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Tytuł:
Relacyjna koncepcja kultury literackiej i pisarze-celebryci
The Relational Concept of Literary Culture and the Celebrity Writer
Autorzy:
Antonik, Dominik
Powiązania:
https://bibliotekanauki.pl/articles/781532.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
relational theory of culture
literary production
the author as a brand
the celebrity author
literature and economics
relacyjna koncepcja kultury
produkcja literacka
pisarz jako marka
pisarz-celebryta
literatura i ekonomia
Opis:
The author of the article proposes a relational analysis of literary culture. Relational research treats the newest model of literary production as a set of complex relations between the author and his or her image, the text, economics, marketing, criticism by the work’s audience, the media, the technological framework, and so forth. These relations provide the sphere of possibilities for literature and its agents. Increasingly intricate relations are drawing the fields of literature, the media, and economics nearer to each other; these fields are becoming more accessible in order to facilitate the exchange of various kinds of capital and to create conditions for the development of literary fame and author brands. The relational concept of literary culture provides a better tool for the analysis of the contemporary phenomenon of writer-celebrities, which is key to understanding the functioning of the entire field of literature.
Źródło:
Kultura i Społeczeństwo; 2019, 63, 3; 141-169
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Byzantinisme et rationalité : Julien Benda et Constantin Tsatsos
Byzantinism and Rationality: Julien Benda and Constantine Tsatsos
Autorzy:
Arabatzis, George
Powiązania:
https://bibliotekanauki.pl/articles/938497.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek culture
Byzantinism
rationality
continuity
literary philosophy
Opis:
This article examines the concept of Byzantinism that Julien Benda employed in his book La France Byzantine. In the fin-de-siècle European sensibility, Byzantinism was transferred from political to literary level, but Benda created an epistemological break when he asserted in his book that Byzantinism is literature in its normal function. Furthermore, of Byzantinist character is especially the modern literature (e.g. Valéry or Mallarmé). Thus, labeling modern literati as Byzantinist writers served as a critical tool for Benda, who condemned the degradation of modern intellectuals into clerks. This transformation of literary normality affected also pure thought as is manifested in the ambiguous manner of expressing their ideas by modern thinkers (this being a mixture of idealism and apocryphal thinking, which renders ideas rather abstractions than instruments of rationality). An example of such a Byzantinist use can be found in the manner Emmanuel Levinas exploited Husserl’s phenomenology. Finally, Benda engaged in a discussion with Paulhan’s view that literary philosophy is a form of critical terror. The position of Benda is that of a rationalist, whereas Paulhan is a thinker who focuses on the use of language. For Constantine Tsatsos (1899–1987), on the other hand, a Greek philosopher and author of a philosophical novel entitled Dialogues in a Monastery (1974), the Byzantine moment is a part of great continuity of Greek culture, which is characterized by various structures in its period of long duration. One of these is the synthesis of Hellenism and Christianity that can be seen in Byzantium, where the transposition of the philosophical (Platonic) Eros to the mystical one plays a major role. This development is of paramount importance not only for the whole European culture but also for all questions of beauty and morality. The present paper concludes with a brief discussion of Richard Rorty’s account of pragmatic reason, which makes it possible to show how contemporary philosophy can be placed in the context of the debate about Byzantinism.
Źródło:
Peitho. Examina Antiqua; 2017, 8, 1; 423-446
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odnowa”, „Osnowy Literackie”, „Wymiary” (1938–1939): wybory literackie orężem w budowaniu odrodzonej Ojczyzny?
„Odnowa. Miesięcznik społeczno-literacki”, „Osnowy Literackie”, „Wymiary. Miesięcznik społeczno-literacki”: are literary choices a tool in building of new revive motherland?
Autorzy:
Bańkowska, Małgorzata
Przybysz-Stawska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/472090.pdf
Data publikacji:
2020-04-19
Wydawca:
Uniwersytet Warszawski. Wydział Dziennikarstwa, Informacji i Bibliologii
Tematy:
czasopiśmiennictwo
literatura, kultura
książka
„Odnowa. Miesięcznik społeczno-literacki”
„Osnowy Literackie”
„Wymiary" Miesięcznik społeczno-literacki
periodical science
literature
culture
book
“Odnowa. Socio-literary monthly journal”
“Osnowy Literackie”
“Wymiary. Socio-literary monthly journal”
Opis:
Two decades after independence recovering Polish intellectuals and writers were looking for new Poland ideal form. Close to the end of the thirties in twentieth century, in view of unstable situation in Poland and into the world, book and press became important tool for promotion of political and cultural ideas coming from different political groups. Taking into account this perspective special attention should pay on the editorial and literary organisation, developed fast in last years before the World War II. The aim of this presentation is to show the role of local social and literary journals from Lodz area (“Odnowa”, “Osnowy Literackie”, “Wymiary”), issued just before WWII, in creating of cultural and social attitude. It will be analyse 20 numbers of selected periodicals, covered years 1938-1939. The collected material will be used to find answers for below listed questions: how literal taste of readers was formed; how the selected journals met needs of society in the area of culture and ideology; in this very important moment for Poland.
Źródło:
Z Badań nad Książką i Księgozbiorami Historycznymi; 2019, Tom specjalny: Dla Niepodległej / Special Issue: For an Independent Poland; 353-374
1897-0788
2544-8730
Pojawia się w:
Z Badań nad Książką i Księgozbiorami Historycznymi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Duchowni, instytucje i organizacje kościelne w życiu literackim międzywojennego Poznania
The clergy and Church institutions and organizations in the literary life of interwar Poznań
Autorzy:
Biesiada, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/1039498.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literary life in poznań in 1919-1939
polish writers’ trade union. participation of clergy in culture
st. adalbert booksellers
principal institute of catholic action. journalism in the 20th century
„tęcza” (1927-1939)
„kultura” (1936-1939)
the ladies of charity of st. vincent de paul
Opis:
Among the people who created the ambiance of the Poznań literary life in the interwar period were priests-men of letters, such as the poet Ewaryst Nawrowski, the authors of reportages and memoirs - Nikodem Cieszyński, Ignacy Posadzy, Józef Kłos. An important part was played by priests-men of learning linked to the University of Poznań and the Poznań Seminary who presented their works at sessions of the Poznań Society of Friends of Sciences but also gave talks to more general audiences during events held both by Church and lay organizations. This group included among other such priests as Bronisław Gładysz, Kazimierz Kowalski, Władysław Hozakowski, Edward Warmiński. The Church culture forming center was the St. Adalbert Booksellers, an important publisher of Polish and world literature, which also published a cultural journal for the intelligentsia called “Tęcza”. Another such center was the Principal Institute of Catholic Action, publisher of the “Kultura” weekly, one of the leading journals of this profile in Poland.
Źródło:
Ecclesia. Studia z Dziejów Wielkopolski; 2015, 10; 207-260
1731-0679
Pojawia się w:
Ecclesia. Studia z Dziejów Wielkopolski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cyprian Norwid w rytmach rockowych
Cyprian Norwid in Rock Rhythms (transl. by Jan Kłos)
Autorzy:
Bodusz, Marek
Powiązania:
https://bibliotekanauki.pl/articles/2117112.pdf
Data publikacji:
2010
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
art-rok
audiowizualny typ kultury
literackość muzyki – muzyczność literatury
styl
brzmienie muzyczne
reinterpretacja
epoka płynnej nowoczesności
kolaż
art-rock
audiovisual type of culture
literary character of music – musical character of literature
style
musical sound
reinterpretation
epoch of fluid modernity
collage
Opis:
This text shows various strategies and Norwid's texts and styles in rock music. The space of analytical considerations here is filled with structural and semantic analyses concerning rock compositions, whose style and semantics are defined by relations with the works of the author of Vade Mecum. Now the definion of the mutual relations between the literary codes of tradition and their application in the rock version provide an opportunity to grasp and present the function and semantic effects of the bond between a textual passage and its new context My intersemantic strategy of the inspection of literary texts (rock text/ Norwid's text) is made concrete in the presented interpretative variants – specific proposals to read out the scripts of the literary “game” projected by contemporary artists: Czesław Niemen, Stan Borys, Maciej Maleńczuk, and Anja Ortodox.
Źródło:
Studia Norwidiana; 2010, 27-28; 101-114
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An Ecocritical Approach to Đuro Sudeta’s Mor—The Original Werewolf Legend
Autorzy:
Brozović, Domagoj
Powiązania:
https://bibliotekanauki.pl/articles/15589979.pdf
Data publikacji:
2022-11-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Culture vs Nature
Đuro Sudeta
ecocriticism
environment
literary impressionism
Opis:
This paper outlines the main reading strategies of ecocriticism. Its main theoretical interest lies not in the pure extraction of literary motifs of Nature, but in the deconstruction of the diversity between Nature and Culture, representing Nature as the postmodern significant “Other” relating to contemporary environmental problems and thus exposing literary approaches in the past ( includingpostmodernism ) as anthropocentric. The main part of this paper focuses on the example of the application of ecocritical strategies in Đuro Sudeta’s modernist and impressionistic novella Mor, which leads to the suggestion of reforming conventional readings in traditional literary history.
Źródło:
Poznańskie Studia Slawistyczne; 2022, 22; 67-81
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recenzja książki Oblicza antybohatera pod redakcją Michała Januszkiewicza oraz Alicji Müller, Instytut Literatury, Kraków 2021
Review of the monograph Oblicza antybohatera [Faces of the antihero] edited by Michał Januszkiewicz & Alicja Müller, Instytut Literatury, Kraków 2021
Autorzy:
Brzostowicz, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/38426258.pdf
Data publikacji:
2023-09-11
Wydawca:
Akademia Humanistyczno-Ekonomiczna w Łodzi
Tematy:
antybohater
filozofia
kultura
literaturoznawstwo
popkultura
perspektywa kobieca
antihero
philosophy
culture
literary studies
pop culture
female perspective
Opis:
Książka „Oblicza antybohatera” przedstawia inną wizję antybohaterów niż ta powszechnie przyjęta. Celem autorów monografii jest zerwanie z postrzeganiem antybohatera jako złej i zdeprawowanej osoby. Jest to raczej złożona, skomplikowana istota. Szczególnie godnym uwagi jest temat porównania antybohatera do zwykłego człowieka pozbawionego heroizmu.
The book “Faces of the Antihero” presents a different vision of antiheroes than is commonly accepted. The aim of the authors of the monograph is to break with the perception of the antihero as a bad and depraved person. Rather, it is a complex, complicated entity. Particularly noteworthy is the theme of comparing an antihero to an ordinary man stripped of heroism.
Źródło:
Kultura i Wychowanie; 2023, 23, 1; 133-135
2544-9427
2083-2923
Pojawia się w:
Kultura i Wychowanie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literary Competitions Organised by the Ministry of Culture and Arts in 1949–1950 in the Light of Archive Records
Autorzy:
Budrowska, Kamila
Powiązania:
https://bibliotekanauki.pl/articles/648906.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
literary competitions
Ministry of Culture and Arts
censorship after 1945
literary life after 1945
Opis:
The subject of this paper are these literary competitions organized by Ministry of Culture and Arts in the late 1940s and early 1950s. Analysys of the materials from archivesenabled to tackle the issues: these competitions are one of the many aspect of stalinism offensive. Competitions encouraged writers for moving problems of socialist realism, they enforced artists for submission in accordance with Government of country.In article characterized six competitions. Most curious was “Third competition on mass song”, in which took part important writer Tadeusz Różewicz.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 37, 7
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transgresje. Przenikania. Synchroniczność. Uwagi o wyobraźni chorwackiej i serbskiej awangardy literackiej
Transgressions. Penetrations. Synchronicity. Comments on the Imagination in the Croatian and Serbian Literary Avant-garde
Autorzy:
Czapik-Lityńska, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/636028.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
imagination
literary constructions of imagination between culture and nature
penetration
Opis:
The article discusses selected problems of the image, imagination and the ideological-aesthetic consciousness of the avant-garde in Croatian and Serbian literatures. Inspired by the ideas of modern Europe and opened to experiment, transgressions and mental function of the artistic language, it created an autonomous world of imagination. Utopian theories of reality evaluated from expressionistic conceptions of penetration of the world if matter and spirit, Earth and universe to surrealistic conceptions of over-reality.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 18; 83-101
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Strategie uwodzenia tekstem. O odpowiedzialnej lekturze literatury podczas zajęć na przykładzie języka polskiego jako rodzimego oraz jako języka obcego
Strategies of using literary texts as means of seduction. On reading literary text while teaching Polish as a mother tongue and as a foreign language
Autorzy:
Czerkies, Tamara
Powiązania:
https://bibliotekanauki.pl/articles/510759.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
literary texts in teaching
reading process
types of reading
responsible reading
glottodidactics
third place culture
Opis:
The article discusses problems for native speakers and foreigners when reading literary texts during Polish language classes. Two important books are presented here (K. Koziołek, 2006; A. Janus¬ Sitarz, 2009). It also refers to publications about the importance of literature in teaching and the role of the teacher (J. Kowalikowa 2004, B. Chrząstowska 1979, 2009). The author of the article also compares the theory of A. Janus¬ Sitarz (designed for teaching Polish as a mother tongue) with J. Spiro’s concept of 6 reading types (concerning the function of literary texts in teaching Polish as a foreign language). The author concentrates on the problem of responsible reading (as described by M.P. Markowski, 2000) and on teaching being understood as an invitation to a dialogue with text. K. Koziołek, A. Janus¬ Sitarz and C. Kramsch in glottodidactics recommend this kind of dialogic approach.
Źródło:
Postscriptum Polonistyczne; 2014, 1(13); 27-46
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kalendarium życia kulturalnego Łodzi (cz. 3) 16–30 kwietnia 1945
Calendar of Cultural Life in Lodz (vol. 3) 16–30 April 1945
Autorzy:
Dakowicz, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/682599.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Lodz in 1945
communist press
institutions of culture in Lodz
post-war fates of writers
calendar
literary life in Lodz
communist propaganda
Łódź w roku 1945
prasa komunistyczna
łódzkie instytucje kultury
powojenne losy pisarzy
kalendarium
łódzkie życie literackie
propaganda komunistyczna
Opis:
This publication, the third volume of the Calendar of Cultural Life in Lodz between 1945 and 1946 (Kalendarium łódzkiego życia kulturalnego w latach 1945–1946), focuses on the second half of April 1945, when cultural life was reorganised after more than five years of German occupation and terror. Spring 1945 was a peculiar period in the history of Lodz: in the face of the virtually complete annihilation of Warsaw, Lodz became the home of some of the Communist offices and was visited by prominent representatives of both intellectual and cultural life. They were offered apartments and jobs in the state-controlled press and hastily established cultural institutions and universities. Through a detailed denotation of facts related to history, politics as well as intellectual and artistic life, the author of the text makes an attempt to present the mechanisms and the dynamics of the earliest stage of the cultural and ideological revolution implemented in Poland between 1945 and 1948.
Publikacja niniejsza, trzeci fragment Kalendarium łódzkiego życia kulturalnego w latach 1945–1946, obejmuje swoim zakresem drugą połowę kwietnia 1945 roku, czas organizowania się kultury po przeszło pięciu latach niemieckiego terroru okupacyjnego. W dziejach miasta wiosna roku 1945 był to okres szczególny – wobec niemal całkowitego zburzenia Warszawy przez Niemców, na terenie Łodzi ulokowały się niektóre spośród komunistycznych urzędów, zaczęli tu także zjeżdżać ważni przedstawiciele życia umysłowego i kulturalnego. Oferowano im mieszkania, pracę w dynamicznie rozwijającej się, kontrolowanej przez władzę prasie oraz w tworzonych naprędce instytucjach kultury i uczelniach. Autor tekstu próbuje – poprzez szczegółową denotację faktów z pogranicza historii, polityki, życia umysłowego i artystycznego – przedstawić mechanizmy i dynamikę najwcześniejszego etapu kulturowo-ideologicznej rewolucji przeprowadzonej w Polsce w latach 1945–1948.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2018, 7; 407-450
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czytanie audiowizualności. O literaturze w cyberprzestrzeni
Audiovisual readings. Literature in cyberspace
Autorzy:
Dorak-Wojakowska, Lilianna
Powiązania:
https://bibliotekanauki.pl/articles/1391831.pdf
Data publikacji:
2015-12-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
new media
literary culture
cyber-literature
convergence of media.
nowe media
kultura literacka
cyberliteratura
konwergencja mediów
Opis:
A review of the book entitled Literature – new media. Homo irretitus in the literary culture of the 20th and 21st centuries (Literatura – nowe media. Homo irretitus w kulturze literackiej XX i XXI wieku) deals with the clash between literature and new media. The book constitutes an academic guide to the world of intermedia narration and cyber-literature. It may serve students, teachers and form tutors as a source of additional knowledge on the convergence of media. The authors reflect widely upon the transformation of both literary creation and the theory dealing with the art of language, as well as upon the changes in the study of literature, books and reading in the 21st century.
Źródło:
Przestrzenie Teorii; 2015, 24; 357-376
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Urbs admiranda, czyli śląski podziw dla miasta
Urbs admiranda, i.e. the city admiration in Silesia
Autorzy:
Gaj, Beata
Powiązania:
https://bibliotekanauki.pl/articles/445682.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Silesia
city
town
paideia (παιδεία)
New Latin literature
literary culture
Wroclaw-Breslau
Laurentius Corvinus
Wojciech Kilar
Opis:
The theme of the city has always played an important role in Silesia, one of the most urbanized areas in Central Europe. It occupied a significant position, if not the central one, in the Silesian New Latin literature. The city was not only a background, a board for the literary game, but also the main theme, the addressee of praise songs. Anne, the wife of the famous humanist, Laurentius Corvinus, is inextricably bound with one of the first poems that extoll the city. Some of the most eulogized cities are Wroclaw (Vratislavia, Bresla) and Złotoryja (Goldberga). Silesian cities were glorified both in poetry and prose until the end of the 18th century which is the end of the Latin literary culture in Silesia. Vernacular literature that followed depicted the city in a pejorative way, as a paved desert full of horror and fear, referring to the commonplace disapproving perception of the city in the biblical tradition.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2014, 2; 19-29
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Errata to the Stanisław Czernik’s Biography: 1949
Autorzy:
Gardocki, Wiktor
Powiązania:
https://bibliotekanauki.pl/articles/648908.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Stanisław Czernik
Ministry of Culture and Art
censorship after 1945
censorhip towards literature
literary life after 1945
literary criticism
Opis:
The subject of this paper is the writing activity of Stanisław Czernik in 1949. Czernik was an esteemed writer but concurrently he worked as censor in The Ministry of Culture and Art. He reviewed novels of many writers in the same department of Ministry where his novels were reviewed too. This paper discusses a number reviews wrote by Czernik and some reviews of Czernik’ books wrote by another censors of The Ministry.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 37, 7
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Der indirekten Translation auf der Spur – Koelie von Madelon Székely-Lulofs in polnischer Übersetzung
On the trail of the indirect translation – Koelie written by Madelon Székely-Lulofs rendered into Polish
Autorzy:
Gąska, Michał
Powiązania:
https://bibliotekanauki.pl/articles/1191709.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
indirect translation
literary translation
third culture elements
translation technique
rendering
Opis:
The present article deals with the indirect translation, which is conceived by many translation theoreticians as an inadvisable practice. The aim of the paper is to prove that the Polish rendering of the novel “Koelie” by the Dutch writer Madelon Székely-Lulofs is in fact an indirect translation. The case study draws on a triangulation method consisting of peritextual, epitextual and comparative analysis. The epitextual analysis enabled to advance a hypothesis, that the translator of the novel into Polish – Herminia Bukowska – might have rendered indirect either via the German or English version. On the basis of the comparative analysis of the source text with its renderings into German, English and Polish carried out with regard to the so-called third culture elements, was it possible to verify this hypothesis. The comparison revealed quite a few unambiguous similarities between the Polish and German rendering in the translators’ approach in relation to the mentioned translation units, which in turn differ from the source text.
Źródło:
Studia Translatorica; 2020, 11; 9-26
2084-3321
2657-4802
Pojawia się w:
Studia Translatorica
Dostawca treści:
Biblioteka Nauki
Artykuł

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