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Tytuł:
Non-random distribution of GATC sequences in regions of promoters stimulated by the SeqA protein of Escherichia coli.
Autorzy:
Strzelczyk, Barbara
Słomińska-Wojewódzka, Monika
Węgrzyn, Grzegorz
Węgrzyn, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/1043365.pdf
Data publikacji:
2003
Wydawca:
Polskie Towarzystwo Biochemiczne
Tematy:
transcription regulation
SeqA protein
promoter sequence
GATC motif
Opis:
The SeqA protein of Escherichia coli is not only the main negative regulator of DNA replication initiation but also a specific transcription factor. It binds to hemimethylated GATC sequences and, with somewhat different specificity, to fully methylated GATC regions. Recently, a microarray analysis was reported, in which transcriptomes of wild-type and ΔseqA strains were compared. Although in the seqA mutant the levels of some transcripts were significantly decreased while certain transcripts were evidently more abundant relative to wild-type bacteria, no correlation between the presence of GATC motifs in promoter sequences and transcription activity was found. However, here we show that when larger DNA fragments, encompassing positions from -250 to +250 relative to the transcription start site, are analyzed, some common features of GATC distribution near the promoters activated by SeqA can be demonstrated. Nevertheless, it seems that the GATC pattern is not the only determinant of SeqA-dependence of promoter activity.
Źródło:
Acta Biochimica Polonica; 2003, 50, 4; 941-945
0001-527X
Pojawia się w:
Acta Biochimica Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Образ Дон Жуана у творчості Лесі Українки у контексті європейської донжуаніани
Obraz Don Juana w twórczości Łesi Ukrainki w kontekście europejskiej donżuaniady
Autorzy:
Reda, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2120130.pdf
Data publikacji:
2007
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Don Juan
obraz
motyw
transformacja literacka
image
motif
literary transformation
Opis:
Autorka artykułu Образ Дон Жуана у творчості Лесі Українки у контексті європейської донжуаніани (Obraz Don Juana w twórczości Łesi Ukrainki w kontekście europejskiej donżuaniady) bada historię oraz funkcjonowanie obrazu wiecznego kochanka – Don Juana, poczynając od wieku XVII, kiedy to po raz pierwszy pojawił się na kartach literatury, na wieku XX kończąc, kiedy to na stałe zadomowił się on w europejskiej świadomości i kulturze. W tym europejskim dyskursie literackim umieszcza autorka artykułu obraz Don Juana zaproponowany przez Łesię Ukrainkę (Kamienny Pan). Przedstawiając ewolucję obrazu poczynając od średniowiecznej legendy hiszpańskiej, przez transformacje autorstwa m.in.: Tirso de Moliny, Jeana Baptiste’a Moliera, Ernsta Theodora Amadeusa Hoffmana, George’a Byrona, Aleksandra Puszkina czy Aleksandra Tołstoja, na XX-wiecznych literackich modyfikacjach kończąc, autorka artykułu kieruje swoją uwagę w stronę utworu Kamienny Pan Łesi Ukrainki, podkreśla szczególne miejsce oraz znaczenie kobiecej interpretacji obrazu Don Juana w kręgu europejskiej donżuaniady. Wskazując na elementy tradycyjne oraz nowatorskie „wiecznego obrazu” podkreśla oryginalność interpretacji Łesi Ukrainki, zwycięstwo kobiety, przegraną Don Juana, dobrowolną śmierć rycerza wolności podporządkowującego się kamiennym zasadom władzy.
Źródło:
Roczniki Humanistyczne; 2007, 54-55, 7; 83-95
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Стилско обликоеаеье визше „Последних времена’у српског народней поезши
Autorzy:
НИКОЛИН, ВИДАН
Powiązania:
https://bibliotekanauki.pl/articles/957617.pdf
Data publikacji:
2007
Wydawca:
Uniwersytet Opolski
Tematy:
stylistic
time and style
stylistic figures
Serbian folk poetty
motif of “end of time ”
Biblikal topie
poetic images
Opis:
The work tends to classify the stylistic characteristics which can be found in those par- ts of Serbian folk poetry that deal with the motif of the “end of time” vision. The “end of time” is a Biblical topie about the curse and the finał judgement that will lead to the de- struction of the Earth due to the sins and lawlessness of the people living on it. The “end of time “vision consists of a longer or a shorter listing of the human lawlessness and the events that foretell the coming of the end. In this world destruction the four basie life sym- bols will disappear: the sheep and the wheat, the bee and the flower.  In order to express the apocalyptic vision of the world disaster, a specific “scenario” is madę; the “scenario” in which the apocryphal picture of paradise and heli is given. That picture enabled the folk poet to produce specific poetic images with a lot of stylistic figu- res in a finely sharpened poetry.
Źródło:
Stylistyka; 2007, 16; 209-219
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Analiza obrazów powierzchni w mikroskopii bliskich oddziaływań
Surface Image Analysis in Scanning Probe Microscopy
Autorzy:
Jóźwiak, G.
Gotszalk, T.
Powiązania:
https://bibliotekanauki.pl/articles/155430.pdf
Data publikacji:
2010
Wydawca:
Stowarzyszenie Inżynierów i Techników Mechaników Polskich
Tematy:
mikroskopia bliskich oddziaływań
analiza topografii powierzchni
analiza motywów 3D
scanning probe microscopy
surface analysis
3D motif analysis
Opis:
W pracy przedstawiono wybrane metody analizy powierzchni (ISO 25178) wskazując na rodzaj informacji, jaką można za pomocą danej metody uzyskać. Opisywane algorytmy i procedury zostały zaimplementowane w opracowanym w Wydziałowym Zakładzie Metrologii Mikro- i Nanostruktur Politechniki Wrocławskiej programie TOPOGRAF. W pracy zaprezentowano przykładowe wyniki działania zaimplementowanych algorytmów i procedur.
Progress in the scanning probe microscopy makes it become a much more common tool. In the paper the principle of operation of the scanning probe microscope is presented. It is emphasized that the measurement result is an image of the investigated surface. Two groups of parameters connected with lateral properties of the tested surface image are introduced. The first group of parameters is connected with the image autocorrelation function and two dimensional Fourier transform. The texture aspect ratio and surface autocorrelation length (Fig. 1) are given as examples of the autocorrelation parameters. The second group of parameters is related to the so called 3D motif analysis. At the first stage of this analysis the image is segmented by means of the watershed segmentations algorithm. At the second stage the statistics connected with the shape and dimensions of the segments are calculated. The segmentation algorithm as well as the parameters describing shape and dimensions of segments (Fig 2) are presented in the paper. Due to the quantum nature of the micro- and nano-world, the uncertainty of products of the micro and nanotechnology will always be greater than that of products of the conventional technology. For this reason there is strong demand for flexible techniques capable of handling this increased uncertainty. The 3D motif analysis is very well suited to meet this challenge, since it enables the extension of the basic set of the parameters describing segments. Therefore the segment parameters might be adapted to the function of the investigated nanostructures. The images presented in the paper were obtained by means of the TOPOGRAF software that is developed at the Division of Micro- and Nanostructures Metrology.
Źródło:
Pomiary Automatyka Kontrola; 2010, R. 56, nr 1, 1; 46-47
0032-4140
Pojawia się w:
Pomiary Automatyka Kontrola
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cloning and characterization of the yak gene coding for calpastatin and in silico analysis of its putative product
Autorzy:
Zhang, Liping
Ma, Binyun
Wu, Jianping
Fei, Chunhong
Yang, Lian
Wan, Hongling
Powiązania:
https://bibliotekanauki.pl/articles/1040417.pdf
Data publikacji:
2010
Wydawca:
Polskie Towarzystwo Biochemiczne
Tematy:
calpastatin
yak
domain
motif
functional site
calpaincalpastatin system
Opis:
The calcium-activated neutral proteases, μ- and m-calpain, along with their inhibitor, calpastatin, have been demonstrated to mediate a variety of Ca2+-dependent processes including signal transduction, cell proliferation, cell cycle progression, differentiation, apoptosis, membrane fusion, platelet activation and skeletal muscle protein degradation. The cDNA coding for yak calpastatin was amplified and cloned by RT-PCR to investigate and characterize the nucleotide/amino-acid sequence and to predict structure and function of the calpastatin. The present study suggests that the yak calpastatin gene encodes a protein of 786 amino acids that shares 99 % sequence identity with the amino-acid sequence of cattle calpastatin, and that the yak protein is composed of an N-terminal region (domains L and XL) and four repetitive homologous C-terminal domains (d1–d4), in which several prosite motifs are present including short peptide L54–64 (EVKPKEHTEPK in domain L) and GXXE/ DXTIPPXYR (in subdomain B), where X is a variable amino acid. Our results suggest the existence of other functional sites including potential phosphorylation sites for protein kinase C, cAMP- and cGMP-dependent protein kinase, casein kinase II, as well as N-myristoylation and amidation sites that play an important role in molecular regulation of the calpain/calpastatin system. The regulation of the calpain/calpastatin system is determined by the interaction between dIV and dVI in calpains and subdomains A, B, and C in calpastatin.
Źródło:
Acta Biochimica Polonica; 2010, 57, 1; 35-41
0001-527X
Pojawia się w:
Acta Biochimica Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le désert dans le Roman d’Alexandre d’Alexandre de Paris (XIIe siècle)
Autorzy:
Dybeł, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/638745.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
the motif of a desert, Alexandre de Paris, orient, Roman d’Alexandre , medieval occident
Opis:
The desert is a favourite setting for adventures in the Roman d’Alexandre composed by Alexandre de Paris, around 1188. The space of anxiety, of fear, of transgression, of initiation into the mysteries of life and death, it all belongs to one of the most important parts of the medieval imagination, fed by myths and tales of exotic travels, inherited from oriental and occidental Antiquity. There are many things going on in this area, such as quests, conquests, victories, defeats, friendships, love, hardships, death and treason.The motif of a desert becomes a dream carrier, expressing the protagonists will of surpassing themselves, the will which could be shared with the public to whom the text was addressed. Instead of being a simple element of oriental decoration, it expresses a certain vision of the world, as it transforms itself from a simple geographic and climatic space into a mythic Le désert dans le Roman d’Alexandre d’Alexandre de Paris (XIIe sičcle) space. Its representation, connected with the omnipresence of marvels, echoes the images of the Orient, as they were perceived by the medieval Occident. The marvels of the desert, seen as projections of desires, dreams, and occidental traumatisms and nightmares, create a complex figure of a mysterious Elsewhere – dangerous, disturbing, fascinating and irresistibly attractive.
Źródło:
Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2010, 5, 1
2084-3933
Pojawia się w:
Studia Litteraria Universitatis Iagellonicae Cracoviensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
LOST IN THE TEXTUAL MAZE? CONCEALMENTS AND DOUBLINGS IN PETER STRAUB’S MR. X
Autorzy:
Studniarz, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/444919.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
textual intricacy,
doubling,
lack of closure,
motif of doppelganger,
subtext,
mise en abyme
Opis:
The article explores the textual intricacy and the epistemological uncertainty projected by the 1999 novel of Peter Straub titled Mr. X. Already the title of the novel hints at secrecy, hidden identities, and cryptic messages. Indeed, the novel seems to be conceived as a cryptogram and a kind of literary “Russian doll”. This applies as much to the person of the narrator as to the construction of the narrative, its layers upon layers of secrecy and deception. This cryptic character of the novel is reinforced by the lack of closure and the ambiguity of the ending: “the fog” that shrouds everything as well as “undecipherable signs” that Ned meets along the way serve as a trope that projects the implied reader’s loss of certainty. The sense of being lost in the textual maze is compounded by the abundant instances of doubling and mirroring in the text. This is first observed in the composition of the novel as the dual-level narrative, consisting of the part narrated by Ned, and of the diary of Mr. X, the mysterious figure seen by Ned in his dreams, later revealed to be his father. The two, Ned and Mr. X, in their own peculiar ways act out the same pattern: Ned’s quest to find out the identity of his father is paralleled by his father’s (futile) attempts to confirm his own unearthly origins. However, duality is most powerfully expressed by the motif of doppelganger: Ned, the narrator, in time realizes the existence of his not-entirelyhuman brother, Robert, his “shadow self”, his “dark half”. Finally, even the novel, Mr. X, finds itself reflected in the work of fiction written by Mr. X, a story titled Blue Fire. Blue Fire, introduced at length into the narrative, serves as its specular text, mise en abyme, encapsulating its two central themes, as verbalized by the narrator: “the obsession with the ancestral house” and “the flight from and the pursuit of the Other”.
Źródło:
Acta Neophilologica; 2010, XII; 193-202
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Сербско-русские мотивы в общеславянском контексте (Н. Иваштанин Влюблённое солнце)
Serbo-Russian motif in Slavonic context. (N. Ivanshtanin The Sun in Love”)
Autorzy:
Dmitrovskiy, Aleksei
Powiązania:
https://bibliotekanauki.pl/articles/482404.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
lyrical image of Russia
Serbo-Russian motif
Slavonic
Opis:
The article deals with a lyrical image of Russia and its structure in the Serbian historical consideration, expressive emotions and in the common origins of Slavonic self-consciousness namely: “cosmos - soul - word”.
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 67-76
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matki odchodzą — wariacje 2009
Mothers depart. Variations 2009
Autorzy:
Czyżak, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1534656.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poetry
elegiac mood
old age motif
mother
mother-son relationship
Polish poetry
contemporary poetry
Tadeusz Różewicz
Piotr Sommer
Jan Polkowski
Eugeniusz Tkaczyszyn-Dycki
Opis:
This article proposes some considerations on a particular variation of the elegiac mood represented by and manifested in lyrical farewells of departing mothers. A review of the variants commences with an analysis of a particularly important work by Tadeusz Różewicz written at the beginning of this century — Matka odchodzi. The book was, at the time, a particular reference point for the following poetic volumes in which the theme of the death of the poet’s mother was paramount and significant. The article also focuses on volumes of poems, written by poets that belonged to different generations but shared the same date of publication, i.e. the year 2009. Both clear similarities and marked differences in the actual commitment in carrying out the theme and in creating the profiles of mothers that have passed away are to be found in the works of Piotr Sommer (Dni i noce), Jan Polkowski (Cantus) and Eugeniusz Tkaczyszyn-Dycki (Piosenka o zależnościach i uzależnieniach).
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 163-174
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motyw krwi w poezji Inny Lisnianskiej
(Motif of blood in the Inna Lisnianskaya’s poetry
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/481212.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Inna Lisnianskaya
Motif of blood
Opis:
Inna Lisnianskaya is a Russian poet who has been continuously writing since the fifties andthe author of hundreds outstanding poems. She has built her poetic universe on the basis of certainconcepts. Some of them appear more often than the others and blood is one of them. Abouta hundred of Inna Lisnianskaya’s poems that include the motif of blood was chosen for this work.Their analysis (in accordance to the studies of R. W. Langaker) is to show that the phenomenon ofsubjectification is the basis of the conceptualization process.
Źródło:
Acta Polono-Ruthenica; 2011, 1, XVI; 127-135
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogród Wallenroda i tajemnica Wajdeloty
Wallenrod’s Garden and the Mystery of Wajdelota
Autorzy:
Fiećko, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/2012181.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
motyw
Mickiewicz
Konrad Wallenrod
garden
motif
Opis:
In his article Wallenrod’s Garden and the Mystery of Wajdelota the author analyses the role of the motif of garden in Adam Mickiewicz’s epic poem Konrad Wallenrod. The conventionality of the use of the term ‘garden’ is emphasized by pointing to the fact that there were some changes introduced to the order of the valley near the Neman River, which were conducive to his amorous meetings with his Ladylove. The manner in which the picture of ‘the garden’ is outlined in the poem is confronted by the author with the classical and romantic gardening styles. It is stressed that the poet distances himself from the two schools, which results from, among other things, the emphasis on the beauty of the valley, a garden created by Nature herself. The motif of the garden played an important role in Konrad’s last conversation with Aldona, when the main hero of the poem tried in vain to persuade his wife to escape to Lithuania. He tempted her with a mirage of regained happiness, appealed to their mutual memories, in which this old and still existing garden, a witness of their love, occupied the central place. While analyzing the strategy of insistence used by Wallenrod in this situation, the author of the article referred to the conception of memory proposed by a German researcher, Jan Assmann. In the last part of the essay the character of the relationship between Wallenrod and Halban is considered along with the attempt to unravel the mystery hidden in the words “my son!”, which the old Lithuanian bard, the patron of Konrad’s spy mission, used in their last conversation.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 219-232
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wymiary świętości. Eseistyka Jana Józefa Szczepańskiego jako inne spojrzenie na motyw współczesnego „Świętego”
The Measurement of Saintliness. Jan Jozef Szczepanski’s essays as an alternative way of understanding “The Modern Saint” motive
Autorzy:
Urbanowicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/626808.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
motyw świętości we współczesnym świecie
motyw świętości w eseistyce J. J. Szczepańskiego
a motif of saintliness in the modern word
a motif of saintliness in essay writing of J. J. Szczepański
Opis:
Jan Jozef Szczepanski is one of the most uncommon, postwar polish writers and publicist. His wide and rich co-operation with “Tygodnik Powszechny” and the most famous narrations such as: “The Shoes” or novel “The Polish Autumn” are strictly connected with problems like: honor, heroism and dignity of a human being. He is also known as one of the greatest continuator of Joseph Conrad’s tradition and thoughts, especially with understanding the meaning of writer’s responsibility for the world. Szczepanski has created a very special attitude – a pose of contemporaneousness witness, which brings reflections about modern morality and obligates readers to confront different values and ideas. Despite his relationship with catholic “Tygodnik Powszechny”, Szczepanski always declared, that the most important and timeless ethic is not connected with any religion, but is a total amount of all human experiences. That point of view brought the writer nearer the philosophical conception of Jaques Mounier and the idea of humanistic personalization. His publicist debut in 1946 called “The Saint against the Imperium” – a reflection about Mahatma Gandhi – was an introduction to Jan Jozef Szczepanski’s thoughts about modern saintliness without religious labels. His general idea concerned ethic and moral saintliness, without any connections with ontologic position of a person. Mahatma Gandhi’s example shown that every person in modern world could be The Saint, no matter what kind of religion or culture had represented. The Saintliness in Szczepański’s reflection was an original, moral value. That value was also very important in one of his most affecting essays “The Saint”. A history of Maria Maksymilian Kolbe – a catholic priest, who had voluntarily tendered his own life for other Auschwitz’s prisoner freedom – shown that even savaged time of war could bring a shadow of hope. Szczepanski was far from popular hagiography. As he said: “Modern, lay world probably needs saintliness more than any time before. But – I suppose – less than any time before needs hagiography” Szczepanski was trying to find a key to victory of a human morality in modern world through reflections about ethical sources of mankind. The affirmation of summum bonum exists in all religious and ethical systems, but – as the writer admitted – words are sometimes too weak to express essence of modern saintliness.
Źródło:
Język - Szkoła - Religia; 2011, 6; 452-461
2080-3400
Pojawia się w:
Język - Szkoła - Religia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Миф vs история в материнских рассказах о беременности и родах
Myth vs. history in the natal narratives about pregnancy and birth
Autorzy:
Лабащук, Оксана
Powiązania:
https://bibliotekanauki.pl/articles/22605147.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
folk memorat
natal narrative
mythological text
story text
motif
plot
Opis:
In the article contemporary natal narrative is studied from the perspective of the influence of mythological and story types of texts on it. Natal narrative being similar to mythological text confirms some norms of world outlook and behavior. Natal narrative, like many texts of the story type, is about extraordinary events in a woman’s life or about an exceptional situation, which has happened to her acquaintances. The heroine of the natal narrative crosses a definite semantic border, reasserting the status of her exceptional nature.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2011, 4; 142-148
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sens życia w ocenie Ojców Apostolskich
The meaning of life in the assessment of the Apostolic Fathers
Autorzy:
Czyżewski, Bogdan
Powiązania:
https://bibliotekanauki.pl/articles/612147.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Ojcowie Apostolscy
motyw dwóch dróg
Apostolic Fathers
motif of two roads
Opis:
The issue connected with sense of life appears in the works of the Apostolic Fathers not only as a main subject, but also not occasionally. They used the motif of two roads to show the sense of behavior on the earth, according to the God’s commandments and his will. They do not condemn the earthly world but deeds, which lead people to death. Even in the face of his close martyrdom, they saw a clear aim: life on the earth is important, because it leads to God. The Apostolic Fathers tell also the truth connected with eternal life and hope to be used from the dead, which will take place after death. The sense of our life is – it leads a man to the resurrection.
Źródło:
Vox Patrum; 2012, 57; 93-101
0860-9411
2719-3586
Pojawia się w:
Vox Patrum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Augustyn i jego wiedza na temat manicheizmu
St Augustine and his knowledge of Manichaeism
Autorzy:
Dobkowski, Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/641039.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
St Augustine
Manichaeism
the substance of the God of Light in Manichaeism
the motif of the “seduction of the archons”
św Augustyn
manicheizm
substancja Boga Światłości w manicheizmie
motyw „uwiedzenia Archontów”
Opis:
The author examines the scope and sources of St Augustine’s knowledge of Manichaeism. He mostly follows the thesis of J.K. Coyle, that as a Christian and anti-Manichaean polemicist, Augustine obtained additional information about the “Religion of Light”. To illustrate Augustine-the-Manichaean and Augustine-the-polemicist’s knowledge of the religion of Mani, the author includes two lengthy excerpts from his writings: from the 7th book of Confessiones and the treatise De natura boni, which features a quotation from the Manichaean work Treasure. The author provides a special comment on this extract.
Źródło:
Studia Religiologica; 2013, 46, 1; 55-63
0137-2432
2084-4077
Pojawia się w:
Studia Religiologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 131

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