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Wyświetlanie 1-6 z 6
Tytuł:
Mahabharata w literaturze polskiej. Przekłady, tłumaczenia, inspiracje
The Mahabharata Epic in Polish Literature. Translations and Inspirations
Autorzy:
Milewska, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/579284.pdf
Data publikacji:
2016
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Mahabharata
translation
Indian epics
Opis:
The article covers the topic of the more than one hundred years old tradition of translations of fragments of the Indian epic Mahabharata to Polish. The works of professional indologists like Jan Leciejewski, Helena Willman-Grabowska, Andrzej Ługowski, Halina Marlewicz, Iwona Milewska, Marek Mejor and Joanna Jurewicz are discussed in detail. All these translations are unquestionably direct ones whereas this directness is not certain in regard to the ones which were prepared by Antoni Lange, a famous Polish poet and by Antoni Kałuski. This problem of direct and non-direct translations is indicated in the article. But for the presentation of the tradition of Polish translations of the fragments of the Mahabharata it provides some information on the potential influence given to Polish poets based on the stories coming from this Indian epic. One can definitely trace such influences in the works of Jan Kasprowicz and Bolesław Leśmian.
Źródło:
Zagadnienia Rodzajów Literackich; 2016, 59/119 z. 3; 135-148
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Synkretyczne pouczenie jogiczne w Ćarakasanhicie (Śarirasthana 1.137-155)
Autorzy:
Budziszewska, Nina
Powiązania:
https://bibliotekanauki.pl/articles/2188246.pdf
Data publikacji:
2021-12-20
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Ayurveda
Yoga
Sāṃkhya
meditation
Upaniṣads
Mahābhārata
Opis:
A syncretic yogic instruction in Carakasanhita (Śārīrasthāna 1.137-155): Śārīrasthāna (ŚS) .1137-155, contained in Book 4 of the Ćarakasaṃhitā (1st century BCE - 2nd century CE), is a short treatise on yoga presented for āyurvedic purposes. In its yogic interpretation, the work comprises the Upaniṣads, the Mahābhārata, some Sāṃkhya's and Vaiśeṣika's notions as well as the meditative interpretation present in the Buddhist tradition. The ŚS gives a threefold path (ayana) leading to mokṣa (ŚS 150-151), the state of supreme brahman with which the conscious being, bhūtātman, becomes one (ŚS 155): yoga, smṛti, and sāṃkhya. The path to liberation is based on yoga, which is the reinforcement of the manas in the ātman (ŚS 138) and the stopping of sufering by breaking the connection between the erroneous identification of ātman with manas and the senses (ŚS 138-139). On the path of yoga, a powerful eight-fold magical power (eight siddhis) is created through which the yogi is able to overcome external adversities (ŚS 140-141). In the next step, the recognition of the one's true identity - according to the sāṃkhya - is made through buddhi by the power of jñāna (ŚS 152-153). However, in order for this recognition to be realized, the state of purity of sattva (ŚS 141) must first appear, induced by the practice of the eight-step smṛti realized by eighteen perfections (ŚS 143-147).
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2021, 11, 2; 497-508
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The saga of womens status in ancient Indian civilization
Autorzy:
Pal, Bhaswati
Powiązania:
https://bibliotekanauki.pl/articles/2138552.pdf
Data publikacji:
2019-08-04
Wydawca:
Uniwersytet Warszawski. Wydział Geografii i Studiów Regionalnych
Tematy:
Dharmaśāstras
India
Jainism and Buddhism
Mahābhārata
Rāmāyaṇa
vedic period
Opis:
Foundation of human civilization and endorsement of its potency are the consequences of prolonged women endeavor, which through its history of superiority and confinement, convey the picturesque of civilization. Since ages, the Indian societal structure has played an active role in stimulating the trends of change in women's status, which with time also proved to be hindrance to the progress of this country. In this context, the study has attempted to emphasize the women's status in ancient Indian civilization based on the ancient scripts and texts. The ancient era has been categorized into four distinct periods viz. the Vedic period, the Epic period, the period of Jainism and Buddhism and the age of Dharmaśāstras, Mánusmṛiti onward. The study has portrayed the relegation of the women's dignified role and position entirely to a subservient one from Vedic period to the period of Dharmaśāstras, Mánusmṛiti onward.
Źródło:
Miscellanea Geographica. Regional Studies on Development; 2019, 23, 3; 180-184
0867-6046
2084-6118
Pojawia się w:
Miscellanea Geographica. Regional Studies on Development
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W poszukiwaniu wewnętrznej harmonii
Autorzy:
Henryk, Jurkowski,
Powiązania:
https://bibliotekanauki.pl/articles/892191.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Mimezis
katharsis
paraller worlds
Mahabharata
birth of Jesus Christ
Opis:
The author imagined a short history of parallel worlds, created by human mind in order to have them as a model to play with and to solve human everyday problems. These worlds include various kinds of art such as literature, music, dance and fine art with its different forms of figures and puppets. At the beginning figures were treated by men as small idols and gradually became the puppets of the puppet theatre. Among the greatest stories of human culture, Mahabharata and Birth of Jesus Christ became most popular among common people, reaching the status of folkloric presentation. Artists were also interested in figures and puppets both as an existential metaphor and a model for the actor. However their interest was temporary. Teachers and educationists using puppets as therapeutic instruments allowing their prot to feel the touch of transcendence showed more attachment to puppets as creatures on the edge of life and death.
Źródło:
Kwartalnik Pedagogiczny; 2016, 61(1 (239)); 9-16
0023-5938
Pojawia się w:
Kwartalnik Pedagogiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dharmarāja and Dhammarāja (II). Yudhiṣṭhira’s moral dilemmas before the great battle (Mahābhārata 5,70)
Autorzy:
Szczurek, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/2076782.pdf
Data publikacji:
2021-12-24
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Yudhiṣṭhira
Mahābhārata
Buddhist ethics
Pāli Canon
kṣatriyadharma
war
peace
Opis:
The paper offers a close examination of the Mahābhārata’s adhyāya 5,70, one of the more interesting and representative chapters to analyse Yudhiṣṭhira’s attitude on the dharma of the king and warfare. In this long chapter addressing Kṛṣṇa (before the latter’s diplomatic mission to Kauravas), the king deprived of his kingdom presents two different attitudes. On one hand, he states that even though peaceful conflict resolution would be the best to regain the kingdom, the war must be accepted if it is inevitable. On the other hand, he expresses his disapproval of war as evil in any form (MBh 5,70.44-66). Yudhiṣṭhira’s ambivalent utterance is analysed against the background of early Buddhist ethics (as represented in the Pāli Canon), totally condemning war, and other passages from the Mahābhārata, especially those glorifying the dharma of kṣatriyas.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2021, 11, 2; 465-495
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Female and male attractiveness as depicted in the Vanaparvan of the Mahābhārata
Autorzy:
Milewska, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/943972.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
sanskrit literature
indian epics
mahābhārata
beauty
female and male attractiveness
Opis:
This paper deals with the bodily attractiveness of heroines and heroes, as described in one of the two most important epics of India. The basis for this analysis is the love stories and episodes included in the main plot of the Vanaparvan, the third book of the Mahābhārata. The stories from this book have been taken into consideration due to their numerous occurrences, which are a sufficient ground for generalizations. Many characteristic features of their protagonists are repeated in different sub‑stories. Also, the images of female and male characters, princesses, queens and kings are presented and discussed in detail. The external beauty of such female heroines as Damayantī, Sāvitrī, Sukanyā, Suśobhanā and Sitā; as well as the attractiveness of two semi‑goddesses, called Apsarases, are described and analysed. The names of the Apsarases discussed in the context of female beauty are Urvaśī and Menakā. Besides this, the image of an unnamed courtesan is discussed, as it is the most detailed description of a female character and probably follows the ideal of female beauty as shown in the Mahābhārata. As far as the male protagonists are concerned, the images of heroes such as Nala, Bhīma, Aśvapati, Rāma and Daśaratha are taken into consideration. The examples of male attractiveness also include features of the five main heroes of the Mahābhārata: the Paṇḍava brothers.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2015, 5, 1; 111-126
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

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