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Tytuł:
Jak poznałem Pałac Kultury albo mała refleksja nad twórczością Tadeusza Konwickiego (1926–2015)
How did I get to know the Palace of Culture, or considerations on Tadeusz Konwicki’s creativity (1926–2015)
Autorzy:
Káša, Peter
Powiązania:
https://bibliotekanauki.pl/articles/511254.pdf
Data publikacji:
2015
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Tadeusz Konwicki
Warsaw
Polish literature of the 20th century
Opis:
The author presents the stories of Central European intellectuals under a communist regime. He interprets one of the greatest novels written by Tadeusz Konwicki, Mała apokalipsa. He concentrates on the portrayal of both grotesque and anti¬ Communist gestures, a topos of the Communist Warsaw and its strange characters.
Źródło:
Postscriptum Polonistyczne; 2015, 1(15); 73-80
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„...życie jest zbyt poważną sprawą, by mówić o nim poważnie...” Kamp w twórczości pisarzy Bu-Ba-Bu
"... Life is Too Serious a Thing to Talk About it Seriously..." Camp in the Works of the Writers of Bu-Ba-Bu
Autorzy:
Matusiak, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1933410.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Ukrainian Literature of the 20th century
postmodernism
camp
kitsch
body
Opis:
The proposed text is an attempt to read the works of the writers of Bu-Ba-Bu in the context of the aesthetics of camp. On the basis of selected literary texts and essays of the Bu-Ba-Bu writers set together with Susan Sontag’s and Roland Barthes’ thoughts, the author argues that campy play in kitsch was for Andrukhovych, Irvanets, and Neborak a fundamental literary and artistic strategy, which vividly demonstrated their understanding of postmodern literature. In this context, the author of the article argues that literature in the concept of Bu-Ba-Bu writers should be a sex-ual and sens-ual creation; writing - a strategy of seduction; and a tissue of the text - the topography of forbidden regions, tempting with their prohibition.
Źródło:
Roczniki Humanistyczne; 2011, 59, 7; 71-97
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Can a Sinner Be a Saint? Graham Greene’s Unorthodox Saints in The Power and the Glory and Brighton Rock
Autorzy:
Zgierska, Roksana
Powiązania:
https://bibliotekanauki.pl/articles/440974.pdf
Data publikacji:
2014
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
Graham Greene (1904-1991)
novel
literature of the 20. century
Christianity
Brighton Rock
The Power and the Glory
powieść
literatura XX wieku
chrześcijaństwo
Opis:
The article addresses the theme of unorthodox saints in Graham Greene’s novels – Brighton Rock and The Power and the Glory and also deals with the author’s attitude to religious problems, particularly his views on salvation and damnation. There is also a discussion of the question whether the title of “a Catholic writer” has been rightly used in Greene’s case. The first part of the paper presents the character of the whisky-priest from The Power and the Glory. Particular attention has been paid to the author’s use of two perspectives upon the figure of the priest: one shows the character in his mundane existence, with all his human weaknesses and vices, whereas the other view stresses the character’s moral and religious superiority which testifies to his sainthood. This point is argued with numerous references to the Bible and to the philosophy of Charles Peguy which underline the martyrdom of the sinful priest and his similarity to Jesus Christ. The second part of the article focuses on the figure of Rose from Brighton Rock, highlighting a contrast between the weakness of her character and the strength of her convictions. The fact that she is torn between good and evil has been pointed out as well as the power of her feelings which is the reason of both her fall and her salvation. Similarly to the analysis of The Power and the Glory, references to the Bible and to Peguy’s philosophy have been used in order to underline Rose’s motivation which was rooted in her love of God. The final part of the article presents similarities between the two characters; what they have in common is both a human, sinful nature as well as the ability to offer superhuman love and self-sacrifice. The conclusion of the article underlines the fact that although both characters have sometimes acted in the ways questioning the principles of faith and the teaching of the Church, they can be perceived as saints because of the superiority of their morality with regard to their love of God and love of their neighbours whose good they put above their own.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2014, 2(6); 163-186
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pisarz poza ojczyzną: sylwetka Jurija Szewelowa
Autorzy:
Stefanowska, Lidia
Powiązania:
https://bibliotekanauki.pl/articles/1789990.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Displaced Person’s camps
Ukrainian literature of the 20th century
Ukrainian emigration
literary revival
Opis:
In the second half of the 1940s, Ukrainian literature outside of Soviet Ukraine experienced an unusually intensive period of development in the Displaced Person’s camps in western Germany and Austria. Thrown together from various regions of Ukraine, writers managed to develop an amazing literary activity. A key role in this period was played by one of the most important Ukrainian émigré scholar, literary critic and essayist – Yuryii Shevelov (born on 17 December 1908 in Kharkiv, died 12 April 2002 in New York.) Having emigrated to Germany in 1944, he taught at the Ukrainian Free University in Münich (1946–9) and obtained a doctorate there (1949). He was also a vice-president of the MUR literary association (1945–8) and edited a monthly journal Arka. Shevelov is the author of some 500 articles, reviews, and books on Slavic philology and linguistics and the history of literature. He was one of the organizers of émigré literary life in Germany after the Second World War. In the postwar period Yurii Shevelov (pseud: Yu. Sherekh) has been the most infl uential literary critic within the Ukrainian émigré community in the West. In his articles in the journal Arka (1947–8) he formulated the principles of a ‘national-organic style’ and stimulated a lively discussion that continued for some time. Another émigré critic, Volodymyr Derzhavyn, produced articles that combined the Neoclassicist and modernist approaches. They both began a discussion that contributed to a revival of postwar Ukrainian literature. The principal intellectual discord between them was an understanding of what “national” means and what kind of tradition should serve as a “source of revival” for Ukrainian culture in exile. His numerous articles in the fi eld of literature and literary criticism were collected in Ne dlia ditei (Not for Children, 1964), Druha cherha: literatura, teatr, ideolohiï (The Second Round: Literature, Theater, Ideologies, 1978), and Tretia storozha (The Third Watch, 1991). Most of these essays were reprinted in Kharkiv in 1998 in a two-volume edition Porohy i zaporizhzhia (The Rapids and zaporizhzhia).
Źródło:
Studia Ucrainica Varsoviensia; 2017, 5; 262-277
2299-7237
Pojawia się w:
Studia Ucrainica Varsoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Freedom as vulgarity in the poetry of débuting poets at the watershed moment of 1989
Autorzy:
Łuszczykiewicz, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/650129.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
vulgarity
obscenity
freedom
transformation
Polish literature and culture of the 20th century
Opis:
The article is dedicated to artistic vulgarity as a form of freedom of art manifesto. The author explains that using obscene and drastic language which breaks social taboos (particularly sexual ones), has often been caused by the need for artistic freedom. This phenomenon can be observed especially in the so-called communist era (1944–1989) but most importantly in the period of political system’s transformation after 1989. By the example of literature, film, theatre and broadly defined popular culture the author analyzes this process, paying special attention to various ‘traps’ in the usage of vulgar language and artistic expressions, as well as the ultimate high art’s retreat from that strategy.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 45, 7
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Love as a somatic experience: Two poems by Jarosław Iwaszkiewicz
Miłość jako doświadczenie somatyczne. Dwa wiersze Jarosława Iwaszkiewicza
Autorzy:
Kraj, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/2090011.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
love poetry
the body
somatic approach
liminality
Jarosław Iwaszkiewicz (1894–1980)
Jarosław Iwaszkiewicz
krytyka somatyczna
Opis:
This article takes up Adam Dziadek’s somatic approach to literature to explore the theme of erotic experience in two poems by Jarosław Iwaszkiewicz, ‘L’amour Cosaque’ and ‘Amore profane’. With the help of inputs from gender studies and the contemporary theories of the subject it has been possible to profi le the ‘I’ of the poems as a deeply fragmented and sexually ambiguous subject, and, upon the evidence of the elusive autobiographical details woven into the text, as a subject suspended in a liminal space, between the real and the fi ctive world. After analyzing the body represented in the text, both perfect and decrepit, as well as traces of the poet’s carnality that interfere with the text and the reader’s sense of his own soma the article arrives at the following conclusion: in Jarosław Iwaszkiewicz’s lyrics the body seems to project its impressions and experiences onto reality, thus blurring the border between the inside and the outside.
Źródło:
Ruch Literacki; 2018, 4; 429-440
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Szkic o kobiecości w trylogii antycznej Jacka Bocheńskiego
Autorzy:
Dąbrowska, Justyna E.
Powiązania:
https://bibliotekanauki.pl/articles/607916.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
women’s studies
ancient tradition
Polish literature of the 20th century
kobiecość
obraz kobiety
tradycje antyczne
literatura polska XX wieku
Opis:
Jacek Bocheński’s ancient trilogy includes three novels – Boski Juliusz (1961), Nazo Poeta (1969) and Tyberiusz Cezar (2009). The study is an attempt to analyze the image of two women, supporting characters – Corinna and Julia the Elder. Bocheński described them as persons who are the cause of suffering and great pain for men related to them. At the same time, they are completely subordinated to the patriarchal system.
Na trylogię antyczną Jacka Bocheńskiego składają się trzy powieści – Boski Juliusz (1961), Nazo Poeta (1969) oraz Tyberiusz Cezar (2009). Szkic jest próbą analizy wizerunków dwóch kobiet, drugoplanowych bohaterek – Korynny i Julii Starszej. Bocheński opisuje je jako osoby będące przyczyną bólu i cierpienia mężczyzn. Jednocześnie są całkowicie poddane systemowi patriarchalnemu.
Źródło:
Annales Universitatis Mariae Curie-Sklodowska, sectio FF – Philologia; 2015, 33, 1
0239-426X
Pojawia się w:
Annales Universitatis Mariae Curie-Sklodowska, sectio FF – Philologia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Walery Przyborowski’s crime novels: Rewriting the genre
Powieści kryminalne Walerego Przyborowskiego. W poszukiwaniu gatunku
Autorzy:
Ruszczyńska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2090006.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
crime fiction
popular novel
structural analysis of narrative
Walery Przyborowski (1845–1913)
kryminał
historia
literatura popularna
Opis:
This article combines a general introduction to the crime fi ction of Walery Przyborowski with a study of the structure of the plot of his novels. The analyses of ten of his novels conclude with a typology of their narrative schemes, shown in the context of certain invariant patterns and the conventions of related literary genres. While the main objective of this study is to outline the structure of crime story and the social issues depicted in Przyborowski’s crime fi ction, it also pays some attention to the ways in which it refl ects his concerns about contemporary life and the condition of Poland under foreign rule. Basically, Przyborowski’s formula is to make use of the staples of the genre – mystery, adventure, romance – and the techniques of the popular novel. Moreover, his novels, like all of the 19th-century crime fi ctions, are clearly indebted to the conventions of the historical novel.
Źródło:
Ruch Literacki; 2018, 4; 409-428
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Four catastrophes and two evolutions: The place of „The Invincible” in Stanisław Lem’s work
Cztery katastrofy i dwie ewolucje. O miejscu „Niezwyciężonego” w twórczości Stanisława Lema
Autorzy:
Kukulak, Szymon Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2090032.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
science fiction
space exploration
Stanisław Lem (1921–2006)
Stanisław Lem
"Niezwyciężony"
fantastyka naukowa
ewolucja
astronomia
astrofizyka
Opis:
This article questions the consensus view of The Invincible (Niezwyciężony) as one of Lem’s classical sci-fi fi ctions. The author contends that in this novel the familiar conventions (later rejected in His Master’s Voice) coexist with a structural design characteristic of his late novels. An analysis of two pieces of the world of The Invincible, usually disregarded by the critics because of their sketchiness, i.e. the story of the extinct Lyrans and the account of the ancient biosphere of Regis III, reveals that in either case Lem no longer cares for the realist credentials of his fi ction and does not put the two planets on the astronomical map (which is no doubt deliberate choice). Moreover, in contrast to his earlier novels, his outline histories of the two biospheres contain hidden (but nonetheless unmistakable) parallels to the prehistory of the biosphere of the Earth (though he was no believer in evolutionary repeatability). As this article tries to demonstrate the two peripheral facets of the world depicted in the novel are clearly related and subordinated to the central story line (concerned with the ‘necrosphere’ and humanity). This structural dependence as well as the way in which key aspects of the world depicted in the novel seem to illustrate the theses articulated in Lem’s essays justifi es the conclusion that The Invincible should be treated as the fi rst novel of his late phase, represented – on account of its form – by His Master’s Voice.
Źródło:
Ruch Literacki; 2018, 3; 281-304
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Translating memory: The reception of Miron Białoszewski’s „A Memoir of the Warsaw Uprising” in the English-speaking world
Tłumaczenie pamięci. Recepcja „Pamiętnika z powstania warszawskiego” w Ameryce Północnej
Autorzy:
Niżyńska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2087215.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
autobiography
trauma
memoir and history
Miron Białoszewski (1922–1983)
Miron Białoszewski
poezja
literatura współczesna
pamiętnik
Opis:
While presenting a wide range of cultural, historical and political factors which have influen- ced the Polish and the American reception of Miron Białoszewski’s A Memoir of the Warsaw Uprising, this article tries to assess the role played in its reception abroad by the fact that the original text existed in several versions (censored and uncensored) and, on its way to print, got fitted out with multiple paratexts (introductions, prefaces and afterwords). Interestingly, there seems to be a connection between these fringe texts, the shaping of the translation as shown by choices made by the translators and editors, the evolving model of what is believed to be the right and proper handling of historical traumas, and the politics of remembrance in diverse historical settings and cultural imaginaries. An in-depth analysis of the details of translation and editorship opens up a series of broader questions about the status of a literary text functioning as evidence of traumatic historic events and the mechanisms of its reception by those directly affected (the family circle) and the people outside (with special attention being paid to the tension between the private and the public, and the normative versus the non-normative).
Źródło:
Ruch Literacki; 2020, 6; 635-651
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poetic marks of presence: Bolesław Leśmian’s relatives in his work and transformations
Poetyckie ślady obecności. Bliscy Leśmiana w replikach i przeistoczeniach
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/2090063.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the early 20th century
autobiographical poetry
Bolesław Leśmian (1878–1937)
Bolesław Leśmian
biografia
wiersze biograficzne
Opis:
The discovery of some hitherto unknown documents relating to Bolesław Leśmian’s family has made it possible to re-read his autobiographical poems as responses to circumstances and events from the poet’s real life. An analysis of his poems in the light of the information supplied by the newly-discovered source shows that they provide a thoroughly accurate record of events as they happened, especially deaths. Not only do the deaths of his mother, father and his siblings hurt him deeply and foreshadow the end of his own life, but also make him feel guilty for not being able to remember them properly: as his memory fails him, they are condemned to a ‘second death’.
Źródło:
Ruch Literacki; 2018, 3; 323-332
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Emancypacje Heleny Rumiszewskiej w powieści Kazimiery Alberti Ci, którzy przyjdą a fenomen Nowej Kobiety
The emancipation of Helena Rumiszewska from Kazimiera Albertis novel Ci, którzy przyjdą ( Those Who Will Come) and the figure of the New Woman
Autorzy:
Banot, Aleksandra E.
Powiązania:
https://bibliotekanauki.pl/articles/2172228.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
the interwar period
women's literature
emancipation
the bourgeois
the New Woman
Kazimiera Alberti (1898–1962)
Polish literature of the 20 th century
Kazimiera Alberti
literatura polska dwudziestolecia międzywojennego
mieszczaństwo
emancypacja
Nowa Kobieta
Opis:
Current research into the life and work of Kazimiera Alberti, a poet and writer popular in the interwar period, connected from 1930 with Biała Krakowska, owes a great deal to Jacek Proszyk, who in 2009 staged a spectacle based on her biography at the Teatr Polski in Bielsko Biała called The Literary Salon of Kazimiera Alberti. It was followed by a spate of publications which, at this point, form a body of work ready for reassessment. This article deals with one of them, written by Karolina Pospiszil, where it is claimed that the heroine of Ci, którzy przyjdą (Those Who Will Come, 1934), Helena Rumiszewska, is both a stereotyped, idealized female character. Focusing on the episodes which belie that description and show a character of considerable complexity driven by an emancipatory desire. She is not free from doubt when faced with various dilemmas, yet does she represent the ideal of the New Woman? This article addresses this question and discusses the issue of emancipation in the broader context of bourgeois culture and class, i.e. the social milieu o which Helena belongs.
Źródło:
Ruch Literacki; 2022, 1; 33-55
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Więc były w tych schodach zarazem i strach, i chęć ucieczki” – los podmiotu uwikłanego w dwuznaczność świata ( Schodami w górę, schodami w dół Michała Choromańskiego)“
And these stairs stirred up fear, but also a desire to escape”: The fate of a subject embroiled in the world's ambiguities in Michał Choromański's Schodami w górę, schodami w dół ( Upstairs, Downstairs)
Autorzy:
Natkaniec, Daniel
Powiązania:
https://bibliotekanauki.pl/articles/2172221.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
psychological thrillers
psychoanalytic character study
Michał Choromański (1904–1972)
Michał Choromański
psychoanaliza
psychologizm
proza XX wieku
awangarda
Opis:
This interpretation of Michał Choromański's novel Schodami w górę, schodami w dół (Upstairs, Downstairs) focuses primarily on issues related to the inner life of the characters and the representation of the outside world in the context of classical psychoanalysis. The appropriateness of the psychoanalytical approach is justified by numerous references to Freud's theory in the text of the novel. The study reaches out to Choromański's other novels and short stories, but embarks on a more systematic comparison of Schodami w górę, schodami w dół with only one of them, Zazdrość i medycyna (Jealousy and Medicine), his most popular novel published in 1936.
Źródło:
Ruch Literacki; 2022, 1; 73-93
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Ten człowiek potrafi siebie obrzydzić wszystkim, którzy chcieliby mu pomóc”. O korespondencji Jerzego Giedroycia i Teodora Parnickiego
„This man can put off anybody willing to help him” On the correspondence between Jerzy Giedroyc and Teodor Parnicki
« Cet homme peut indisposer contre lui tous ceux qui voudraient l’aider » Sur la correspondance de Jerzy Giedroyc et Teodor Parnicki
Autorzy:
Gorliński-Kucik, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/534666.pdf
Data publikacji:
2015
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Teodor Parnicki
Jerzy Giedroyc
Andrzej Dobrowolski
history of Polish
literature of the 20th century
emigration
histoire de la littérature
polonaise du XXe siècle
émigration
Opis:
The author analyses Andrzej Dobrowolski’s exquisite edition of letters of the editor of Kultura Jerzy Giedroyc and Teodor Parnicki written between 1946 and 1968. This volume of their prolific correspondence reveals a lot of previously unknown facts from the biography of the author of Słowo i ciało and the life of immigrants at the time of the Polish People’s Republic, and shows problems Parnicki had publishing his novels in the Instytut Wydawniczy PAX.
L’auteur analyse l’édition des lettres de Jerzy Giedroyc, rédacteur de « Kultura », et de Teodor Parnicki parfaitement élaborée par Andrzej Dobrowolski. Il s’agit des lettres qui ont été écrites dans les années 1946–1968. Ce riche recueil de correspondances apporte beaucoup d’informations qui n’étaient pas connues auparavant et qui concernent la biographie de l’auteur de Słowo i ciało, l’émigration à l’époque de la République populaire de Pologne, ainsi que les problèmes de Parnicki liés à la publication de ses romans chez Instytut Wydawniczy PAX.
Źródło:
Śląskie Studia Polonistyczne; 2015, 6, 1; 213-220
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
My – kobieta, pisarka. Metafora kobiecego losu w utworze „Knížka s červeným obalem” Alexandry Berkovej
We – a woman, a writer. The metaphor of a woman’s fate in “Knížka s červeným obalem” by Alexandra Berková
Autorzy:
Czaplińska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2012656.pdf
Data publikacji:
2016-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Alexandra Berková
Knížka s červeným obalem
czeska literatura XX wieku
czeska literatura kobieca
écriture féminine
intertekstualność
Czech literature of the 20th century
Czech literature written by women
intertextuality
Opis:
The article is an attempt to re-interpret Knížka s červeným obalem by Alexandra Berková which is shown as a text having very strong connotations with works of European literature. The author of the article  indicates many intertextual references that can be found in the Berkova’s text both on the intertexual, as well as hypertextual level (according to Gérarde Genetta’s thypology), which relate to the output of writers such as primarily James Joyce, but also Bohumil Hrabal, Josef Škvorecký or Giacomo Boccacio. Despite previous classification of Knížka s červeným obalem as a short stories cycle, the author proves that the text is a novel that reflects the scheme of a Bildungsroman and a metaphorical picture of women’s experiences, women who live through each stage of their lives and at the same time search for the possibility of expressing themselves in the text of culture. The article discusses also the issue of écriture feminine and the question whether Berkova’s text can be classified as “women’s writing”.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2016, 6(9); 351-364
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Jeszcze tutaj jesteś, Jeszcze z tobą mówię”. O wierszach żałobnych Marii Kureckiej“
You are still here, I am still talking to you”: Poems of grief and mourning by Maria Kurecka
Autorzy:
Strzeżek, Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/2172231.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
poetry of grief and mourning
the elegiac tradition
Witold Wirpsza (1918–1985)
Maria Kurecka (1920–1989)
Maria Kurecka
poezja żałobna
trauma
tradycja literacka
archiwum
Opis:
This article examines a cycle of poems by Maria Kurecka, the acclaimed writer and translator, in which she mourns the loss of her husband, Witold Wirpsza, who died in 1985. Held by the archives of the Pomeranian Library in Szczecin, these unpublished poems were written in the final years of her life. In this article they are positioned and read against the background of Polish funerary poetry and its traditions. Apart from having single poems published in literary magazines, Maria Kurecka produced just one volume of poetry, Trzydzieści wierszy (Thirty Poems, 1987). In fact, though, there may be quite a lot of poems that she chose to keep private. Remembered as an outstanding translator of German literature, Maria Kurecka the poet is virtually unknown. It is hoped that by drawing attention to her poetic work this article will contribute to a better appreciation of her achievement.
Źródło:
Ruch Literacki; 2022, 1; 95-114
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“I will never be a Polish writer, yet I'm sure that's what I am”: Leopold Tyrmand's wrangling with his Polish identity
„Ja już nigdy nie będę pisarzem polskim, którym przecież jestem” – Leopolda Tyrmanda zmagania z polskością
Autorzy:
Jaszczak, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2087808.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
Polish writers with Jewish roots
national identity
Polish identity
Polish literature in exile
the Polish-American community
Leopold Tyrmand (1920–1985)
polskość
tożsamość
narodowość
emigracja
Polonia
Opis:
The article examines Leopold Tyrmand's attitude towards the Poles and Polishness on the basis of, primarily, his journalism, interviews and correspondence. It picks up a broad range of themes, among them, the reasons of Tyrmand's leaving Poland in 1965, his relations with other exiles and expatriates, in particular the Polish community in the United States, his opinions on the virtues and vices of the Polish national character, his attitude towards the Polish language, his decision to write in English and his search for national identity. The article argues that Tyrmand's views on Poland and things Polish kept changing and this evolution was closely connected with various phases of his life. While acknowledging the heterogeneity of Tyrmand's sense of identity, the conclusion notes that the dominant element of his self-awareness was a sense of belonging to the Polish nation.
Źródło:
Ruch Literacki; 2020, 2; 129-147
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Janusz Makarczyk’s “Jafar of Baghdad” – an important source of information about the history and literature of the Abbasid Golden Age
„Dżafar z Bagdadu” Janusza Makarczyka jako cenne źródło wiedzy o historii i literaturze arabskiej epoki Abbasydów
Autorzy:
Olkusz, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/2089441.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
historical romance
the Orient and Islam in popular fiction
Abbasid Empire
Harun al-Rashid
Jafar ibn Yahya
intertextuality
Janusz Makarczyk (1901–1960)
Opis:
This article deals with Janusz Makarczyk’s bestselling historical romance Jafar of Baghdad, fi rst published in 1950. Makarczyk had a varied career as a journalist, travel writer of the ‘globtrotter school’, military offi cer, diplomat and academic; his deep involvement with the Middle East and Arab history began in the 1926 when he was sent to the Polish consulate in Jerusalem. The life of Jafar ibn Yahya provided him not only with enough material for a gripping story of love and romance but also a pretext for painting a broad canvas of historical events and personages. Addressed to younger readers, the book is didactic in the sense that it offers them basic information about Islam (e.g. the division between the sunni and the shia) as well as lots of facts about the Arab world at the peak of the Abbasid Age (e.g. Harun al-Rashid and the struggle for his succession; rise and fall of the powerful Barmakid family, Harun al-Rashid’s half-sister Abassa; the great Islamic jurists Malik ibn Anas, Muhammad al-Shaybani and Al-Shafi ‘i; an assortment of poets and scholars, including the translator Ibn al-Muqaffa). In addition to countless allusions to the Book of the Thousand Nights and One Night, the narrative is encrusted with explicit and covert quotes from the Qur’an, Arabic adages and proverbs (32), the poems of Abu-l-’Atahiya and Abu Nuwas. The writer is aware that the allusions and learned references need to be contextualized in a way that is functional and that their incorporation into the main text must be handled with maximum fl exibility. The great popularity of Jafar of Baghdad in its time can be taken as proof that Makarczyk did succeed in bringing the two functions of his novel, the cognitive and the aesthetic – to instruct and to please – into a harmonious whole.
Źródło:
Ruch Literacki; 2018, 5; 545-569
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dark epiphanies in Maria Dąbrowskaʼs “Nights and Days”
Czarne epifanie „Nocy i dni”
Autorzy:
Chyła, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/2087704.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
the panoramic novel
the child and childhood in the novel
psychoanalysis
the uncanny
Maria Dąbrowska (1889–1965)
Maria Dąbrowska
Noce i dnie
nowoczesność
dzieciństwo
psychoanaliza
Opis:
This article explores the darkened and rarely visited zones of Maria Dąbrowska’s Noce i dnie [Nights and Days] (1932–1934), a tetralogy of novels usually read as a realist family saga. In its broad panorama children and childhood have a very important place, yet what seems to have largely been ignored is the enigmatic nature of childhood and child's role as a locus of mystery. With the help of tropes of the folk imaginarium (primarily the iconic Grimms’ Fairy Tales), and conceptual tools borrowed from Sigmund Freud, Bruno Bettelheim, Jacques Lacan and Julia Kristeva, the article analyzes Dąbrowska’s multi‑layered and elusive characters, caught up in an endless strife trying in vain to tame the chaos within themselves and to get to grips with the threatening uncanniness of the world outside.
Źródło:
Ruch Literacki; 2020, 5; 583-504
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jalu Kureks S.O.S. as an apocalyptic novel
S.O.S. Jalu Kurka jako powieść katastroficzna
Autorzy:
Boruszkowska, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/2087697.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
interwar avant-garde
modernization
catastrophism
apocalyptic novel
Jalu Kurek (1904–1983)
Jalu Kurek
S.O.S.
powieść katastroficzna
mit modernizacji
proza awangardy
Opis:
Jalu Kurek, a prominent member of the Cracow avant-garde, is the author of several novels. This article discusses the undeservedly neglected S.O.S., published in 1927, and suggests that its weird plotting and literary mockery is in fact an apocalyptic narrative. It has a place, it is argued, in the 'catastrophist' trends which were on the rise in the Polish literature of the late 1920s and 1930s. It should be read in the context of a growing sense of decline and crisis of European society, which, on the one hand, drew on the cultural pessimism of the turn of the 19th century, and, on the other hand, was a reaction against the wave of modernization that was sweeping the world. As this analysis shows, Jalu Kurek's S.O.S. is deeply ambivalent about the onslaught of modernity.
Źródło:
Ruch Literacki; 2021, 5; 703-720
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Brunon Schulz’s ‘Spring’: History and myth
„Wiosna” Brunona Schulza: historia i mit
Autorzy:
Bill, Stanley
Powiązania:
https://bibliotekanauki.pl/articles/2087211.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
literature, history and myth
the Austro-Hungarian Empire
Bruno Schulz (1892–1942)
Joseph Roth (1894–1939)
Bruno Schulz
historia
polityka
imperium Habsburgów
mit
Joseph Roth
Nauki Humanistyczne i Społeczne
Opis:
The most prevalent popular and critical images of Bruno Schulz present a Polish-Jewish writer and artist who turned away from politics and history in his creative work only to be devoured by the most violent political and historical forces in his life. This article attempts to reinsert Schulz’s writings into the social and political history of his day and age, focusing on an interpretation of his novella Spring (Wiosna). It argues that Schulz viewed the meaning and progression of history and politics in mythical terms. Accordingly, his stories contain ironic mythologizations of social, political and historical events. In Spring, Schulz captures, or rather constructs, the mythological essence of the disintegration of the Habsburg Empire, producing his own imaginative and contradictory commentary on the history of his native region during his own lifetime.
Źródło:
Ruch Literacki; 2020, 6; 619-633
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
K metaforám v Babičce po pitvě z hlediska kognitivní lingvistiky
Autorzy:
Zábranský, Lukáš
Powiązania:
https://bibliotekanauki.pl/articles/777016.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
cognitive linguistics
linguistic picture of the world
metaphors
Czech Literature of the 19th and 20 century
Božena Němcová
Karel Hynek
parody
Babička po pitvě
Opis:
The author examined metaphorical concepts in this Czech parody of the famous work by Božena Němcová (The Grandmother). Based on excerpts, an analysis of metaphorical concepts was conducted. Whenever possible, the author took etymology into account during the research. „Babička po pitvě” (BPP) is a parody, as indicated already by its very title. Assurance comes with the finding of a mirrored condensed morphology of BPP with respect to the original. Both BPP and The Grandmother contain 18 chapters and four identical plot lines. To parody the original, Hynek uses formal sentence structures, simple syntax prevails, often exacerbated to the extreme, thus giving a simplified and scholarly limited impression. The characters in BPP are exposed as: ethnocentric, naive, limited, religious, belonging to a foreign language affiliation, vulgar, capricious, altruistic, sexually unsatisfied or only temporarily satisfied. The image of the world in Staré bělidlo (Old BleachingGround) is: prejudiced, superstitious, anthropocentric, subjective, superficial, limited, firmly grounded in the natural cycle and traditions associated with it. Procedures and traditional findings of cognitive linguistics/ language picture of the world have been positively verified. The morbid, Erotic, socially incorrect, cynical, dissonant as well as poetic and gentle satire of BPP thus represents an eccentric and rich foam of comedy, however, under its thick surface we find more serious content, raising social, moral and value issues; using parody, BPP thus fundamentally challenges the traditional values demonstrated in The Grandmother.
Źródło:
Slavia Occidentalis; 2013, 70/1; 147-166
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jarosław Iwaszkiewicz jako pisarz autobiografizujący (na przykładzie opowiadań: Koronki weneckie I, Koronki weneckie II, Dzień sierpniowy, Tatarak, Opowiadanie z psem)
Jarosław Iwaszkiewicz as an Autobiographical Writer (Based on the Short Stories: Koronki weneckie I, Koronki weneckie II, Dzień sierpniowy, Tatarak, Opowiadanie z psem)
Autorzy:
Madyda, Aleksander
Powiązania:
https://bibliotekanauki.pl/articles/1807083.pdf
Data publikacji:
2019-10-23
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
literatura polska XX wielu; Jarosław Iwaszkiewicz; opowiadanie; autobiografizm; interpretacja psychoanalityczna dzieła literackiego; homoseksualizm
Polish literature of the 20th century; Jarosław Iwaszkiewicz; short story; autobiographism; psychoanalytic interpretation of a literary work; homosexuality
Opis:
Artykuł dotyczy konwencji literackiej o nazwie „autobiografizm”, będącej reakcją na niekontrolowany przyrost wiedzy naukowej, który nastąpił na przełomie wieków XIX i XX. Najogólniej konwencję literacką autobiografizmu można scharakteryzować jako takie ukształtowanie dzieła prozy narracyjnej, które skłania czytelnika do ustanowienia analogii między fabułą utworu a biografią twórcy. W literaturze polskiej pierwsze tego typu utwory powstawały w latach dwudziestych XX wieku, by rozpowszechnić się na nie spotykaną do tej pory skalę w latach sześćdziesiątych i siedemdziesiątych. Artykuł analizuje to zjawisko na przykładzie pięciu opowiadań Jarosława Iwaszkiewicza, powstałych w latach 1940-1958, które przedstawiają sobą różne możliwości przetwarzania biografii w literaturę, a jednocześnie – ukazywania takich treści, o których autor nie mógł pisać wprost, gdyż naruszały one tabu kulturowe.
The article deals with the literary convention called “autobiographism”, which arose as a reaction to the uncontrolled increase of scientific knowledge that took place at the turn of the 19th and 20th centuries. Generally, the literary convention of autobiographism can be characterised as a method of shaping a work of narrative prose which prompts the reader to establish an analogy between the story’s plot and the writer’s biography. The first works of this type in Polish literature were created in the 1920s, and then spread on a previously unknown scale in the 1960s and 1970s. The article analyses this phenomenon on the example of five short stories by Jarosław Iwaszkiewicz, written in the years 1940-1958, which present different possibilities of turning biography into literature and, at the same time, show the content that the author could not describe explicitly because it violated cultural taboos.
Źródło:
Roczniki Humanistyczne; 2018, 66, 1; 37-60
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Twórczość Michasia Stralcowa w kontekście prozy białoruskiej w latach sześćdziesiątych XX wieku
The works of Michas Stralcow in the context of Belarusian literature in the sixties of the 20th century
Autorzy:
Chowańska, Irena
Powiązania:
https://bibliotekanauki.pl/articles/481809.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Michas Stralcow
Byelarussian literature
the sixties of the 20th century
Opis:
The following paper is the analysis of literary works of Michas Stralcow - Belarussian writer, poet, literary critic and translator. On the basis of his writing from the 1960’s a thesis can be drawn that Stralcow was deeply devoted to literature. Although copying the best Belarusian, Russian and universal traditional pieces, the writer managed to keep his originality.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 47-57
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Unmarked sites and indeterminate spots: The problem of defining territorial ‘essences’
Miejsce niewyznaczone, przestrzeń niedookreślona. O problemie definiowania „istoty” terytorium
Autorzy:
Niewiadomski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2089961.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
geopoetics
topographical verse
landscape and national identity
genius loci
indeterminate spots
Hungarian identity
Bukovina
Stanisław Vincenz (1888–1971)
geopoetyka
miejsce i przestrzeń
krajobraz
miejsce niewyznaczone
Opis:
The problem of Hungarian identity is one of the themes of Stanisław Vincenz’s essays written at the time of the Second World War. Inspired by Wincenty Pol’s thinking about relationship between the sense of geographical place and literature, he decided to explore the ‘general impact of landscape’ and in particular identify the place that would convey the essence of ‘Hungarianness’. The article looks at various aspects of this problem in Vincenz’s essay ‘Landscape – the background of history’ in the context of his other essays in which the idea of place is discussed. In effect, the article lays down a theoretical formula of indeterminate spots in modern literature. The indeterminate spot possesses six constitutive features: changeability and transmutability; fuzzy borders; shifty positioning between utopia and atopia; great semantic potential; the experience of place is involved in irreducible inconsistencies but rests on a solid ideological foundation.
Źródło:
Ruch Literacki; 2018, 4; 391-408
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
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