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Wyszukujesz frazę "media vs. culture" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Indywidualne i społeczne konteksty recepcji mediów. Doświadczenia niemieckie
Personal and social contexts of media reception. German experiences
Autorzy:
Michalczyk, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/514405.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Śląski. Wydział Nauk Społecznych
Tematy:
media reception
personal reception
reception in a group
media vs. culture
Opis:
The fourth question in Lasswell’s model (to whom?) assumes a study and an analysis of media’s publicity and broader reception of the content. This reception should go personally or socially. The personal contexts include amongst others lifecycle and physical and mental limitations. The age plays an important role in media reception. The youth watches less television than the older people, who, on the contrary, are less likely to use electronic forms of communication. Another pattern here is that the older the man is, the longer he reads newspapers and magazines during the day. Important limitations in media reception are due to physical obstacles such as: poor sight and impaired hearing whereas the most significant mental obstacle is depression. The article presents also the problems of reception in a group, that is, when a person watches television or listens to the radio accompanied by other people. The presence of the others modifies all the process, there is a possibility of conversation and commenting the content. A spectacular example of reception in the group is watching football matches. Media can also be received in public space, open for everyone. Nowadays, public spaces are characterized by - as called by the scientists - a communication tyranny. Phone conversations are omnipresent and disturbs everybody. This is a kind of psychological pathology. Media reception depends on the culture, both personal and in a general sense. In Europe, there are differences between North and South that can be explained, among others, by religious factors (Protestantism vs. Catholicism). In the article- as practice shows – we mentioned main German studies, but also in a lesser extent - American and Polish ones. All of them relate to a more general problem of mediatisation and everyday life.
Źródło:
Political Preferences; 2017, 15; 5-22
2449-9064
Pojawia się w:
Political Preferences
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cyfryzacja jako główny czynnik wpływu na nowe formy współczesnej sztuki a ich przynależność do kategorii kultury artystycznej
Digitalization as the main factor influencing new forms of contemporary art and their belonging to the category of artistic culture
Autorzy:
Szczepaniak, Marika
Powiązania:
https://bibliotekanauki.pl/articles/1179557.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Biblioteka Jagiellońska
Tematy:
sztuka współczesna
sztuka nowych mediów
cyfryzacja a digitalizacja
demokratyzacja sztuki
kultura artystyczna
contemporary art
new media art
digitalization vs. digitization
democratization of art
artistic culture
Opis:
The subject of reflection in the paper is the impact of digitalization process on the overall shape of contemporary art. It focuses on the controversies concerning categorization into the fields of artistic culture of those types of artistic activity that have evolved as a result of the ongoing technologicalization of social life. The analysis considers also the dialogue between the latest technologies and the art market. The resulting symbiosis in the consumer society leads to democratization of art through high availability of its latest interactive forms. The author attempts to determine the role and significance of the medium in the new forms of participation in culture, as well as to shed light on the problem of reception of new media art, as revealed through analysis of their affiliation to classically defined fields of artistic expression. The conclusions include a suggestion that digitalization should be regarded as a term distinct from digitization, as well as comprehension of the artist-work relationship within the culture of convergence.
Źródło:
Biuletyn Biblioteki Jagiellońskiej; 2018, 68; 151-165
0006-3940
2450-0410
Pojawia się w:
Biuletyn Biblioteki Jagiellońskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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