Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "kościoły romańskie" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-4 z 4
    Tytuł:
    ROMAŃSKIE DZIEDZICTWO KOŚCIOŁÓW KATOLICKICH W WIŚLICY NA ZIEMI ŚWIĘTOKRZYSKIEJ JAKO DYSTANCJA PIELGRZYMKOWO-RELIGIJNA ORAZ POZNAWCZA, CZ. II.
    ROMAN HERITAGE OF CATHOLIC CHURCHES IN WIŚLICA ON ŚWIĘTOKRZYSKA LAND AS PILGRIMAGE AND RELIGIOUS AND COGNITIVE DESTINATION, PART II
    Autorzy:
    Obodyński, Marcin
    Dzióba, Marek
    Żegleń, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/550493.pdf
    Data publikacji:
    2018
    Wydawca:
    Wyższa Szkoła Biznesu i Przedsiębiorczości w Ostrowcu Świętokrzyskim
    Tematy:
    Ziemia Świętokrzyska
    Wiślica
    kościoły romańskie
    turystyka religijna i pielgrzymkowa
    Świętokrzyska Land
    Roman churches
    religious and pilgrimage tourism
    Opis:
    Opracowanie jest II częścią większej liczby doniesień związanych z nasilającym się turystycznym ruchem pielgrzymkowym. Artykuł ukazuje dziedzictwo chrześcijańskiej kultury materialnej, jakie przetrwało w Wiślicy. Opracowanie opiera się o wiarygodne źródła, których zbiór zgromadzono w zamieszczonej na końcu pracy bibliografii. Artykuł skierowany jest do pielgrzymów i studentów turystyki.
    The paper is the second part of bigger number of reports concerning increasing pilgrimage tourist movement. The article presents heritage of Christian material culture that survived in Wiślica. The narrative is based on reliable sources, which collection is presented in the end of the work, i.e. in bibliography. The paper is directed to pilgrims and students of tourism.
    Źródło:
    Acta Scientifica Academiae Ostroviensis. Sectio A, Nauki Humanistyczne, Społeczne i Techniczne; 2018, 12(2)/2018; 288-295
    2300-1739
    Pojawia się w:
    Acta Scientifica Academiae Ostroviensis. Sectio A, Nauki Humanistyczne, Społeczne i Techniczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Skały w architekturze podkrakowskich kościołów romańskich
    Rocks applied in the architecture of the Romanesque churches of the northern suburbs of Kraków
    Autorzy:
    Bromowicz, Jan
    Magiera, Janusz
    Powiązania:
    https://bibliotekanauki.pl/articles/2075921.pdf
    Data publikacji:
    2019
    Wydawca:
    Państwowy Instytut Geologiczny – Państwowy Instytut Badawczy
    Tematy:
    kamieniarka
    kościoły romańskie
    okolice Krakowa
    stonework
    Romanesque churches
    Krakow surroundings
    Opis:
    There are a few Romanesque churches (12th to mid of 13th century) located iin the close suburbs north ofKrakow which are not well known nor described, in contrast to the churches of this age located within the city. Three of them were the subject to the present study. All three churches are located close to each other, but the local geology and available building stones are different. The Romanesque walls of the Church in Prandocin are built of calcareous sandstone of light grayish shade (Neogene). Their exposures and probable past mining sites are located a few kilometers to the north of the church. Stone blocks are very neatly shaped and fitted, so the joints are smooth and very narrow. The church in Wysocice is built mainly of a local compact, white to grayish limestone with cherts (Upper Jurassic), with horizontal stripes made of a porous gray travertine (Quaternary?) adapted to retaining the wall. Sculptures are carved of a soft lithotamnium limestone (Pińczów, Leithakalk; Neogene). Both the compact Jurassic limestone and the soft Pińczów limestone are applied in the church of Kościelec Proszowicki. Decorative sculptures and carvings are made exclusively of the Pińczów limestone. The works in all three places were performed by masonry guilds, which searched for and quarried an appropriate stone material and treated it. Stonemasons had apparently high qualifications for selecting an appropriate material which, on one hand, fulfilled aesthetical requirements of the founder and, on the other, guaranteed durability of the whole structure.
    Źródło:
    Przegląd Geologiczny; 2019, 67, 9; 728--735
    0033-2151
    Pojawia się w:
    Przegląd Geologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zespół poklasztorny norbertanek w Strzelnie : wybrane problemy rekonstrukcji średniowiecznej i nowożytnej
    The Former Premonstratensian Convent Complex in Strzelno. Select Problems of the Reconstruction of Mediaeval and Modern Development
    Autorzy:
    Hewner, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/536311.pdf
    Data publikacji:
    2001
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    zespół poklasztorny norbertanek w Strzelnie
    klasztor norbertanek w Strzelnie
    Strzelno
    klasztor norbertanek
    rekonstrukcja średniowieczna
    Kujawy Brzeskie
    gotycki klasztor
    archeologia historyczna
    kościoły romańskie
    klasztor romański
    barokowy klasztor
    Opis:
    The former Premonstratensian convent complex in Strzelno, in the past one of the largest in the Greater Poland- Kujawy region, was subject to structural transformations in the course of several centuries. The existence of the Romanesque convent, probably created at the time of the foundation of two churches (the rotunda and the monastic basilica) is testified not only by the in situ extant Romanesque portal adjoining the n orthern basilica, but also by the newly discovered (today: walled up) passage in the northern arm of the transept of the church of the Holy Trinity. In the wake of the fires and cataclysms which affected the Strzelno churches at the end of the thirteenth century and during the fourteenth century, the object was given a purely defensive character. The greatest construction intervention, apart from the re designing of the basilica in the Gothic style, was the granting of a Baroque form to the rotunda of St. Prokop (Holy Cross), excluded from religious cult at the end o f the eighteenth century. Repair conducted upon the initiative of the Prussian government did not prevent devastation and, consequently, the pulling down of the Gothic-Baroque object in 1813— 1898. The historical qualities of the Strzelno churches were discovered during the in te r-w a r period, and work on the restoration of the Romanesqu character of the rotunda was completed in 1948-1952, albeit it was conducted not totally in accordance with the principles of conservation.
    Źródło:
    Ochrona Zabytków; 2001, 2; 143-156
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Znaczenie naukowe odkryć malowideł ściennych w Małopolsce południowej
    SCIENTIFIC SIGNIFICANCE OF THE MURALS REVEALED IN THE SOUTH OF LITTLE POLAND
    Autorzy:
    Pieńkowska, Hanna
    Powiązania:
    https://bibliotekanauki.pl/articles/536303.pdf
    Data publikacji:
    1977
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    malowidła ścienne ziemi krakowskiej
    odkrycia konserwatorskie Małopolski
    malowidła romańskie Małopolski
    malowidła gotyckie
    krańce podstropowe
    malarstwo patronowe
    Stanisław Samostrzelnik
    podkarpackie kościoły drewniane
    Opis:
    The paper, by the late Hanna Pieńkowska — deceased in 1976, Assistant Professor and former Voivodship Conservator of Historical Monuments in Cracow — was delivered at the 25th Session o f the Historians o f Art, November 1975. The author had recapitulated therein the results o f the work o f conservation service on preserving the murals in the former voivodship of Cracow. At the outset there are discussed the research trends which gave rise to the present postulate for integrated conservation research. The place of prominence is taken therein by research on plasters. Investigations of this kind were carried out on 120 historical monuments situated in the former voivodship o f Cracow, 60 paintings thus revealed having been subject to conservation. The murals found in the Romanesque churches in the countryside refer to the decorations typical then of the fine arts in Austria, Bohemia and Hungary (12th—13 th centuries). In Gothic painting two trends have been singled out : the didactic (precepts o f faith, Biblical scenes) and the folk one. Another fact ascertained was perseverance of the favourite schemes and forms o f painting decoration applied since the mediaeval period till the mid-seventeenth century. The works o f art revealed in the course of the research discussed have brought into relief, both the variety o f artistic stimuli and the wealth o f the source o f inspiration. Moreover, they have enabled as well the study o f the then artistic centres outside Cracow (Tarnów, Olkusz, Nowy Sącz). Last but not least, the conservators’ discoveries made in the course o f conservation research have also provided for determination o f the ’’specialty” o f painting in Little Poland in the following fields : 1. decoration o f the interiors o f wooden churches ; 2. decoration o f manor houses; and 3. decoration of burgher houses. What was o f great significance to the history o f art was the fact of ascertainment o f the authors o f various works o f art, e.g. of Stanisław Samostrzelnik and of the person o f their patrons and founders, like Bishop Tomasz of Płaza. The author goes on to describe in greater detail the discovery o f the murals dating from various periods beginning with the Romanesque one (e.g. those at Tropie — end o f the 11th century, Wysocice — early 13th century). In Gothic painting there are to be singled out the uniform compositions o f interior decoration (Bolechowice, ca 1415), the loosely arranged paintings (e.g. at Olkusz, 14th century) and the polychromy o f architectural monuments (Staniątki, Stary Sącz). The next problem discussed is that o f the discovered Renaissance paintings classed into the respective groups according to their common artistic features. A separate complex make the so-called stencil paintings (e.g. at Dębno Podhalańskie, XV—XVI century) and the great ideological and formal cycles (Łękawica, 1630). Another set make as well the works o f outstanding artists, e.g. those by Stanisław Samostrzelnik (decorations in the Cistercian Church at Mogiła, 16th century) and paintings in minor interiors (polychromy in the chapel o f the church at Niepołomice, 1596) or decoration o f the burger houses in Cracow, Tarnów and Stary Sącz). The author mentions as well such sets as the Passion o f Christ, and those o f the Virgin Mary, linking on Gothic traditions (Racławice Olkuskie, mid-seventeenth century). The 17th century decorations o f castles, palaces, manorhouses and various interiors in town, dating from the 17th-century and continued in the 19th (Tęgoborze, Zator) are also described. The author concludes her paper in the statement that the number of subjects waiting for more detailed examination is simply enormous and the wealth o f the material disclosed in the course o f the said conservation research in Little Poland makes it possible for work o f synthetic character to be taken up.
    Źródło:
    Ochrona Zabytków; 1977, 1-2; 3-20
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies