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    Wyświetlanie 1-8 z 8
    Tytuł:
    Bóg jest światłością – co to znaczy?
    God is Light - What Does It Mean?
    Autorzy:
    Witczyk, Henryk
    Powiązania:
    https://bibliotekanauki.pl/articles/1621557.pdf
    Data publikacji:
    2016-07-23
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    światłość
    światło
    light
    lightness
    Opis:
    Słowo wstępne Redaktora Naczelnego.
    Źródło:
    Verbum Vitae; 2016, 29; 5-13
    1644-8561
    2451-280X
    Pojawia się w:
    Verbum Vitae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sopra-vivere nell’inferno: una eredità calviniana
    Surviving in the “Inferno”: A Legacy of Calvino
    Autorzy:
    Redaelli, Stefano
    Powiązania:
    https://bibliotekanauki.pl/articles/446467.pdf
    Data publikacji:
    2016-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    lightness
    gaze
    distance
    literature
    ethics
    leggerezza
    sguardo
    distanza
    letteratura
    etica
    Opis:
    The present study aims to highlight two survival strategies in the “inferno of the living” that emerge from the analysis of Invisible Cities: lightness and gaze. The value of lightness is visible in the “thin cities”, which share a fragile architecture, the contrary reaction opposing the heaviness of living, the distance from the ground. “The hidden cities”, in turn, provide the motive for a reflection (a lecture) on gaze, with the aim of training the gaze to “recognize that which is not hell”: the happy city inside the unhappy city. In Invisible Cities, Calvino’s gaze still has an ethical and civic function (present in The Day of a Scrutineer). This function, however, will give way to the epistemic and scientific function of Mr. Palomar (from The Cosmicomics onwards), whose eye is exclusively concerned with measuring the limits of knowledge, which never extends, in a revealing way, from the natural world to the human world. Thirty years after Calvino’s death, amongst the many legacies left by his multifaceted literary work, we can recover the ethical and civic dimension expressed by the values of lightness and gaze.
    Il presente studio vuole mettere in evidenza due strategie di sopravvivenza nell’“inferno dei viventi” che emergono dall’analisi de Le città invisibili: la leggerezza e lo sguardo. Il valore della leggerezza trova visibilità nelle “città sottili”, accomunate da un’architettura esile, dalla reazione contraria e opposta al peso del vivere, dalla distanza dalla terra. “Le città nascoste”, a loro volta, offrono lo spunto per una riflessione (lezione) sullo sguardo, al fine di educarlo a “riconoscere ciò che inferno non è”: la città felice contenuta nella città infelice. Ne Le città invisibili, lo sguardo di Calvino è ancora portatore di una funzione etico-civile (presente ne La giornata di uno scrutatore), che lascerà il posto (dalle Cosmicomiche in poi) a quella scientifico-epistemica di Palomar, il cui occhio è intento esclusivamente a misurare il limiti della conoscenza, che non si estende mai, in modo rivelatore, dal mondo naturale a quello umano. A trent’anni dalla morte di Calvino, tra le numerose eredità che la sua poliedrica opera letteraria ci lascia, possiamo recuperare una dimensione etico-civile, espressa dai valori della leggerezza e dello sguardo.
    Źródło:
    Italica Wratislaviensia; 2016, 7; 163-176
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Nieznośna lekkość bytu” – skrzydlate słowa w retorycznych interpretacjach
    “The Unbearable Lightness of Being” – winged words in rhetorical interpretations
    Autorzy:
    Smoleń-Wawrzusiszyn, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/2117729.pdf
    Data publikacji:
    2016-12-30
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    winged words
    public discourse
    rhetorical methogology
    the principle of appropriateness
    The Unbearable Lightness of Being
    Opis:
    The subject of the article is to present a rhetorical approach in linguistic analysis of functioning of culture idioms (winged words) in the contemporary public discourse. The chosen example of the winged words is the Milan Kundera’s novel title The Unbearable Lightness of Being which turned out to be often rephrased/paraphased and used idiom in Polish media (press titles) and commercials (slogans). The main directions of analysis was based on one of the fundamental rhetorical rules – the principle of appropriateness. The principle was recognized as a useful scientific tool in linguistic research because 1) it allows to deeply interpret intertextual games, 2) enables esthetic verification of idioms modifications in public discourse and, 3) lets to assess a communication act based on idioms as coherent or not in context of sender-recipient relations. Paraphases and rephrases of analyzed winged words showed that they include both rthetorical inventio and dispositio techniques but the inventio strategy is crucial here for appropriateness. The main conclusions of the presented research for the analyzed texts of public discourse are as following: 1) appropriate press tittle based on winged words is clear for recipient, and coherent with the article subject; 2) appropriate slogan based on winged words is adequate to target recipient, and understood not only as persuasive but also informational text; 3) intertextual games in both types of public discourse are focused on intriguing the recipient but keeping the principle of appropriateness has different axiological rank in each of them: in press discourse appropriateness is an autotelic value as a kind of cognitive value, in marketing discourse commercial utility is a priority so appropriateness becomes instrumental value there.
    Źródło:
    Białostockie Archiwum Językowe; 2016, 16; 265-283
    1641-6961
    Pojawia się w:
    Białostockie Archiwum Językowe
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kunderowskie zmagania z kiczem – raz jeszcze o „Nieznośnej lekkości bytu”
    Autorzy:
    Hudymač, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/1187221.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Milan Kundera
    The Unbearable Lightness of Being
    kitsch
    testament
    lie
    mask
    socialism with a ‘human face
    Opis:
    This paper deals with the Kundera’s most popular novel as a passionate dialogue with kitsch. The Unbearable Lightness of Being is based on the antinomy of lightness and heaviness, as well as kitsch and individuality. The narrator treats his characters as the experimental ego and confronts them with the reality created on the cross-scheme of those key-words mentioned above. Kundera interprets the phenomenon of Kitsch as the tool to create a totalitarian reality and slave human beings, but also as something, that can be recognize and ‘domesticate’, and then comprise an inalienable part of human existence and its relation to the world. Paper also deals with the Kundera’s famous aversion to film his novels. He banned any further film adaptations of his work, having disliked the way The Unbearable Lightness of Being had been adapted by Philip Kaufman in 1988.
    Źródło:
    Załącznik Kulturoznawczy; 2016, 3; 72-84
    2392-2338
    Pojawia się w:
    Załącznik Kulturoznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pozorna lekkość bytu - estetyzacja w fotografii dokumentalnej
    The simulacre lightness of being – aestheticization in documentary photography
    Autorzy:
    ZARYCHTA, ANNA M.
    Powiązania:
    https://bibliotekanauki.pl/articles/921108.pdf
    Data publikacji:
    2016-10-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    lightness
    aestheticization
    weightiness
    beauty
    documentary photography
    Italo Calvino
    Wolfgang Welsch
    Georges Merillon
    Sebastiao Salgado
    Luc Delahaye
    Simon Norfolk
    Opis:
    The starting point for analyzing aestheticization processes in contemporary documentary photography in this text are both the “poetic” images of lightness in literature and culture analyzed in a lecture by Italo Calvino (Six Memos for the Next Millennium) and the critical thought of Wolfgang Welsch on intentional aestheticization processes in the real world. According to Welsch, these processes, through specific procedures of “lavishing lightness”, cease to be a binding image of the world and become part of a culture game (Grenzgange der Asthetik). Examples selected for analysis include award-winning documentary photography, including war photography, represented by the work of Georges Merillon, Sebastiao Salgado, Luc Delahaye, Simon Norfolk and Tim Hetherington. These ‘aestheticization procedures’ are outlined in this text in the context of the history of photography perceived as its “struggle” for a place in the history of art, as well as in the context of the theoretical considerations which accompany these processes.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 317-331
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ciężkość - lekkość - perswazyjność. Czyli co wynika z organizacji estetycznej filmu "Dwunastu gniewnych ludzi" Sidneya Lumeta
    Autorzy:
    Pawłowska-Jądrzyk, Brygida
    Powiązania:
    https://bibliotekanauki.pl/articles/1186758.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    American cinema
    court drama
    persuasiveness
    film narrative
    film aesthetics
    gravity
    lightness
    12 Angry Men
    Sidney Lumet
    non-verbal persuasion
    Opis:
    The author aims to show that Sidney Lumet’s cinema classic 12 Angry Men (1957) is not only a film about persuasion (making art the subject of persuasion about something that presents the clash of various attitudes and views), but also a persuasive film (placing an emphasis on persuading the viewer for specific reasons). For the second of these perspectives, non-verbal persuasion is of fundamental importance – implicit, in its immanent essence, because it uses certain narrative techniques and remains in a purposeful relationship with the organisation of its aesthetics. The axis of this kind of organisation is determined by the categories of gravity and lightness, which seem to fundamentally define various aspects of the film, ranging from the weight of the issues discussed to the implications associated with the setting of the drama. Lumet’s work is a model example of a text that methodically engages audiences in an aesthetic-affective game with the help of gravity and lightness, but also gives the game a world-view sense: it shapes beliefs and assessments that weigh not only on viewers’ attitudes towards conflicts that determine the relationship in the film world, but also affect the perception of non-textual reality (not openly making viewers approve the American model of democracy).
    Źródło:
    Załącznik Kulturoznawczy; 2018, 5; 37-54
    2392-2338
    Pojawia się w:
    Załącznik Kulturoznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zastosowanie modelu CIE Lab w badaniach barwy lotnych popiołów
    Application of the CIE Lab model in research of fly ash colour
    Autorzy:
    Molenda, J.
    Wrona, M.
    Siwiec, E.
    Powiązania:
    https://bibliotekanauki.pl/articles/257179.pdf
    Data publikacji:
    2012
    Wydawca:
    Sieć Badawcza Łukasiewicz - Instytut Technologii Eksploatacji - Państwowy Instytut Badawczy
    Tematy:
    lotny popiół
    model CIE Lab
    barwa chromatyczna
    jasność
    kolorymetria
    fly ash
    CIE Lab model
    chromatic colour
    lightness
    colorimetry
    Opis:
    W artykule przedstawiono wyniki pomiarów kolorymetrycznych próbek lotnych popiołów powstających podczas spalania węgla w kotłach energetyki zawodowej. Pomiary kolorymetryczne zrealizowano za pomocą spektrofotometru UV-Vis wyposażonego w sferę integrującą do rejestracji promieniowania rozproszonego. Następnie na podstawie modelu CIE Lab dokonano obliczeń parametrów L, a, b opisujących jasność próbek oraz barwy chromatyczne. Stwierdzono liniową zależność pomiędzy jasnością a zawartością niewypalonego węgla w badanych próbkach, a tym samym potwierdzono możliwość oceny zawartości węgla w lotnych popiołach na podstawie badań kolorymetrycznych. Na wynik pomiaru w nieznaczny sposób wpływa obecność w próbce substancji o zabarwieniu czerwonym, opisywanym parametrem a w modelu CIE Lab.
    The article presents the results of colorimetric measurements of samples of fly ash, originating during coal combustion in professional power boilers. Colorimetric measurements were realised using a UV-Vis spectrophotometer, equipped with an integrating sphere for the scattered radiation registration. Then, based on the CIE Lab model, the calculations of the L, a, b parameters describing the brightness of samples and chromatic colours were performed. A linear correlation was found between brightness and unburned coal content in research samples, which confirmed the possibility of the assessment of coal content in fly ash, based on colorimetric research. Measurement results are slightly influenced by the presence in the sample of a substance of a red colour, described by a parameter in the Lab model.
    Źródło:
    Problemy Eksploatacji; 2012, 3; 177-187
    1232-9312
    Pojawia się w:
    Problemy Eksploatacji
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Przezroczysta lekkość bytu – od Calvina do Bieńczyka
    The transparent lightness of being – from Calvino to Bieńczyk
    Autorzy:
    Błaszczak, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/1391510.pdf
    Data publikacji:
    2016-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    transparency
    esthetic categories
    lightness
    speed
    accuracy
    multiplicity
    mistiness
    lucidity
    glassiness
    przezroczystość
    kategorie estetyczne
    lekkość
    szybkość
    dokładność
    wielorakość
    mglistość
    świetlistość
    szklistość
    Opis:
    Transparency is one of physical esthetic categories that are used to describe literature and other arts. The main aim of this paper is to show how those esthetic categories are used on three levels: esthetic, performatively dramatic and philosophical in modern literature, theater, film and fine arts. The starting point for those considerations are methods of Italo Calvino (“American lectures”) and Marek Bieńczyk (his collection of essays titled “Transparency”) . Calvino’s category of “transparency” (in his attempt to go beyond anthropocentric cognition with the author’s main question: “Is imagination an instrument of cognition?”) is contrasted with Marek Bieńczyk’s term of “transparency”, who has pointed out the positive aspects of paintings (which are not only giving a feeling of emptiness but also provide certainty of clarity and obviousness). In addition to these categories, lucidity and glassiness are featured and a crystal structure is summoned in the context of mistiness as its opposition.
    Źródło:
    Przestrzenie Teorii; 2016, 25; 170-210
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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