes part of collective memory and how it is manipulated. In this way, I hope to determine if an operationalization of Key Visual/Key Invisible is possible in order to view its associative potential as a semiotic resource. I will apply this methodological device to video sequences of German news releases reporting on bonus payments to top bank managers during the world economic crisis in 2008. Thereby, I will examine if the discourse generated by these reports is characterized by a highly negative representation of managers: the news releases seem to hold them responsible for the economic crisis instead of investigating its causes. I will analyze which devices are used in the accusation of the managers and will attempt to determine if there are Key Visuals/Key Invisibles used to this end. If this is the case, I will analyze their use within the context of the truth imperative of journalistic reporting. In this section, I will focus on the connection between mediated content and the possibilities of depicting or recording the unseen processes of bonus payment. 
Źródło:
Qualitative Sociology Review; 2012, 8, 2; 90-111
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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