Temat: memory styles - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: The structure and regulative function of the cognitive styles: a new theory
Autorzy:: Nosal, Czeslaw S.
Powiązania:: https://bibliotekanauki.pl/articles/430568.pdf
Data publikacji:: 2010
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: cognitive styles
cognitive styles theory
perceptual styles
memory styles
conceptual styles
control styles
cognitive holon
Opis:: The organization of human cognitive styles can be described as a kind of functional system or as an holon. In this framework it is possible to propose a new theoretical base for classifying the primary cognitive styles. The fundamental theoretical thesis is that for all styles there is one common mechanism of forming and scanning the perceptual and memory field induced by the situation, and by the differences in the manner of carrying out the processes of field scanning /codes interfering depend on the range of conceptual equivalency and cognitive control of behavior. In the functional describing of the basic set of cognitive styles we must take into account three elements of the chain: neurobiological modules -> organization of cognitive holon -> behavioral manifestation of styles.
Źródło:: Polish Psychological Bulletin; 2010, 41, 3
0079-2993
Pojawia się w:: Polish Psychological Bulletin
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Endymion and Endymionism
Endymion i endymionizm
Autorzy:: Okulicz-Kozaryn, Małgorzata
Powiązania:: https://bibliotekanauki.pl/articles/2088004.pdf
Data publikacji:: 2020
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Polish literature of the late 19th century
Romantic and post-Romantic poetic styles
endymionism
Parnassianism
memory
Adam Asnyk (1838–1897)
Jan Kasprowicz (1860–1926)
Endymion
endymionizm
sen
pamięć
poezja
parnasizm
Opis:: In his lecture on Adam Asnyk’s poetry delivered in 1896 Jan Kasprowicz came up with the term endymionism to refer to a relatively small portion of the poet’s work characterized by a tone of extravagant egotism and narcissism. Exemplary for this extravaganza was, according to Kasprowicz, the poem ‘Endymion’. It belongs to a sequence of poems voicing the poet’s trauma after the suppression of the 1863–1864 January Uprising, and is closely connected with the ‘A Dream of the Tombs’, his most opaque and depressive poem. In the Polish literary tradition – from Słowacki’s calling Krasiński the Endymion of poetry, through Norwid and Faleński to a number of Young Poland’s poets (Rydel, Wyspiański, and Lange to mention but a few) – the figure of Endymion marked a situation of the poet being misunderstood or flouted by critics and readers. But with Asnyk’s ‘Endymion’, who, despite the appearance of a lonely dreamer is in fact a guardian of the tombs of heroes who fell in an unequal fight, this mythological figure acquired a new meaning. It became a symbol of loyalty and a noble idealism making no concessions to mundane pragmatism. In the following decades endymionism of that kind would often blend into Parnassianism, a poetic movement committed to the idea of art independent of all practical concerns and obligations.
Źródło:: Ruch Literacki; 2020, 1; 3-16
0035-9602
Pojawia się w:: Ruch Literacki
Dostawca treści:: Biblioteka Nauki

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