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    Wyświetlanie 1-8 z 8
    Tytuł:
    Mickiewicz i inni Polacy we wspomnieniach rosyjskich memuarystek XIX wieku
    Mickiewicz and other Poles through the eyes of the nineteenth century Russian women memoirists
    Autorzy:
    Ambroziak, Daria
    Powiązania:
    https://bibliotekanauki.pl/articles/482468.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    nineteenth century memoirism
    Mickiewicz
    Polish question
    woman
    literary relationships
    Opis:
    The nineteenth century Russian women memoirism presents a valuable source of information concerning Polish-Russian literary relationships. A. Kern and A. Panaeva’s memoirs justify that A. Mickiewicz was a well-known and appreciated poet in Russia and his works were perceived by Russian literary elites as a symbol of struggle for national liberation. Russian publishers and editors of literary magazines played a crucial role in the popularization of Mickiewicz’s literary output. His poems, translated into Russian by Z. Sierakowski or W. Szczastny, often appeared in Russian literary magazines. Russian Decembrist writers (P. Annenkova and M. Volkonska) in their memoirs written in the Siberian exile presented in the most favourable light Poles (S. Leparski and M. Rukiewicz) who were also exiled to Siberia. But, on the other hand, in T. Bulharin’s memoirs, whose controversial activity was condemned by Russian intellectual elites, as well as in A. Smirnova’s opinion, which represented the official line of the Russian aristocracy, we find negative images of Poles and the “Polish question”.
    Źródło:
    Acta Polono-Ruthenica; 2014, 1, XIX; 17-26
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polnische Einwanderer in der österreichischen Literatur: Einige Bemerkungen über die österreichisch-polnischen literarischen Verwandtschaften im 21. Jahrhundert
    POLISH IMMIGRANTS IN AUSTRIAN LITERATURE: SOME REMARKS ABOUT AUSTRIAN- POLISH LITERARY RELATIONSHIPS IN THE 21ST CENTURY
    Autorzy:
    Palej, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/910303.pdf
    Data publikacji:
    2019-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Austrian-Polish literary relationships
    Austrian contemporary literature
    cultural identity
    authors with a migration background
    Radek Knapp
    Opis:
    Österreich blickt auf eine lange Literaturgeschichte mit inter/transkultureller Prägung zurück. Viele der österreichischen Autoren sind Grenzgänger zwischen den Kulturen, ihre interkulturelle Bindung verleiht ihnen eine „brückenschlagende“ Funktion: Die literarischen Texte von Autoren mit Migrationshintergrund bilden heute einen festen Bestandteil der österreichischen Gegenwartsliteratur und sie geben der österreichischen Literatur literarisch und ästhetisch interessante Impulse. Viele von ihnen wollen sich unter neuen kulturellen Bedingungen, in einer anderen Umwelt durchsetzen, sich im Kulturkreis der neuen Heimat positionieren oder vielleicht sogar ihre kulturelle Identität neu entwerfen. In ihren Texten kann man neben Thematisierungen eines Zustands der kultureller Verpflanzung und Neuverortung auch der Auseinandersetzung mit Fragen der nationalen und kulturellen Identität finden. In dem Beitrag wird der Frage nachgegangen, mit welchen Identitätsentwürfen der Leser in den Texten von einem inzwischen im deutschsprachigen Literaturbetrieb etablierten Autor mit Migrationshintergrund konfrontiert wird: Gegenstand der Analyse bilden ausgewählte Texte von Radek Knapp, einem literarischen „Brückenbauer“ des polnisch-österreichischen Kulturraums. Die ausgewählten literarischen Texte Knapps werden daraufhin befragt, wie (und ob) die dargestellten Figuren ihre Identität herstellen oder bewahren sowie wie Radek Knapp auf das „Österreichische“ ein bzw. mit dem „Österreichischen“ umgeht.
    Austria can look back on a long history of literature which is marked by its inter-/transcultural character. Many of the Austrian authors are cross-border commuters, their intercultural ties give them a “bridge-breaking” function: The literary texts of authors with a migration background today form an integral part of Austrian contemporary literature and give literary and aesthetically interesting impulses to Austrian literature. Many of them want to assert themselves under new cultural conditions, in a different environment, to position themselves in the cultural circle of the new home, or perhaps even to redesign their cultural identity. In their texts one can find not only the themes of a state of cultural transplantation and relocation, but also the examination of questions of national and cultural identity. The article investigates which identity drafts the reader is confronted with in the texts by an author with a migration background who has meanwhile established themself in the German-language literary scene: The analysis focuses on selected texts by Radek Knapp, a literary “bridge builder” of the Polish-Austrian cultural area. The selected literary texts of Knapp are then analysed in order to see how (and if) the depicted figures establish or preserve their identity and how Radek Knapp approaches and deals with the “Austrian-ness”.
    Źródło:
    Studia Germanica Posnaniensia; 2019, 40; 75-86
    0137-2467
    Pojawia się w:
    Studia Germanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zu Hause in der deutschen Sprache: Zweisprachigkeit und Sprachmischungen in den Texten von Radek Knapp
    AT HOME IN THE GERMAN LANGUAGE: BILINGUALISM AND LANGUAGE MIXTURES IN THE TEXTS OF RADEK KNAPP
    Autorzy:
    Palej, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/910315.pdf
    Data publikacji:
    2019-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Austrian-Polish literary relationships
    Austrian contemporary literature
    cultural identity
    bilingualism
    authors with a migration background
    Radek Knapp
    Opis:
    Die Schriftsteller mit dem sog. Migrationshintergrund gehören zu denjenigen Menschen, die als Migranten einen einschneidenden Kultur- und auch Sprachwechsel hinter sich haben und deren Lebenslauf durch diesen Wechsel zwischen Sprachen und Lebensformen geprägt ist. Die neue Sprache ermöglicht den Zugang zu einer neuen, anderen Kultur, somit auch den Zugang zu einer neuen kulturellen Identität sowie – last but not least – zu einem neuen Lesepublikum, was im Falle des literarischen Schaffens doch von entscheidender Bedeutung sein kann, weil die Schriftsteller sich absichtlich für einen neuen Adressatenkreis entscheiden. Obwohl man meist in der Sprache den wichtigsten Identitätsmarker sieht und anerkennt, begründet das Deutsche als literarisches Ausdrucks- und Publikationsmedium im Falle der transkulturellen Schriftsteller keine homogenen nationalen Identitäten, sondern erfüllt die Funktion eines Transitraumes, einer-zone, eines transkulturellen Raumes der gegenseitigen Durchdringung und Verflechtung des Kulturellen sowie der Transformation nationaler Zugehörigkeiten und der kulturellen Identität. In den Texten der Migrantenautoren spiegelt sich die Bedeutung des Umgangs mit zwei Sprachen wider, weil die Zweisprachigkeit von Migranten – oft im Zusammenhang mit dem Thema der kulturellen Identität – in der Migrantenliteratur eine Rolle spielt. Die Schriftsteller versuchen, ihre eigene Zweisprachigkeit in die Texte einzubringen, in denen häufig beide Kulturen und Sprachen koexistieren. Im Referat werden ausgewählte Texte von dem polnisch-österreichischen Schriftsteller Radek Knapp einer Analyse unterzogen. Der Beitrag geht der Frage nach, wo und wie sich die Zweisprachigkeit und Sprachmischungen in den einzelnen Texten Knapps manifestieren.
    The writers with the so-called migration background are among those people who have undergone a dramatic change of culture and language as migrants and whose curriculum vitae is shaped by this change between languages and ways of life. The new language allows access to a new, different culture, thus also access to a new cultural identity and – last but not least – to a new reading public, which in the case of literary creation can be of crucial importance because the writers deliberately decide on a new addressee group. Although one mostly sees and acknowledges the most important identity marker in language, German as a literary medium of expression and publication in the case of transcultural writers does not establish homogeneous national identities, but fulfills the function of a transit space, a zone, a transcultural space of interpenetration and interweaving the cultural as well as the transformation of national affiliations and cultural identity. The texts of migrant authors reflect the importance of dealing with two languages because the bilingualism of migrants, often in the context of cultural identity, plays a role in migrant literature. The writers try to bring their own bilingualism into the texts, where often both cultures and languages co-exist. In the presentation selected texts are subjected to an analysis by the Polish-Austrian writer Radek Knapp. The article explores the question of where and how bilingualism and language mixtures manifest themselves in the individual texts of Knapp.
    Źródło:
    Studia Germanica Posnaniensia; 2019, 40; 139-148
    0137-2467
    Pojawia się w:
    Studia Germanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The end of the world nobody noticed: The Belorussian ‘Year without a Summer’ and Jan Barszczewskis fantastic stories of the imagination
    Koniec świata, którego nikt nie zauważył. Białoruski „rok bez lata” Jana Barszczewskiego
    Autorzy:
    Węgrzyn, Iwona
    Powiązania:
    https://bibliotekanauki.pl/articles/2089366.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish-Belorussian literary relationships
    19th century Polish/Belorussian writers
    stories of the imagination
    1816 the Year without a Summer
    Jan Barszczewski (c. 1794–1851)
    Jan Barszczewski
    związki literackie polsko-białoruskie
    1816 – Rok bez lata
    fantastyka literacka
    Opis:
    This essay is a new reading of Jan Barszczewski's collection of stories Szlachcic Zawalnia czyli Białoruś w fantastycznych opowiadaniach [Nobleman Zawalnia, or Belarus in Fantastic Stories of the Imagination] in the context of the 19th-century reception of the Arabian Nights and, more importantly, as an example of a genre which combines the oral and the literary traditions to express the identity-fostering experience of living at a time of upheaval and epochal change. This approach has little interest in revisiting the connections between Barszczewski's tales and Belorussian folklore. Instead, it places his stories in their direct historical context, i.e. a series of famines in Belarus the first decades of the 19th century, and the significance of 1816, the year in which the action of the stories is set. It is no coincidence that it was also the Year without a Summer, a catastrophic global climate anomaly, which made a great impact on the Romantic imagination.
    Źródło:
    Ruch Literacki; 2019, 5; 547-562
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Haupt postromantyczny? O czterech prozach i dwóch wierszach
    Postromantic Haupt? On Four Texts in Prose and Two Poems
    Autorzy:
    Niewiadomski, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/1532819.pdf
    Data publikacji:
    2021-09-14
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    romanticism
    modernity
    metatextual/intertextual relationships
    literary game
    incommunicability
    literary Mannerism
    Opis:
    The article is devoted to the relationship between Zygmunt Haupt’s prose and the romantic worldview, more precisely to the references to Juliusz Słowacki’s works clearly visible in Haupt’s prose. The issue, which has been previously pointed out by other researchers, required verification by means of close analysis of the specific kind of game that Haupt plays with Słowacki’s texts: Beniowski, Lilla Weneda, the poems Do pastereczki… (To a shepherdess…) and Patrz nad grotą… (Look, above the grotto…), and a fragment of Raptularz (Notebook). Seemingly simple references turn out to be part of a design of making a modern attempt at challenging the incommunicable by means of referring to both Słowacki’s text and his biography, together with an ambiguous, and suspended between repetition and ironic distance, attitude towards the romantic diagnoses of existence. Haupt’s prose, referring to many other traditions as well, presents a Mannerist creative design in which the romantic tradition plays a significant role, yet is not the only point of reference.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 325-356
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „JA” W KRYTYCE. O ŚWIADOMOŚCI KRYTYCZNOLITERACKIEJ MICHAŁA GRABOWSKIEGO W KORESPONDENCJI DO JÓZEFA BOHDANA ZALESKIEGO
    THE “I” IN CRITICISM. ON THE LITERARY CRITICAL AWARENESS OF MICHAŁ GRABOWSKI IN HIS CORRESPONDENCE TO JÓZEF BOHDAN ZALESKI
    Autorzy:
    Dymek, Dominika
    Powiązania:
    https://bibliotekanauki.pl/articles/564363.pdf
    Data publikacji:
    2017
    Wydawca:
    Akademia Pomorska w Słupsku
    Tematy:
    świadomość krytycznoliteracka
    korespondencja
    wizerunek krytyka
    listy literackie
    relacje nadawczo-odbiorcze
    literary critical awareness
    correspondence
    critic’s image
    literary letters
    sender-receiver relationships
    Opis:
    Letters of Michał Grabowski, a romantic novelist and critic, are an example of per-sonal correspondence dominated by reflections on literature and its transformations. In his correspondence, the author often addressed the issue of functioning on the literary scene. My primary objective was to understand how the author evaluated and understood his own literary critical skills. Grabowski’s remarks on himself (and also on the role of a “professional reader”) will allow one to recognize and then to better understand the formation process of his literary critical awareness. In the letters to Józef Bohdan Zaleski we can find comments on the practices of crit-ics and the development of their opinions about individual authors and their works. Therefore, this article is merely a selection of examples that will be used for a more pro-found analysis of the mechanisms of creating a critic’s image.
    Źródło:
    Świat Tekstów. Rocznik Słupski; 2017, 15; 5-20
    2083-4721
    Pojawia się w:
    Świat Tekstów. Rocznik Słupski
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Концепт ЖИЗНЬ в драме Василия Сигарева
    The Concept of LIFE in the Drama by Vassily Sigarev
    Autorzy:
    Strycharski, Jarosław
    Powiązania:
    https://bibliotekanauki.pl/articles/444164.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    contemporary Russian drama
    the text of belles-lettres
    the individual concept of the author
    literary concept
    conceptual relationships
    Vassily Sigarev
    Opis:
    The theoretical basis of the study is the theory of the concept, including the theory of literary concept. The works of the contemporary Russian dramatist Vassily Sigarev are the materials of the study. The aim of the article is to define the place and the role of the existential problem in Sigarev’s works. The scope and merit of the concept of LIFE is presented on the basis of the chosen fragments of the contexts including the words life, live and their derivatives from the drama Черное молоко. The analysis of the contexts shows that the literary concept which is presented in Sigarev’s works is identified with the nationwide concept. The feature of the author’s individual concept, as a literary version, is as follows: the semantic core of the concept LIFE, from living to philosophic, is presented in a clear way in the drama Черное молоко.
    Źródło:
    Acta Neophilologica; 2012, XIV/2; 221-230
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Модификации архетипов мудрого страца/старицы в драматургии Наоми Воллас
    Autorzy:
    Гайдаш, Анна
    Powiązania:
    https://bibliotekanauki.pl/articles/1826616.pdf
    Data publikacji:
    2020-02-06
    Wydawca:
    Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
    Tematy:
    archetype
    wise old man
    wise old woman
    literary gerontology
    classical drama
    late adulthood
    life review
    Naomi Wallace plays
    intergenerational relationships
    Opis:
    The paper tackles the archetypes of the wise old man and the wise old woman in classical tragedies and contemporary plays. The following modifications of the archetype are detected in the dramas by Naomi Wallace: the elderly characters are either protagonists (One Flea Spare) or catalysts (Slaughter-City) of the action; the ageist stereotypes are subverted; the “life-review” concept is productively implemented in both plays. The author of the paper analyzes gerontological portrayals of the dramatis persona and their choice of the strategies of aging.
    Źródło:
    Conversatoria Litteraria; 2017, 11; 509-525
    1897-1423
    Pojawia się w:
    Conversatoria Litteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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