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    Wyświetlanie 1-3 z 3
    Tytuł:
    Parodie horacjańskie. Przekład siedmiu pieśni Macieja Kazimierza Sarbiewskiego
    Horatian Parody. Seven Odes Composed by Maciej Kazimierz Sarbiewski in the Polish Translation
    Autorzy:
    Ryczek, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/1045730.pdf
    Data publikacji:
    2019-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    parody
    ode
    lyric discourse
    Horatius
    Maciej Kazimierz Sarbiewski
    Opis:
    The paper proposes the translations into Polish of the following Latin odes composed by Mathias Casimir Sarbiewski: I 19 Urit me patriae decor, II 14 Diva, ventorum pelagique praeses, II 18 Reginam tenerae dicite virgines, I 26 Aurei regina, Maria, caeli, III 2 Cum tu, Magdala, lividam, IV 7 Iessea quisquis reddere carmina, IV 31 Vides, ut altum fluminis otium. All of the texts included in this collection are strongly related to imitating of Horatian lyrical discourse (parodia Horatiana). A short introduction and the most significant references to Horace’s odes and notes have been provided.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 85-103
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    АРХЕТИП ЛЮБВИ В ДУХОВНОЙ ВИЗИИ ЛЕСИ УКРАИНКИ И ЕГО МУЗЫКАЛЬНЫЙ ДИСКУРС
    THE LOVE ARCHETYPE IN LESYA UKRAINKA’S SPIRITUAL VISION AND IT’S MUSICAL DISCOURSE
    Autorzy:
    Драганчук-Кашаюк, Виктория
    Powiązania:
    https://bibliotekanauki.pl/articles/566536.pdf
    Data publikacji:
    2018-12-14
    Wydawca:
    Akademia Pomorska w Słupsku
    Tematy:
    творчество Леси Украинки
    архетип Любви
    опера
    балет
    вокальная лирика
    музыкальный дискурс
    Эго-концепт
    фемин-персонализм
    Lesja Ukrainka’s creation
    Love archetype
    opera, ballet
    vocal lyric
    musical discourse
    Ego-concept
    Femin-personalism
    Opis:
    The discourse of the Ukrainian musical culture is contains numerous appeals to the poetic legacy by Lesya Ukrainka. Therefore, understanding the musical-theatrical, choral, chamber- vocal works by M. Lysenko, K. Stetsenko, Y. Stepovy, S. Lyudkevych, M. Skorulsky, S. Turkevych-Lukiyanovych, V. Kyreiko, I. Shamo, Y. Stankovych, L. Dychko, O. Kozarenko, V. Tymozhinsky and other composers who entered into a musical and poetic dialogue with the poetess, is provides an understanding the key positions of the poet’s philosophy. In our opinion, a new spiritual vision was born in the Lesya Ukrainka’s creative matrix, which embodied the Ukrainian mental Ego in the female image of a spiritual knight and presented it as a weighty component of world culture. More than a hundred years ago, the poet showed a woman’s personality as a com-creator, which has a divine beginning, and therefore we interpret its philosophy in the vein of Femin-personalism (the term is proposed). The three Love types which were shown in Lesya Ukrainka’s works and in her musical discourse are as follows: Ancient Greek “agape. (in variants Love-Spirit, Love-Soul, Love-Eros), Love as a component of national Ego-concept, Love as an immortal divine spirit. The musical discourse expects the interpretation of the drama “Obsessed. and others from the “Blue Rose. to “Cassandra., “In the Catacombs., “Rufin and Priscilla. and others.
    Źródło:
    Ars inter Culturas; 2018, 7; 111-120
    2083-1226
    Pojawia się w:
    Ars inter Culturas
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Eine deutsch-polnische, poetische Auseinandersetzung zum Auftakt der nächstjährigen Feierlichkeiten anlässlich des 100. Jahrestages des Ausbruchs des Großpolnischen Aufstandes 1918/19 in der preußischen Provinz Posen
    Polish-German poetic discourse as the prelude to next year’s 100th anniversary of outbreak of Greater Poland Uprising 1918/19 in Prussian Province of Posen
    Autorzy:
    Górski, Karol
    Powiązania:
    https://bibliotekanauki.pl/articles/679743.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Prussian Province of Posen
    Greater Poland Uprising 1918/1919
    anniversary pro¬ceedings
    century jubilee
    the Germans of Posen
    German authors
    factual literaturę
    prose
    poetry
    poetic discourse
    nationalist lyric poetry
    poems about homeland
    Opis:
    At the end of year 2018, falls the 100th anniversary of outbreak of Greater Poland Uprising 1918/1919 in Prussian Province of Posen. During this jubilee, in the public sphere as well as, to lesser extent in domestic circles, that sacrifice of Polish patriotism from before 100 years, will be commemorated. Official, state proceedings will focus on commemorating the participants of the Uprising. It will pose as an occasion to celebrate and to deposit the wreaths with white-red sashes by the memorials. Flags will be flapping, drumrolls will be beaten and oaths, to never forget the Uprising in the Province of Posen of 1918/19, will be taken in the presence of state and insurrectionary banners. Anniversary proceedings are sure to be accompanied by numerous topical papers which are bound not to slip by the German observers. Therefore, factual, scientific and even literary papers are expected to be published. Anticipated spirit of said jubilee is encapsulated in commemorative poetic works written by the Author of this paper. This study stands as the plane on which the Author engage in Polish-German poetic discourse with German poets, those who witnessed or participated in the events from before 100 years, as well as with contemporary authors associated with Province of Posen in the past or at present.Because of varied emotional charge and political tenor, this lyrical prelude to next year’s 100th anniversary of outbreak of Greater Poland Uprising 1918/1919 and its tone, in collation with its German counterparts, varies from remaining in sharp dissonance to sometimes become a duet or a perfect harmony.
    –
    Źródło:
    Acta Universitatis Lodziensis. Folia Germanica; 2017, 13; 61-74
    2449-6820
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Germanica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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