Temat: modernitet - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Om å vandre i Kristiania og Oslo. Byen i Knut Hamsuns Sult (1890) og Jan Kjærstads Rand (1990)
Autorzy:: Tunkiel, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/1177395.pdf
Data publikacji:: 2010-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: byen
Knut Hamsun
Jan Kjærstad
Kristiania
Oslo
flanør
fremmedgjøring
topografi
modernitet
flâneur
modernity
topography
alienation
city
Opis:: The purpose of the paper is to compare the images of Oslo, formerly Kristiania, in two Norwegian novels, Hunger (1890) by Knut Hamsun and Rand (Brink, 1990) by Jan Kjærstad. The analysis is based on the fact that the main characters in both works wander around the Norwegian capital. Following problems are discussed in the paper: the protagonists’ relation to the city and the other, their alienation and similarity with the classical figure of the flâneur. The topography of the city in both novels and the role it plays for the main characters is also shortly described.
Źródło:: Folia Scandinavica Posnaniensia; 2010, 11; 77-86
1230-4786
2299-6885
Pojawia się w:: Folia Scandinavica Posnaniensia
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: ”Hvid Udenpå. Indeni er Jeg Helt... Grå”.1
Autorzy:: Schab, Sylwia Izabela
Powiązania:: https://bibliotekanauki.pl/articles/1165934.pdf
Data publikacji:: 2012-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Det hybride
Identitet
Jakob Ejersbo
Afrika-trilogi
Kontaktzone
Flydende modernitet
hybridity
identity
africa-trilogy
contact zone
liquid modernity
Opis:: The aim of the article is to discuss the problem of hybrid identity, as it is presented in Jakob Ejersbo’s “Africa-trilogy” (2009). As the methodological framework for the analysis serve some of the main notions borrowed from postcolonial studies (as hybridity and contact zone), as well as Zygmunt Bauman’s diagnoses on “the liquid modernity” (among others his understanding of identity and his tourist and vagabond metaphors). The latter ones indicate the universal dimension of Ejersbo’s prose, which until now has been read mainly from the postcolonial critique’s position and as a polemical comment on the Scandinavian self-understanding as a region, which has never been included in the colonial project and which sets an example on providing humanitarian aid.
Źródło:: Folia Scandinavica Posnaniensia; 2012, 14
1230-4786
2299-6885
Pojawia się w:: Folia Scandinavica Posnaniensia
Dostawca treści:: Biblioteka Nauki

Artykuł

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