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    Wyświetlanie 1-3 z 3
    Tytuł:
    Pilate as the Legal ‘Other’ in the N-Town Cycle Passion Plays
    Autorzy:
    Tomasz, Wiącek,
    Powiązania:
    https://bibliotekanauki.pl/articles/889059.pdf
    Data publikacji:
    2020-09-14
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    medieval literature
    medieval theatre
    law
    legal procedures
    the Other/Otherness
    Opis:
    In the late medieval N-Town Cycle Passion Plays, the trial of Jesus is presented in the context of a medieval courtroom, where Jesus is brought by Annas and Cayphas to be judged by Pontius Pilate. However, while the priests through abuses of the legal procedures attempt to ensure Jesus’s demise, Pilate opposes their intent by remaining true to his judicial duties, which presents him as a lonely Other in the presented world of legal misconduct. This paper explores the concept of otherness in a legal context of the plays, as well as the legal and social significance of Pilate’s actions.
    Źródło:
    Anglica. An International Journal of English Studies; 2020, 29/1; 29-40
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’entrée à Jérusalem : un exercice de style (de la liturgie au jeu)
    The Entry to Jerusalem: an Exercise of Style (from Liturgy to Play)
    Autorzy:
    Mélou-Le Ferrand, Catherine
    Powiązania:
    https://bibliotekanauki.pl/articles/2015099.pdf
    Data publikacji:
    2021
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    Medieval literature
    Christ’s Passion
    Didot manuscript
    theatre in Langue d’Oc
    entry to Jerusalem
    staging
    Opis:
    The first representations of the Passion of Christ in vernacular language mark an upheaval in liturgical codes. The entry to Jerusalem symbolises this change, as it is one of the most important episodes in the liturgy. It is a popular as well as a royal scene, and a scene of jubilation. It takes place outside the church where a procession has been organised. Through the text of one of the first Passions represented in the Langue d’Oc, namely the Didot manuscript of the Passion, we can see how the staging of the event takes place naturally, even—or especially—in the absence of precise stage directions. Amplification is a part of the game in which no rules are set; it merges with worship and offers devotees the opportunity to get involved in the story. The existing iconography, developed by artists since the 4th century, establishes the symbolic base on which the theatre can rely—costumes, sets and accessories. The very particular liturgy of this scene, celebrated during the Palm Sunday service, reinforces its theatricality and the acting (outside the church), as well as favouring a reversible character of the show. Hence, the spectator becomes an actor and the actor contemplates Christ. The stage directions, along with the absence of precise instructions, outline the codes, constraints and inventions of a nascent Passionist theatre.
    Źródło:
    Academic Journal of Modern Philology; 2021, 11; 127-134
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Analiza rozwoju zabudowy miejskiej w późnym średniowieczu i nowożytności na przykładzie parcel pod Teatrem Starym w Lublinie
    BUILDING PLOTS UNDER THE OLD THEATRE IN LUBLIN: AN EXAMPLE OF LATE MEDIEVAL AND MODERN BUILDING DEVELOPMENT
    Autorzy:
    Tkaczyk, Jacek
    Powiązania:
    https://bibliotekanauki.pl/articles/498016.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Rzeszowski. Instytut Archeologii Uniwersytetu Rzeszowskiego. Muzeum Okręgowe w Rzeszowie
    Tematy:
    LUBLIN
    OLD CITY
    ARCHAEOLOGICAL RESEARCH
    THREE PLOTS
    LATE MEDIEVAL BUILDINGS
    FRAMEWORK CONSTRUCTIONS OF HALF-TIMBERED TYPE
    MODERN TOWNHOUSES
    OLD THEATRE
    Opis:
    Archaeological research carried out during renovation of the Old Theatre has uncovered traces of several half-timbered buildings dated to the 14th–15th centuries and of four townhouses dated to the 16th–17th centuries. The stratigraphic and spatial relationships have helped to distinguish six basic phases of building development. They have also provided a basis to determine the original layout of three plots demarcated after the city charter which were parceled out and aggregated in the 16th–17th centuries and then merged into one before construction of the Old Theatre in the 19th century.
    Źródło:
    Analecta Archaeologica Ressoviensia; 2012, 7; 333-370
    2084-4409
    Pojawia się w:
    Analecta Archaeologica Ressoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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