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    Wyświetlanie 1-14 z 14
    Tytuł:
    Between naturality and engagement: Political journalism in Hungary
    Autorzy:
    Bajomi-Lázár, Péter
    Powiązania:
    https://bibliotekanauki.pl/articles/471109.pdf
    Data publikacji:
    2017
    Wydawca:
    Polskie Towarzystwo Komunikacji Społecznej
    Tematy:
    audience needs
    media systems
    objectivity
    profesionalization
    journalism
    Opis:
    After the political transformation, Hungarian journalism organizations and media policy makers attempted to introduce the standards and practices of neutrality-seeking journalism, yet most news outlets continued to other engaged accounts of political events and issues. Why was the professionalization of journalism interrupted? This paper attempts to answer this question by offering an overview of the comparative media systems literature in search of the factors shaping journalism practices and by placing Hungary on the map of media systems. Then it suggests that different audience needs may be an additional factor explaining the dominance of different journalism practices in different media systems, with the public in transition societies seeking confirmation rather than information when using the media.
    Źródło:
    Central European Journal of Communication; 2017, 10, 1 (18); 48-63
    1899-5101
    Pojawia się w:
    Central European Journal of Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    LGBTQ+ Representation in Fictional Podcast Series
    Autorzy:
    Ferreyra, Emilia
    Powiązania:
    https://bibliotekanauki.pl/articles/31343978.pdf
    Data publikacji:
    2022
    Wydawca:
    Polskie Towarzystwo Ludoznawcze
    Tematy:
    LGBTQ
    representation
    podcasts
    new media
    niche audience
    patronage
    Opis:
    The article offers an analysis of the frequency and quality of LGBTQ+ representation in fictional podcasts. I examine how frequently and with what intent LGBTQ+ characters are included in this medium. This research aims to fill the gap in academic work on LGBTQ+ representation in podcasts. Though scholars note an increase in representation in mainstream media, LGBTQ+ media consumers, especially young people, still look to other sources for validation of their identities. Many LGBTQ+ people look to fictional podcasts as a source of quality representation, especially because podcasts are small-scale and rely on the funding, and thus the opinion, of listeners (Bottomley, 2015). In this paper, I analyze four fictional podcast series for LGBTQ+ inclusivity. I note how many LGBTQ+ characters are included and in what proportion. I assess the quality of representation in four ways: diversity, depth, and the frequency and type of stereotypical LGBTQ+ tropes. My findings show a high frequency of LGBTQ+ characters and diversity of personalities and backgrounds, opportunities for these characters to express their sexual and/or gender identities as well as LGBTQ+ trope subversions. Thus, we see that fictional podcasts, as a medium that sustains itself by listeners’ patronage, present stories that their audience can relate to. As a result, fictional podcasts create more niche stories that make connections with smaller demographics of media consumers.
    Źródło:
    Literatura Ludowa; 2022, 66, 2; 13-27
    2544-2872
    0024-4708
    Pojawia się w:
    Literatura Ludowa
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Realizacje muzycznych formatów stacji radiowych na polskim rynku medialnym
    Materialisations of the music radio formats in the Polish media
    Autorzy:
    Garcarek, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/649762.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    media
    radio format
    commercial radio station
    audience's preferences
    Opis:
    The private media have initiated many changes and triggered competition for audiences. One of the changes adjusting the radio to the audiences’ preferences. This article pro-vides a definition of the main radio forms, based on examples of the Polish commercial radio stations.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 17, 3; 182-188
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Can the Digital Surpass the Analog: DAB+ Possibilities, Limitations and User Expectations
    Autorzy:
    Gilski, P.
    Stefański, J.
    Powiązania:
    https://bibliotekanauki.pl/articles/226204.pdf
    Data publikacji:
    2016
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    audience
    broadcasting
    DAB+
    digital audio broadcasting
    electronic media
    radio
    telecommunications
    Opis:
    Radio is by far the most accessible medium. With its mobility and availability, it attracts listeners by its simplicity and friendliness. The present information situation is characterized by the convergence of computers, mobile devices, telecommunication and broadcasting technologies and the divergence of different ways of delivering and storing media. Consumers are overwhelmed by new electronic gadgets appearing every year. They are astonished by new technical innovations that are being designed to ease their life and change their habits. Even the broadcasting sector itself is facing significant changes, especially a growing competition between the private and public sector. This article reviews the current status of analog and digital broadcasting technologies. It analyzes a case study of user expectations related with today’s digital media, particularly radio transmission. We discuss the principal possibilities, limitations and user expectations related with digital audio broadcasting, as well as the economic, technological, regulatory and frequency management factors.
    Źródło:
    International Journal of Electronics and Telecommunications; 2016, 62, 4; 353-361
    2300-1933
    Pojawia się w:
    International Journal of Electronics and Telecommunications
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Taniec w kajdankach albo nowy teatr Milo Raua
    Dancing with handcuffs or the new theatre of Milo Rau
    Autorzy:
    Kautsch-Landorf, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/889361.pdf
    Data publikacji:
    2020-02
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    Milo Rau
    La Reprise
    Ghent Manifesto
    theatre of the real
    media
    audience
    Opis:
    The article discusses the creative methods of Milo Rau and the changes he brought to the NTGent theatre after becoming its artistic director. Rau established a set of 10 principles called the Ghent Manifesto in order to change the traditional operating system of a city theatre. The article also discusses the circumstances behind the creation of La Reprise, the play inspired by a real-life murder of a young gay man in Liège. This opera is an example of what theatre of the real means, and what the role of the media and the audience is according to Milo Rau. The article includes an interview with the director as well.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2020, 155; 1-26
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    PROGRAMY TELEWIZYJNE O TEMATYCE RELIGIJNEJ W RECEPCJI DZIECI I MŁODZIEŻY
    CHILDREN AND YOUNG PEOPLE RECEPTION OF TELEVISION PROGRAMMES ABOUT RELIGION
    Autorzy:
    Krajewska, Beata
    Powiązania:
    https://bibliotekanauki.pl/articles/550128.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    mass media, funkcje mass mediów, rodzaje programów telewizyjnych, funkcje rodziny, edukacja medialna, oglądalność programów o tematyce religijnej
    mass media, mass media functions, the types of television programmes, importance of family, media education, audience of religious programmes
    Opis:
    Udział mass mediów w procesie wychowania dzieci i młodzieży wydaje się nieustannie wzrastać, zarówno z uwagi na coraz bardziej zaawansowaną technologię dającą nieograniczone możliwości, jak i rozbudzoną w młodym pokoleniu chęć posiadania coraz świeższych informacji. Konsekwencją tego jest spędzanie długich godzin w towarzystwie komputera, internetu, telewizji. Przedmiotem rozważań w niniejszym opracowaniu są następujące zagadnienia: funkcje telewizji i rodziny w wychowaniu dziecka, edukacja medialna, rodzaje programów oglądanych przez młodzież w telewizji, zainteresowanie programami o tematyce religijnej i ich ocena.
    Education of young people remains a concern for many adults. The actions of parents are supported by the school, peer environment, local communities and the media. Media participation in the educational process seems continuously increasing thanks to more advanced technology which gives unlimited possibilities as well as to awaken needs for curiosity, obtaining information, seeking to spend time with computer, Internet, and television. Our free time is full of media and they accompany us, while performing different tasks. The functions of the media and the family in the context of child’s education, types of programmes and evaluation of religious TV programmes are the subject of this study.
    Źródło:
    Forum Pedagogiczne; 2013, 2; 91-111
    2083-6325
    Pojawia się w:
    Forum Pedagogiczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Infodemic – “Epidemic of Rumours”. The Characteristic Features of the Phenomenon on the Example of the Infodemic Accompanying COVID-19 in 2020
    Autorzy:
    Miotk, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/36773908.pdf
    Data publikacji:
    2023
    Wydawca:
    Polskie Towarzystwo Komunikacji Społecznej
    Tematy:
    infodemic
    COVID-19
    coronavirus
    social media
    fake news
    misinformation
    media effects
    media audience
    Opis:
    The purpose of the analysis described in the text was to identify the characteristic features of the infodemic as a phenomenon on the example of the infodemic accompanying the COVID-19 epidemic in 2020. The author began with the definition developed by the World Health Organization in 2018, and traced the earliest scientific studies describing the phenomenon. Then, based on results of the examination of the studies and experts’ comments relating to the COVID-19 infodemic, the author described the main features of infodemic and their indicators. As a result of the investigation, the author decided to add four additional features to the initial infodemic characteristics. This is a new approach to the topic: the scientific literature on the does not contain such detailed characteristics of infodemic and focuses rather on selected phenomena associated with it.
    Źródło:
    Central European Journal of Communication; 2023, 16, 2(34); 209-223
    1899-5101
    Pojawia się w:
    Central European Journal of Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Psychological operations after the second world war
    Autorzy:
    Modrzejewski, Zbigniew
    Powiązania:
    https://bibliotekanauki.pl/articles/576465.pdf
    Data publikacji:
    2016-09-23
    Wydawca:
    Akademia Sztuki Wojennej
    Tematy:
    psychological operations
    media
    audience
    influence
    dissemination
    Opis:
    This paper has two purposes. From the personal side, the topic was chosen because I am interested in the history of psychological operations. To benefit the reader, I address psychological operations in selected military conflicts after the Second World War in order to consider this issue. The goal of this study is to depict examples of the psychological operations conducted after World War II as part of military operations and examine the increasing importance of these issues to all involved in the battle. The article describes methods and means of psychological activities carried out by both sides in conflicts against both soldiers and civilians. Most attention in the article is devoted to the potential of the United States, which is without doubt a leader in the development of psychological operations. US PSYOP equipment is the most sophisticated and covers a broad spectrum of diverse technological means of influence. It results especially from the permanent engagement of US troops in military activities in various parts of the world after the end of World War II. Psychological operations have been an essential element of warfare since ancient times. The purpose of psychological operations is to induce or reinforce foreign attitudes and behaviour favourable to the originator’s objectives. It has been used throughout history to influence foreign groups and leaders. Moreover, psychological operations targeted the enemy’s will to fight. In various conflicts after World War II, we can observe more and more attention being paid to psychological operations. Today we can observe a revolution in PSYOP capabilities. This is related to the development of modern technologies, especially the internet, which gives new opportunities for information transfer.
    Źródło:
    Security and Defence Quarterly; 2016, 12, 3; 74-99
    2300-8741
    2544-994X
    Pojawia się w:
    Security and Defence Quarterly
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zmiany percepcji w wyniku oddziaływania nowych mediów i nowych modeli odbioru dzieła filmowego
    The changes of perception as an effect of the influence of new media and new modes of reception of film
    Autorzy:
    Mróz, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/920209.pdf
    Data publikacji:
    2013-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Viewer
    film production
    media
    digitalisation
    interactivity
    ilusion
    screen
    perceiving
    reception
    perception
    film
    television
    interlocutor
    audience
    cinema
    widz
    percepcja
    telewizja
    rozmówca
    audytoria
    kino
    produkcja filmowa
    cyfryzacja
    interaktywność
    iluzja
    ekran
    recepcja
    Opis:
    Zmediatyzowany sposób postrzegania i sukcesywne wypełnianie naszej rzeczywistości ruchomymi obrazami mają znaczący wpływ na percepcję odbiorcy, a co za tym idzie na interpretację dzieła filmowego. Nie możemy być twórcami współczesnego kina nie rozumiejąc zmian, jakie zachodzą obecnie w widowni filmowej i audiowizualnej. Współczesna widownia stała się bardziej niż kiedykolwiek nomadyczna, a widz uczestniczy w wielkim spektaklu formującym jego tożsamość.
    Medialized way of perceiving and continual stuffing of reality with moving images have substantial impact on viewer’s perception, and thus on the interpretation of cinematic work. We cannot create contemporary cinema without understanding changes that the film and audiovisual audiences currently undergo. Contemporary audience has become nomadic more now than ever, and the spectator takes part in a grand spectacle that shapes their identity.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 13, 22; 242-251
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Young people as a media audience: From content to usage processes
    Autorzy:
    Rožukalne, Anda
    Powiązania:
    https://bibliotekanauki.pl/articles/471147.pdf
    Data publikacji:
    2012
    Wydawca:
    Polskie Towarzystwo Komunikacji Społecznej
    Tematy:
    media audience
    media usage patterns
    media set
    media content
    blogs
    media technologies
    Opis:
    This research describes the results of a study on young people’s media usage patterns in Latvia during a period of four years from 2007 until 2010. The present study consists of three parts: it analyses the so-called “media day” of young people and shows which media, which content and for what needs are used in different parts of the day; the study collects data about a “media set” chosen by young people and tests what media technological features are used by young people on a regular basis. The results of this particular research allow the discussion of the following questions: What is the correlation between functions of media usage and the level of young people’s awareness about important political, economic and social issues? What particular individual or social conditions can impact young people’s media usage? How does young media users’ behaviour reflect the phenomena of ‘participation culture’ or ‘collective intelligence’? The chosen methods of this research are questionnaire and focus groups discussions.
    Źródło:
    Central European Journal of Communication; 2012, 5, 1(8); 105-120
    1899-5101
    Pojawia się w:
    Central European Journal of Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rozregulowany zegar telewizji, czyli w jaki sposób współczesne media zarządzają naszym czasem
    Autorzy:
    Skorus, Jacek
    Powiązania:
    https://bibliotekanauki.pl/articles/667302.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    television programming
    time shifted viewing
    new model of media consumption
    digital content
    commercialization of our privacy
    management of TV audience
    social media
    Opis:
    The main issue discussed by the article concerns the question what new digital media do to traditional TV audience and how new technologies are changing television programming and the way of viewing and consumption of this medium. Technological conditions of new mobile media are a decisive part of this change, which, at the same time, is not neutral, as it poses a threat of commercialization of our privacy.
    Źródło:
    Zarządzanie Mediami; 2015, 3, 1; 77-91
    2353-5938
    Pojawia się w:
    Zarządzanie Mediami
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Convergence in Digital Games: A Case Study of League of Legends
    Autorzy:
    Škripcová, Lucia
    Powiązania:
    https://bibliotekanauki.pl/articles/41308234.pdf
    Data publikacji:
    2022
    Wydawca:
    Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
    Tematy:
    audience
    convergence of digital games cross-media
    digital games
    League of Legends
    media convergence
    Opis:
    The study deals with content media convergence, i.e. the fragmentation of media into different forms and formats in order to reach new audiences. The main thesis is that this form of convergence, which has been observable in the media segment over the last decades, has in recent years started to be deliberately and purposefully implemented in the digital games segment as well, and game studios are trying to reach audiences that are not players of the original game from which the media content converged through the creation of media content. However, not in order to attract them to play the game, which could be considered a classic marketing strategy, but in order to create a narrative and intermedia universe from which each converged part can have a separate audience, for which it is not necessary to know the whole universe. The study proves this through a case study of the game League of Legends by the game studio Riot Games and on the contents that converged from the game, through a discursive content analysis in the categories of gaming segment, audio-visual contents, music, social networks and other contents. The study concludes that the analysis supports the thesis that League of Legends converges and is able to fully reach non-gamer audiences.
    Źródło:
    Acta Ludologica; 2022, 5, 2; 86-103
    2585-8599
    Pojawia się w:
    Acta Ludologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Arab context of the Ukraine conflict in Russia Today Arabic and Sputnik
    Autorzy:
    Styszyński, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/20436591.pdf
    Data publikacji:
    2023
    Wydawca:
    Krakowska Akademia im. Andrzeja Frycza Modrzewskiego
    Tematy:
    Ukraine war
    Russian media
    propaganda
    the audience
    the Middle East
    Opis:
    The present article is concerned with the Russian narrative of the Ukraine war in Arabic versions of Sputnik and Russia Today Arabic (RT Arabic). The tragic war in Ukraine has affected different media sources in the world, including Russian and pro-Russian media. However, Sputnik and RT Arabic’s media reports combine the Ukraine conflict with Arabic context addressed to different audiences in the Arab world. This study also argues that the Russian narrative relies on propaganda devices such as ad hominem, card stacking and agenda setting, as well as testimonial and glittering generalities. These techniques affect the audience and enable to express Kremlin’s political objectives on the Ukraine war and foreign policy. Moreover, the research demonstrates that the media coverage released by RT Arabic and Sputnik aims at creation of two opposite images, which blame the West and endorse Russian policy.
    Źródło:
    Krakowskie Studia Międzynarodowe; 2023, XX, 1; 121-137
    1733-2680
    2451-0610
    Pojawia się w:
    Krakowskie Studia Międzynarodowe
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mediatized participation in European media systems
    Autorzy:
    Vozab, Dina
    Peruško, Zrinjka
    Powiązania:
    https://bibliotekanauki.pl/articles/471332.pdf
    Data publikacji:
    2018
    Wydawca:
    Polskie Towarzystwo Komunikacji Społecznej
    Tematy:
    mediatized participation
    comparative research
    media audience
    media system
    Internet
    Europe
    Opis:
    This article explores patterns of mediatized participation of European citizens and the way they differ across different media systems, in a multilevel, cross-national comparative research design. Mediatized participation is operationalized as audience practices on the Internet. The media system is conceptualized through the theoretical model of digital mediascapes, which applied to 22 European Union countries produced three clusters/media systems. The audience data are from representative online surveys in 8 eastern and western European countries N = 9532 collected by the authors and their research partners. Factor and cluster analyses were performed showing types and patterns of mediatized participation. Hierarchical multiple regression analysis and ANOVA were performed to relate the individual level variables to the macro-level clusters of digital media systems. The article shows audiences in the more mediatized, Western cluster are more engaged in participatory practices in comparison to audiences in the Eastern/Southern cluster of European countries which show more extensive information consumption practices.
    Źródło:
    Central European Journal of Communication; 2018, 11, 2/21; 151-165
    1899-5101
    Pojawia się w:
    Central European Journal of Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-14 z 14

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