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    Wyświetlanie 1-6 z 6
    Tytuł:
    Historyczna rzeczywistość pieśni religijnej – od starożytności do średniowiecza
    The Historical Reality of Religious Songs—from Antiquity to the Middle Ages
    Autorzy:
    Matyszewski, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/32062783.pdf
    Data publikacji:
    2012
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    pieśń religijna
    pieśni liturgiczna
    pieśń pozaliturgiczna
    definicje pieśni
    rola i zadania pieśni sakralnej
    twórcy pieśni religijnych
    religious song
    liturgical song
    extra-liturgical song
    definitions of a religious song
    significance of sacred songs
    authors of religious songs
    Opis:
    Expressing oneself before God through singing religious songs has been characteristic of people of all cultures and nationalities since time immemorial. It seems that this is particularly the case with those who have been singing to praise Christ the Lord since the dawn of Christianity. This paper presents various definitions of a religious song as well as its types, sources and ways in which it developed in the period between antiquity and the Middle Ages. An important aspect of this study is the fact that it attempts to determine the role performed by religious songs in Christian worship over centuries. Besides looking at the oldest vocal relics of the Roman Catholic Church, the paper outlines the idea that motivated those who created sacred songs, which—as time went on—became more and more popular with Catholics, and, as a result, deserved to be used in the liturgy. Less sacred, other songs which did not meet the strict requirements existing at those times were called extra-liturgical songs or religious songs. Irrespective of how liturgical and extra-liturgical songs are defined, it is indisputable that there is a common thread to all the types of religious songs created in the period between antiquity and the Middle Ages, namely, love for God, to whom they are dedicated.
    Źródło:
    Roczniki Liturgiczno-Homiletyczne; 2012, 3; 63-79
    2082-8586
    Pojawia się w:
    Roczniki Liturgiczno-Homiletyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Celebracja Eucharystii w przestrzeniach nowej ewangelizacji
    Celebration of the Eucharist in new evangelization spaces
    Autorzy:
    Matczak, Bartłomiej
    Powiązania:
    https://bibliotekanauki.pl/articles/2056625.pdf
    Data publikacji:
    2017-11-17
    Wydawca:
    Wyższe Seminarium Duchowne im. św. Jana Pawła II Diecezji Siedleckiej
    Tematy:
    nowa ewangelizacja
    Eucharystia
    homilia
    przestrzeń liturgiczna
    modlitwa wspólnotowa
    śpiew liturgiczny
    new evangelization
    Eucharist, homily
    liturgical space
    congregational prayer
    liturgical song
    Opis:
    New evangelisation has recently become a great challenge in the life of the Church. This pheno-menon has led to the creation of new spaces and contexts in which the Gospel is now proclaimed. Among them are stadia, gymnasia, assembly halls, and other similar venues. In following this path, the place of the liturgy and its organization in such spaces also needs to be discussed. Of course canon law allows celebration outside a place of worship, but at the same time makes it clear that it is necessary to take great care to maintain the sacrum. The author analyses Church documents which indicate the need for correct and appropriate preparation of celebration sites elsewhere than on consecrated premises. In this context the documents Actio pastoralis, Redemptionis sacramentum, and Eucharisticum mysterium, as well as the introductions to liturgical books, are becoming important.
    Ultimi tempi della vita della Chiesa creano nuove sfide che bisogna affrontare e le-ggere nella chiave della fede. La nuova evangelizzazione è una di quelli segni del nostro tempo che i pastori ed anche il popolo di Dio devono capire bene. Nel contesto di questa occorre anche vedere la nuova situazione liturgica. Oggi tante volte la celebrazione eucaristica si svolge nei nuovi contesti, che chiamiamo – contesti di nuova evangelizzazione: la palestra, lo stadio, le aule delle scuole ed altri. La Chiesa con il suo diritto conferma la possibilità do queste celebrazioni ma nello stesso tempo ha dato diversi documenti che stabiliscono le regole che devono essere viste come un aiuto. In questo articolo, l’autore fa una analisi dei documenti: Actio pastoralis, Redemptionis sacramentum , Eucharisticum misterium e le prenotanda dei libri liturgici per dimostrare come e dove si può celebrare la Eucaristia nel nuovo contesto di evangelizzazione.
    Źródło:
    Teologiczne Studia Siedleckie; 2017, XIV/14; 92-103
    1733-7496
    Pojawia się w:
    Teologiczne Studia Siedleckie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Śpiew wiernych w liturgii w świetle watykańskiej instrukcji Musicam sacram
    Autorzy:
    Kałamarz, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/668935.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Papieski Jana Pawła II w Krakowie
    Tematy:
    liturgical folk song
    church song
    participation in liturgy
    characteristics of liturgical music
    liturgiczny śpiew ludowy
    pieśń kościelna
    uczestnictwo w liturgii
    cechy muzyki liturgicznej
    Opis:
    In light of the Vatican’s 1967 instruction, entitled Musicam sacram, not only Gregorian choirs may be performed during liturgy, but also songs. These should be approved by the appropriate ecclesiastical authority. They should have arisen for the glory of God, have no relation to secularity (i.e. be holy) and be perfect in form. It would be good if the songwriters were also inspired by the Gregorian chant in their creation. An important role in the proper liturgical experience is silence. The Church also encourages the faithful to practice singing the Officium as well as become familiar with Gregorian chants. 
    W świetle watykańskiej instrukcji z 1967 roku pt. Musicam sacram podczas liturgii można wykonywać nie tylko śpiew gregoriański, ale także pieśni. Winne one być zatwierdzone przez odpowiednią władzę kościelną. Powinny powstać dla chwały Boga, nie mieć żadnego związku ze świeckością (czyli być święte) oraz posiadać doskonałą formę. Dobrze by było, gdyby twórcy pieśni w ich tworzeniu inspirowali się także śpiewem gregoriańskim. Ważną rolę w odpowiednim przeżywaniu liturgii odgrywa milczenie. Kościół zachęca też wiernych do praktyki śpiewanego Oficjum oraz poznawania śpiewów gregoriańskich.
    Źródło:
    Pro Musica Sacra; 2018, 16
    2083-4039
    Pojawia się w:
    Pro Musica Sacra
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Znaczenie pieśni religijnej w liturgii Kościoła katolickiego
    Meaning of a religious song in Catholic Church’s liturgy
    Autorzy:
    Stachyra, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/2150930.pdf
    Data publikacji:
    2016-12
    Wydawca:
    Wyższe Seminarium Duchowne Diecezji Elbląskiej w Elblągu
    Tematy:
    pieśń
    muzyka liturgiczna
    śpiew ludowy
    muzykologia
    teologia
    song
    liturgical music
    folk songs
    musicology
    theology
    Opis:
    Celem artykułu - w którym jego autor podejmuje temat znaczenia pieśni religijnej w liturgii Kościoła katolickiego - jest przedstawienie genezy i rozwoju koncepcji pieśni religijnej w Kościele katolickim, ze szczególnym uwzględnieniem obowiązującego w tym zakresie prawodawstwa kościelnego. Analizowane w artykule najważniejsze dokumenty kościelne oraz - tak dawne, jak i obecne - nauczanie wszystkich papieży wyrażają troskę o muzykę liturgiczną, której celem jest - poprzez swoje piękno - łączenie ludzi z Bogiem i bycie integralną częścią liturgii. Jednocześnie zauważa się, że pieśni ludowe, które w przeszłości były nakazane do wykonywania raczej poza Mszą Świętą, obecnie przeżywają ciągły rozwój. Obecnie pieśni ludowe stanowią powszechną normę i immanentną część każdej Mszy Świętej. Artykuł porusza również problemy związane z terminologią i wykonywaniem pieśni religijnych podczas nabożeństw liturgicznych, a także sposoby poprawy tej obecnej, dalekiej od ideału sytuacji.
    The purpose of the article – in which its author raises a subject of the meaning Catholic Church liturgy’s religious song – is to introduce the genesis and development of religious song concept in Catholic Church, with special consideration of ecclesial legislation that are currently in force in that field. The most important church documents and – as past as present – all popes teaching, which are analyzed in the article, express a concern for liturgy music, which aim is – by its beauty – to connect people to God and be an integral part of the liturgy. At the same time, it is noticeable that folk songs, that were enjoined to perform rather beyond Holy Mass in the past, are in continued development now. Nowadays, folk songs pose a common norm and immanent part of every Holy Mass. The article raises also the problems with terminology and performing the religious songs during the liturgical services, and finally, the manners of improvement of this current, far from ideal situation.
    Źródło:
    Studia Elbląskie; 2016, 17; 227-236
    1507-9058
    Pojawia się w:
    Studia Elbląskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    PROBLEMATYKA ŹRÓDŁOZNAWCZA W KONTEKŚCIE ŚPIEWNIKA KOŚCIELNEGO KS. JANA SIEDLECKIEGO
    THE ISSUE OF THE STUDY OF SOURCE TEXTS IN THE CONTEXT OF THE CHURCH SONGBOOK BY REV. FR. JAN SIEDLECKI
    Autorzy:
    Kałamarz, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/947217.pdf
    Data publikacji:
    2017
    Wydawca:
    Stowarzyszenie Polskich Muzyków Kościelnych
    Tematy:
    ogólnopolski śpiewnik liturgiczny
    polska pieśń kościelna
    Śpiewnik kościelny
    ks. Jan Siedlecki
    Polish national liturgical songbook
    Polish church song
    Church Songbook
    Fr. Rev. Jan Siedlecki
    Opis:
    The Church Songbook by Rev. Fr. Jan Siedlecki is not a homogenous publication in terms of its 41 editions over 140 years. From the beginning, it contained both the old and the new songs. The author did not pay too much attention to the documentation of their origins and neither did Rev. Fr. Michał Marcin Mioduszewski CM from whose collection Rev. Fr. Siedlecki borrowed the old songs. The situation changed along with the new editor-in-chief, Rev. Fr. Wendelin Świerczek CM. It was him who raised the bar to a new high in the 1928 anniversary edition of the critical edition of the songbook, which he oversaw until the end of his life (he passed away in 1974). The shape of various editions was influenced by changing editors. In the 41st edition of Rev. Fr. Siedlecki’s songbook from 2015, there are 243 songs for which the source are the previous editions. In addition, for 170 songs, the source are Fr. Rev. Mioduszewski’s songbooks. 102 songs in this edition of the songbook have been printed for the first time. The other ones originate from other sources. From this simple analysis, it follows that for 515 songs out of 840 in the 41st edition, the source is the songbook of Fr. Rev. Siedlecki or the songbook of his predecessor, Fr. Rev. Mioduszewski. Many church songs sung in Poland owe their functioning to the songbook of Fr. Rev. Jan Siedlecki (his individual editions). Thus, the decision of the Conference of the Polish Episcopate, by which the 41st edition was approved as the Polish national liturgical songbook, has to be recognised as historical justice or, if you will, a natural consequence.
    Źródło:
    Musica Ecclesiastica; 2017, 12; 23-33
    2353-6985
    Pojawia się w:
    Musica Ecclesiastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    OD IDEAŁU DO CODZIENNEJ PRAKTYKI. HYMNY O ŚWIĘTYCH NA JUTRZNIĘ I NIESZPORY W POSOBOROWEJ LITURGII GODZIN
    From ideal to everyday practice. Hymns about saints for Matins and Vespers in the post-concilia Liturgy of the Hours
    Autorzy:
    Nowak, Dolores
    Powiązania:
    https://bibliotekanauki.pl/articles/946253.pdf
    Data publikacji:
    2020
    Wydawca:
    Stowarzyszenie Polskich Muzyków Kościelnych
    Tematy:
    kult świętych
    Liturgia godzin
    Jutrznia
    Nieszpory
    hymn
    pieśń
    struktury wersyfikacyjne
    formy muzyczne
    praktyka muzyczno-liturgiczna
    cult of saints
    Liturgy of the Hours
    Matins
    Vespers
    song
    versification structures
    musical forms
    musical and liturgical practice
    Opis:
    The cult of saints has been developing very vividly since the beginning of Christianity. It is expressed in three forms: veneratio – worship of the saints; imitatio – imitation of the example of their lives; invocatio – invocation of their intercession, which always leads to the Father glorified in his saints. This is most fully done in the liturgy, and thus also in the Liturgy of the Hours. Therefore, it was important to prepare the texts and melodies for the Liturgy of the Hours, renewed after the Second Vatican Council, which included liturgical memories, feasts and feasts of the Lord’s saints and common texts on saints. The constitutive element of the two basic canonical hours, Matins and Vespers, apart from reading, psalmody and prayer, are the hymns, the texts of which had to be reviewed and prepared according to the rules developed by the specially created Cœtus VII Study Group. The full set of hymns in the post-conciliar Liturgy of the Hours reached an unprecedented number of 291 songs. Most of the hymns of the Liturgy of the Hours were translated into Polish by P. Galiński. Of course, according to the recommendations of the Congregation of Rites, after the publication of the Liturgy of the Hours in the Polish language, it was necessary to make every effort to arrange appropriate melodies for it, especially for the parts intended by nature for singing, such as hymns. This article analyses the texts and melodies of the hymns about saints for the two most important canonical hours: Matins and Vespers, published in Selected hymns for Matins and Vespers, edited by s. J. M. Bujalska PDDM and s. M. D. Nowak PDDM. It was published in 2012 on the initiative of the Disciples of the Divine Master. In addition to the liturgical hymns, the collection discussed here also includes church songs about saints, which can be performed in place of the hymn. The review and analysis of the hymns on saints led to the conclusion that not all the rules of a well composed hymn, developed by Cœtus VII, were applied in the hymn texts on saits, published in the Polish edition of the Book Liturgy of the Hours. In turn, the presentation of compositions about saints included in the collection Selected hymns for Matins and Vespers, showed a huge richness of forms and musical styles that they represent. On the one hand, it revealed strong references to romantic folk songs and a strong attachment to diatonic scales, which are characteristic of Polish liturgical work. On the other hand, it revealed the attempts of composers to refer to contemporary music stylistics. All this gives a wide spectrum of views on contemporary liturgical work and allows us to set new paths for its development.
    Źródło:
    Musica Ecclesiastica; 2020, 15; 11-49
    2353-6985
    Pojawia się w:
    Musica Ecclesiastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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