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Wyświetlanie 1-4 z 4
Tytuł:
Stan badań nad źródłami myśli Hildegardy z Bingen
Research on the sources of the thoughts of Hildegard of Bingen
Autorzy:
Wieczorek, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/431009.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Hildegarda z Bingen
filozofia średniowieczna
neoplatonizm chrześcijański
kosmologia średniowieczna
antropologia średniowieczna
teologia monastyczna
kultura benedyktyńska
Hildegard of Bingen
medieval philosophy
Christian neoplatonism
medieval cosmology
medieval anthropology
monastic theology
Benedictine culture
Opis:
Hildegarda z Bingen to jedna z najbardziej wpływowych postaci w dwunastowiecznej myśli chrześcijańskiej. Jest ona autorką bardzo oryginalnej wizji świata, w której antropologia i kosmologia chrześcijańska przenikają się z filozoficznymi ideami, głównie platońskimi i neoplatońskimi. Obecnie jej zróżnicowana twórczość jest obiektem szczegółowych studiów teologicznych i filozoficznych, gdyż okazuje się, iż Hildegarda była nie tylko autorką ciekawej syntezy teologicznej, ale znała też i twórczo wykorzystywała wiele poglądów filozoficznych, głównie zaś chrześcijański neoplatonizm. Artykuł przedstawia współczesny stan badań nad źródłami myśli Hildegardy z Bingen, pokazując zmianę, jaka zaszła w odczytywaniu jej spuścizny. Głównym celem artykułu jest ukazanie możliwości nowej interpretacji myślicielki z Bingen w perspektywie chrześcijańskiego neoplatonizmu, głównie w wydaniu Jana Szkota Eriugeny.
Hildegard of Bingen was one of the most influential figures of 12th century Christianity. She is the author of a very original vision of the world, in which anthropology and Christian cosmology are intertwined with philosophical ideas, mainly Platonism and Neo-Platonism. Currently her diverse works are the subject of detailed theological and philosophical research; as it turns out, Hildegard was not only the author of interesting theological syntheses, but she also knew and incorporated many philosophical views, mainly Christian Neo-Platonism. The article outlines the current research on the philosophical works of Hildegard of Bingen, and shows the various ways in which her works have been interpreted. The article presents the latest and most important concepts for interpreting her views. The article’s main objective is to present the possibility of a new interpretation of Hilgedard’s thoughts, through the prism of Christian Neo-Platonism and mainly the thoughts of Johannes Scotus Eriugena.
Źródło:
Studia Philosophiae Christianae; 2013, 49, 2; 137-158
0585-5470
Pojawia się w:
Studia Philosophiae Christianae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Starożytne źródła koncepcji muzyki sfer w XII w.
The Ancient Roots of 12thcentury Theory of Music of the Spheres
Autorzy:
Konik, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/528494.pdf
Data publikacji:
2012
Wydawca:
Krakowska Akademia im. Andrzeja Frycza Modrzewskiego
Tematy:
harmony of the spheres
medieval philosophy
cosmology
music theory
Boethius
Opis:
The theory of “music of the spheres” (musicamundana) introduced by Boethius in his treaty De institutione musica is an original contribution in development of mediaeval theory of music. However, it’s roots trace back to the Greek antiquity. When considering the sources of medieval theory of musicamundana, one shall underline three most important sources: (1) mythology with its complex cosmogony (esp. by Homer and Hesiod), (2) early cosmology by pre-Socratic philosophers (incl. Anaximander, Heraclit), (3) Pythagorean school. Despite of the fact that idea of the music of the spheres – as presented by the Pythagoreans – was criticized by Aristotle in his De caelo, it became one of the most infl uential cosmological concept. One of the most important periods – from the point of view of the reception of discussed theory – is the twelfth century. It is often called the aetas Boethiana as it is distinguished by an increased interest in the works of Boethius, with special emphasis on his theological writings and Consolatio, which was very popular at the time. The reason behind this phenomenon was a growing specialization of issues relating to the theory of music, which fi nally led to its independence from the other areas of knowledge; yet this is not the only reason why the subject of the harmony of the spheres was again widely discussed in philosophical circles. An essential factor was the development of Neo-platonic philosophical schools, such as the famous School of Chartres. The interest in natural sciences in the School of Chartres and later in the Oxford School made the scientists of the time focus on the works of authors whose ideas were essential to the concept of the harmony of the spheres, among them such philosophers as Calcidius, Macrobius and Boethius
Źródło:
Państwo i Społeczeństwo; 2012, 1; 125-140
1643-8299
2451-0858
Pojawia się w:
Państwo i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Starożytne źródła koncepcji harmonii sfer
Autorzy:
Konik, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/669043.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
ancient philosophy
medieval philosophy
music theory
Boethius
music of the spheres
cosmology
Opis:
The theory of “music of the spheres” (musica mundana) introduced by Boethius in his treaty De institutione musica is an original contribution in development of mediaeval theory of music. However, it’s roots trace back to the Greek antiquity. When considering the sources of medieval theory of musica mundana, one shall underline three most important sources: (1) mythology with its complex cosmogony (esp. by Homer and Hesiod), (2) early cosmology by pre-Socratic philosophers (incl. Anaximander, Heraclit), (3) Pythagorean school. Despite of the fact that idea of the music of the spheres – as presented by the Pythagoreans – was criticized by Aristotle in his De caelo, it became one of the most influential cosmological concept. One of the most striking results of this situation is the fact, that for many ages (during mediaeval era) music was regarded as a scientific discipline, despite its aesthetical dimension.
The theory of “music of the spheres” (musica mundana) introduced by Boethius in his treaty De institutione musica is an original contribution in development of mediaeval theory of music. However, it’s roots trace back to the Greek antiquity. When considering the sources of medieval theory of musica mundana, one shall underline three most important sources: (1) mythology with its complex cosmogony (esp. by Homer and Hesiod), (2) early cosmology by pre-Socratic philosophers (incl. Anaximander, Heraclit), (3) Pythagorean school. Despite of the fact that idea of the music of the spheres – as presented by the Pythagoreans – was criticized by Aristotle in his De caelo, it became one of the most influential cosmological concept. One of the most striking results of this situation is the fact, that for many ages (during mediaeval era) music was regarded as a scientific discipline, despite its aesthetical dimension.
Źródło:
Pro Musica Sacra; 2012, 10
2083-4039
Pojawia się w:
Pro Musica Sacra
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Naturalna niezniszczalność ciał niebieskich według św. Tomasza z Akwinu
Natural Indestructibility of Heavenly Bodies according to St Thomas Aquinas
Autorzy:
Karas, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/2013933.pdf
Data publikacji:
2005
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
filozofia średniowieczna
św. Tomasz z Akwinu
tomizm
ciała niebieskie
kosmologia
metafizyka
arystotelizm chrześcijański
medieval philosophy
St Thomas Aquinas
Thomism
heavenly bodies
cosmology
metaphysics
Christian Aristotelianism
Opis:
The subject of the article is the question of the nature of heavenly bodies in St Thomas Aquinas’ approach. The Dominican thinker, using Aristotle’s cosmology, tries to present his understanding of the Stagirite’s theory concerning natural indestructibility of heavenly bodies, which he treats as relatively perfect beings built of ether and indestructible in the world of nature, although they are contingent and created by God. The issue proves the Angelic Doctor’s independence and self-reliance; studying the universe he not only used Aristotle’s cosmology but he verified it with theological knowledge basing his considerations on the ancient and medieval commentators of the Greek philosopher. In St Thomas’ studies his conviction about relative formal and material perfection of metaphysical components of heavenly bodies is of significant importance. The conception of indestructibility of heavenly bodies also presents methodological assumptions of the metaphysics developed by the Dominican thinker who made the rules of Aristotle’s philosophy relative.
Źródło:
Roczniki Filozoficzne; 2005, 53, 1; 109-128
0035-7685
Pojawia się w:
Roczniki Filozoficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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