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Wyszukujesz frazę "l'imitation" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
«Imago repraesentationis creata». Liberté et union avec l’Absolu: mystique spéculative et réflexion sur l’accès à Dieu chez Nicolas de Cues
“Imago repraesentationis creata.” Freedom and Union with the Absolute: Speculative Mysticism and Thinking about Access to God in Nicolas of Cusa
„Imago repraesentationis creata. Wolność i zjednoczenie z Absolutem: Spekulacyjny mistycyzm i refleksja o dostępie do Boga u Mikołaja z Kuzy
Autorzy:
Soto-Bruna, María-Jesús
Powiązania:
https://bibliotekanauki.pl/articles/488344.pdf
Data publikacji:
2015
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
imago
mistycyzm
wolność
reprezentacja
imitacja
Bóg
mysticisme
la liberté
la représentation
l'imitation
Dieu
mysticism
freedom
representation
imitation
God
Opis:
Autorka artykułu podejmuje temat mistyki spekulacyjnej dotyczącej tego, czy istoty ludzkie mogą osiągnąć pełną jedność z zasadą bytu w kontekście koncepcji imago repraesentationis Mikołaja z Kuzy. U Mikołaja z Kuzy to pytanie pojawia się w kontekście zachowania wolności człowieka, jako imago imitarionis creata, dzięki unii personalnej z Absolutem.
Dans cet article l’auteur traite un theme de la spéculation mystique qui concerne la question de savoir si l’être humain peut atteindre une union complete avec l'origine ou principe de l'’être dans le contexte de la notion repraesentationis imago de Nicolas de Cues. Chez Nicolas de Cues cette question se pose en termes de déroulement de la liberté de l’être humain, comme imago imitationis creata, à travers cette union personnelle avec l’Absolu.
In this article the author deals with a theme of mystical speculation that regards the question of whether the human being can reach a complete union with the origin or principle of being within the context of Nicholas of Cusa's notion of imago repraesentationis. In Nicholas of Cusa, this question is posed in terms of the unfolding of the human beings freedom, as imago imitationis creata, through that personal union with the Absolute.
Źródło:
Roczniki Filozoficzne; 2015, 63, 2; 125-143
0035-7685
Pojawia się w:
Roczniki Filozoficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Imitation et Invention dans "L’Académie de l’art poétique" de Pierre de Deimier
Imitation and invention in the "Académie de l’art poétique" of Pierre de Deimier
Autorzy:
Pawłowska, Maja
Powiązania:
https://bibliotekanauki.pl/articles/571890.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
imitation
invention
Académie de l’Art poétique
Pierre de Deimier
imitation, invention, Académie de l’Art poétique, Pierre de Deimier
Opis:
Pierre de Deimier’s “Académie de l’art poétique” is a treaty written at the time of transition between Renaissance and Classical aesthetics. Consequently, Deimier, who continues to respect the regularisation of French poetry, is much more liberal in the applications of the rules of literature than his successors. Contrary to his predecessors, he acknowledges the primacy of invention over imitation, and distinguishes between free and close imitation. Only free imitation is acceptable.
Źródło:
Acta Philologica; 2016, 49; 113-121
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Phonetic Imitation of Vowel Duration in L2 Speech
Autorzy:
Zając, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/620691.pdf
Data publikacji:
2013-03-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
phonetic imitation
phonetic convergence
phonetic accommodation
L2 pronunciation
vowel lenght in L2 pronunciation
pre-fortis clipping in L2 pronunciation
Polish learners of English
social factors affecting phonetic imitation
linguistic factors affecting phonetic imitation
Opis:
This paper reports the results of a pilot study concerned with phonetic imitation in the speech of Polish learners of English. The purpose of the study was to investigate whether native speakers of Polish imitate the length of English vowels and to determine whether the extent of phonetic imitation may be influenced by the model talker being a native or a non-native speaker of English. The participants were asked to perform an auditory naming task in which they indentified objects and actions presented on a set of photos twice, with and without the imitation task. The imitation task was further sub-divided depending on the model talker being a native or non-native speaker of English (a native Southern British English speaker and a native Polish speaker fluent in English). As the aim was to investigate the variability in durational characteristics of English vowels, the series of front vowels /æ e ɪ iː/ were analysed in the shortening and lengthening b_t vs. b_d contexts. The results of the study show that the participants imitated the length of the investigated vowels as a result of exposure to the two model talkers. The data suggest that the degree of imitation was mediated both by linguistic and social factors and that the direction of convergence might have been affected by the participants’ attitude toward L2 pronunciation.
Źródło:
Research in Language; 2013, 11, 1; 19-29
1731-7533
Pojawia się w:
Research in Language
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Teaching the pronunciation of sentence final and word boundary stops to French learners of English: distracted imitation versus audio-visual explanations
Autorzy:
Amand, Maelle
Touhami, Zakaria
Powiązania:
https://bibliotekanauki.pl/articles/620639.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Second-language acquisition
unreleased stops
imitation
audio-visual teaching
L2 pronunciation
e-learning
pronunciation teaching
Opis:
Studies on stop unrelease in second language acquisition have hitherto focused on the productions of Slavic learners of English (Šimačkova & Podlipsky, 2015) and experiments on Polish learners of English; the latter show the tendency to release stops on a more regular basis depending on the type of stop combinations (Rojczyk et al. 2013). In the present study, we aim to test the efficiency of audio-visual explanations as opposed to distracted imitation in pronunciation teaching amongst French learners of English. While unreleased stops are rather frequent in French and English - especially in plosives clusters (Byrd, 1993; Davidson, 2010), unreleased plosives in final positions are less common in French (Van Dommelen, 1983). During phase 1 of the experiment, three groups of 12 native French learners of English (level A1/A2, B1/B2 and C1/C2) were asked to read idiomatic expressions containing both homogeneous and heterogeneous sequences of voiceless stops straddled between words, namely, in sequences like “that cat” [dat˺ kat˺], and stops at the end of sentences like “I told him to speak” [tə spiːk˺]. In the second phase of the experiment, one half in each group was given a different task. The first group heard recorded versions of phase 1 sentences and before reading them out loud, counted up to five in their L1. Stimuli for imitation contained no release in the contexts under scrutiny. The other half had to watch a video explaining the phenomenon of unreleased stops with a production of phase-two expressions propped up by hand gestures. They were then asked to re-read the sentences given in phase 1. Based on these results the current study makes recommendations about what working environment should be prioritized in pronunciation teaching both in class and online (Kroger et al. 2010), and suggests ways to assess students and visually keep track of their progress.
Źródło:
Research in Language; 2016, 14, 4
1731-7533
Pojawia się w:
Research in Language
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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