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    Tytuł:
    Of Manuscript Culture in Early Modern Dubrovnik
    O rukopisnoj kulturi u ranonovovjekovnom Dubrovniku
    Autorzy:
    Plejić Poje, Lahorka
    Powiązania:
    https://bibliotekanauki.pl/articles/635867.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    manuscript culture
    manuscript publication
    scribes
    early modern Dubrovnik
    Opis:
    In the article’s introduction, the author points to the history of the book as one of the younger sub-disciplines and to its relevance for literary history. This fact is particularly important for old Dubrovnik where the first printing house was opened only in 1783. In the middle part of the article, certain aspects of manuscript culture in early modern Dubrovnik are studied. The author explains why until the 19th century a large part of the Ragusan literature was circulated in manuscripts and what the advantages of the manuscript compared to the printed book are. The author reminds that manuscripts carried out the function of printed books and indicates that printed books were frequently copied by hand.
    Źródło:
    Poznańskie Studia Slawistyczne; 2018, 14
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Is there a method in this… madness? On variance between two manuscript copies of a Middle English Psalter
    Autorzy:
    Lis, Kinga
    Powiązania:
    https://bibliotekanauki.pl/articles/1040156.pdf
    Data publikacji:
    2015-12-30
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Middle English Glossed Prose Psalter
    lexical variance
    manuscript culture
    medieval Psalter
    Opis:
    The objective of the paper is to determine the extent and the possible sources of the intertextual lexical variation between two manuscript copies of a single Middle English Psalter known, among other names, as the Middle English Glossed Prose Psalter. The purpose of the paper can be understood only if one approaches the variance from a medieval perspective on text with respect for the inherent features of manuscript culture and an understanding of the exceptional character of the text analysed in the study, which topics are briefly discussed within the paper. The extent of the variance is measured in relation to the nominal choices attested in the two copies of the text, the rationale behind the variation being sought separately in each case, taking into account the contextual intricacies of all the occurrences of the nouns under analysis.
    Źródło:
    Linguistics Beyond and Within; 2015, 1; 152-168
    2450-5188
    Pojawia się w:
    Linguistics Beyond and Within
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    An unknown collection of music manuscripts from Otyń (Wartenberg)
    Autorzy:
    Frankowski, Patryk
    Mądry, Alina
    Powiązania:
    https://bibliotekanauki.pl/articles/780133.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Otyń
    Wartenberg
    musical culture
    Jesuit music
    musical manuscript
    Karol Reinach
    Opis:
    The Museum of Musical Instruments in Poznan (a branch of the National Museum) is in possession of a very important collection of music manuscripts from the former Jesuit monastery in Otyń (Ger. Wartenberg), which was dissolved in 1776. The activities of this centre were associated primarily with the figure of Karol Reinach, the monastery’s last superior (from 1753). Reinach maintained friendly relations with Frederick II the Great, who was an ardent flautist, as we know, and visited Otyń from time to time. The Otyń manuscripts were bequeathed to the museum in 1947, along with three preserved instruments: a pair of kettledrums and a bass viola da gamba. At present, the collection of manuscripts from the Jesuit ensemble of Otyń contains fifty-six compositions, written between 1753 and 1768. Thirty-one pieces have fully certified provenance, reflected on the title pages of the manuscripts in the form of inscriptions, such as ‘pro Choro Residentiae Wartenbergensis’, and in the names of the Otyń transcribers. Twenty-two compositions were classified as belonging to the Jesuit collection on the basis of its inventory number, placed in the top right corner. Seventeen of the preserved manuscripts were provided with exact dates of origin (ten compositions were dated to the day, the other seven to a particular year). In these manuscripts, one can find compositions of the following types: offertoria, antiphons, Marian hymns (mostly arias), litanies, carols, a cantata, a dialogue and a sequence. All of them are vocal-instrumental. The lyrics were written in Latin and German, and their subject matter is mostly connected with the Marian cult (the antiphons Ave Regina Caelorum, Alma Redemptoris Mater and Regina Coeli Laetare\ the hymn Ave Maris Stella), Jesuit themes (a litany of St John Nepomucen, a prayer of St Francis Xavier, O Deus Amo ego te) and Christmas (carols). The well-known composers include Frantisek Xaver Brixi (1732-1771), Carl Ditters von Dittersdorf (1739-1799), Carl Heinrich Graun (1704-1759), Johann Adolph Hasse (1699-1783) and Karel Loos (1724-1772), and there are also the less well-known or nearly unknown, such as Carolus Gaebel [Gebel], F. Passelt [?], Joseph Rhodigez, Antonio Josepho Ronge (or Runge [?]), Francisco Rudolph and Wollmann. The continued examination of the collection will certainly reveal more details that are unknown or as yet barely identified. The research is due to be capped with the publication of a thematic catalogue of Otyń’s music manuscripts and their registration in the RISM database.
    Źródło:
    Interdisciplinary Studies in Musicology; 2012, 11; 67-80
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Literary Collectors as Literary Scribes: The Case of Đuro Ferić (1739–1820)
    Autorzy:
    Lupić, Ivan
    Bratičević, Irena
    Powiązania:
    https://bibliotekanauki.pl/articles/951694.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Đuro Ferić (1739–1820)
    Ragusan literature
    manuscript studies
    scribal culture
    history of literature
    history of collecting
    Opis:
    The essay reconstructs the scribal collection of Ragusan literature compiled by Đuro Ferić (1739–1820) and currently scattered across various libraries. It argues that the focus on individual scribes is the best way of understanding Ragusan manuscript culture and of identifying relationships among different manuscript witnesses. Once scribal collections are reconstructed, it is possible to determine to what extent scribes understood their job as involving specific editorial decisions rather than just mechanical copying of the text in front of them. The approach is recommended not just to scholars interested in manuscript culture but to those interested in the larger questions of literary history as well.
    Źródło:
    Poznańskie Studia Slawistyczne; 2018, 14; 129-147
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Archiwum Śląskiej Kultury Muzycznej – specjalna przestrzeń, specjalne zbiory, specjalny odbiorca
    Archive of Silesian Musical Culture ‒ special space, special collections, special audience
    Autorzy:
    Bias, Hanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1918288.pdf
    Data publikacji:
    2020-12-29
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Archiwum
    Biblioteka akademicka
    Kultura muzyczna
    Rękopis muzyczny
    Silesiak
    Śląsk
    Region
    Zbiory specjalne
    Archive
    Academic library
    Musical culture
    Musical manuscript
    Silesia
    Special collections
    Opis:
    Archiwum Śląskiej Kultury Muzycznej, działające przy Bibliotece Akademii Muzycznej im. Karola Szymanowskiego w Katowicach, założono w 1968 r., by wypełnić lukę w zakresie dokumentacji dawnej i współczesnej kultury muzycznej całego regionu śląskiego. Archiwum skupiło się na gromadzeniu wszelkich świadectw twórczości i rozwoju muzyki, a z racji swojego położenia większa część zbiorów dotyczy działalności muzycznej na Górnym Śląsku. W artykule przedstawiono historię powstania tego miejsca, specyfikę zbioru, wraz z dopowiedzeniem o zgromadzonych najcenniejszych silesiakach, oraz zaprezentowano plany na przyszłość, które pozwolą Archiwum zaistnieć nie tylko w najbliższym regionie czy kraju, ale także na arenie międzynarodowej.
    Archives of Silesian Music Culture alongside the Library of the Academy of Music Karol Szymanowski in Katowice was founded in 1968, in order to fill the void concerning documentation of old and contemporary musical culture of the region of Silesia. It aims at gathering, compiling and making manuscripts and musical prints available to scholars and students. The very existence of the Archive contributed to enriching our awareness of the past of the musical life of Silesia region. The ever-growing collection of the Archive might be easily used by music institutions, artists as well as all those who have academic interest in the field of musical culture of this geographically diverse region. The article presents the history of the creation of this place, the specifics of the collection and presents plans for the future that will allow the Archive to appear in the minds of not only the nearest region or country, but also on the international arena.
    Źródło:
    Nowa Biblioteka. Usługi, Technologie Informacyjne i Media; 2020, 37, 2; 1-14
    1505-4195
    2451-2575
    Pojawia się w:
    Nowa Biblioteka. Usługi, Technologie Informacyjne i Media
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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