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    Tytuł:
    “A mate, companion and friend”: Maryla Wolska and the Płanetnicy Poets of Lwów
    „Kolega-rówieśnik, towarzysz i przyjaciółka”. Miejsce Maryli Wolskiej wśród lwowskich Płanetników
    Autorzy:
    Czabanowska-Wróbel, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2088423.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the early 20th century
    Modernist poetry
    the Young Poland poets
    Płanetnicy of Lwów
    Maryla Wolska (1873–1930)
    Maryla Wolska
    poezja Młodej Polski
    Lwów
    Płanetnicy (grupa)
    pole literackie
    modernizm
    Opis:
    This article examines the relationship of Maryla Wolska with the poets and artists of the Young Poland in Lwów and, more broadly, with the literary community of the early 20th century. She was a leading light of Płanetnicy (The Rainmakers), an informal group of artists who met at her house in Lwów. The role of a friend and mate, someone who was treated equally as a writer, did not sit well, however, with her role as mistress of the house, hostess of a literary salon and representative of a family which occupied a high position in the social hierarchy. To ride on the crest of the wave she strove to combine two strategies, a modern jauntiness and a studious attention to 19th-century proprieties. Although she did well for herself, her success was by no means complete.
    Źródło:
    Ruch Literacki; 2019, 2; 129-151
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wesele Stanisława Wyspiańskiego – między tym, co osobiste i zbiorowe
    The Wedding by Stanisław Wyspiański – between the personal and the collective
    Autorzy:
    Czabanowska-Wróbel, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/28763119.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Stanisław Wyspiański
    The Wedding
    literature of Young Poland
    wedding ritual
    rite of passage
    female characters
    symbolism of wind
    Wesele
    obrzęd weselny
    rytuał przejścia
    postacie kobiece
    symbolika wiatru
    Opis:
    Artykuł stanowi zachętę do odczytywania na nowo Wesela Stanisława Wyspiańskiego. Zawarte w tym szkicu propozycje interpretacyjne akcentują zwłaszcza znaczenie obrzędu wesela jako rytuału przejścia w dramacie, nie dość docenianą rolę postaci kobiecych wpisanych w rytmy życia, śmierci i odradzającego się życia w utworze Wyspiańskiego oraz istotną w dramacie symbolikę powietrza i wiatru. Autorka przywołuje też osobiste i rodzinne wspomnienia związane z odbiorem dzieła Wyspiańskiego w teatrze.
    This article aims to encourage new interpretative readings of Stanisław Wyspiański’s play The Wedding. Special emphasis is put on accentuating the role of the wedding ritual as a rite of passage, highlighting the often underappreciated role of female characters inscribed into the cycle of life, death, and rebirth, and underscores the symbolism of the element of air and wind in the play. Finally, the article evokes personal and familial reminiscences of the reception of the play on the theatre stage.
    Źródło:
    Polonistyka. Innowacje; 2022, 16; 103-114
    2450-6435
    Pojawia się w:
    Polonistyka. Innowacje
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Young Poland movement and les règles de l’art: The concept of the 1890–1918 literary period and Pierre Bourdieu’s theory of the literary field
    Młoda Polska i „reguły sztuki”. Obraz epoki wobec koncepcji pola literackiego Pierre’a Bourdieu
    Autorzy:
    Czabanowska-Wróbel, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2087409.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Sociology of literature
    periodization
    the Young Poland literary period movement
    Pierre Bourdieu (1930–2002)
    literary field
    the field’s autonomy
    mediation
    strategies of consecration
    socjologia literatury
    Pierre Bourdieu
    Reguły sztuki
    literatura epoki Młodej Polski
    pole literackie
    autonomia pola
    strategie konsekracji
    pośrednictwo
    krytyka literacka
    Opis:
    This article presents a reappraisal of the concept of the 1890–1918 literary period from the perspective of sociology of literature, and in particular Pierre Bourdieu’s theory of literary field (le champ littéraire), set out in his Les règles de l’art (1992). It goes without saying that the turn of the 19th century saw the emergence of a modernist movement, or, an autonomous literary field, dedicated to ‘pure’ art and literature, divorced from any social obligations. Within the Bourdieuesque perspective the dynamics of the literary field can be examined from a number of perspectives with the aim of assessing the success or failure of its strategies of consecration (i.e. the building of legitimacy and prestige), the habitus of its key figures, or its role as a space of mediation between external forces (les logiques externs) and the autonomy of literary production. The ultimate aim of conducting all those probes is to validate the claim that the 1890–1910 modernist literary field was indeed autonomous. In fact, its emergence in Poland bore a marked resemblance to the developments in mid-19th century French literature, as described by Bourdieu. The peculiar character of the Polish literary field resulted mainly from the one external factor, Poland’s political status until the declaration of independence in 1918.
    Źródło:
    Ruch Literacki; 2021, 2; 139-158
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    What is the androgyne? The androgynous character and Kazimierz Lewandowski ‘morbid modernity’
    Kim jest androgyne? Figura androgyne – o „chorobliwym modernizmie” Kazimierza Lewandowskiego
    Autorzy:
    Ejzak, Bartosz
    Powiązania:
    https://bibliotekanauki.pl/articles/2087624.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the turn of the 19th century
    Young Poland movement
    modernist poetry
    androgyne
    Mephistophelian personality
    Kazimierz Lewandowski (1869– 1938)
    Kazimierz Lewandowski
    Lais
    Szella
    Androgyne
    Opis:
    On the basis of a close reading of the poetry of Kazimierz Lewandowski (Lais and the poems in Szella) this article presents a revised view of the androgyne in the perception of the Young Poland modernism. The article examines the symbolism and the spaces with which the androgyne is associated, the androgyne’s destructive influence on men and demonic, Mephistophelian personality traits.
    Źródło:
    Ruch Literacki; 2021, 4; 479-492
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Młoda Polska w „obłoku niewiedzy”. Uwagi do wczesnomodernistycznych nihilologii
    Young Poland in a “cloud of unknowing”. Notes on early modernist nihilologies
    Autorzy:
    Gutowski, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/967347.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    nihilism in literature
    poetry of Young Poland
    unknowable
    nihilizm w literaturze
    poezja młodej polski
    niepoznawalne
    Opis:
    The article presents interpretations of various manifestations of “negative cognition” (apophatic) in the literature of early modernism (Young Poland). Negative cognition (which has a rich tradition and dates back to ancient times) on the threshold of modernity, emerged as a response to the crisis of scientist and religious awareness. Found in works by Tadeusz Miciński, Kazimierz Przerwa Tetmajer, Bolesław Leśmian, Jerzy Hulewicz, it takes many forms: from agnosticism, through diverse approaches to the category of “Mystery” to the principle of silence as evidence of belief in the inability to express not only the Transcendence, but any knowledge of reality. The author examines the issue of “the unknowable” in three thematic areas: the subject (I), God, and the world. The final part of the paper contains reflections on silence as the equivalent of shouting, significant for expressionism.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 33, 3
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Literackie wyobrażenia pojedynków oraz sądów honorowych, obywatelskich i polubownych na ziemiach polskich w XIX i na początku XX w.
    Literary Images of Duels and Courts of Honour as Well as Citizens’ and Arbitration Courts on Polish Territories of the 19th and Early 20th Centuries
    Autorzy:
    Janicka, Danuta
    Powiązania:
    https://bibliotekanauki.pl/articles/924034.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    duel
    arbitration
    Court of Honor
    The Citizen Court
    arbitration tribunal
    Alternative Dispute Resolution
    Polish literature
    positivism
    Young Poland (modernism)
    satire
    Kornel Makuszyński
    Bolesław Prus
    Edward Lubowski
    Ferdynand Chotomski
    Opis:
    The present contribution depicts the specific forms of settling disputes on the Polish territories in the 19th and early 20th century as formed in the selected pieces of belles-lettres. The specific settling of disputes assumed above all the form of duels accompanied by honorary negotiations. To reach similar objective to so called courts of honour were employed as well as so called citizens’ courts that passed judgements on infamy of the Poles blamed for being dishonest in public affairs. Likewise, the arbitration courts were resorted to. They applied out-of-courts settlements of private disputes. The duels the honorary negotiations that were bound with them or the courts of honour were the most frequent literary motifs. At first the Polish writers, such as Ferdynand Chotomski and Edward Lubawski, depicted them in a satirical tone. However, Bolesław Prus created realistic images of duels, as well as Stefan Żeromski, who presented a true description of the citizens’ court. Kornel Makuszyński, in his turn, created a model image of the arbitration court. The detailed analysis made in the present contribution allow for the conclusion that literary texts can make up an interesting and valuable source in the research of legal historian.
    Źródło:
    Krakowskie Studia z Historii Państwa i Prawa; 2014, 7, 4; 573-592
    2084-4115
    2084-4131
    Pojawia się w:
    Krakowskie Studia z Historii Państwa i Prawa
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “I am going to paint your picture, nobody but you, always you”: Portrait paintings of women in the literature of the Young Poland period
    „Będę malował ciebie, tylko ciebie, zawsze ciebie. O kobietach na obrazach w literaturze Młodej Polski
    Autorzy:
    Kamińska, Lidia
    Powiązania:
    https://bibliotekanauki.pl/articles/2087609.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the late 19th and early 20th century
    the Young Poland period
    literature and art
    ekphrasis
    portrait paintings of women
    Stanisław Przybyszewski (1868–1927)
    Kazimierz Przerwa-Tetmajer (1865–1940)
    Jan August Kisielewski (1876– 1918)
    Karol Irzykowski (1873–1944)
    Wacław Berent (1873–1940)
    Stanisław Grudziński (1852–1884)
    Młoda Polska
    kobieta
    obraz
    sztuka
    artysta
    malarstwo
    ekfraza
    Nauki Humanistyczne i Społeczne
    Opis:
    Ekphrases are fairly common in the literature of the Young Poland movement, with descriptions of paintings of women making up a notable portion of such visual representations. This article examines the functioning of the motif of a woman’s portrait in the work of writers of the late 19th and early 20th century, including Stanisław Przybyszewski, Kazimierz Przerwa-Tetmajer, Jan August Kisielewski, Karol Irzykowski, Wacław Berent and Stanisław Grudziński. The analyses, guided by feminist literary theory, focus on the implied artist's control over the painted figure (man over woman, but also the woman artist over the male recipient), the ways in which the work of art can becomes a vehicle of subconscious truths, the correspondences between emotions and colours.
    Źródło:
    Ruch Literacki; 2021, 4; 513-532
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Quiet and serene I saw you in my dream...”: The oneiric presence of phantom women in the poetry of Kazimierz Przerwa-Tetmajer and Bolesław Leśmian
    „Śniłem cię cichą i pogodną…”. O onirycznej obecności nieobecnych kobiet w poezji Kazimierza Przerwy-Tetmajera i Bolesława Leśmiana
    Autorzy:
    Kamińska, Lidia
    Powiązania:
    https://bibliotekanauki.pl/articles/2087793.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the late 19th and early 20th century
    Young Poland poetry
    oneirism
    ontological status of characters
    female characters
    Kazimierz Przerwa-Tetmajer (1865–1940)
    Bolesław Leśmian (1877–1937)
    Kazimierz Przerwa-Tetmajer
    Bolesław Leśmian
    kobieta
    sen
    oniryzm
    nieobecność
    nieistnienie
    Opis:
    The aim of this analysis of the oneiric representations of phantom women in the poetry of Kazimierz Przerwa-Tetmajer and Bolesław Leśmian is to compare and characterize the workings of the poetic imagination of a pair of poets who represent the first and the second generation of the Young Poland movement. Their poems are read and interpreted within the framework of Young Poland's conceptualization of dreams and its use of the dream motif so as to explain the functioning and the ontological status of the oneiric female characters. The analysis shows that both Przerwa-Tetmajer's and Leśmian's apparitions belong to more than one category. While some are wholly imaginary, others are known to have existed as real persons and have merely been transposed into an image of a man's mind.
    Źródło:
    Ruch Literacki; 2020, 3; 265-281
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Smak zielonych pomarańczy. O książce Małgorzaty Chrobak Bohater literatury dziecięcej i młodzieżowej z okresu PRL-u. Między kreacją a recepcją, Kraków 2019
    The taste of green oranges. About the book The hero of Polish children’s and young adult literature from the PRL period. Between creation and reception by Małgorzata Chrobak, Kraków 2019
    Autorzy:
    Kania, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1954067.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    People’s Republic of Poland
    young adult literature of the PRL period
    literary hero
    initiation novel
    Opis:
    The article discusses the content of the book by Małgorzata Chrobak, The Hero of Polish Children’s and Young Adult Literature from the PRL Period. Between Creation and Reception, valuable for a diverse audience, including young researchers of literature. The author of the review emphasizes the cognitive value of the first chapter of the monograph, which contains a description of the customs of the PRL period, thanks to the analysis of contemporary works for a young audience set in socialist Poland. Next, the content of the second chapter of the book, which deals with the definition of young adult literature from various perspectives, is presented. The third chapter, entitled “The Hero of Young Adult Literature in the Face of Initiation”, written in the spirit of cultural poetics, is a successful analysis of the creation of several heroes from novels from the PRL period. In the last, fourth chapter of the book, Agnieszka Kania notices a certain lack of examples in an interestingly thought-out and presented clash of the heroes with various aspects of the reality of the People’s Republic of Poland.
    Źródło:
    Paidia i Literatura; 2021, 3; 1-8
    2719-4167
    Pojawia się w:
    Paidia i Literatura
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Retelling myths and legends in Slavic fantasy
    Retelling mitów i legend w słowiańskiej fantastyce
    Autorzy:
    Mikinka, Aleksandra Ewelina
    Powiązania:
    https://bibliotekanauki.pl/articles/2087701.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 21st century
    Poland's early history
    Slavic fantasy
    mythic history
    Slavic mythology and religion
    Young Adult Fiction
    Maria Janion (1926–2020)
    fantastyka
    slavic books
    retelling
    rodzimowierstwo słowiańskie
    mitologia słowiańska
    Opis:
    In 2006 Maria Janion wrote in The Uncanny Slavdom that “the new narrative of the humanities can tell the story of our culture differentlyˮ. Since that time such 'new narratives' have multiplied literally right in front of our eyes. While in the late 2000s the existence of a distinct Slavic fantasy subgenre was a matter of controversy, hotly debated by both authors and academics, today its presence and popularity is too conspicuous to leave any room for doubt. Each year the market is flooded with dozens of new Slavic fantasy books, which are then discussed in countless blogs, vlogs, discussion groups, and podcasts. The growth of interest in Slavic fantasy is phenomenal and seems to be part of a larger trend gaining ground not just in Poland but also in other Slavic nations. This gives rise to a number of questions which this article tries to address: What is Slavic fantasy? What place does it occupy in modern popular culture? What effects, beneficial or less so, will it have?
    Źródło:
    Ruch Literacki; 2020, 5; 545-558
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Cads of Young Poland according to Julian Przyboś: echoes of the early modernist apocalyptic tone
    Młodopolskie chamuły według Juliana Przybosia – o apokaliptycznej tonacji przyjętej z wczesnego modernizmu
    Autorzy:
    Misiak, Iwona
    Powiązania:
    https://bibliotekanauki.pl/articles/2087995.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the early 20th century
    Young Poland
    Modernism
    literary dialogue
    Quarrel between the Moderns and the Ancients
    spoof
    manifesto
    plasticity
    Julian Przyboś (1901–1970)
    Jacques Derrida (1930–2004)
    Catherine Malabou (b. 1959)
    pamfletowy manifest
    apokalipsa
    plastyczność
    awangarda i ariegarda
    Opis:
    This article presents a new reading of the spoof poetic manifesto ‘Chamuły poezji’ [‘The Cads of Poetry’] written by Julian Przyboś in 1926. His use of the apocalyptic tones of early modernist poetry to lampoon a trio of acclaimed poets associated with Young Poland (especially Jan Kasprowicz) suggests a complex nature of Przyboś’s rejection and dependence on that movement. In general, the influence of Young Poland, though quite conspicuous in is juvenilia and early publications, tends to fade away. ‘Chamuły’ is a pejorative nonce word which alludes to the Biblical Ham as well as a Polish word for a cad or ill-bred bumpkin. This article adds to it another layer of meaning, based on Derrida’s interpretation of the Apocalypse, with allusions to sexual and genital imagery. And more generally, it reframes the whole Przyboś’s poetic work (not just his early poems) using Catherine Malabou’s concept of plasticity. Seen in a broader historical perspective, Przyboś’s struggles to break with Young Poland are not unlike the predicament of many eighteenth-century writers caught in the dispute between the Moderns and the Ancients, satirized in Swift’s Battle of the Books. The overall conclusion of this study is that at all times the avant-garde and the arrière-garde remain in a continuous dialogue and the innovators never lose sight of those left behind. Poetry is, after all, metamorphic and cannot be contained within within the bounds of manifestoes and artistic programmes.
    Źródło:
    Ruch Literacki; 2020, 1; 48-68
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Matka Boża Dziewica w poezji Młodej Polski
    The Blessed Virgin Mary in Young Poland poetry
    Autorzy:
    Nosek, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/950420.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    Matka Boża Dziewica
    Zwiastowanie
    motyw dziewictwa Maryi w literaturze
    poezja Młodej Polski
    blessed virgin mary
    annunciation
    young poland poetry
    motif of the virginity mary of the blessed mary in literature
    Opis:
    The article analyses the motifs of the Virginity and the Annunciation of the Virgin Mary in Young Poland poetry. They appear in the writings of many poets, i.e. Maria Konopnicka, Leopold Staff, Jan Kasprowicz, Bronisława Ostrowska, Kazimiera Zawistowska, Józef Ruffer and others. The interest in the Motherhood of God in this period stemmed mostly from a general increase in religiousness but it also had its national and patriotic roots. The expansiveness of the motifs of Virginity and the Annunciation of St. Mary after 1900 was also connected with the 50th anniversary commemoration of the announcement of the doctrine of the Immaculate Conception. The changes in the world-view in the era initialized by vitalism, the fascination with spirituality, broad-sense purity, folk nature and the Franciscan philosophical trend were also significant for the poetic presentation of St. Mary.
    Źródło:
    Rocznik Teologii Katolickiej; 2015, 14, 2
    1644-8855
    Pojawia się w:
    Rocznik Teologii Katolickiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Yeży Yankowski vs. Jankowski: a breakup with young Poland and with himself (act I)
    Yeży Yankowski kontra Jerzy Jankowski. Akt zerwania z Młodą Polską i samym sobą (pierwsza odsłona)
    Autorzy:
    Okulicz-Kozaryn, Radosław
    Powiązania:
    https://bibliotekanauki.pl/articles/2087964.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the early 20th century
    Young Poland
    Modernism
    Futurism
    Jerzy Jankowski (1887–1941)
    Zenon Przesmycki (1861–1944)
    Tadeusz Miciński (1873– 1918)
    Leon Choromański (1873–1952)
    Zygmunt Kisielewski (1882–1942)
    Filippo Tommaso Marinetti (1876–1944)
    Jerzy Jankowski
    futuryzm
    modernizm
    Młoda Polska
    krytyka młodopolska
    Tadeusz Miciński
    Leon Choromański
    Zygmunt Kisielewski
    witalizm
    urbanizm
    Opis:
    This article deals with the first phase of Jerzy Jankowski’s severing ties with the Young Poland movement and his access to the futurist avant-garde. His conversion to the new poetic worldview, which he pioneered in Poland, was reflected in his articles and poems published in Widnokrąg [Horizon], a magazine he founded in 1913 to replace Tydzień [The Week], of which he was the main publisher. The rebranding came on top of disagreements between the magazine’s contributors. The divergent views focused on the assessment of Tadeusz Miciński’s novel Xiądz Faust. In May 1913, in his former magazine, Jankowski heaped praises on it. However, the following year, when it came up for debate in the Widnokrąg between Miciński’s aficionado Zygmunt Kisielewski and the skeptically-minded Leon Choromański, Jankowski sought to distance himself from both the emotionalism and the intellectualism of his colleagues. By that time he was absolutely adamant that the antinomies of Young Poland’s high art were a trap. Now that the worship of art striving for timeless perfection would have to give way to an unpretentious concern for ‘fugitive art’, the time was ripe for working out a new aesthetic, centered on the thrilling ‘beauty of big cities’, cabaret, cinema, and modern machines. Jankowski broke with his erstwhile mentor Ferdynand Ruszczyc and Zenon Przesmycki-Miriam, to follow the incomparably more exciting Filippo Tommaso Marinetti. Meanwhile, Choromański made one last attempt to bring the young man back on track by writing an article, in which he argued that Futurism was crude, and shallow, a throwback rather than a modern breakthrough. However, his warnings made no dint in Jankowski’s faith in futurism. For him its triumph was a matter of historical necessity. And, he had already thrown in his lot with the new movement by publishing his first futurist poems, ‘Spłon lotnika’ [‘Pilot in flames’] and ‘Maggi’.
    Źródło:
    Ruch Literacki; 2020, 1; 33-46
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Stuck in loop: Kazimierz Tetmajer’s attempts to cope with transcendental absence (lack)
    Tetmajerowskie próby przepracowania braku
    Autorzy:
    Pilch, Urszula
    Powiązania:
    https://bibliotekanauki.pl/articles/2087387.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the turn of the 19th century
    Young Poland
    philosophy of poetic creation
    Kazimierz Przerwa-Tetmajer (1865–1940)
    nothingness
    absence and lack
    figuration
    Gilles Deleuze (1925–1995)
    Félix Guattari (1930–1992)
    Kazimierz Tetmajer
    pustka
    brak
    poezja
    figuracja
    wywoływanie
    Opis:
    At the core of Kazimierz Tetmajer’s lyricism is the perception of transcendental absence, which provokes a range of unsettling reactions like fear, horror, or scorn (irony), and, in turn, the need to regain some sort of balance. This article analyzes all elements of this paradigmatic situation, especially the poet’s owing up to those reactions, his attempts to come to terms with them, and, if possible, to work out a way of converting their negativity into something that he actually wanted. At all times, it seems, he looks hard for the adequate means to express his emotional states. Struggling to express the inexpressible, he performs acts of creation which, however, do not produce anything (i.e. ‘nothing’ or ‘lack’). This outcome sets in motion, largely beyond conscious control, an emotional reaction, the affect of emptiness and lack (l’affect de vide et de manque). That emptiness constitutes a certain whole, or, more precisely, a negative figuration of lack. Attempts to make sense of it endow it with a new, spatial quality – it is a site where lack becomes nothing (le néant), but at the same time is reconstituted as a space which can engulf the human subject. This precarious situation defines in a way the human condition. The poet, as Tetmajer’s poetry shows, is stuck in a loop. The creative act is elicited by a lack which he tries to control, fill in, and master, yet all the attempts to find an adequate expression or figuration are in vain. They merely recreate the original absence (lack).
    Źródło:
    Ruch Literacki; 2021, 2; 195-216
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wanda and Maryla – mother and daughter: Two stories of artistic talent
    Wanda i Maryla – dzieje talentów artystycznych matki i córki
    Autorzy:
    Zabawa, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2087283.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the turn of the 19th century
    women's literature
    Young Poland's poetry and art
    memoirs
    translations from the German
    children’s literature
    mother and daughter
    Wanda Młodnicka (1850–1923)
    Maryla Wolska (1873–1930)
    relacja matka-córka
    literatura dla dzieci
    poezja przełomu XIX i XX wieku
    przekład
    śpiew
    malarstwo
    rzeźba
    biografia
    Opis:
    This article portrays a pair of artistically gifted women, Wanda Młodnicka née Monné (1850–1923) and her daughter Maryla Wolska (1873–1930), each with a diverse range of interests, including painting, music, and, first and foremost, literature. Their achieve-ment (both original works and translations) achievement has been largely forgotten. This article attempts to find out what inspired the two women, to identify those points of their artistic endeavor they had in common and those that determined their individual profiles, while paying special attention to the mother-daughter relationship.
    Źródło:
    Ruch Literacki; 2021, 2; 175-194
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-15 z 15

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