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    Tytuł:
    Przeciw melancholii, czyli spór Agaty Bielik-Robson z Giorgiem Agambenem a perspektywy witalizmu mesjańskiego
    Against melancholy or the dispute between Giorgio Agamben and Agata Bielik-Robson from the perspectives of messianic vitalism
    Autorzy:
    Zawisza, Rafał
    Powiązania:
    https://bibliotekanauki.pl/articles/426673.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Papieski Jana Pawła II w Krakowie
    Tematy:
    Aata Bielik-Robson
    Giorgio Agamben
    potentiality
    facticity
    messianic vitalism
    Opis:
    In the text Agamben’s theoretical project serves as a negative point of reference for the messianic vitalism of Agata Bielik-Robson. The aim is to indicate a tension characteristic of the “dynamic anthropology”, which could be equal to a subtle dialectics of strength and fragility, necessity and potency treated as “moments” of human being. Viewed from this perspective, Agamben’s narration seems melancholic because of its tendency to celebrate pure potentiality with a resentment towards facticity. It conceals the gnostic angst of occupying any position. As a consequence nuda vita genuinly becomes vulnerable to the sovereign power and the domination of death. Messianic vitalism not only avoids such downsides, but also is able to use them to its advantage, since it is at the same time a foundation of a concrete civilisation project and – which is more expressed in my article – a lynchpin of a sublime art of living.
    Źródło:
    Logos i Ethos; 2014, 1(36); 97-110
    0867-8308
    Pojawia się w:
    Logos i Ethos
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Edges of the World: Diasporic Metaphysics of Bruno Schulz
    Autorzy:
    Bielik-Robson, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/2108169.pdf
    Data publikacji:
    2022-08-31
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    Bruno Schulz
    Sigmund Freud
    Siegfried Kracauer
    life
    messianic vitalism
    kabbalah
    perversion
    marginality
    decenteration
    Opis:
    This essay is a theologico-philosophical meditation on Bruno Schulz, focusing on his “love for the marginal”: a special attention paid to tandeta, in other words all things trashy, located on the eponymous edges of the world, far away from the center. Contrary to the assumed mode of interpretation, which reads Schulz’s fascination with the “dark forces of life” in terms of the depth subversive toward the surface, I propose a different scheme: an opposition of center and edges/margins, deriving from the Kabbalistic metaphysics of Isaac Luria, which constituted the primary matrix of the Hasidic Kabbalah, known to Schulz as the member of the pre-war Drohobycz Jewry. I then juxtapose Schulz’s intuition of a life thriving on the cosmological margins with Freud’s early theory of the drives, especially his concept of perversion as a “libido on the edge.” In both writers we find a similar echo of the spatial Kabbalistic imagining of the relation between the emptied center and the rich diaspora of life, dispersing and multiplying on the fringes of the “cosmic exile.”
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2022, 6, 1; 49-64
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Drżący głos poetki
    The trembling voice of the poet
    La voce tremante della poetessa
    Autorzy:
    Krawczyk, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/784394.pdf
    Data publikacji:
    2019
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Kazimiera Alberti
    polish interwar literature
    poetry
    Franciscanism
    Kabbalah
    messianic vitalism
    polska literatura międzywojenna
    poezja
    franciszkanizm
    kabała
    mesjański witalizm
    francescanesimo
    Opis:
    L’articolo si presenta come una polemica contro i testi critico-letterari che definiscono Kazimiera Alberti un’autrice dalle opere “chiare e semplici”. La raccolta di poesie, Godzina Kalinowa, racchiude la ricchezza delle tradizioni, fonti di ispirazioni della poetessa: dal francescanesimo, ai riferimenti biblici, fino alla cabala. Inoltre, una delle caratteristiche dei versi dell’Alberti sono “le fessure e le crepe”, che interpretate nel contesto della filosofia di Kierkegaard, Derrida e di Agata Bielik-Robson, possono mettere in risalto l’originalità della scrittrice. Andare oltre le idee di minoritas e fraternitas, attraverso la metafora della corda, porta il lettore a scoprire interessanti riflessioni sul desiderio e sul vivace atteggiamento di insaziabilità. L’Alberti anticipa la sua epoca sia nella sua creazione letteraria, sia nella propria vita straordinaria e ricca di fascino.
    The text is a polemic with critical literary studies that recognize Kazimiera Alberti as a poet creating “light and simple” works. In the volume Kalinowa Hour can be traced wealth of tradition from which the poet drew: from the Franciscan, by biblical references, to the Kabbalah. In addition, the poems of the Alberti contain “crevices and cracks” which, interpreted in the context of Kierkegaard’s philosophy, Derrida and Agata Bielik-Robson’s works, may indicate the originality of poet. Going beyond the ideas of minoritas and fraternitas lead the careful reader to the metaphor of the string and interesting reflections on the desire and animating attitude of insatiability. The intuition that the poet has overtaken her age is not only the poems, but their realization and extension – a rich and extraordinary life.
    Źródło:
    Fabrica Litterarum Polono-Italica; 2019, 1; 117-134
    2658-185X
    Pojawia się w:
    Fabrica Litterarum Polono-Italica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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