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Wyświetlanie 1-4 z 4
Tytuł:
Parki Barcelony - od stylu modernisme po współczesne krajobrazy tworzone "od-nowa"
Barcelona Parks - since Modernisme Style up to Contemporary Formation of "Anew" Landscapes
Autorzy:
Sykta, I.
Powiązania:
https://bibliotekanauki.pl/articles/1188401.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Przyrodniczy we Wrocławiu
Tematy:
park
Barcelona
styl modernisme
współczesne krajobrazy
modernisme style
contemporary landscapes
Opis:
Presented in the article review of former and contemporary parks in Barcelona starts with the objects representative for the Catalonian trend of Art Nouveau, defined here as modernisme style. It was signalized in local garden art at the end of 19th century in Ciutadella Park, and then developed in successive realizations up to the thirties of 20th century, with its most emblematic creation - Park Guell, designed by Antoni Gaudi. Changes in the landscape composition and parquitecture material up to contemporary times have been visible in creative evolution and transformation of modernisme tradition, and - on the other hand - in new, disregarding from tradition individual search. The most distinguished realizations presenting this trend are parks located at postindustrial areas (i.e. Pare de I'Espanya Industrial, Pare de la Creueta del Coll), "olimpic' parks, realized for Olimpic Games in 1992 in Barcelona (i.e. parks at Montjuic, Pare de les Cascades, Pare de la Vail d'Hebron), thematic gardens (i.e. Barcelona Botanical Garden) and anew landscapes, such as Pare Central de Nou Barris, Pare de I'Estacio del Nord, Pare Diagonal Mar, Pare del Auditoris and many others. These newest contemporary objects - concentrated on anew creation - surprise with different ways of sculpturing landscape using original sculptural installations, land art techniques and artistic and structural potentiality of concrete and steel. Greenery as a parquitecture material plays complementing role and seems to be subordinated by architectural and sculptural creation. This characteristic for new Barcelona parks feature infixes into the newest global tendencies in designing of public parks. But by the other hand-especially in the context of sculptural modeling of space-we can find in their disposition and individual elements reverberating echoes of creativity of Gaudi and other artists of modernisme style.
Źródło:
Architektura Krajobrazu; 2012, 1; 106-120
1641-5159
Pojawia się w:
Architektura Krajobrazu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
”Foran loven”: moderne skandinavisk kortprosa over for Franz Kafkas roman "Processen"
Autorzy:
Zańko, Aldona
Powiązania:
https://bibliotekanauki.pl/articles/1161435.pdf
Data publikacji:
2016-11-10
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Franz Kafka
skandinavisk kortprosa
modernisme
intertekstualitet
scandinavian short prose
modernism
intertextuality
Opis:
The novel The trial, telling the story of the groundless arrest and prosecution of the bank clerk Josef K., remains one of the best-known and most influential works written by Franz Kafka. Depicting the pointless struggle of a man placed at the mercy of a remote, inaccessible authority, it gives a symbolic account of the human condition in the modern era, characterised by the lack of universal truth, estrangement, confusion and existential impotence. Grasping the very idea of existential modernity, the novel provides ongoing inspiration for a great number of modernist and postmodernist writers all over the world, including Scandinavia. In the article presented below, The trial is examined as an intertext within the genre of the Scandinavian short prose, as it unfolds at breakthrough of modernism and postmodernism. Starting with the literary and critical works of the Danish modernist Villy Sørensen, and moving forward throughout the Danish and Norwegian minimalism of the 1990's, the paper discusses a range of different aspects of The trial, as they reappear in the short stories written by some of the main representatives of the Scandinavian short story. In this way, the article elucidates the relevance of Kafka's novel as an intertext for contemporary Scandinavian short fiction, as well as draws attention to the dialogical dimension of the genre.
Źródło:
Folia Scandinavica Posnaniensia; 2016, 19; 267-277
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le jazz fut-il la première forme du surréalisme ? – la poésie du jazz selon Robert Goffin
Was Jazz the First Form of Surrealism?: The Poetry of Jazz According to Robert Goffin
Autorzy:
Kukuryk, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/28408340.pdf
Data publikacji:
2023-12-16
Wydawca:
Komisja Nauk Filologicznych Oddziału Polskiej Akademii Nauk we Wrocławiu
Tematy:
hot jazz
surrealism
Robert Goffin
avant-garde poetry
modernism
improvisation
surréalisme
poésie d’avant-garde
modernisme
Opis:
This article is an attempt to parallel literature and jazz music, which, according to the Belgian poet Robert Goffi created new trends at the beginning of the 20th century. Touched by the cosmopolitanism of Blaise Cendrars, the simultaneous poetry of Guillaume Apollinaire, the author tries to synthesize a new spirit in a new poetry in syncopated rhythm. He sees musical improvisation as an element that can shape creative writing in various aspects, from narrative to structure, reflecting the surrealist-inspired need to create outside the traditional ontological framework. According to him, jazz not only illustrates the quest for independence in the artistic and social spheres, but is also a means to reach the unconscious.
Źródło:
Academic Journal of Modern Philology; 2023, 20; 261-272
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
To mænd der i enhver henseende var ens (Sørensen 1984:145) - Symbolers betydning i Villy Sørensens novelle 'De to tvillinger'
Autorzy:
Przybecka, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1177409.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Villy Sørensen
noveller
dobbeltgænger
moderne antihelt
symbolkategori
absurditet
næranalyse
spaltning
doppelgänger
modernisme
pluralisme
phanatos
short stories
modern anti-hero
symbol category
absurd
Opis:
The tragic times of the nazi regime and the Cold War showed that modern pluralism cannot be overcome. This problem is reflected in the symbolism of Villy Sørensen’s short stories, which present the sphere of the unattainable and the plural nature of the world, and as such constitute an attempt to overcome the pluralism. Sørensen assigns new meanings to symbols by placing them in modern contexts, which makes the stories universal. The leitmotif of “Strange Stories” (“Sære historier”, 1953) and “Harmless Tales” (“Ufarlige historier”, 1955) includes: loss, disintegration, solitude, absurdity as well as the protagonist’s pursuit of the desired goal. Sørensen’s protagonists pursue the unattainable and the lost, a goal which in itself is both destructive and circular, however dependent on the protagonists’ choices. Consequently, Sørensen’s protagonists gain the status of modern homines viatoris in complicated times. A close reading analysis of “The Two Twins” (“De to tvillinger”, 1952) shows how Sørensen’s approach towards the concept of a symbol is used to express the most fundamental problems of his times. A further analysis focuses on the universality of the story and examines the relevance of its symbolism within the context of current problems.
Źródło:
Folia Scandinavica Posnaniensia; 2010, 11; 36-44
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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